Brian Micklethwait's Blog
In which I continue to seek part time employment as the ruler of the world.Home
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Rob Fisher on Round headlights equals an old car
Rob Fisher on ASI Boat Trip 7: Other photographers
6000 on Nine reflections
Simon Gibbs on The River Thames carpet
Brian Micklethwait on The River Thames carpet
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- Something at Samizdata
- 5G Boris
- Out from under the weather
- Smaller Old Thing in front of Big New Things
- A Sunday ramble
- ASI Boat Trip 8: Bridges
- Cat news
- Quota selfie from 2006
- ASI Boat Trip 7: Other photographers
- Nine reflections
- The localness of London’s weather
- Round headlights equals an old car
- The River Thames carpet
- Cats … on scaffolding … with shadows …
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Category archive: Transport
I just heard someone say in an American TV sitcom (I love American TV sitcoms) that they’re not going to answer the phone without knowing who it is, “like it’s 1994”.
I still do this, with my old 1994 style phone, which I greatly prefer to mobiles, because when I am out and about, I don’t have to answer it, and because phones connected to your house with wire cannot be lost, and because I know exactly where it is when it rings, and because that ring never changes.
Quite often, when I do answer, it’s a junk phone call, offering to extricate me from a financial error that I personally have not made by urging me to commit another financial error, and as soon as I realise it’s junk, I put the phone down. Does this constitute some sort of “success” for the junk phoning enterprise? Look, they answered! Because obviously they knew who we were, this not being 1994, and yet still they picked up the phone! Hey, we’re getting through!
Much of life these days seems to consist of doing many futile things, but contriving for these things the appearance of non-futility. These days? I suspect all days that have ever been, with humans involved, and no doubt many other species also, both before and now during the human epoch. Only the futile things and the means of contriving a non-futile appearance for them change from time to time.
I don’t mind junk phone calls. If they were more frequent, they would annoy me. As it is, if there is a pause in incoming phone calls lasting a few hours, it is soothing to be informed, even if only by a robot actor voice spouting nonsense, that my phone is still working. The pause was because nobody wanted to talk to me.
When answering junk phone calls, I pause any music that may be playing. I do not mind this. There is a part of my brain (yours too?) where you remember the musical phrase you were listening to when you last paused the music, and when you unpause it you carry on listening just as you would have done normally. I even suspect that pausing deepens my response to particular pieces of music, by fixing particular moments of them in my brain more firmly than might have happened otherwise.
Since I am now rambling like the really old person that I am rapidly becoming, let me ramble some more. In connection with none of the above, here are the wheels of a big mobile crane that I photoed in Victoria Street a while back. Click on it to get the crane:
I like cranes. That one is, I think, the Spierings SK599-AT5. I love how you can find out about things like this, these days. And this time it really is these days, rather than all days.
Here is a link to a toy version of this crane. Do contractors use toys like this to plan their jobs, I wonder? As well as just to decorate their offices or amuse their spoilt children?
It is now late morning on Sunday. Are sermons like this, when the priest is getting old, but is too well liked for anyone to want to sack him? With a blog you can ramble anyway, because nobody can sack you.
You don’t see many of these these days:
I’m talking about round headlights on cars. About ten years ago, and I have photos that notice the moment, car headlights, having been round for about three quarters of a century, went absolutely mental, with silver moldings and weird shapes of all kinds. It’s been like that ever since. Now, a car with round headlights is an old car.
Like this one, the car with the above headlight:
It appears to be one of these, or if not then something very like it. I photoed this car this afternoon.
A while ago, I started photo-collecting round headlights, and the cars that sport them. There may accordingly, although I promise nothing, be a huge spread of them here, any month, or year, or decade, now.
Some new cars these days have pretend round headlights, such as the new German Mini. But they are only pretend round. Look carefully, and they are not properly round, like the one above.
Today, by some means or another that I forget (other than it was the internet) I learned that the new trains for Crossrail will supplied by Bombardier. Oh yes, I learned it here.
And then, and again I forget how exactly, I learned about this bizarre vehicle, the Bombardier Embrio:
Oh yes, how I got to this was I googled for Bombardier pictures, and in among lots of airplanes and some trains, I saw this weird one wheeled thing, and investigated.
It looks like something Sylvester Stallone would ride in a movie.
It isn’t real. It is only a “concept” vehicle, and concept vehicles never happen. They just become part of the past history of the future, along with flying cars, robots to do your vacuuming and serve you tea, and elaborate space travel by the end of the last century. Still, weird.
I think what made me dig this up was that I have a soft spot for Bombardier, having done a few days, over the past few years, of planespotting at London City Airport, my favourite airport in the world. Lots of the planes that fly in and out of there are made by Bombardier. The world’s famous planes are made by Boeing and Airbus. But the quirky ones, the ones with propellers, the ones you don’t recognise, are made by companies like Bombardier.
I also like the way that railway carriages have changed during my lifetime. They have got better and better, with their automatic doors and spacious interiors.
City A.M. has a report about another possible bridge across the Thames, this one being one that will connect Chelsea to Battersea. There is another map here, also showing all the various options for where exactly to put this bridge. And I see that I already mentioned this Chelsea to Battersea bridge idea in this earlier posting.
This makes three new London bridges that are now being talked up, planned, hustled, whatever. There is also the Joanna Lumley bridge, which will go from Temple tube station to across the river from Temple Tube station, or then again maybe not. Both this and the Chelsea to Battersea bridge are footbridges and bikebridges, but they are also forever talking about a big road bridge just down river from City Airport.
If this Chelsea to Battersea bridge gets built, it will be only a dozen minutes (two to three dozen minutes if I want to get close) from my front door, so you can bet that (although I promise nothing) I will be photographing its progress relentlessly.
I hope they make it look good. Bridges can look so great that it is a serious shame when they don’t look great. It’s good that they’re going to have a competition for this one. This, I think, will unleash a contemporary force that is starting to interest me a lot, which is internet informed public opinion. Now, all the various contending pictures of what they might or might not do can get published and talked about beforehand, far more easily than in the years B(efore the) I(nternet). The people who rule the world basically don’t care exactly where, or even if, this bridge gets built, so they are perfectly willing to let its final design be settled by Vox Pop. And Vox Pop, when it comes to bridges, is a force for good, I think. If you are going to spend 8X million quid on a bridge, you might as well spend 9X million quid and make it look really good and distinctive. That’s what I think Vox Pop will say, and for once I agree.
LATER ON FRIDAY (i.e. not the small hours of Friday morning): More bridgery today from City A.M., this time in the form of a plug for that East London road bridge, already mentioned above.
Yesterday, London was bent totally out of shape by the Tour de France. It became a French provincial city for the day, as I suppose some French people think it is always.
It rained. I was otherwise engaged, and in any case did not fancy fighting my way through crowds for the mere chance of snapping a herd of cyclists racing past me for about twenty seconds, especially after I had watched a Lance Armstrong documentary on my television. What a shit. And what a shitty sport. Besides which there would, I reasoned, soon be plenty of photos on the www of the drugged up veloherd pouring past the Docklands Towers, the City and its Big Things, Parliament, Buckingham Palace and so on.
Most of the pictures I found today involved Parliament and Buckingham Palace rather than more modern Big Things, and the veloherd (all with hats designed by Zaha Hadid) of course, and the best Tour de France in London snap by far that I found today was taken three months before the big day, when they were still telling everyone about it:
Classic. Seriously, what better background could there be to a sport that is all about wheels?
Original and slightly bigger picture, with the story, here.
City A.M. is now one of my go-to places first thing, and there I read today:
Transport for London (TfL) will be introducing screens displaying how many people are sitting upstairs and which seats are available, in a trial system to begin in two weeks.
The display screens will be situated next to the driver as people board the bus and between the driver and the staircase before passengers go upstairs.
I am struck by two electronic sign innovations that have already arrived on the London transport scene.
There are those invaluable signs at bus stops, telling you what is due, when, and where it will go. The only problem with these signs is that not every bus stop has them. I know, I know, you can crank up the bus app on your mobile. But I prefer not to have to bother, and anyway, that’s a lot of fuss just for a bus. (Note the vagiaries of the spelling there.)
And the other innovation, much more recent, is those little signs that tell pedestrians - i.e. me - how many seconds will elapse before the pedestrian sign will be turning red. Very helpful. I don’t want to freak out motorists by getting in their way, but nor do I want to neglect an opportunity to cross if I can do so without freaking out the motorists. These latest signs tell me what I need to know. And it’s amazing how far you can travel in three seconds, if you know that three seconds is all that you have, but that you definitely do have three seconds.
So, will these new sign inside buses be any use? Judging by earlier TfL electronic signage efforts, my guess is yes.
(More rhyming fun with esses (?) there. It could so easily have been and gues and yess. And before that, fus and buss. (Does such tangenting pis you off? (And are you fed up with this multiple bracket gag? (This, I think, being the record.))))
As politically controlled entities go, TfL is not too shabby, although goodness knows what it costs. Especially given that they are now dragging their feet (which is all it will take for Uber to get truly motoring in London) when it comes to crushing Uber. It’s the same mentality, d’you think? TfL likes electronic signage, whether the signs are public or personal. Could be. Do you think the next thing will be big public Uber signs that you can use to whistle up cheap and cheerful transport, if you don’t have a mobile on you? Again: could be.
I just came across this video, here, again, which has had many hits on Youtube. Like millions of others, I like it a lot. It’s Louis C.K., complaining about people who complain about modern life and all its wondrous new gadgetry. I was going to stick the video here, but it wouldn’t fit. (Anyone know how to make it 500 wide instead of 560? Maybe I should redesign my blog wider.) But follow that link and scroll down a bit to where it says: “- it’s very funny”; and then, in white on black at the top of the video: “+Everthing’s+Amazing+ +Nobody’s+Happy”. And then click and enjoy.
Part of why improved gadgets don’t automatically make us happy is that everyone gets to have a go on them, but what really makes a lot of us happy is improved relative status. New gadgets create a different world, in which we may as likely as not be demoted in status, below others who understand the new gadgets better.
There is also the particular genius of the gadgeteers to be considered, compared to our own ungenii. New gadgets can make many of us feel like savages, out of our depth in a world of wonders, less capable (because utterly incapable of producing such a wondrous gadget), rather than more capable (through possessing the gadget).
In the article linked to, there is speculation that old people are more easily pleased, by things. I certainly enjoy digital photography, as all regulars here will know, and you obviously enjoy that or you’d not be a regular. I also enjoy typing verbiage into my magic machine and this magic blog. Perhaps a reason why these things please me so much is that I am old, and had been waiting for such things to be possible for such a very, very long time. For decades, I fretted about my inability to make pictures without fuss and write stuff without fuss, and show both to other people whenever I felt like it, again without fuss. Now I can do these things. Any envy I feel towards the people who contrived these wonder is dwarfed by the pleasure I get in doing these things, finally. I know, I’ve been showing off my pictures and babbling away at various blogs for well over a decade. But like I say, I’m old, and more than a decade is nothing to how long I spent waiting for these things to be possible, all the while not even knowing if they ever would be. I had become used to knowing that these things might never happen, which means that I still can’t quite believe that they have happened, which means that they still make me happy.
I go to Lower Marsh because second hand CD shop Gramex is there. (Gramex now has a new website.) But Lower Marsh also seems to be a place where I regularly espy interesting vehicles.
And then, the day before yesterday, there was this “Vespa GS” (I have another less nice photo which shows that clearly written on the front):
Even I could tell it was some kind of classic, and so it proved.
It’s the white bits on the tires that really makes my nostalgia kick in. All the coolest cars and bikes had white walled tires when I was a kid.
I went on a photo-expedition to Erith, last Tuesday. Well, strictly speaking, from Erith. What I did was go to Erith by train, and then walk back along the south side of the river, to Woolwich.
I took about a thousand photos, truly about a thousand, of which the one below was one of the first. My journey to Erith by train started at London Bridge Station, and this photo was taken at that station, while I awaited my train to Erith.
This guy has the full story of this strange circumstance.
First off, he notes, it’s not a V2. It’s a sixties vintage Atlas booster. So, what gives? Someone, he pointed out, is looking after this object, so it must be there for a reason. But, what reason?
A commenter explains:
It’s advertising the Britain at War experience below London Bridge Station.
And all is explained. That link no longer works, on account of the Britain at War Experience having now been closed down, on account of the redevelopment around London Bridge Station. But advertising the Britain at War Experience is how it got to be there.
Maybe the Not-V2 will soon start to look at bit tatty. It may even vanish altogether. All the more reason to photo it now.
This morning, did an SQotD about Uber.
Other Perry (Metzger) added this:
Uber does not always offer cheaper service. They operate on a market pricing mechanism to assure availability.
This means that, for example, on New Year’s Eve in NYC, you are assured you can get an Uber car even though normal taxis are essentially unavailable because of excess demand, but you will also discover the Uber car will be quite expensive. This is, of course, as it should be — the spike in price encourages as many Uber drivers as possible to work during a rush period. However, it is also decried by those who do not understand economics.
You could turn this around and say that Uber will be a sort of ongoing economics lesson for the citizenry.
Libertarians like me are always going on about how prices are a signalling mechanism. Uber makes this extremely clear, I think.
Tate & Lyle Park presumably no longer exists. I wouldn’t know. I haven’t been there lately. This posting is partly to remind me to go, again, and check out what is happening there. It is surely something.
Last time I was there, I photographed two geese. Follow that link and you’ll also find a google maps picture from space on a very clear day of Tate & Lyle Park. I also took many other photos which I never got around to showing here, including the four that follow. Here is what Tate & Lyle Park looked like:
Below is why Tate & Lyle Park is called (by me anyway) Tate & Lyle Park. It’s not a park really. They’ll have built all over it by now. But on that day I was able to walk right to the river’s edge and photo Mr and Mrs Goose. I’ll still be able to photo everything though, because the shot above was taken from the nearby D(ocklands) L(ight) R(ailway) railway station, which is above ground and a fine spot for snapping from.
Here is a gas holder, on the other side of the river, a photo in the I Just Like It category:
Finally, here is another artistic type shot, with a different kind of clutter in it, this time: water clutter.
The tall thing in the middle of the picture is one of the towers, then nearing completion and basically needing only the wires and the pods, of the folly known as the Emirates Air Line. This is notorious for going from somewhere useless to somewhere else equally useless and for the fact that hardly anyone now uses it.
I had a go on this Emirates Air Line or whatever, after the Olympics (Mayor Boris J’s excuse for erecting it) had died down. It was less fun than I hoped. It was bumpy and it moves quite rapidly which is terrible for photography, unlike the Wheel which is smooth and slow. You can’t search out the best photos to take by lining things up, like you can on a railway platform on at somewhere like the top of One New Change. Instead you just get what you get, often very blurrily. Plus, the views from it are actually not that much better than they are on the ground in that part of London. But I’m glad I did the trip. Had I not, I have continued wondering about how good it is.
I know what you’re thinking. This is a tricycle:
That’s not a tricycle.
This is a tricycle:
Photoed by me in an alleyway off Lower Marsh, this afternoon.
These are also tricycles
Blog and learn.
In 2013, on September 5th, 18th, 24th and 29th, I visited the area in and around London Gateway, the new container port they’re building on the north side of the Thames Estuary, first to see if I could photo the cranes, and then to photo them again, and again, and again. And everything else amusing I saw on my wanderings. (I would never have remembered these dates if my camera hadn’t.)
I showed a couple of photos here of one of those expeditions at the time, but that was only the tip of the photographic iceberg.
These were undoubtedly among my best photo-expeditions of 2013, right up there with visiting Beckton Sewage Works with Goddaughter One, a superb day which I see that I seem never to have mentioned here at all.
My problem is, when I sit down at my computer and try to pick out a few good snaps from one of these huge photo-perambulations, I just don’t know which to pick. There are just so many nice ones. I end up picking none at all and write about something else entirely.
So, I now pick another one, from one of my four trips to London Gateway, to show you, which I just found when trawling through them all, again. One. Just the one. It features me, but not looking good. No, looking appalling, with my appallingly flabby chin all scrunched up as I look downwards at my twiddly camera screen, which is how I actually do look when wandering around doing this kind of thing.
But, showoffy though it is, I think it’s a rather effective photo:
See also the first five cranes, of the twenty four that will finally be at London Gateway. That snap was snapped on September 24th.
When all those twenty four cranes are up and running and the place really gets into its stride, I will definitely return to check them out, as will all the world and its digital cameras. Mark my words. When they open this thing for business, the media, mainstream and irregular, social and anti-social, will be flooded with it. Flooded I tell you.
But just now, they are busy building it, and the last thing they want is people like me wandering around photoing it. So, they keep quiet about it. Seriously, I’d be willing to bet that there are quite a lot of PR persons whose entire job consists of persuading journalists not to mention this thing until it’s finished, but then to mention it big time. Silence now will be rewarded with access later.
Earlier I reported on an old bus doing new bus stuff. Michael J commented that on routes 9 and 15, such buses are now active, but will soon be withdrawn from route 9. Presumably Michael was looking at pages like this one.
But neither Michael nor that page said or say anything about route 2.
Nevertheless, spotted by me this morning, at the top end of Horseferry Road, this:
This picture, taken a week ago, across the road from St Thomas’ Hospital, makes me think of that old Transport Blog that me and my gang used to write for:
Public proclamations of this sort mean, I believe, that you somewhat forfeit your anonymity. I could have cropped this photo down to the transport only, but did not feel obliged to.