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Category archive: Cranes

Wednesday December 05 2018

So I was looking, as I do from time to time, through one of my Stanford-le-Hope directories (the one memorialising September 24th 2013), expecting to be amazed by photos of the giant cranes of London Gateway.  Instead I noticed how much else there was in the Stanford-le-Hope vicinity besides giant cranes:

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There was decaying industrialisation.  There was vegetation.  There were pylons.  There was roof clutter.  Even ground clutter.

So I went all the way to Stanford-le-Hope, so far away from London that I had to pay to get there, and some of my favourite things were things that we have lots of in London.  But, it was great.  Out there in Beyond London, everything is all spread out, and it is easier to photo things.  But, you need to check beforehand that there are things.  And there were lots of things at or near London Gateway, even back in 2013

Time I checked out London Gateway again.  Some time next summer, I think.

Tuesday December 04 2018

Indeed:

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Photoed last March, which I suppose is not yet Spring.  If that’s right, then that makes WInter the longest season.

Wouldn’t it be great, for me I mean, if leaves happened in Winter, but if all the other seasons were too hot for them?

Monday December 03 2018

October 21st of this year was a good photoday for me.  There was this, and then this.  Now let me show you nine chimney pot photos, taken on that same day:

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The first four were photoed in the vicinity of South Kesington tube station.  Then I tubed myself to the West End, which is where the rest of these photos were photoed.

I think my favourite is the fifth, or perhaps 3.2, depending on how you prefer your numbering to be done.  But I like them all, or I’d not have shown them to you.

The final one, 9 or 3.3, was taken from the inside of the top of Foyles.

I’ve called this “chimney pots” because all these photos have that in common.  But there are many other kinds of roof clutter also on show.  I rejected including “roof clutter” in the title, because although most chimney pot arrays do indeed beome very cluttered, as in randomly varied and chaotic, that cannot be said of photo 4, aka 2.1.

The satellite dish in 1.3, aka 3, looks, to a casual observer, aka me when I first encountered it in the directory (not when I actually photoed I), the moon.

Which I like.  And I also like it when there are chimney shadows, as in 1.1 (1), and 5 (2.2).  And there are other sorts of shadows in 6 (2.3).

Plus there’s a crane (7 (3.1)). and a pigeon (9 (3.3)).  But, not any scaffolding that I can see.

Saturday November 17 2018

Very busy today.  Knackered.  Doing what?  Too knackered to explain.

Quota crane, from two different directions:

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Photoed by me in Lower Marsh, just over a week ago.  That’s if for today.

No, that’s not it for today.  Here is yet another view of the same crane:

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Shame the view behind couldn’t be more interesting.  Go a few yards further along Lower Marsh, and you get to stuff like this:

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More cranes there.

Now I’m even more knackered.

Wednesday October 31 2018

This is the third consecutive posting here based on photos I took, two days ago now, while walking from the Angel to Barbican tube.

The reason for the abundance of photos from that walk was the light.  It was a classic London early evening, when the sky above was getting grey and dull, but when there was a gap in the clouds out west, and the sunlight came crashing through that gap horizontally, light a searchlight, picking out random things that were sticking upwards, above the point at which old London stopped going upwards and only new London protrudes.  Not everything doing this got caught in the beam, just some things.  Behind them or next to them there would be objects entirely unlit and already fading fast into darkness.

Things like cranes:

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That’s a fairly conventional photo for me, because the darkening sky is the background, as it often is when I photo evening sunlight crashing into cranes.

But this next one, taken rather later as I neared the Barbican, seemed to me to be something else again:

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I have a kind of check list mentality when judging my own photos.  I have a list of things I like, and the more such things are happening in the photo, the higher the photo scores.  Cranes, tick, with the evening sun hitting them, tick.  Another is interesting architectural silhouettes.  Of such Big Things as the Gherkin, the Walkie Talkier, the Shard, and so on.  And although those Barbican towers are not the prettiest Things in London by a long way, their silhouettes are distinctive, because of that saw tooth effect you get at the sides.  I also like the understated roof clutter there.

Monday October 29 2018

Today, I was meeting a friend in the area of Angel tube, and then, because the weather was so good, I decided to walk a little, to the canal nearby, and then south, towards the City.  I took many photos.  But as often happens when I photo ordinary things but in better than ordinary light, one of the best photos I photoed was something of a surprise.  It happened right near the end.  It was getting dark before I reached the City, and a signpost sent me along that strange tunnel near Barbican tube, to Barbican tube.

This is the tunnel I’m talking about:

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I googled “Barbican tunnel” when I got home, and soon learned that this is apparently the Beech Street tunnel, although all it said on google maps was “B100”.  Earlier this year, there was a apparently some sort of light show on show in this tunnel.  But this evening what got my attention was the light at the end of the tunnel, which looked like this:

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The natural pink and yellow of the sunset is what makes this, but I also like the non-natural green of the traffic lights, and the green reflections in the tunnel roof, joining in with those green roofs beyond.

In the distance, a crane.  In London, cranes are hard to avoid.  Not that I’d want to.

Sunday October 21 2018

Indeed.  Photoed today by me in London’s Chinese district:

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Today I went on a long photo-walk, and am exhausted, plus I have other things I have to do before turning in.  So, that will have to be that for today.

I don’t actually know if they are Chinese lanterns, because the sun is doing all the lighting.there.  But they are definitely Chinese somethings. 

Friday October 12 2018

Somewhat over a year ago I wrote about When what I think it is determines how ugly or beautiful I feel it to be, in connection with this building:

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This is described, at any rate by its owners and its various occupants, as The Peak.

And that photo of mine above, taken from the top of the Westminster Cathedral Tower, is my Peak photo which best illustrates the oddly deceptive appearance of this decidedly odd-looking building.  It looks like a 60s rectangular lump, to which 90s or 00s curvatures, on the right as we look, and on the top, have been added.  But, as I discovered when concocting that previous posting, the whole thing was built all at once.  It looks like a two-off building rather than a one-off building, but looks deceive, or deceived me, for a while.  Two-off good, one-off bad, was how I had been thinking.  It was two-off, so (aesthetically) good.  Organic, additive, blah blah.  But, what was I supposed to think, on discovering that it was really an inorganic and un-additive one-off?

Now, buried in my photo-archives, I find this photo, taken on October 28th 2008, which confirms that The Peak is indeed a one-off, because here it is (here it was), all being built in one go.  There really is no doubt about it:

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When I took this photo, I was a lot more interested in the anti-pigeon spikes on top of those street lamps, and on top of the railway sign, than I was in the building work in the background.

How I now feel about The Peak, aesthetically, is that I still rather like it, if only because I have paid so much attention to it over the years, and feel sort of proprietorial towards it, as you would towards a somewhat clumsy child that you have adopted.  (That feeling applies, for me, to a great many London buildings.)

Also, whatever else you think of it, when you see it, you at once know where you are.  It is very recognisable, recognisability being a quality in buildings which I appreciate more and more.  “Iconic” is the rather silly word that estate agents and suchlike use to allude to this quality.  But they have a point, even if they use a silly word to point to their point.  That “you could be anywhere” feeling is not a good one, in a city or anywhere else.

“Other creatures” (see below) because of the pigeon scaring.

Wednesday October 10 2018

There is building activity going on at the top end of Horseferry Road, which is near where I live.  And this afternoon, when I sallied forth to enjoy the last really fine day of 2018 and to photo London, this bit of London activity was one of the very first things I photoed.  I really like how it now looks:

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The walk lasted a long time, and that knackered me.  But what really knackered me was the shopping I needed to do at the end of the walk.  The final bit of that being lugging two bags of supermarket purchases up the stairs to my home.  This is not my idea of fun, even if it didn’t kill me and even if it did make me stronger.

So now all I am fit for is a little TV followed by bed.  I photoed many more pleasurable things today besides the above, which is why this posting is called “The last really fine day of 2018 (1)” rather than just “The last really fine day of 2018”.  But all of that will have to wait.  I promise at least one more posting concerning today’s photos, to make retrospective sense of that (1), but no more than that.  Good night.

Tuesday October 09 2018

When I google “crane”, what I want to see is tall pointy things made of metal for shifting stuff around on building sites, not birds posing en masse in a lake.  You can’t always get what you want.

A further illustration of that same principle came when, this morning, I had reason to google “canada goose”, because this time I actually wanted to learn about a bird.  I photoed some lines of birds a while back, in Rye, and blog pal 6k commented today that they were probably Canada geese.  And because 6k backed this up with some migration info that seemed quite informed, this sounded right, despite the fact that Rye is nowhere near to Canada.

So I googled “canada goose”.

But what I got was lots of expensive jackets with furry hoods.  Even after two pages of links to stuff about the jackets, there was literally no mention of any bird.

You can’t sell a bird for thousand quid, I guess.  Or, not a bird like a Canada goose.  I am not the customer of Google.  I am Google’s product.  Overpriced jacket sellers are Google’s customer.

However, if you google canada geese, sanity is restored.  And I think Canada geese migrating is even better.  It would appear from the images you get if you look there that Canada geese do often form great big mobs, fish shoal style.  It can take them a while to get organised into lines.

Monday October 08 2018

Nine years, to the day, actually.  I was trying for ten years to the day, but after concocting what follows, I realised that these actually date from October 8th 2009:

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The first one shows a rather strange footbridge that used to go over the site, taking pedestrians from London Bridge Station to Guy’s Hospital, and places beyond.  Most of the other photos were taken from on that bridge.

What surprises me now is how chaotic it all looks, especially when I zoomed in on a particular bit of chaos.

What that lumpy cylinder that they are manhanding is, I do not know.

The website to be seen in the final photo seems to be long gone.

Sunday October 07 2018

If I had a pound for every time someone’s told me that they like to photo The Wheel from Tottenham Court Road, I wouldn’t have any more pounds than I already have, because it’s just me that likes to do this.  But, I really like it.

I’m talking about photos like this one:

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Great light there, don’t you think?  It could be an oil painting.  Exactly as it came out of the camera, no Photoshop(clone)ing.  That dates from April of 2015.  As you can see, that weird entrance to Tottenham Court Road Tube station was still under construction.

Here’s a couple more, taken in 2016 …:

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... and in 2017:

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That crane there should have told me that something ominous was in the works, but actually I was taken by surprise.

Take a look at what the same scene looked like today:

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That’s right.  The Wheel is about to blotted out of this particular picture.

I moved nearer, which moved the top of the Wheel down to the bottom gap in the structure:

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I took a final close up:

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And that may well be the last time that I ever photo The Wheel from Tottenham Court Road.

Saturday October 06 2018

On Thursday September 27th, I photoed a leaning crane, from the top of the John Lewis Roof Garden.  But that wasn’t all I photoed.  Of course not.  I wouldn’t go to a spot like that and take just the one photo.

A few more views:

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My usual preoccupations.  Big Things.  Cranes (including window cleaning cranes).  Roof clutter.  Scaffolding.

Can you spot Big Ben?  Clue: scaffolding.

Thursday September 27 2018

This phenomenon continues to trouble me.  Intellectually, I know that the people supervising these circumstances have them all under control.  If ever there was a trade in Britain that knows what it is doing, it is the big city building trade.  Things get done on time, all according to plan, and the results work as intended.  And cranes do not fall over.  (The financing can go all over the shop, which means that plans can change dramatically, but that’s a different story.)

But it still feels to me as if this crane might fall over.  It still feels to me that, at any moment, something near the ground, on the left as we look, just might … SNAP!!!!:

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So, another for the collection.  Photoed by me the day before yesterday, from the Rooftop of John Lewis.

I don’t generally do Photoshop(clone)ing, but some rotation was necessary with this one.  In my original, the crane was completely vertical.  And everything else: not.

Monday September 24 2018

Maybe “art” is putting it a bit strongly, but nevertheless, I do really like this photo ...:

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… which I took in the summer of 2015, somewhere in the City of London.  The directory I found this in is called “Looking4BroadgateTower”, so that tells you roughly where I was.

BMdotcom-wise, this photo has so many boxes ticked.

- First things first: cranes.  In this case, crane towers.  BMmmmmm.

- Reinforcing rods, sticking out the top of the lump like vegetation.  Reinforcement: insufficiently sung heroism of modernity.

- A crane tower shadow, on …

- … that material they shove over …

- … scaffolding.

- That monochrome thing that happens during sunsets.  And – who can say? - maybe even during sunrises.

- The way that sunlight hits crane towers and just lights them up, which I so often try to get and so seldom manage to get.

- Lots of horizontals and verticals, made possible not by Photoshop(clone)ing but by the excellent zoom lens on my nearly-but-actually-not-SLR camera, with its one brilliant super-zoomy lens.

So, lots to like there.  But what and where was this?  This is the kind of thing I like to know.

Luckily, I took informational photos, as well as arty photos like that above.  Always, when out taking photos like the above, take lots of photos which are not for art, but for information about that art.  I need to keep telling myself, because often I fail to do this.

I fail, that is to say, to take photos like this ...:

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… which scores about zero for artistic impression, but which tells me what all that art in the first photo above actually was.

In the above (information) photo we see the same crane towers and the same lump, but viewed side on.  It’s definitely the same stuff.

There’s even a name and a website to be seen, if you crop it, and then expand it to be 500 pixels across, like this:

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So, there we have it.  It’s the earlier stages of this.  Once you have the words to describe what you want to learn about, the internet suddenly starts to work.

This being this:

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My best guess is that the lump of art in the first photo in this posting is somewhere in the middle of the more complicated computerised Thing on the right.