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Category archive: Cranes

Tuesday February 12 2019

I left it too late and I am now too tired to do anything here today, so here’s a random quota photo:

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Taken in May 2015, from the South Bank, looking north across the River.  I’m pretty sure that’s the Royal Opera House Covent Garden.  But feel free to disagree.

I hope - although I promise nothing - to do better tomorrow.

Saturday February 09 2019

Yes, that’s what this Thing is called:

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And, as I think you will probably deduce from the number of photos I took of it, I rather like it.

It is to be found just south of The Dome, and I got a look at it from across the river when I visited Docklands, pn Thursday January 17th of this year, where I also took other photos, like this one, and these ones, and these ones.

I don’t really know why I like this thing so much, but I surmise that part of it may be that it contrasts itself with the surrounding banal architectural rectangularities not by being completely different, but by being more subtly different.  Sculpture often seeks separation from its urban surroundings by going totally curvey.  No straight lines at all, except maybe in the form of a flat plinth.  This Thing stands out too, but in a more dignified and respectful way.

Plus. It’s a lot of fun how different it looks depending on the exact direction of any sunlight coming towards it.  I only got about two versions of this, but there are surely many more to be enjoyed.

Plus, it’s bigger than your usual Art.  I like that.

Soon, I will return to that part of London but an extra Tube stop away, and I will take a closer and more 360 degree look at this very pleasing Thing.

Saturday February 02 2019

Recently I paid a visit to Docklands.  The Big Things there add up to a quite impressive cluster, but are, on the whole, individually, unlike quite a few of those in The City, rather characterless and bland.

There is, however, an exception.  This:

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It’s One Park Drive, now nearing completion.

Here are a few more photos of it that I photoed:

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Circular in plan.  Its surface changes from one effect to another as you move up or down.  Next to a stretch of water.  I’m guessing they were thinking of these two towers in Chicago.

Tuesday January 22 2019

On the sunniest day of the year so far, I went, as earlier noted, east, to Docklands.

I photoed the blue sky, the leafless trees, and the many towers of Docklands:

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Nice.  Lots of pollarding.

Almost anything looks nice in weather like that.

I felt the cold so you don’t have to.

Saturday January 12 2019

It’s been a while since I visited the Isle of Dogs.  Here are some photos I photoed of a building site there, next to the river, in January 2014:

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I wonder how all this looks now.  I’m pretty sure I know where this is.  Google Maps is good enough for that.  But not for the up-to-date story.

In decades to come, if will presumably be possible to go pretty much anywhere that’s public, virtually, without leaving your dwelling pod..  But for now, the only way to be sure about a place like this is to go there and see.

Thursday January 10 2019

Indeed:

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It’s the roof of this, looking upstream into the sunset, last August.

Thursday January 03 2019

And all in the one photo:

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Also, trees without leaves.  Taken in January 2009.  On my way home, looking out towards Vauxhall Bridge Road and beyond, in the general direction of Battersea.

At present, sofas are more important to me than blogging, as the above blatant quota photo well illustrates.

This morning, the new sofa finally arrived.  It is my hope, and the promise of Westminster City Council, that the old sofa will depart tomorrow.

Wednesday December 05 2018

So I was looking, as I do from time to time, through one of my Stanford-le-Hope directories (the one memorialising September 24th 2013), expecting to be amazed by photos of the giant cranes of London Gateway.  Instead I noticed how much else there was in the Stanford-le-Hope vicinity besides giant cranes:

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There was decaying industrialisation.  There was vegetation.  There were pylons.  There was roof clutter.  Even ground clutter.

So I went all the way to Stanford-le-Hope, so far away from London that I had to pay to get there, and some of my favourite things were things that we have lots of in London.  But, it was great.  Out there in Beyond London, everything is all spread out, and it is easier to photo things.  But, you need to check beforehand that there are things.  And there were lots of things at or near London Gateway, even back in 2013

Time I checked out London Gateway again.  Some time next summer, I think.

Tuesday December 04 2018

Indeed:

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Photoed last March, which I suppose is not yet Spring.  If that’s right, then that makes WInter the longest season.

Wouldn’t it be great, for me I mean, if leaves happened in Winter, but if all the other seasons were too hot for them?

Monday December 03 2018

October 21st of this year was a good photoday for me.  There was this, and then this.  Now let me show you nine chimney pot photos, taken on that same day:

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The first four were photoed in the vicinity of South Kesington tube station.  Then I tubed myself to the West End, which is where the rest of these photos were photoed.

I think my favourite is the fifth, or perhaps 3.2, depending on how you prefer your numbering to be done.  But I like them all, or I’d not have shown them to you.

The final one, 9 or 3.3, was taken from the inside of the top of Foyles.

I’ve called this “chimney pots” because all these photos have that in common.  But there are many other kinds of roof clutter also on show.  I rejected including “roof clutter” in the title, because although most chimney pot arrays do indeed beome very cluttered, as in randomly varied and chaotic, that cannot be said of photo 4, aka 2.1.

The satellite dish in 1.3, aka 3, looks, to a casual observer, aka me when I first encountered it in the directory (not when I actually photoed I), the moon.

Which I like.  And I also like it when there are chimney shadows, as in 1.1 (1), and 5 (2.2).  And there are other sorts of shadows in 6 (2.3).

Plus there’s a crane (7 (3.1)). and a pigeon (9 (3.3)).  But, not any scaffolding that I can see.

Saturday November 17 2018

Very busy today.  Knackered.  Doing what?  Too knackered to explain.

Quota crane, from two different directions:

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Photoed by me in Lower Marsh, just over a week ago.  That’s if for today.

No, that’s not it for today.  Here is yet another view of the same crane:

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Shame the view behind couldn’t be more interesting.  Go a few yards further along Lower Marsh, and you get to stuff like this:

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More cranes there.

Now I’m even more knackered.

Wednesday October 31 2018

This is the third consecutive posting here based on photos I took, two days ago now, while walking from the Angel to Barbican tube.

The reason for the abundance of photos from that walk was the light.  It was a classic London early evening, when the sky above was getting grey and dull, but when there was a gap in the clouds out west, and the sunlight came crashing through that gap horizontally, light a searchlight, picking out random things that were sticking upwards, above the point at which old London stopped going upwards and only new London protrudes.  Not everything doing this got caught in the beam, just some things.  Behind them or next to them there would be objects entirely unlit and already fading fast into darkness.

Things like cranes:

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That’s a fairly conventional photo for me, because the darkening sky is the background, as it often is when I photo evening sunlight crashing into cranes.

But this next one, taken rather later as I neared the Barbican, seemed to me to be something else again:

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I have a kind of check list mentality when judging my own photos.  I have a list of things I like, and the more such things are happening in the photo, the higher the photo scores.  Cranes, tick, with the evening sun hitting them, tick.  Another is interesting architectural silhouettes.  Of such Big Things as the Gherkin, the Walkie Talkier, the Shard, and so on.  And although those Barbican towers are not the prettiest Things in London by a long way, their silhouettes are distinctive, because of that saw tooth effect you get at the sides.  I also like the understated roof clutter there.

Monday October 29 2018

Today, I was meeting a friend in the area of Angel tube, and then, because the weather was so good, I decided to walk a little, to the canal nearby, and then south, towards the City.  I took many photos.  But as often happens when I photo ordinary things but in better than ordinary light, one of the best photos I photoed was something of a surprise.  It happened right near the end.  It was getting dark before I reached the City, and a signpost sent me along that strange tunnel near Barbican tube, to Barbican tube.

This is the tunnel I’m talking about:

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I googled “Barbican tunnel” when I got home, and soon learned that this is apparently the Beech Street tunnel, although all it said on google maps was “B100”.  Earlier this year, there was a apparently some sort of light show on show in this tunnel.  But this evening what got my attention was the light at the end of the tunnel, which looked like this:

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The natural pink and yellow of the sunset is what makes this, but I also like the non-natural green of the traffic lights, and the green reflections in the tunnel roof, joining in with those green roofs beyond.

In the distance, a crane.  In London, cranes are hard to avoid.  Not that I’d want to.

Sunday October 21 2018

Indeed.  Photoed today by me in London’s Chinese district:

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Today I went on a long photo-walk, and am exhausted, plus I have other things I have to do before turning in.  So, that will have to be that for today.

I don’t actually know if they are Chinese lanterns, because the sun is doing all the lighting.there.  But they are definitely Chinese somethings. 

Friday October 12 2018

Somewhat over a year ago I wrote about When what I think it is determines how ugly or beautiful I feel it to be, in connection with this building:

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This is described, at any rate by its owners and its various occupants, as The Peak.

And that photo of mine above, taken from the top of the Westminster Cathedral Tower, is my Peak photo which best illustrates the oddly deceptive appearance of this decidedly odd-looking building.  It looks like a 60s rectangular lump, to which 90s or 00s curvatures, on the right as we look, and on the top, have been added.  But, as I discovered when concocting that previous posting, the whole thing was built all at once.  It looks like a two-off building rather than a one-off building, but looks deceive, or deceived me, for a while.  Two-off good, one-off bad, was how I had been thinking.  It was two-off, so (aesthetically) good.  Organic, additive, blah blah.  But, what was I supposed to think, on discovering that it was really an inorganic and un-additive one-off?

Now, buried in my photo-archives, I find this photo, taken on October 28th 2008, which confirms that The Peak is indeed a one-off, because here it is (here it was), all being built in one go.  There really is no doubt about it:

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When I took this photo, I was a lot more interested in the anti-pigeon spikes on top of those street lamps, and on top of the railway sign, than I was in the building work in the background.

How I now feel about The Peak, aesthetically, is that I still rather like it, if only because I have paid so much attention to it over the years, and feel sort of proprietorial towards it, as you would towards a somewhat clumsy child that you have adopted.  (That feeling applies, for me, to a great many London buildings.)

Also, whatever else you think of it, when you see it, you at once know where you are.  It is very recognisable, recognisability being a quality in buildings which I appreciate more and more.  “Iconic” is the rather silly word that estate agents and suchlike use to allude to this quality.  But they have a point, even if they use a silly word to point to their point.  That “you could be anywhere” feeling is not a good one, in a city or anywhere else.

“Other creatures” (see below) because of the pigeon scaring.