Brian Micklethwait's Blog
In which I continue to seek part time employment as the ruler of the world.Home
raj malhotra on To Tottenham (6): The Spurs Shop
Chris Cooper on Always?
Rajesh on 6k has a drone
Brian Micklethwait on The most newsworthy thing so far done by a drone
6000 on The most newsworthy thing so far done by a drone
Rajesh Pillai on Someone else has been tidying up too
Timothy on Someone else has been tidying up too
Miami Wedding Photographer on 6k has a drone
Chris on Wheel reflections (again)
AndrewZ on Someone else has been tidying up too
Most recent entries
- Up early – blogging early – elephant sculptures
- I Love You Will U Marry Me
- I’m back
- A snip at £7,499.99
- The most newsworthy thing so far done by a drone
- A vintage photo
- To Tottenham (6): The Spurs Shop
- Supporting England in the Big Bash League
- A new stadium for Chelsea
- You wait for years and then two come along at once
- Mosaic diversion
- On the value of speaker meetings - to the speaker
- 6k has a drone
- Quota coloured lights outside the Royal Festival Hall
Other Blogs I write for
6000 Miles from Civilisation
A Decent Muesli
Adventures in Capitalism
Alex Ross: The Rest Is Noise
Another Food Blog
Antoine Clarke's Election Watch
Armed and Dangerous
Art Of The State Blog
Boatang & Demetriou
Burning Our Money
Chase me ladies, I'm in the cavalry
China Law Blog
Civilian Gun Self-Defense Blog
Coffee & Complexity
Communities Dominate Brands
Confused of Calcutta
Conservative Party Reptile
Counting Cats in Zanzibar
Deleted by tomorrow
Don't Hold Your Breath
Douglas Carswell Blog
Dr Robert Lefever
Englands Freedome, Souldiers Rights
Everything I Say is Right
Fat Man on a Keyboard
Ferraris for all
Freedom and Whisky
From The Barrel of a Gun
Gates of Vienna
Global Warming Politics
Greg Mankiw's Blog
Guido Fawkes' blog
Here Comes Everybody
Hit & Run
House of Dumb
Iain Dale's Diary
Jeffrey Archer's Official Blog
Jessica Duchen's classical music blog
Laissez Faire Books
Last of the Few
Libertarian Alliance: Blog
Liberty Dad - a World Without Dictators
Lib on the United Kingdom
Little Man, What Now?
Loic Le Meur Blog
L'Ombre de l'Olivier
London Daily Photo
Metamagician and the Hellfire Club
Michael J. Totten's Middle East Journal
More Than Mind Games
Mutualist Blog: Free Market Anti-Capitalism
My Boyfriend Is A Twat
My Other Stuff
Nation of Shopkeepers
Never Trust a Hippy
Non Diet Weight Loss
Nurses for Reform blog
Obnoxio The Clown
On an Overgrown Path
One Man & His Blog
Owlthoughts of a peripatetic pedant
Oxford Libertarian Society /blog
Patri's Peripatetic Peregrinations
Police Inspector Blog
Private Sector Development blog
Remember I'm the Bloody Architect
Setting The World To Rights
SimonHewittJones.com The Violin Blog
Sky Watching My World
Social Affairs Unit
Squander Two Blog
Stuff White People Like
Stumbling and Mumbling
Technology Liberation Front
The Adam Smith Institute Blog
The Becker-Posner Blog
The Belgravia Dispatch
The Belmont Club
The Big Blog Company
The Big Picture
the blog of dave cole
The Corridor of Uncertainty (a Cricket blog)
The Daily Ablution
The Devil's Advocate
The Devil's Kitchen
The Dissident Frogman
The Distributed Republic
The Early Days of a Better Nation
The Examined Life
The Fly Bottle
The Freeway to Serfdom
The Future of Music
The Happiness Project
The Jarndyce Blog
The London Fog
The Long Tail
The Lumber Room
The Online Photographer
The Only Winning Move
The Policeman's Blog
The Road to Surfdom
The Wedding Photography Blog
The Welfare State We're In
UK Commentators - Laban Tall's Blog
UK Libertarian Party
Violins and Starships
we make money not art
What Do I Know?
What's Up With That?
Where the grass is greener
White Sun of the Desert
Why Evolution Is True
Your Freedom and Ours
Arts & Letters Daily
Bjørn Stærk's homepage
Butterflies and Wheels
Dark Roasted Blend
Digital Photography Review
Ghana Centre for Democratic Reform
Global Warming and the Climate
History According to Bob
Institut économique Molinari
Institute of Economic Affairs
Ludwig von Mises Institute
Oxford Libertarian Society
The Christopher Hitchens Web
The Space Review
The TaxPayers' Alliance
This is Local London
UK Libertarian Party
Victor Davis Hanson
WSJ.com Opinion Journal
Bits from books
Bloggers and blogging
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This and that
Category archive: Links
Spent my evening getting my colour printer back in business. Took me five minutes to find the on/off switch.
Quite often, I settle down to write something for here, and end up with something which would go equally well at Samizdata. Whenever I realise this, I tend to put whatever it is at Samizdata, and leave only the less political and more “trivial” (the “s because trivia is often not at all trivial) stuff for here. Often, these are pieces that I would never have written had I not started out writing them for here.
Today I just did this again, in a piece about people who are F4BF (famous for being famous), and about the contribution that such persons make to the world.
The rest of today is set aside for more tidying up, so that may well be it, for here, for today.
For the last week or two or more, I have been unable to reach the 6k blog, which is one of my favourites. I’ve been able to reach everything else I wanted to, but not 6k. Odd. My computer has been behaving strangely in recent weeks, so it’s almost certainly me rather than him. Or maybe, as The Guru suggests, it might be my internet provider. Whatever the reason, it’s been a frustration and a worry.
But today, for no reason that I can think of, I clicked on 6k yet again, and back it came, like it had never been away.
To celebrate, here are some more lighthouses, something which 6k likes, and which in a more ignorant and casual way I do too:
That’s a crop from the middle of a hastily snatched shop-window shot, full of reflections and general confusion. Memo to self. Next time I visit my friends in Brittany: better lighthouse shots. Of postcards, of toy lighthouses like these ones (I seem to recall entire walls of lighthouses in tourist crap shops), and of actual lighthouses.
6k likes lighthouses so much that the little square graphic at the top of the window where his blog is windowed, or whatever is the word for that, is a red, white and blue square from a red and white lighthouse picture.
Friday was the day here for cats, but now I have widened it to all kinds of creatures, cats included.
This week, a snake! On a vintage car!
I took these pictures in the square next to Quimper Cathedral, in the summer of 2008:
The snake is most clearly to be seen in pictures 1.2, 2.1, 2.2 and 3.3. I think it must be some sort of air intake, for the engine, or for something. But what do I know?
Berliet seems to be an enterprise that makes lorries these days. But if you scroll down through the images you get when you type “berliet” into google images, you start to see vintage cars, in among the more recent lorries.
If you scroll down at this site, you get to something that looks like the above vehicle. And if it is the same vehicle, or something very similar, then it is a 1907 Berliet C2 Double-Phaeton, or something very similar.
There’s a number plate on the front of my Berliet, which says: 1909 VS 29. I thought that might be a clue, rather than, you know, a number plate, so I tried “Berliet 1909 VS 29” with google images, and guess what I found. A Berliet “Double Phaeton” at a car museum in Malaga.
I even found a photo of the car in question, with a ludicrously long internet address attached to it, which I now offer you, in the hope that it works
Well, the link does seem to work, but if it doesn’t, take my word for it. Although this is not the same car as my one above, it is very similar. So similar that the car in the Andalusian museum also has, just like my car has, attached to its side, with its mouth wide open, sucking in air, … a snake. Weird.
Earlier today I stuck up a biggish piece at Samizdata entitled Thoughts on the politics of coastlines, about the age-old conflict between land powers and sea powers.
That’s the nearest thing I could quickly find in my photo-archives to a relevant picture, of a ship near London Gateway, which I paid several visits to, way back in 2013. That’s as close as I’ve been to a British coast any time recently.
Here. The fourth of five postings at Samizdata today, so far.
Except that just now I came across this bizarre bridge, in Poole, of all places:
Amusing Planet amuses again.
City A.M. Is so excited that the headline writer, as of now, has decided that there is only one i in ambitious:
That headline is recycled here in case they correct it. Thereby establishing that the (more) mainstream media behave just as I do, when it comes to correcting their mistakes. Or else, alerting you to a permanently wrong headline, whichever. And I’m guessing that even if they do correct the headline, they may feel obliged to keep the link spelling as it started out.
But more to the point, this ambtious plan refers to driverless flying cars, driverless flying cars that look like this:
When I first set eyes on that picture, my reaction was: That’s not a car, that’s a drone. City A.M. agrees:
The futuristic, if slightly terrifying sounding vehicle, has been unveiled by Chinese tech company Ehang and manages to combine the top two trends predicted to dominate this year’s biggest tech show - drones and driverless cars - and claims to be the first Autonomous Aerial Vehicle in the world. Or, in other words, a driverless flying car.
Are you sceptical? I am. But City A.M. continues:
Ehang claims the 184 is already at the point of becoming a commercially selling vehicle, albeit with a £130,000-£200,000 price tag. Belive it or not, it’s not just a concept - it’s already preparing for pre-orders and plans to ship to customers this year.
Well, I’m not sure that I do “belive” it, but I would be fascinated to be proved wrong.
Bizarre new forms of transport are definitely the Thing of the New Year, here at BrianMicklethwaitDotCom. I haven’t been especially looking for such things. They have merely presented themselves to me. But now, perhaps (although I promise nothing), I will start looking for such things. Anyone come across any other crazy transport stuff lately?
LATER: I googled “ambtious”, and was informed of a horse called “Ambtious Dragon”. So, some kind of Chinese neologism? But it turned out that this was a headline misprint also.
... causing them to stay stuck inside my head for ever.
That’s it really. Provided something can get out of hand inside a head.
What I am talking about, in the event that you don’t already recognise the syndrome, is that you think of something to put on your blog, and start seeking out links, and you find highly pertinent links to add, but at the far end of them, you find further highly pertinent things to add to the original posting, until it ceases entirely from being the piece of fun that blogging ought mostly to be, and becomes a giant piece of homework that never gets done.
One of my favourite buildings that I’ve never seen is the recently completed (quite recently completed - 2008) Oslo Opera House, which looks like this:
Sooner or later, some big public building was bound to be built like this, with a roof that doubles up as a big public open space, where you can walk to the highest spot on the building’s roof, without once having to go indoors.
Oslo Opera has become a new landmark for the city and proved an instant success with both locals and tourists.
And of course, that roof doesn’t have to be the bland and featureless desert that this one is, in this picture. Sooner or later, it will acquire roof clutter! Perhaps it already has.
As entire cities compete with one another for tourists, buildings like this, with walkabout roofs, will surely become ever more common, as ever more tourists search, as I search, for places up in the sky from which to take tourist snaps. It is no accident that I found the above picture and quote at a site called Visit Norway. (Although sadly, this Visit Norway site fucks with the links and causes them not to work, and these fucked links also fuck with subsequent links which are none of Visit Norway’s damn business. This caused me major problems, until I just stripped out all Visit Norway linkage, at which point sanity was restored. So if you care, you’ll have to find the damn place for yourself. I think Visit Norway was trying to help. It failed. Norway, sort this out.)
Even as I praise this building, I make no judgement about what goes on inside it. The point of these “iconic” buildings - horizontal Big Things - you might say, is that they are fun to visit, regardless of their mere indoor contents. See also: Tate Modern. After all, one of the advantages of a roof like this is that the roof can be enjoyed even as the inside of the building can be entirely ignored.
What got me writing about this Oslo building was a recent posting at Dezeen, featuring another proposed building by the same architects, Snohetta (which has a forward slash through the “o") which uses the same trick, of people being able to walk up to the top in a big zig zag. This time it is a museum in Budapest:
And oh look, I went to the Sn o-with-forward-slash hetta website, and here is another Snohetta proposal, using the same trick, for another opera house, this time in Busan, South Korea:
With the design of the Busan Opera, the opera is no longer a passive playground for the elite but becomes interactive, democratic space, responding to the public’s ambitions and interests.
This is architect speak for:
People can walk about on the roof and take photos without having to sit through some stupid damn opera.
And oh look, again. Snohetta have also proposed that a new media centre in Vienna should look like this:
Look again, and you encounter the Barack Obama Presidential Center:
These last two are not so zig zag, but the principle is the same.
London awaits you, Snohettans.
The other day, I forget which one, I worked something out that had been confusing me. Why, given all the fun I get out of photography and given all the time I spend doing it and thinking about it, have I not immersed myself in all the technicalities of photography? Why is it that the only setting on my camera that I regularly use is the one called “Automatic”? Why am I no nearer to understanding manual focussing than I was a decade ago?
The answer is that it is the point-and-shoot sort of photography that strikes me as the most interesting sort of photography now happening. Not in art galleries where the latest black-and-white photos of plague victims or under-age African soldiers are on display, in photos that cost more to buy than paintings and took more trouble to produce. That is all so twentieth century, and even, actually, nineteenth century. What counts now, for me, are the photos you can take with your mobile phone camera, or with the jumped-up mobile phone camera that I use, and the sort of photos that regular people are now able to take, of regular stuff rather than of foreign catastrophes that someone will pay them to take art-gallery standard photos of.
In short, I take point-and-shoot pictures because I like to be part of history, and this is where the history of photography now is. (If you disagree, realise that what you are reading is not an argument. It is a description of a feeling.)
What I have is called a “bridge” camera, but all that this means is that it is a bog-standard point-and-shoot camera that takes somewhat better photos when you go click, and which has a twiddly screen, and a lens that can go from close-up to mega-zoom without any faffing about with multiple lenses. I have the best cheap camera that I can get, rather than the cheapest proper camera. Oh, you can set my camera on manual and go all Real Photographer with it. But if you want to do that, you should have a proper Real Photographer camera, not a bridge camera, and you should have a rucksack full of lenses, each perfect for each oh-so-carefully-taken shot. What “bridge” means is the best camera you can have without having to give any thought to “photography”. Instead, you just think about the picture. More precisely, you think about what you see and which of the things that you see are the most interesting, and why.
My camera is not really any sort of “bridge”. Bridge suggests that I am going somewhere with it, somewhere different, as in different from the technical point of view. But I’m not. Technically, I am staying right where I am. If I am getting better at photography, it is because I am getting better at choosing what to point my camera at.
A bridge camera is rather like “crossover” music in that respect. Crossover music is not for people who are actually doing any crossing over, from one sort of music to any other sort of music. Crossover music is its own sort of music. The people who like crossover music (and there’s nothing wrong with that) are people who like crossover music and who will continue to listen to crossover music, with no actual crossing over from any other sort of music to any other sort of music happening at all.
No links, because I thought of this all by myself.
Nothing from me here today, but something at Samizdata (which makes a change), in the form of a remarkable song lyric from the 1920s by Cole Porter. Pure libertarianism. They maybe did not have the word back then (I don’t know), but they certainly had the thing itself:
Live and let live, and remember this line:
Your business is your business,
And my business is mine.
Here is a London picture, with the River Thames turned into a floor, very badly carpeted with very bad carpet tiles:
It’s Google Maps’s 3D-isation of London.
Despite the bad river carpeting, I would like to explore this Virtual London. But none of the reports I read of this exciting new virtuality tell me how can do this. Can I? And if I can, will I have to pay?
I love this, from AndrewZ at Samizdata, commenting on this piece by Natalie Solent, which quotes a couple of particularly demented pieces of writing in the Guardian, about cupcake fascism (this phrase should never be forgotten) and about the horrors of tourism. (Natalie has been agreeably busy at Samizdata of late.)
The online edition of any newspaper that isn’t behind a paywall relies on advertising to generate income and this depends on maximising the number of page views. The simplest way to do that is to publish outrageous and provocative opinions that will attract links from elsewhere and start a blazing row among the regular commenters. The great liberal newspaper of old is now little more than a group blog that trolls its own readers for advertising revenue.
No link from here to the original pieces, about cupcake fascism or tourism. Oh no. BmdotCOM is not falling into that trap.
Now that I have read the rest of them, I can report that all the comments at Samizdata on this posting are pretty good and worth a look.