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Category archive: Cranes

Thursday October 01 2015

I spent my blogging time today starting two different postings, both of which got longer and longer and are still not nearly finished.


Which only left me time for a quota photo, taken in April of this year.

LATER: 6k borrows the picture (which I am very happy about) and tells us more about the BT Tower.

Saturday September 26 2015

Not very busy day today, tidying up from my Last Friday meeting last night, but I neglected this blog, until now, at which point I am too tired to really say anything.

When in that state, I trawl through the archives, recent and not so recent.  And I just found this picture, taken in 2009:


What (I think) separates this from your average cheesy London sunset photo is the way that what’s left of the sunshine picks out one of the cranes, the one in the middle, just to the right of St Paul’s as we look.  That’s in the middle suggests to me that photoing this crane was not accidental on my part.  I was aiming at it.

I often see effects like this, when the sun sets fire to something, so to speak.  (Apologies if you read this far hoping that a crane would be on fire literally.) I usually photograph such brightly lit things whenever I see them, but my camera, on its automatic setting, usually then deliberately removes the fire from the picture.  It wants nothing extreme.  But extreme is what I want, when I do this.

But this picture left the fire at the top of that crane in.

The cloud behind the crane helps.

Saturday September 19 2015

Jade Dernbach’s international career ended last year, amidst much derision and recrimination.

Surrey very nearly won today’s ODI Final against Gloucester.  If Surrey had won, everyone would now be talking about how well Dernbach has done for Surrey this year.  As it was, Surrey, having been ahead of the game all day long, instead lost three tail end wickets in a heap at the end and lost by six runs.

Had Surrey won, Dernbach would have been Man of the Match, having taken six wickets, including a hat trick at the end of the Gloucester innings and even better, at the beginning of the Gloucester innings, the prize wicket of Michael Klinger for a three ball duck in the first over of the game.

As regulars here will know, I was at the semi-final at the Oval that got Surrey to today’s final.  (It was probably my day of the year so far.) Dernbach did well in that game also.

Sangakkara hit 19 runs off Surrey’s penultimate over of batting.  Notts, needing 19 to win in their last 2 overs, could only manage 5 and a wicket off their penultimate over, bowled by Dernbach.  The wicket was Notts captain Chris Read, bamboozled by Dernbach’s disguised slow ball.  Read is the kind of batsman who could have got Notts home with balls to spare, but Dernbach did him.  Those two penultimate overs were the difference between the two teams that day.

As for me, I photoed the first of these two penultimacies:


But when I should have been photoing the equivalent scoreboard description of the second penultimacy (you can read about it by scrolling down here), I was instead busy taking this photo:


Which just goes to show that photoing cricket matches, like photoing anything else, is a skill.  Everything you have to do - which actually means everything you have to remember to do - at the right time and in the right order - is easy and obvious, just commonsense really.  But, doing seventy three bits of commonsense at the exact right time and in the exact right order adds up to uncommon sense.  Or, as it is commonly known, knowledge.

I digress.  But the point of my digression is that I also digressed in my photography at that cricket game, at what was clearly, at the time I digressed, a critical moment.  There really is no excuse for the above photographic omission, except for me to say that I have not photoed very many cricket matches and am not very good at it.

After my day at the Oval, I am now strongly tempted to correct that, given what else you can see from the place, if you are a member.  A crane and a Shard are a bug, when you should be photoing the scoreboard.  But normally they would be a feature.

LATER: In other sports news, Perry de Havilland has a strange dream, and I had the exact same dream myself.

Tuesday September 15 2015

It’s been a very bad last few days here at BMdotcom.  First there was the domain name fiasco, and then last night and into this morning there was another interruption, caused by a power cut in a totally different part of London to me, which was in its turn caused by all that rain we had recently.  And then the interruption was prolonged by the mishandling of this power cut by my rather creeky and out-of-date version of Expression Engine.  The two events were unrelated.  I think there’s a Macbeth quote that deals with this kind of thing.  One of those plays about a king for whom things are starting to go badly wrong.  But rest assured that there is no sign that BMdotcom is about to be dethroned permanently.

So anyway, here is one of those photo-postings made quick and easy by my “I just like them!” directory.

I just like this, taken in 2007:


And I just like this, taken a month ago:


That second one was already edited and ready to post, with its new name, but I don’t believe I ever got around to actually displaying it.  If I did, well, take another look.

I do not promise more substantial stuff tomorrow, but I do hope for it.

Tuesday September 08 2015

Just under a week ago, last Wednesday, there was rainbow weather over London.  I was in my local laundrette, which is just at the corner where Horseferry Road stops going at a right angle to the river and does a sharp right towards Victoria Street.  But even thought I was lugging a big bag of shirts with me, I followed my camera rule, which goes: always have it on me.  Consequently, I had my camera on me, and was able to take photos.

Not as pretty a foreground is it might have been, and must have been for many others who were out and about in London at that time, or who were told to get out and about by others.  But: cranes, scaffolding, a tree with no leaves cluttering it up, that chess board building I like, the Millbank Tower and its classic roof clutter (see the right hand one of these photos).  I wasn’t complaining:

image imageimage image

Whenever I photo a rainbow, I am pessimistic about how good it will end up looking in my pictures.  This is partly because a rainbow is pure light.  There are no sharp edges for your camera to grab hold of, and inevitably the original somewhat blurry thing tends to come out just that fatal bit more blurry, and to look fatally less striking than the original did.

But, even more fundamentally, everyone knows that a rainbow is a photo op.  Indeed, I saw several other people taking photos, and the only reason I didn’t photo them photoing was that we all had our backs to the same wall, and I couldn’t get behind them, in such a way that I could have got them and the rainbow in the same snap.

Anyway, my point is that because rainbows are universally regarded as ultra-photogenic, rainbow photos are really rather mundane (because so very common), compared to actually seeing the thing itself.

The best photos tend to show you things that you are not already used to seeing in photos.

But, I enjoyed myself.  And I certainly like that in the final one, bottom right, you can make out a second and much fainter rainbow, above the main act.

Thursday August 20 2015

On a sunny afternoon in June, this was the big picture, complete with Big Things, and a bridge, in the background:


I homed in on that photosession, down by the river there.

There were making a bit of a spectacle of themselves, so their recognisable faces would have been fair game, but I took lots of pictures of them, and am able to show you only faceless pictures like these:


My favourite faceless photo being this one:


There was a big crowd looking down on all this.  They really can’t complain, and I don’t believe they will, in the event they see those pictures.

Happy day.

Tuesday August 18 2015

6k writes about a Fairly epic disaster video:

Cranes and bridges. I know who’ll like this one…

That would be me.

But it’s not a happy crane and bridge video. It’s a bit of a disaster…

So I watched the video, and then read 6k’s commentary underneath it, in that order.  6k’s commentary described my sentiments exactly:

Look, because of the title of this post and the title of the video, you know that things aren’t going to end well. But it’s the way things happen almost in slow motion and the lack of any sort of discernible panic that makes this so entertaining.

So slo-mo was it that I checked that the people moving about as this was happening were moving at a realistic speed.  They were.  Which meant that the cranes really did descend this slowly.  It was almost like when the Twin Towers collapsed, in that way if in no other way.

I’m not good at putting up videos here, so you’ll have to follow the link at the very top of this to watch this video.  However, this disaster having been videoed at the time, there was no way the www was not going to supply follow-up stills of the resulting wreckage, and here is an aerial snap that I quickly found, which tells that story very well:


Click on that picture to get it bigger.  Follow the link above if you want to see where I found it.

I’m guessing (only guessing mind) that the fact that the cranes were on a boat may have been the straw that caused the camels to fall over onto those houses.

Commenter number one there spells it out, and he says that the water aspect of things was more like a bale of straw:

There is an example of this exact situation in the maritime crane operation safety textbooks. Obviously, they didn’t read those.

Here’s a quick list of safety violations:

1) None of the vehicles were secured on the decks

2) Barges stability was not ensured in any way

3) The cargo was not stabilized from swinging & windage by lines

It’s easy to sneer about how hindsight is easy, blah blah.  But this guy sounds like he might have been able to stop this, had he been directly involved.

Sunday August 16 2015

Last month, on the 22nd (thank you my camera), a friend took me to see a show consisting, in the first half, of improvised comedy, and in the second half of pre-written sketch comedy.  This was at a venue called the Proud Archivist (thank you me for photoing the sign saying that).

The core skill of the performers who were performing that night was improvisation, and it showed, part two being a rather severe disappointment after the often considerable excellence of part one.  The sort of sketches they did in part two needed to be done with detached and unrealistic faithfulness to the text, Footlights/Monty Python style, almost like you are reading the lesson in church, not “realistically”, as these performers tried to do.  But all it sounded like was that they had forgotten the damn words.  (I heard later that they included some improvisation in some of the sketches.  That was when this dire effect was at its most severe, or so I presume.)

But best of all, which as far as I was concerned made the entire expedition totally worthwhile, was the extraordinary light outside, for a few fleeting minutes during the interval, outside being where I went during the interval.

Here are two of the photos I took from just outside the Proud Archivist, next to the canal, during that interval:


Okay, what was photoed there is nothing out of the ordinary, with the second picture just being a close-up selection from the bigger picture displayed in the first.  But the light!  Photography is light, and that is light! Or, it was.  Do you at least get a hint of what it was like actually to have been there, then?  Hope so.

Saturday August 08 2015



I spent the morning not doing anything here, and then the later morning making sure that there were no Ashes mishaps.  Then I spent from the middle of the day almost to the end of the night attending a wedding.  I took about eight hundred pictures, but for now, one must suffice, not very wedding related, other than it was taken from where the reception took place, namely from the upstairs bar and terrace of Doggett’s Coat and Badge.

I am often out and about in London as the sun sinks, but seldom in a place like this, a crucial few dozen feet higher up than usual.  I think this affected the effect of the sun on the Big Things of the City.

Although, it could just be that I was in a good mood and the view was slightly unfamiliar.  After all, I was high enough to see over the new Blackfriars Bridge Station, and thus see those Big Things from an angle I’m not used to.

I am not used to the Gherkin being totally hidden by the Cheesegrater, which in this shot it just happens to be.  Perhaps that is what is making the Cheesegrater look so good, to me, today.  There is no bulge bulging out from behind it.

As you can see, one of the cranes was on fire with the light of the sun.

Tuesday August 04 2015

Most of the things I tell you about at this blog are the sort of things that will keep for a month.

This view, for instance, looks exactly the same today, apart from any weather differences, as it did on the day I photoed it, nearly a month ago.  Okay, weather does make a difference, so these Things probably did look quite different today to how they looked on July 7.  But, they won’t have moved:


G(od)D(aughter) 2 wanted to visit countryside.  And I wanted to visit Richmond Park.  At Christian Michel’s, on the July 6 manifestation of his 6/20 meetings, I had had a Distant Views of London’s Big Things conversation.  Hotel ME, Parliament Hill (click on that to see what a huge difference different weather can make, in the space of a few minutes), this rather hard to describe one, that kind of thing.  Richmond Park, said this most obliging woman.  Have you tried that view?  No, said I.  You should, said she.  So, Richmond Park was the perfect spot for me and GD2 to visit.  GD2 wanted rurality.  I wanted a new and exciting view of urbanity.

The picture above is a rather extreme case of a good photo taken badly.  (I will return some time Real Soon New and take it better.) But I like it, because it records the moment when I first saw that the woman the night before had been spot on.  Wow.  There’s London.  Mission accomplished.

But soon, the views got a bit better, and so did the photos:


That’s a photo taken with my now maximum zoom (maybe this will get zoomier some time soonish).  The next two are me easing off on the zoom, to show not only London itself, but how London looks from Richmond Park, by including a bit more of Richmond Park.


I like these snaps so much that I took a long time pointlessly fretting about how exactly to display them here.  In the end, I just did what Hartley always does.  I just piled them up vertically.


The Walkie Talkie looks particularly fine in these snaps, I think.  However, it is becoming harder defend this building, even though I am determined to go on doing this.  Not content with firing death rays down onto the street in front of it, this building, it is now being said, is doing terrible things to the local weather.  The death rays were easily corrected, but changing these wind effects will be much harder.  Basically, those on the receiving end will have to get used to it, one way or another, which might include more architecture.

This is the kind thing that happens when you build a building which is a different shape to all previous buildings.  You find out that there are reasons why people mostly don’t build buildings this shape.  No, that’s not quite it.  You find out that whereas regular-shaped buildings, having been built a million times, have had all the bugs ironed out of them, this is not true of your building.  Simply nobody know exactly how to build it.  Not you, not anybody.

Friday July 24 2015

During the same walk that I took this picture, and this picture, I also took these pictures, of photographers.

We start (top left) with a view of a photographer on the Millennium Footbridge, and end with a clutch of photos taken on Tower Bridge.  In between, I walk from the first bridge to the second, along the south bank.

As you can see, smartphone cameras continue to predominate:

image image imageimage image imageimage image image

As you can see, I am becoming every more careful to avoid showing recognisable - especially automatically-computer-recognisable – faces.  I have even included one photo (bottom right) where the whole point and fun of it is that a passing car hid the lady’s face, and thus caused the resulting photo to qualify for inclusion in this posting.

Also, I like that effect you get with glasses (top right), where you get a more focussed version through them of the otherwise blurry background.

Wednesday July 22 2015


Busy day today, so another photo taken yesterday evening, at the southern end of Blackfriars Bridge:


Dragons like these are to be seen all around the City of London, guarding the City from the rest of London.  This is the kind of thing Wikipedia surely gets right, so here is that link.

You can find lots of pictures of these dragons, but not so many photos that look the way mine does, with a blurry Big Thing and a blurry crane in the background.

Saturday July 04 2015

Today I was out and about in the sweltering heat of London, and unusually for me, I found myself noticing a news item:


The news item being that big cloud of smoke, somewhere up river from Tate Modern.  Seeing as how I myself live up river from Tate Modern, this was a bit troubling.  Was it a moderately big fire, quite near to me?  Would I return home to find my home ablaze?  Had I started the fire by leaving something switched on that shouldn’t have been?  Or was it, as I found myself ignobly hoping, a bigger fire, further away?

I consulted the www about this fire when I got home, my home not having disappeared, and there being no smoke anywhere near it.  Eventually the www revealed what had happened.  The fire was - and alas, as I write this, it still is - in Perivale, which is way out in the west of London.  And this was one very big conflagration.

To quote the Evening Standard:

An enormous fire is raging in a warehouse in a west London suburb, with smoke visible for miles around.

Some 100 firefighters are tackling the inferno at a large building in Wadsworth Road, Perivale.

About 30 people fled before the London Fire Brigade arrived, with flames erupting just before 7pm.

That’s what I was seeing, no question about it.

According to my camera, the above photo was taken at 8pm, so the fire had already been raging for an hour before I noticed it enough to take photos of it.  Not that photoing smoke is my forte.  Presumably photoing smole is like photoing anything else in particular, the more you do it, the better you do it.

No matter.  Many others will undoubtedly have been photoing that same huge cloud of smoke.  It was, like the ES said, visible for miles around.  You’ll have no difficulty finding better Perivale warehouse fire pictures, in the event that you want to see such things.  For me, it is enough to know that nobody died.

A BIT LATER: Looking at the above photo, and at some of the others at the other end of the link immediately above (notably the one from beyond Tower Bridge) I realise that one of the tricks of smoke-photoing is the put the smoke behind a very definite and recognisable building.  So here is another photo I took, of some of the smoke that had already travelled a bit further, to the area behind St Pauls Cathedral from where I was:

Trouble is, although St Pauls is very definitely St Pauls, the smoke is not so definitely smoke.  It could just be clouds, in my photo.  Like I say, smoke is not a speciality of mine.

As you can also see, there is a crane to be seen there.  I also photoed smoke behind a crane cluster, but showing you that would be to change the subject.

Saturday June 20 2015

But, there is light.  And there is light.

Here is some light, earlier this evening, bouncing off the Millbank Tower with its superb roof clutter, next to a crane, and arriving upon the little square of electro-magic inside my camera:


Yes, that is excellent roof clutter.  Yes, that is a crane.  But … it’s not a very remarkable scene.

But here is some light, earlier in the week, bouncing off the same Millbank Tower with its same excellent roof clutter, next to the same crane, and arriving upon the same little square of electro-magic inside my camera:


Put it this way.  Had I not taken that shot earlier in the week, I’d not be showing you the one I took this evening.  Which I only took at all to illuminate that earlier one.

Saturday June 13 2015

A while back I visited a friend in Epping, and during our ramblings in Epping Forest that day, it was mentioned that there was a spot in that general area where the Big Things of London could be seen.  Seen from a great distance, but seen, in a gap between the trees.

Lured by the promise of this view, I returned, the Sunday before last, and was duly shown this view.  You could see what appeared to be the BT Tower, and when I got home I confirmed that it was indeed the BT Tower.  But, handsome though the BT Tower is, there is more to the towers of London than the BT tower.  Never mind.  I contented myself with photoing decaying farm machines.

But there are no decaying farm machine photos in this posting, and for that matter no photos of the BT Tower.  Because.  About an hour later, in weather that (as had been promised by the weather forecasters) was improving, we stumbled (if you can stumble in a car) on a vastly improved view of London.  We only got to that because my friend was using a hoped-for short cut to show me an antique railway station or a church or some such thing.  But suddenly I yelled that the view I had hoped to see an hour earlier was now viewable.  Stop the car.  Stop the car.  Let me get out and photo … this:


There they all are: Strata (the one with three holes in the top) Shard, Walkie-Talkie, Gherkin, Cheesegrater, Heron Tower, Natwest Tower, Spraycan.  They’re all there.  Apart from the BT Tower which is away to the right and hidden behind a hill.

As so often at this blog, what you are looking at is a great photo, taken just about technically well enough for you to realise what an even greater photo in all respects this could have been, if taken by a Real Photographer at the top of his Real Photographer game.

The only reason it has taken so long for me to stick up this picture is that, as you can surely imagine, I took a great many shots like this one, but later could not decide which one was the least mediocre.  All were very striking (because of what was in them), and rather blurry (because I’m a blurry kind of photographer when I take shots like these), and interrupted by wires in the foreground (because I did not see those until I got home). 

imageBut I do have just one more photo to stick up here, containing as it does the vital information telling Real Photographers exactly where they need to go, to take this picture properly.

I took that photo on the right, of our location displayed on its map by my smartphone, in the car, just before we continued to what had been intended as our next destination.  As you can see from this, we were well beyond the M25.  The small blue blob in the middle is the location.  Subsequent google mappery confirmed that we were twenty miles and more from the centre of London.

Sadly, the small blue blob in the middle is pointing, very misleadingly, in a completely different direction to the direction in which I pointed my camera to photo London.  London is located below and to the left, i.e. towards the south west, the M25 being the road around London and the M11 being the road from the territory to the north east of London (involving such places as Cambridge), to London.

This spot is not all that far from Epping tube station.  On a better day, I will return.

This view combines great distance with definite visibility to a degree that I have not experience and photographed from any other place.  Does anybody know of any place that scores higher by this combined measure?

I include cranes in the category list below.  There are, as always with big pictures of London, cranes.