Brian Micklethwait's Blog
In which I continue to seek part time employment as the ruler of the world.Home
Michael Jennings on On the rights and wrongs of me posting bits from books (plus a bit about Rule Utilarianism)
Darren on How the internet is cheering up Art
Michael Jennings on Marginal Eurostar economics
Michael Jennings on Marginal Eurostar economics
Natalie Solent on Union Jacks with colours played around with
Natalie Solent on Union Jacks with colours played around with
Brian Micklethwait on Union Jacks with colours played around with
Natalie Solent on Union Jacks with colours played around with
Valent Lau on The Poppies (1): What they look like
Alan Little on The Poppies (1): What they look like
Most recent entries
- Phone (and cash) box
- The Magic Flute at the RCM
- The Poppies (4): Bald Blokes photoing them
- On the rights and wrongs of me posting bits from books (plus a bit about Rule Utilarianism)
- Quota photo from Paris (also a selfie)
- How the internet is cheering up Art
- Marginal Eurostar economics
- Looking down through the see-through Tower Bridge walkway – but what about looking up through it?
- Cats – and technology
- Hot dog shadow selfie
- As found not-art
- The Poppies (3): People taking selfies
- The Poppies (2): The crowds
- Photographed flatness that doesn’t look flat
- The Poppies (1): What they look like
Other Blogs I write for
6000 Miles from Civilisation
A Decent Muesli
Adventures in Capitalism
Alex Ross: The Rest Is Noise
Another Food Blog
Antoine Clarke's Election Watch
Armed and Dangerous
Art Of The State Blog
Boatang & Demetriou
Burning Our Money
Chase me ladies, I'm in the cavalry
China Law Blog
Civilian Gun Self-Defense Blog
Coffee & Complexity
Communities Dominate Brands
Confused of Calcutta
Conservative Party Reptile
Counting Cats in Zanzibar
Deleted by tomorrow
Don't Hold Your Breath
Douglas Carswell Blog
Dr Robert Lefever
Englands Freedome, Souldiers Rights
Everything I Say is Right
Fat Man on a Keyboard
Ferraris for all
Freedom and Whisky
From The Barrel of a Gun
Gates of Vienna
Global Warming Politics
Greg Mankiw's Blog
Guido Fawkes' blog
Here Comes Everybody
Hit & Run
House of Dumb
Iain Dale's Diary
Jeffrey Archer's Official Blog
Jessica Duchen's classical music blog
Laissez Faire Books
Last of the Few
Libertarian Alliance: Blog
Liberty Dad - a World Without Dictators
Lib on the United Kingdom
Little Man, What Now?
Loic Le Meur Blog
L'Ombre de l'Olivier
London Daily Photo
Metamagician and the Hellfire Club
Michael J. Totten's Middle East Journal
More Than Mind Games
Mutualist Blog: Free Market Anti-Capitalism
My Boyfriend Is A Twat
My Other Stuff
Nation of Shopkeepers
Never Trust a Hippy
Non Diet Weight Loss
Nurses for Reform blog
Obnoxio The Clown
On an Overgrown Path
One Man & His Blog
Owlthoughts of a peripatetic pedant
Oxford Libertarian Society /blog
Patri's Peripatetic Peregrinations
Police Inspector Blog
Private Sector Development blog
Remember I'm the Bloody Architect
Setting The World To Rights
SimonHewittJones.com The Violin Blog
Sky Watching My World
Social Affairs Unit
Squander Two Blog
Stuff White People Like
Stumbling and Mumbling
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the blog of dave cole
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The Welfare State We're In
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we make money not art
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Category archive: Photography
A new student accommodation building is currently being erected on the far side of Westminster Bridge from me, i.e. next to the equally rotund hotel in the middle of the roundabout there.
There is a rule in architecture (which I just made up), which says that if you build a very big and very boring lump, but put another very big and very boring lump of the same shape next to it, the result can be quite pleasing. Think Twin Towers. They seem to be following this rule here.
I have been photoing the erection of this erection ever since erection began. Here are two of my latest snaps of it, taken last Friday. The picture on the right was taken from right next to the little roadside sign that you see on the bottom right of the picture on the left.
It’s hard not to interpret that two dimensional picture as three dimensional, I think you will agree. After all, the real building above the sign is also only a picture, in my pictures, and that looks suitably three dimensional, even though, in my pictures, it is actually every bit as flat as that sign is.
Subtitle for the photo above left: This is not a building. Subtitle for the photo above right: These are not buildings.
The other day, I forget which one, I worked something out that had been confusing me. Why, given all the fun I get out of photography and given all the time I spend doing it and thinking about it, have I not immersed myself in all the technicalities of photography? Why is it that the only setting on my camera that I regularly use is the one called “Automatic”? Why am I no nearer to understanding manual focussing than I was a decade ago?
The answer is that it is the point-and-shoot sort of photography that strikes me as the most interesting sort of photography now happening. Not in art galleries where the latest black-and-white photos of plague victims or under-age African soldiers are on display, in photos that cost more to buy than paintings and took more trouble to produce. That is all so twentieth century, and even, actually, nineteenth century. What counts now, for me, are the photos you can take with your mobile phone camera, or with the jumped-up mobile phone camera that I use, and the sort of photos that regular people are now able to take, of regular stuff rather than of foreign catastrophes that someone will pay them to take art-gallery standard photos of.
In short, I take point-and-shoot pictures because I like to be part of history, and this is where the history of photography now is. (If you disagree, realise that what you are reading is not an argument. It is a description of a feeling.)
What I have is called a “bridge” camera, but all that this means is that it is a bog-standard point-and-shoot camera that takes somewhat better photos when you go click, and which has a twiddly screen, and a lens that can go from close-up to mega-zoom without any faffing about with multiple lenses. I have the best cheap camera that I can get, rather than the cheapest proper camera. Oh, you can set my camera on manual and go all Real Photographer with it. But if you want to do that, you should have a proper Real Photographer camera, not a bridge camera, and you should have a rucksack full of lenses, each perfect for each oh-so-carefully-taken shot. What “bridge” means is the best camera you can have without having to give any thought to “photography”. Instead, you just think about the picture. More precisely, you think about what you see and which of the things that you see are the most interesting, and why.
My camera is not really any sort of “bridge”. Bridge suggests that I am going somewhere with it, somewhere different, as in different from the technical point of view. But I’m not. Technically, I am staying right where I am. If I am getting better at photography, it is because I am getting better at choosing what to point my camera at.
A bridge camera is rather like “crossover” music in that respect. Crossover music is not for people who are actually doing any crossing over, from one sort of music to any other sort of music. Crossover music is its own sort of music. The people who like crossover music (and there’s nothing wrong with that) are people who like crossover music and who will continue to listen to crossover music, with no actual crossing over from any other sort of music to any other sort of music happening at all.
No links, because I thought of this all by myself.
It’s one thing to see a photo-drone reviewed in DPReview, and costing the best part of a thousand quid. It’s quite another to see one in the flesh, in a London shop window, on sale for less than four hundred:
Photoed by me through the window of Maplin’s in the Strand, late this afternoon.
Here are the details of this gizmo, at the Maplin’s website.
Okay, that must be a very cheap camera, but even so, this feels to me like a breakthrough moment for this technology, if not exactly now, then Real Soon Now. Note that you can store the output in real time, on your mobile phone. Something tells me that this gadget is going to generate some contentious news stories about nightmare neighbours, privacy violations, and who knows what other fights and furores.
What might the paps do with such toys? And how soon before two of these things crash into each other?
A few days ago, my beloved Panasonic Lumix FZ150 started misbehaving. An immobile black blob, the same blob every time, started inserting itself into all the pictures. Disaster. I shook the camera to see if it might be a superficial problem like a bit of gunk which further shaking might move to a harmless spot, but the black blob never moved, not by one pixel. I am sure this could be mended, but I didn’t have time for that, because last night I was about to attend that Libertarian Home cost of living debate, for free, on the clear understanding that I would take lots of photos.
Besides which, I hate not having a camera on me at all times. Who knows what unimortalisable dramas I might have to endure while being bereft of the ability to photograph them?
So, I immediately went out and bought another camera, from a shop. I chose the FZ150’s smarter younger brother, the Panasonic Lumix FZ200. This camera was a bit costly, yes, but, having been around for a while, not as costly as it might have been. And, it works better than the FZ150 in low light, or so everyone who cares has been saying. At indoor meetings, for instance.
I had hoped that the FZ200, being so very similar to and merely a bit better than the FZ150, would use an identical battery, which would mean that I would then have two spare batteries for the FZ200, in addition to the one it came with, on account of me having bought a spare for the FZ150 when I bought that. Alas, not. The FZ200 has its own somewhat different battery, and that meant I needed yet another spare battery. Now that SD card space is infinite, it is batteries that are now liable to run out, what with all the snaps you can now put on your infinite SD card. One battery, for a big event or expedition, is not now enough.
So, I ordered an FZ200 battery via Amazon, and paid extra for it to arrive yesterday, instead of just whenever.
And it did arrive yesterday. Once again, just as happened with that book that reached me the day before yesterday, the fundamentally important thing got done. I wanted the book and I got it. I wanted a new back-up battery, pronto, and I got it. Good.
An email arrived first thing yesterday morning, saying that the battery would arrive between 11.54 and 12.54, and that I should be in at that time, to sign for the package when I received it. Excellent. This email was identical in format to the ones telling me about how Macmillan Distribution (MDL) would be delivering the book that they had been promising, but I recognised the email about the battery as genuine, because it had lots of Amazon verbiage at the top of a sort that always signifies genuine Amazon business. Again, good. I was all set to write an admiring blog posting about this latest delivery service, the one that delivered the battery, an enterprise called DPD.
Saying when a delivery will be made, to the nearest hour, is a huge step forward, when the receiver is householder in a household rather than an office worker in an office. An office can have someone present throughout any given day, to receive incoming items and generally communicate with the outside world on behalf of all workers based there, present or absent. But the idea that a householder should be expected to wait around all day just to sign for one incoming delivery is, frankly, contemptible. As soon as a delivery person knows approximately when he’ll be arriving, and the chances are he will know this first thing in the morning, that information should be communicated to the householder. This used not to happen, but with these two delivery enterprises, it did. As I say, this is a big step in the right direction.
In both of these cases I did get this message. The book was promised between 8.30 and 9.30, and it arrived then, by which time I just about believed that the book emails were genuine. This battery was promised between 11.54 and 12.54, and it arrived then, just as I expected it to.
But all this fuss and palaver about timing becomes rather superfluous if all that the delivery person actually does when he arrives is leave the thing, unsigned for, in whatever place near to the householder he considers sufficiently near. The whole point, as insisted upon in both emails about this, of stating a specified time of arrival, is to make sure that I, the householder, was present in person, to sign for the thing. But in neither of these two cases was my presence, as it turned out, actually required. My buzzer, the one outside the front door of all the flats where my flat is, is working fine. I checked, using a visiting friend to hear it when I myself went downstairs and buzzed. Yet neither of these two delivery persons deigned to use this buzzer. They knew the number. The book deliverer even found his way right to my own personal door. But, no buzzing.
Let me spell it out. Both delivery companies told me I had to be there during the hours they each specified. Failure by me to sign would mean no delivery and further palaver while re-delivery was negotiated. These proclamations may have been offered in good faith, but they were false. I did not have to be there.
I got what I wanted. But if the original supplier wanted proof that I had received the items in the form of my signature, then DPD and MDL, in the form of the two delivery persons, would be unable to supply this proof without faking it. Were my signatures forged on little electronic devices, I wonder?
In the case of the DPD person, the person who did not even try to get my signature had, according to the DPD email, a name: “Mark”. I had been anticipating something better from “Mark”. Sadly, not.
The basic problem here, I think, is that the service supply chain is too long and is out of control. Suppliers of products promise in all sincerity that products will be delivered in exactly the manner they promise. But the person they are depending on to keep that promise doesn’t care about that promise, or not about all of it. He knows that, so long as the punter gets his hands on his precious thing, then whether any signing happens is, as far as the punter is concerned, a secondary matter. Being commanded to be somewhere you didn’t actually need to be is annoying, yes, and this is what happened to me, twice. But not getting the thing is something else again. Had one of these items (especially the battery) not arrived when stated, then you can be sure that I would have been complaining. But complaining as in trying to get my hands on the damn battery, not complaining as in just marking the whole scenario out of ten, after my basic problem (getting the battery) had been entirely solved.
By the way, when I enabled the graphic decoration of one of the Macmillan Deliveries (MDL) emails, the email then proceeded show me a picture of a DPD van. Either Macmillan are all mixed up with DPD, or else Macmillan stole the DPD email and neglected to expunge DPD from it. Or something. I really do not care.
But that’s typical. Who the hell was I dealing with here? Who, in the event that either of these items had not turned up at all, would I have had to direct my seriously angry complaints? As opposed to these mere grumbles about a basically satisfactory state of affairs, underneath all the crap.
When you have a major complaint to aim at one of these complicated supply chains, then you could well be screwed. It may take you many hours or even days to find out even who to complain to, let alone how to gouge satisfaction out of them. (Although, to be fair to Amazon, they take responsibility for everything that they do or that anyone unleashed via them does, for and to you, which is all part of why I bought that battery through Amazon rather than by some other cheaper but less dependable means. (The previous sentence is a short explanation of why Amazon now rules the world.))
But (and to get back to my point before all the brackets), when it comes to lesser complaints, complaints about blemishes on a system that basically works pretty well, well, this is why blogs were invented. With a blog posting, you can slag off the entire universe. You don’t have to be bothered with which exact bit of the universe it was that did you wrong. You can just tell your story. Then, instead of you begging the universe to correct things, the universe, if any of it cares, has to convince you that there was no problem and to convince you to stop saying it.
In case you are wondering why I have gone on at such length about a basically rather minor problem, the answer is that I am optimistic about problems like this actually being solved. A business often does a basically good thing, but rather crappily, while they struggle to get it totally organised and running totally smoothly. People buy whatever it is, but sneer at the crap, because it is crappy and because they can. The businesses then hears all the sneering and gets it sorted and gets even better. Compare and contrast: the government.
This is a point I have made here before. Follow that link, as you now don’t need to, and you will read me deriding a plan to refer to a Big London Thing as the “Safesforce Tower”. Salesforce is a perfectly decent business, which does whatever it does. But it had a silly plan to change the name of a Big London Thing from something sensible to something very stupid. And guess what, what with all the complaints about this plan from me and from multitudes of others, that ridiculous circumstance has now been corrected. Not in the way I would have liked. Salesforce has still not been shamed into civility. But nearby politicians have forced civility down Salesforce’s throat. And the Heron Tower will not now be officially called the “Salesforce Tower”.
Although, London being London, this tower might now actually be called the Salesforce Tower, unofficially, in perpetuity, as a joke, given that no other joke name now obviously suggests itself for this rather ungainly erection.
By the way, it turned out that one battery sufficed for last night’s meeting. But, I did not know that this would be the case beforehand, and had I only had one battery I would not have felt free to take as many photographs as I did feel free to take. With public meetings, it’s a numbers game. The light is bad and people are constantly moving about, so half your pictures will be rubbish right off, if only because someone was blinking at the time. The trick is for the other half of your pictures still to be a large enough collection for you to be able to pick out a few truly good ones. So, the spare battery was useful, even if I didn’t make any actual physical use of it.
I realise that very few readers indeed will have read right to the end of this ridiculously long-winded and repetitious posting. But, having written it and having posted it, I feel better.
Here is another way I might get those high up views of London that I am always searching for:
DPReview review here:
In my own experiences, aerial shoots have proven difficult to pull off. The window of shooting time was limited, the cabin was cramped, and the first time I ever stuck my camera out the window, the lens flew off and I miraculously caught it in mid-air. It was also roughly $250 for an hour.
But within the past couple of years, aerial photographers have been introduced to a burgeoning market rife with little flying machines that don’t require passengers, don’t need fuel to operate, and can fit inside a cubic foot. Yes, ladies and gentlemen, the era of user-operated photography drones is upon us, and it’s already kicking into warp speed.
I’m guessing that the technology of it would be beyond me, and the legality of it a minefield.
Earlier I showed you a old facade being carefully preserved. Here is another:
But where exactly is this facade. The photo was taken in May 2012, and I didn’t take any note-taking shots of where this was. And I cannot now find any mention of it on the www, only a website of the enterprise that constructed it. (This I learned by taking a closer look at the stuff at the bottom of the picture than I am according to you. My original pictures are really very large.)
I like to think that I am becoming a better photographer as the years go by. What I mean by this is not so much that the photos are getting technically better. They are, but that is largely down to the cameras I use getting better. What I mean is that I am, I hope, getting better at deciding what to photo, and better at recording what I photoed.
Maybe that is an idle boast. But maybe what is now only a boast will, because I have here written it down, will become an influence on actual practice in the future.
A fun bit of news on the cats front today illustrates how seriously the oh-so-serious Guardian now takes the whole cats thing, along with the rest of the media after a decade and more of cattery on the internet.
A cat-blogger lady called Jackie Smith has done a book of cat pictures, called Cat Walk:
I don’t think Cat Walk is book about cats. It’s about learning to see beauty within arms reach. It’s about hunting for words like a mouse hunts for cats. It’s about walking, but not really covering distance. The same paths are travelled, but each time the light, the season, the thoughts inside make it different. It does have something to do with the character of cats, but also to do with writing, looking, seeing, being in a place.
This man should be told.
My favourite bit is where she says “It’s about hunting for words like a mouse hunts for cats”. Because it’s not enough to hunt down the right words. You have then to arrange them in the right order. I mean, a mouse hunting for cats? That’s some mouse you got there lady.
My current camera, a Panasonic Lumix FZ150, has been my best ever bar none, and it has resulted in my longest ever period of not looking at new digital cameras since I first started looking at new digital cameras. Oh, the FZ200 did cause me a twinge of annoyance. But the FZ150 was basically the answer to all my prayers.
But now, this Canon SX60 HS has well and truly got my attention:
What that has is 65x zoom. (My FZ150 has 25x.) 65x zoom! 65x!!!
I already know, because I have seen pictures like the one above, that this Canon SX60 HS has a twiddly screen This for me is a deal breaker, if a camera doesn’t have it I mean. I’ll be reading the reviews to see if it seems any better in a general kind of way, and in particular at picture quality (which, after all, is what it is all about), and if they say it is better, generally and particularly, then I will be very tempted.
The Guru was finally able to deliver God/Godot this evening, but he only just finished, so time only for a quota cat, photoed by me in Tate Ancient yesterday:
More about that picture here. It’s by David Hockney.
I didn’t know that you are allowed to take photos in the Tate, but I did so with increasing confidence. There were official looking people well able to intervene and stop me, if they had wanted to. But, they didn’t. Interesting. Was that always the rule, or is it only recent, in response to an irresistible tidal wave of students taking notes with their iPhones?
Yes, I love it when that happens:
Congratulations to Jackie D for capturing it.
One of David Thompson’s latest clutch of ephemera.
One of my favourite www destinations just now is the Evening Standard website. Presumably because there are other Evening Stardards in the world besides the Evening Standard, the Evening Standard of London, the website of the Evening Standard is called “London News” (even as its website is something different, involving the world “standard").
A lot of this is because, more and more, I love London, and the Evening Standard, not unnaturally, has lots of London stories.
A particularly fine one recently featured this delectable photo:
The young woman is an Evening Standard journalist, Miranda Bryant, and the swimming pool is on floor 52 of the Shard, being one of the amenities offered by the Shangri La hotel.
One of the edges of this swimming pool is right next to the glass wall of the Shard, and I can’t help thinking how great it would be if the glass wall of the Shard were to double up, at this point, as the wall of the swimming pool. Think of the photographs this would provoke. This is why God invented x50 zoom lenses.
An ultrazoom photo I have long wanted to take of the Shard would feature a gorgeous young woman in silhouette, at the top, where the light goes right through the building. But such a woman swimming might be even better, especially if the light could go right through that also.
One of the reasons why architecture is such an influential profession these days (if you are one of the top dogs of the profession – one of the “starchitects") is that the kind of down-the-pecking-order architects and engineers whose job is to contrive things wanted by their bosses or clients, and make these things work properly, can now, it would appear, make absolutely anything work properly. Therefore, the starchitects, the ones who decide how things are going to be and to look, can now make them be and look any way that their starchitectural whims determine. (See, e.g.: Zaha Hadid.) Not so long ago, a swimming pool high up in a skyscraper would be a disaster waiting to happen to everyone foolish enough to situate themselves anywhere below it, and in particular a disaster for any idiot architect silly enough to ordain such a thing. Now, it is just a matter of some starchitect saying “do it”, and it is done.
It was posted in August 2012. Better, far better, late than never. I found this in their list of top twenty postings, top in popularity, presumably.
Another of those Things That Have Been Encouraged By Digital Photography. The Art is temporary, but the pictures of the Art will last far, far longer, on many, many hard discs.
Yesterday, London was bent totally out of shape by the Tour de France. It became a French provincial city for the day, as I suppose some French people think it is always.
It rained. I was otherwise engaged, and in any case did not fancy fighting my way through crowds for the mere chance of snapping a herd of cyclists racing past me for about twenty seconds, especially after I had watched a Lance Armstrong documentary on my television. What a shit. And what a shitty sport. Besides which there would, I reasoned, soon be plenty of photos on the www of the drugged up veloherd pouring past the Docklands Towers, the City and its Big Things, Parliament, Buckingham Palace and so on.
Most of the pictures I found today involved Parliament and Buckingham Palace rather than more modern Big Things, and the veloherd (all with hats designed by Zaha Hadid) of course, and the best Tour de France in London snap by far that I found today was taken three months before the big day, when they were still telling everyone about it:
Classic. Seriously, what better background could there be to a sport that is all about wheels?
Original and slightly bigger picture, with the story, here.
Just now, there is some particularly choice stuff at Colossal:
An Abandoned Bangkok Shopping Mall Hides a Fishy Secret
This is fish being farmed in an abandoned basement.
Click and enjoy.