Brian Micklethwait's Blog
In which I continue to seek part time employment as the ruler of the world.Home
Michael Jennings on Only with a computer
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Tatyana on The "colorful and curvilinear forms" of Herr Hundertwasser
Brian Micklethwait on Driverless open-plan tube trains for London
Friday Night Smoke on Driverless open-plan tube trains for London
Brian Micklethwait on Driverless open-plan tube trains for London
Friday Night Smoke on Driverless open-plan tube trains for London
Friday Night Smoke on Sunshine - construction work - artificial rain
Most recent entries
- At the Libertarian Home cost of living debate
- The death of email?
- Only with a computer
- Godot nearly ready
- Bald bloke taking a photo
- Halloween buckets
- Strange bread
- Battersea flats are about to be sold and therefore are about to be built
- The “colorful and curvilinear forms” of Herr Hundertwasser
- How Bill Bryson on white and black paint helps to explain the Modern Movement in Architecture
- Two guys on Westminster Bridge photoing their icecreams in front of the Houses of Parliament with their iPhones
- Big cat advertises guide dogs
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Category archive: Photography
Here is another way I might get those high up views of London that I am always searching for:
DPReview review here:
In my own experiences, aerial shoots have proven difficult to pull off. The window of shooting time was limited, the cabin was cramped, and the first time I ever stuck my camera out the window, the lens flew off and I miraculously caught it in mid-air. It was also roughly $250 for an hour.
But within the past couple of years, aerial photographers have been introduced to a burgeoning market rife with little flying machines that don’t require passengers, don’t need fuel to operate, and can fit inside a cubic foot. Yes, ladies and gentlemen, the era of user-operated photography drones is upon us, and it’s already kicking into warp speed.
I’m guessing that the technology of it would be beyond me, and the legality of it a minefield.
Earlier I showed you a old facade being carefully preserved. Here is another:
But where exactly is this facade. The photo was taken in May 2012, and I didn’t take any note-taking shots of where this was. And I cannot now find any mention of it on the www, only a website of the enterprise that constructed it. (This I learned by taking a closer look at the stuff at the bottom of the picture than I am according to you. My original pictures are really very large.)
I like to think that I am becoming a better photographer as the years go by. What I mean by this is not so much that the photos are getting technically better. They are, but that is largely down to the cameras I use getting better. What I mean is that I am, I hope, getting better at deciding what to photo, and better at recording what I photoed.
Maybe that is an idle boast. But maybe what is now only a boast will, because I have here written it down, will become an influence on actual practice in the future.
A fun bit of news on the cats front today illustrates how seriously the oh-so-serious Guardian now takes the whole cats thing, along with the rest of the media after a decade and more of cattery on the internet.
A cat-blogger lady called Jackie Smith has done a book of cat pictures, called Cat Walk:
I don’t think Cat Walk is book about cats. It’s about learning to see beauty within arms reach. It’s about hunting for words like a mouse hunts for cats. It’s about walking, but not really covering distance. The same paths are travelled, but each time the light, the season, the thoughts inside make it different. It does have something to do with the character of cats, but also to do with writing, looking, seeing, being in a place.
This man should be told.
My favourite bit is where she says “It’s about hunting for words like a mouse hunts for cats”. Because it’s not enough to hunt down the right words. You have then to arrange them in the right order. I mean, a mouse hunting for cats? That’s some mouse you got there lady.
My current camera, a Panasonic Lumix FZ150, has been my best ever bar none, and it has resulted in my longest ever period of not looking at new digital cameras since I first started looking at new digital cameras. Oh, the FZ200 did cause me a twinge of annoyance. But the FZ150 was basically the answer to all my prayers.
But now, this Canon SX60 HS has well and truly got my attention:
What that has is 65x zoom. (My FZ150 has 25x.) 65x zoom! 65x!!!
I already know, because I have seen pictures like the one above, that this Canon SX60 HS has a twiddly screen This for me is a deal breaker, if a camera doesn’t have it I mean. I’ll be reading the reviews to see if it seems any better in a general kind of way, and in particular at picture quality (which, after all, is what it is all about), and if they say it is better, generally and particularly, then I will be very tempted.
The Guru was finally able to deliver God/Godot this evening, but he only just finished, so time only for a quota cat, photoed by me in Tate Ancient yesterday:
More about that picture here. It’s by David Hockney.
I didn’t know that you are allowed to take photos in the Tate, but I did so with increasing confidence. There were official looking people well able to intervene and stop me, if they had wanted to. But, they didn’t. Interesting. Was that always the rule, or is it only recent, in response to an irresistible tidal wave of students taking notes with their iPhones?
Yes, I love it when that happens:
Congratulations to Jackie D for capturing it.
One of David Thompson’s latest clutch of ephemera.
One of my favourite www destinations just now is the Evening Standard website. Presumably because there are other Evening Stardards in the world besides the Evening Standard, the Evening Standard of London, the website of the Evening Standard is called “London News” (even as its website is something different, involving the world “standard").
A lot of this is because, more and more, I love London, and the Evening Standard, not unnaturally, has lots of London stories.
A particularly fine one recently featured this delectable photo:
The young woman is an Evening Standard journalist, Miranda Bryant, and the swimming pool is on floor 52 of the Shard, being one of the amenities offered by the Shangri La hotel.
One of the edges of this swimming pool is right next to the glass wall of the Shard, and I can’t help thinking how great it would be if the glass wall of the Shard were to double up, at this point, as the wall of the swimming pool. Think of the photographs this would provoke. This is why God invented x50 zoom lenses.
An ultrazoom photo I have long wanted to take of the Shard would feature a gorgeous young woman in silhouette, at the top, where the light goes right through the building. But such a woman swimming might be even better, especially if the light could go right through that also.
One of the reasons why architecture is such an influential profession these days (if you are one of the top dogs of the profession – one of the “starchitects") is that the kind of down-the-pecking-order architects and engineers whose job is to contrive things wanted by their bosses or clients, and make these things work properly, can now, it would appear, make absolutely anything work properly. Therefore, the starchitects, the ones who decide how things are going to be and to look, can now make them be and look any way that their starchitectural whims determine. (See, e.g.: Zaha Hadid.) Not so long ago, a swimming pool high up in a skyscraper would be a disaster waiting to happen to everyone foolish enough to situate themselves anywhere below it, and in particular a disaster for any idiot architect silly enough to ordain such a thing. Now, it is just a matter of some starchitect saying “do it”, and it is done.
It was posted in August 2012. Better, far better, late than never. I found this in their list of top twenty postings, top in popularity, presumably.
Another of those Things That Have Been Encouraged By Digital Photography. The Art is temporary, but the pictures of the Art will last far, far longer, on many, many hard discs.
Yesterday, London was bent totally out of shape by the Tour de France. It became a French provincial city for the day, as I suppose some French people think it is always.
It rained. I was otherwise engaged, and in any case did not fancy fighting my way through crowds for the mere chance of snapping a herd of cyclists racing past me for about twenty seconds, especially after I had watched a Lance Armstrong documentary on my television. What a shit. And what a shitty sport. Besides which there would, I reasoned, soon be plenty of photos on the www of the drugged up veloherd pouring past the Docklands Towers, the City and its Big Things, Parliament, Buckingham Palace and so on.
Most of the pictures I found today involved Parliament and Buckingham Palace rather than more modern Big Things, and the veloherd (all with hats designed by Zaha Hadid) of course, and the best Tour de France in London snap by far that I found today was taken three months before the big day, when they were still telling everyone about it:
Classic. Seriously, what better background could there be to a sport that is all about wheels?
Original and slightly bigger picture, with the story, here.
Just now, there is some particularly choice stuff at Colossal:
An Abandoned Bangkok Shopping Mall Hides a Fishy Secret
This is fish being farmed in an abandoned basement.
Click and enjoy.
Further to this posting, more incoming from Darren, following my interest in further Oval views, looking to the right of the Spraycan shot in that earlier posting, towards the middle of London:
Here’s the other photo I took at the same time. No Shard, but you can just see Victoria Tower (The King’s Tower) with a nice crane alongside. Not a great view, but then again actually pretty good considering it was taken with a device whose main purpose it to access the internet.
Yes, cranes are always good. Here at BrianMicklethwaitDotCom, we like cranes. And yes, we can all see the Other Parliament Tower, by which I mean the other one besides Big Ben:
But now take a closer look (good thing Darren sent me the full sized version rather than a cut-down version) at that Thing Cluster, in the middle:
Now you can also see Big Ben itself, and the BT Telecom Tower or whatever it may have decided lately to call itself instead. I know this Thing as the GPO Tower, and it was the first of London’s modern Big Things. And there it is, to the left of the spike that is Big Ben. (Here is another BT Tower picture, one of my best ever snaps, I think.)
The point of photos like Darren’s, and like the previous one taken from the same spot, is not that they are perfect photos. They are not. They were taken with a mobile phone, in fading light, for heavens sakes. What matters is that such photos show what can be photographed from this or that vantage point, what (if you have really good eyesight, better than mine) you can see.
If anyone else - me for instance - wants to go there with a better camera with a zoomier zoom, we now know what we are looking for. We know that a pictorial snark is there to be hunted.
Incoming from Darren:
I just read your comment about The Spraycan always being lit the same way in your
Big Things in the sunset article and it made me realise I might have one or more photos waiting on my phone that I took last night that would confirm your assertion. I wasn’t (deliberately) photographing The Spraycan, of course.
Unfortunately it turned out that rather a large bit of “clutter” had thwarted me - see attached:
So, you’d have been watching Jason Roy upstage Dilshan then.
That looks like a great seat you had there, way up in the stand. A while back, D, you said something about us both going to the Oval. Rudely (apologies) I now realise I never replied. Serves me right. But next time you are going to that high up spot, and there’s space for me, let me know.
The Spraycan is right in the middle of this picture, at the back there, behind the floodlight. The Spraycan being at Vauxhall and the Oval being right near there also, there it is. Over to the right but further away, there are such things as the Strata and the Shard to be seen, or so I seem to recollect from when I was last at the Oval.
I’d enjoy the cricket too.
Surrey are doing really well just now. In addition to Roy’s T20 heroics, they are now third in Division 2 of the County Championship and have an outside chance of getting promoted right back into Division 1. All this after a truly frightful start to the season. Their last four first class games have been won 2 drawn 2, which may not sound that amazing, but Surrey have topped 400 in their first innings every time, and in one of those innings even got past 600. The last time they did that must have been in the halcyon days of Ramps. Now, instead of just the one guy making half the runs, they’re all at it. Burns, Ansari, Davies, Solanki, Roy (off 55 balls) and new captain Wilson have all got first class centuries in the last few weeks, and Tremlett nearly got one also.
Gloucester saved that game where Surrey got 600, losing only one wicket throughout the last day. But the point is, Surrey are making big first innings runs again, for the first time since Ramps went off the boil. Even if you don’t win after that, you don’t lose either, and the bonus points pile up. For batting obviously, but for bowling as well, because nothing puts pressure on opposition batters like a ton of runs against them. Gloucester may have escaped heroically, but Surrey still got quite a few more points than them in that game.
Incoming from 6k, about a dramatic Big Things photo that he came across, via a Facebook friend. There is also a blog posting at his place about it, and about how I might like it, which indeed I do.
I’ve done what he suggested and have thinned it for here:
He has the whole thing, and here it is even bigger. Very dramatic, I think you will agree.
6k entitles his posting “Waterloo sunset”. This is a fine Kinks song, but sunsets are defined by where you are when you see them, and this photo was taken from the other side from Waterloo of the Big Things of the City of London, which is what these Big Things are. He has most of them identified, but his big omission (no criticism intended - he is, after all, now 6k miles away) is the tallest one, in the middle. This is the Cheesegrater.
My first thought was that this view might have been taken from the spot I visited last January, when I took these Big Thing photos.
But that isn’t right. However, some other photos I took that day that do point at the approximate spot where the above sunset photo was, I think, taken from.
Photos like this one, also thinned:
6k’s sunset photo was taken from somewhere in among those houses on the other side of the river, with the Shard sticking up behind, on the left of my photo.
Here is a slice of Google Map which shows were everyone is:
I was where it says “ME”. The Big Things of the City are where it says “BIG THINGS”, and 6k’s anonymous photographer was standing somewhere very approximately where I have put “?”. The spot I chose for “?” is something called Stave Hill Ecological Park, which sounds very promising, what with it maybe being a hill. I have never been there and I must check it out. But, that’s only my guess. The photographer could have been quite a bit further south and/or west. Don’t know.
But there is more. While going through the photos I took last January, comparing them with 6k’s sunset photo, I came across this one, which I have again thinned:
Again, click to get the bigger version.
Now, in the middle there, unmistakably (with three unmistakable holes in its top), is the Strata.
But, and I only spotted this today, almost directly behind it is the equally unmistakable Spraycan, unmistakable because in the dark, that is how the Spraycan is always lit up.
Here is a close up of the two of them:
The Strata is at the Elephant and Castle, and the Spraycan is way over in Vauxhall. Beyond Waterloo, in other words. Once again, I hit google maps, to check on the alignment of these two favourite Big Things, and it all fits. By and by, I shall return to that same spot, to take more and better versions of this photo.
Like I always say, my camera has better eyesight than I have. On days like that one, it almost invariably sees far more than I see.
Chequeholders will soon be able to cash their payment almost instantly by taking a photo on their smartphone and sending it to the bank.
The government’s Small Business, Enterprise and Employment Bill will allow banks to process cheques using “digital imaging” technology for the first time.
As well as removing the hassle of a visit to the bank, the new scheme is expected to allow cheques to be cleared in two days, instead of the current six.
Yet another surprising impact of digital photography. Had I known about it when I gave that talk I did about this, I’d have given this a mention.