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Category archive: Cranes

Sunday October 21 2018

Indeed.  Photoed today by me in London’s Chinese district:

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Today I went on a long photo-walk, and am exhausted, plus I have other things I have to do before turning in.  So, that will have to be that for today.

I don’t actually know if they are Chinese lanterns, because the sun is doing all the lighting.there.  But they are definitely Chinese somethings. 

Friday October 12 2018

Somewhat over a year ago I wrote about When what I think it is determines how ugly or beautiful I feel it to be, in connection with this building:

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This is described, at any rate by its owners and its various occupants, as The Peak.

And that photo of mine above, taken from the top of the Westminster Cathedral Tower, is my Peak photo which best illustrates the oddly deceptive appearance of this decidedly odd-looking building.  It looks like a 60s rectangular lump, to which 90s or 00s curvatures, on the right as we look, and on the top, have been added.  But, as I discovered when concocting that previous posting, the whole thing was built all at once.  It looks like a two-off building rather than a one-off building, but looks deceive, or deceived me, for a while.  Two-off good, one-off bad, was how I had been thinking.  It was two-off, so (aesthetically) good.  Organic, additive, blah blah.  But, what was I supposed to think, on discovering that it was really an inorganic and un-additive one-off?

Now, buried in my photo-archives, I find this photo, taken on October 28th 2008, which confirms that The Peak is indeed a one-off, because here it is (here it was), all being built in one go.  There really is no doubt about it:

image

When I took this photo, I was a lot more interested in the anti-pigeon spikes on top of those street lamps, and on top of the railway sign, than I was in the building work in the background.

How I now feel about The Peak, aesthetically, is that I still rather like it, if only because I have paid so much attention to it over the years, and feel sort of proprietorial towards it, as you would towards a somewhat clumsy child that you have adopted.  (That feeling applies, for me, to a great many London buildings.)

Also, whatever else you think of it, when you see it, you at once know where you are.  It is very recognisable, recognisability being a quality in buildings which I appreciate more and more.  “Iconic” is the rather silly word that estate agents and suchlike use to allude to this quality.  But they have a point, even if they use a silly word to point to their point.  That “you could be anywhere” feeling is not a good one, in a city or anywhere else.

“Other creatures” (see below) because of the pigeon scaring.

Wednesday October 10 2018

There is building activity going on at the top end of Horseferry Road, which is near where I live.  And this afternoon, when I sallied forth to enjoy the last really fine day of 2018 and to photo London, this bit of London activity was one of the very first things I photoed.  I really like how it now looks:

image

The walk lasted a long time, and that knackered me.  But what really knackered me was the shopping I needed to do at the end of the walk.  The final bit of that being lugging two bags of supermarket purchases up the stairs to my home.  This is not my idea of fun, even if it didn’t kill me and even if it did make me stronger.

So now all I am fit for is a little TV followed by bed.  I photoed many more pleasurable things today besides the above, which is why this posting is called “The last really fine day of 2018 (1)” rather than just “The last really fine day of 2018”.  But all of that will have to wait.  I promise at least one more posting concerning today’s photos, to make retrospective sense of that (1), but no more than that.  Good night.

Tuesday October 09 2018

When I google “crane”, what I want to see is tall pointy things made of metal for shifting stuff around on building sites, not birds posing en masse in a lake.  You can’t always get what you want.

A further illustration of that same principle came when, this morning, I had reason to google “canada goose”, because this time I actually wanted to learn about a bird.  I photoed some lines of birds a while back, in Rye, and blog pal 6k commented today that they were probably Canada geese.  And because 6k backed this up with some migration info that seemed quite informed, this sounded right, despite the fact that Rye is nowhere near to Canada.

So I googled “canada goose”.

But what I got was lots of expensive jackets with furry hoods.  Even after two pages of links to stuff about the jackets, there was literally no mention of any bird.

You can’t sell a bird for thousand quid, I guess.  Or, not a bird like a Canada goose.  I am not the customer of Google.  I am Google’s product.  Overpriced jacket sellers are Google’s customer.

However, if you google canada geese, sanity is restored.  And I think Canada geese migrating is even better.  It would appear from the images you get if you look there that Canada geese do often form great big mobs, fish shoal style.  It can take them a while to get organised into lines.

Monday October 08 2018

Nine years, to the day, actually.  I was trying for ten years to the day, but after concocting what follows, I realised that these actually date from October 8th 2009:

imageimageimageimageimage
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The first one shows a rather strange footbridge that used to go over the site, taking pedestrians from London Bridge Station to Guy’s Hospital, and places beyond.  Most of the other photos were taken from on that bridge.

What surprises me now is how chaotic it all looks, especially when I zoomed in on a particular bit of chaos.

What that lumpy cylinder that they are manhanding is, I do not know.

The website to be seen in the final photo seems to be long gone.

Sunday October 07 2018

If I had a pound for every time someone’s told me that they like to photo The Wheel from Tottenham Court Road, I wouldn’t have any more pounds than I already have, because it’s just me that likes to do this.  But, I really like it.

I’m talking about photos like this one:

image

Great light there, don’t you think?  It could be an oil painting.  Exactly as it came out of the camera, no Photoshop(clone)ing.  That dates from April of 2015.  As you can see, that weird entrance to Tottenham Court Road Tube station was still under construction.

Here’s a couple more, taken in 2016 …:

image

... and in 2017:

image

That crane there should have told me that something ominous was in the works, but actually I was taken by surprise.

Take a look at what the same scene looked like today:

image

That’s right.  The Wheel is about to blotted out of this particular picture.

I moved nearer, which moved the top of the Wheel down to the bottom gap in the structure:

image

I took a final close up:

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And that may well be the last time that I ever photo The Wheel from Tottenham Court Road.

Saturday October 06 2018

On Thursday September 27th, I photoed a leaning crane, from the top of the John Lewis Roof Garden.  But that wasn’t all I photoed.  Of course not.  I wouldn’t go to a spot like that and take just the one photo.

A few more views:

imageimageimage
imageimageimage

My usual preoccupations.  Big Things.  Cranes (including window cleaning cranes).  Roof clutter.  Scaffolding.

Can you spot Big Ben?  Clue: scaffolding.

Thursday September 27 2018

This phenomenon continues to trouble me.  Intellectually, I know that the people supervising these circumstances have them all under control.  If ever there was a trade in Britain that knows what it is doing, it is the big city building trade.  Things get done on time, all according to plan, and the results work as intended.  And cranes do not fall over.  (The financing can go all over the shop, which means that plans can change dramatically, but that’s a different story.)

But it still feels to me as if this crane might fall over.  It still feels to me that, at any moment, something near the ground, on the left as we look, just might … SNAP!!!!:

image

So, another for the collection.  Photoed by me the day before yesterday, from the Rooftop of John Lewis.

I don’t generally do Photoshop(clone)ing, but some rotation was necessary with this one.  In my original, the crane was completely vertical.  And everything else: not.

Monday September 24 2018

Maybe “art” is putting it a bit strongly, but nevertheless, I do really like this photo ...:

image

… which I took in the summer of 2015, somewhere in the City of London.  The directory I found this in is called “Looking4BroadgateTower”, so that tells you roughly where I was.

BMdotcom-wise, this photo has so many boxes ticked.

- First things first: cranes.  In this case, crane towers.  BMmmmmm.

- Reinforcing rods, sticking out the top of the lump like vegetation.  Reinforcement: insufficiently sung heroism of modernity.

- A crane tower shadow, on …

- … that material they shove over …

- … scaffolding.

- That monochrome thing that happens during sunsets.  And – who can say? - maybe even during sunrises.

- The way that sunlight hits crane towers and just lights them up, which I so often try to get and so seldom manage to get.

- Lots of horizontals and verticals, made possible not by Photoshop(clone)ing but by the excellent zoom lens on my nearly-but-actually-not-SLR camera, with its one brilliant super-zoomy lens.

So, lots to like there.  But what and where was this?  This is the kind of thing I like to know.

Luckily, I took informational photos, as well as arty photos like that above.  Always, when out taking photos like the above, take lots of photos which are not for art, but for information about that art.  I need to keep telling myself, because often I fail to do this.

I fail, that is to say, to take photos like this ...:

image

… which scores about zero for artistic impression, but which tells me what all that art in the first photo above actually was.

In the above (information) photo we see the same crane towers and the same lump, but viewed side on.  It’s definitely the same stuff.

There’s even a name and a website to be seen, if you crop it, and then expand it to be 500 pixels across, like this:

image

So, there we have it.  It’s the earlier stages of this.  Once you have the words to describe what you want to learn about, the internet suddenly starts to work.

This being this:

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My best guess is that the lump of art in the first photo in this posting is somewhere in the middle of the more complicated computerised Thing on the right.

Thursday September 13 2018

Today I was in Bermondsey, seeing a man about a blog, and instead of going straight home again, I got out at Southwark and walked to Parliament Square.  Then I tubed to Victoria, and did some quite strenuous shopping.  All that, plus I am getting old.  So, now I am now knackered, and am in need of an early night..

Here, picked out almost at random, is a photo I took on my travels, in Lower Marsh.

image

When photoing this photo, I of course had no idea that part of the blurry crane in the background would be visible, less blurrily, at a weird angle, in the street lamp.  Like I always say, my camera has better eyesight than I do, and what with me (see above) getting old, that gap has been growing.

London street lamps are rather fine, I think.  In the middle of London.  Not so sure about the outskirts.

Tuesday September 11 2018

If you step outside Sloane Square tube station, and immediately look to your left, you see this:

image

This is one of those phenomena which doesn’t photo very informatively.  By which I mean that if you are there, it is far easier to see what is going on.  So let me now tell you what is going on.  This is the inside of a new building, but covered up, while they’re completing the building, with a sheet.  This sheet has another building painted on it.  And there is light coming at the sheet from behind.  When what is behind the sheet completely blocks out light, we see the picture on the surface of the sheet.  But when light comes at us from beyond the sheet, the picture on the sheet is overwhelmed, and we observe either light, or any shapes (in this case steel structure and scaffolding) in silhouette.

What I like about this effect is both its temorariness, and the fact that it ends up looking so much more interesting that it was intended to look.  The idea was that we would only see the picture on the sheet.  What we actually see is a whole lot more diverting.

Here is another photo I took of the same thing, this time including a bit more context:

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It’s a little more clear, in that photo, that there is a picture on a surface as well as all kinds of excitements behind it, on account of the sheet consisting of surfaces at an angle to one another.

Best of all, you can now see that one of the excitements behind the sheet - to be more exact, one of the structures behind the sheet - is a crane.

Monday September 10 2018

If someone is doing this ...:

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... is it okay to photo them and stick the photo up on the internet, somewhere like here?  I feel that it is okay, because, albeit in a very good way, the guy is making something of a spectacle of himself.  He is doing something very individual, in public, in a way that people are bound to notice.  Therefore, he doesn’t mind them noticing, or he wouldn’t do it.  Therefore, he won’t mind me noticing it.

Behind our self-transporter, we can just about make out the towers of Battersea Power Station.  Well, I can, because I know that’s what it is, because that’s where I took the above photo, this afternoon.  At the time, I was busy photoing the road, because in my opinion it is a very interesting road.  For reasons which I may, or may not, explain, here, some other time.

Meanwhile, I miss Transport Blog.

Saturday August 25 2018

Yesterday, GodDaughter 2 and I spent the afternoon in Kew Gardens.  Which is a lot bigger and a lot bigger of a deal than I realised.

The high point of our day, literally as well as metaphorically, was our visit to the Great Pagoda.  And not just the Great Pagoda in a general way.  We climbed up the stairs to the top of the Great Pagoda.

There were views, of which this one was, of course, my favourite:

image

Here is variant of that same view.  Note how the lighting has changed somewhat.  The Walkie Talkie remains as as strikingly lit as ever, and it remains the star of the show, but the Wheel is a bit different (as is the Waterloo Crane Cluster that reaches up above it). It was one of those bright intervals with scattered showers days:

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I know what you’re thinking.  Not very clear photos.  Rather vague and blurry.  All true, and you are definitely entitled to your opinion, if that is what it is.

But in my defence, and in defence also of my camera, take a look at the same view, minus the zoom.

image

The third of the above photos being a lot closer to what I merely saw than the first two are.

The vast expanse of greenery in the foreground is … Kew Gardens.  That photo was photoed half way up the Pagoda, as soon as I realised that this view was happening.

Maybe a compromise is in order.  Maybe this is the best photo, with some zoom, but not the maximum allowed:

image

Sadly, though, that lighting effect hadn’t yet occurred.  That was one I took earlier

As I keep saying, my camera has far better eyesight than I do, and I am afraid the gap is growing.

Something that continues to grow is my admiration for the Walkie Talkie.  When lit as it is in the first two photos above, and when it is seen from a great distance, it is the most beautiful City of London Big Thing of them all, I think.

Wednesday August 22 2018

I like these photos that I took last March.  I like the rather sombre light.  If my camera is to be believed, it was around 6.30 pm:

imageimageimage

On the left, the “South Bank Tower”.  Not interesting enough to the general public for it to have a name.  On the right, what I prefer to call The Wheel.  And in the middle?  I tend to call it One Blackfriars, but as Londonist points out, many people are calling this the Boomerang.

I also like it when Big Things aren’t quite ready and are still be worked on, but you can clearly see how they’ll look.  My very first digital camera coincided with the finishing off of the Gherkin and I have the photos to prove it, and ever since then, I’ve collected such architectural moments.  (My first digital camera also coincided with the last months of Concorde, but I don’t have the photos to prove that, which I still regret.)

And, as I only just remembered to say: the vertical bit on the far right is the edge of all that activity going on around the old Shell Building, and the building in the foreground is just flats, next to the iMax roundabout.

LATER:  Concerning the Boomerang, one of Michael Jennings’s Facebook friends (and actual friends, I think), who is called Lee J Tee, says this:

I actually really like that building. In general I think most of the modern buildings in London are worthy. A world class city deserves unique buildings and London has plenty of them, all different from each other and I like that individuality.

Amen.

I absolutely don’t understand how Facebook works, and probably never will, so I have no idea if I even can link to this, let alone whether, if I can, I should.  So, just take my words for it.

Someone else says that, actually, what I have been calling the “Boomerang” is “informally known as The Vase”.  Well, well.  I prefer that to Boomerang.

Monday August 20 2018

Yes, earlier this evening, my mate Darren arranged for me to drop by at the Oval to witness day 2 of the first Day/Night game of four day county cricket to be staged at the Oval.  However, all I have the energy to show you for now is this new-to-me Big Thing alignment, as seen from the very superior seats way up in the pavilion, where Surrey members like Darren (and his plus one) can sit.

image

Not surprisingly, these superior seats are one of my favourite spots in London (therefore in the world), because you can see things like the above, and cricket.

What we mostly observe in the above photo is the Walkie Talkie.  But behind we also see the newly erected Scalpel.  And, eagle-eyed viewers will also be able to discern, from two very small clues, the Gherkin.  Yes, that is definitely the Gherkin.

What the thing between the chimney pots in the foreground and the Walkie Talkie is, I do not know.

I especially like the two window cleaning cranes on the top of the Walkie Talkie.

Sleep well.  I am definitely about to do this myself.