Brian Micklethwait's Blog
In which I continue to seek part time employment as the ruler of the world.Home
Michael Jennings on Scum?
Jackie D on Plan as energy
Drone Misfits on Van – grey but very interesting
Drone Misfits on Droneverts
Michael Thomas on The art of taxi advertising
Mark Rousell on Views from Waterlow Park
6000 on Some more lighthouses for 6k
Michael Jennings on Don't be fooled by the smallness of the building
Gerry on I never thought that we could win
Brian Micklethwait on Strand Palace Hotel footbridge
Most recent entries
- Packaging that is too good
- Tidying up
- To Tottenham (1): A fine day (especially for scaffolding)
- Quota Citroen DS
- Plan as energy
- One mobile phone photoer now
- Somebody needs to invent electronically changeable paint
- Clocking clocks
- What indeed?
- Sunlight on sea
- Some more lighthouses for 6k
- Views from Waterlow Park
- Don’t be fooled by the smallness of the building
Other Blogs I write for
6000 Miles from Civilisation
A Decent Muesli
Adventures in Capitalism
Alex Ross: The Rest Is Noise
Another Food Blog
Antoine Clarke's Election Watch
Armed and Dangerous
Art Of The State Blog
Boatang & Demetriou
Burning Our Money
Chase me ladies, I'm in the cavalry
China Law Blog
Civilian Gun Self-Defense Blog
Coffee & Complexity
Communities Dominate Brands
Confused of Calcutta
Conservative Party Reptile
Counting Cats in Zanzibar
Deleted by tomorrow
Don't Hold Your Breath
Douglas Carswell Blog
Dr Robert Lefever
Englands Freedome, Souldiers Rights
Everything I Say is Right
Fat Man on a Keyboard
Ferraris for all
Freedom and Whisky
From The Barrel of a Gun
Gates of Vienna
Global Warming Politics
Greg Mankiw's Blog
Guido Fawkes' blog
Here Comes Everybody
Hit & Run
House of Dumb
Iain Dale's Diary
Jeffrey Archer's Official Blog
Jessica Duchen's classical music blog
Laissez Faire Books
Last of the Few
Libertarian Alliance: Blog
Liberty Dad - a World Without Dictators
Lib on the United Kingdom
Little Man, What Now?
Loic Le Meur Blog
L'Ombre de l'Olivier
London Daily Photo
Metamagician and the Hellfire Club
Michael J. Totten's Middle East Journal
More Than Mind Games
Mutualist Blog: Free Market Anti-Capitalism
My Boyfriend Is A Twat
My Other Stuff
Nation of Shopkeepers
Never Trust a Hippy
Non Diet Weight Loss
Nurses for Reform blog
Obnoxio The Clown
On an Overgrown Path
One Man & His Blog
Owlthoughts of a peripatetic pedant
Oxford Libertarian Society /blog
Patri's Peripatetic Peregrinations
Police Inspector Blog
Private Sector Development blog
Remember I'm the Bloody Architect
Setting The World To Rights
SimonHewittJones.com The Violin Blog
Sky Watching My World
Social Affairs Unit
Squander Two Blog
Stuff White People Like
Stumbling and Mumbling
Technology Liberation Front
The Adam Smith Institute Blog
The Becker-Posner Blog
The Belgravia Dispatch
The Belmont Club
The Big Blog Company
The Big Picture
the blog of dave cole
The Corridor of Uncertainty (a Cricket blog)
The Daily Ablution
The Devil's Advocate
The Devil's Kitchen
The Dissident Frogman
The Distributed Republic
The Early Days of a Better Nation
The Examined Life
The Fly Bottle
The Freeway to Serfdom
The Future of Music
The Happiness Project
The Jarndyce Blog
The London Fog
The Long Tail
The Lumber Room
The Online Photographer
The Only Winning Move
The Policeman's Blog
The Road to Surfdom
The Wedding Photography Blog
The Welfare State We're In
UK Commentators - Laban Tall's Blog
UK Libertarian Party
Violins and Starships
we make money not art
What Do I Know?
What's Up With That?
Where the grass is greener
White Sun of the Desert
Why Evolution Is True
Your Freedom and Ours
Arts & Letters Daily
Bjørn Stærk's homepage
Butterflies and Wheels
Dark Roasted Blend
Digital Photography Review
Ghana Centre for Democratic Reform
Global Warming and the Climate
History According to Bob
Institut économique Molinari
Institute of Economic Affairs
Ludwig von Mises Institute
Oxford Libertarian Society
The Christopher Hitchens Web
The Space Review
The TaxPayers' Alliance
This is Local London
UK Libertarian Party
Victor Davis Hanson
WSJ.com Opinion Journal
Bits from books
Bloggers and blogging
Brian Micklethwait podcasts
Cats and kittens
Food and drink
How the mind works
Media and journalism
Middle East and Islam
My blog ruins
Signs and notices
The Micklethwait Clock
This and that
Category archive: Digital photographers
People taking photos with their mobile phones, now more commonly known as smartphones because of all the other things they can do also besides phoning people when out and about, is now something you see everywhere. Above is a typical such photoer, whom I photoed at the top of the Big Olympic Thing last Tuesday, just before it got dark, on the same day I took these photos.
1.1 and 1.2 both show classic finger-work, of the sort I have long been familiar with, but which I nevertheless never tire of seeing and photoing. These shapes always make me smile.
2.2 is a classic screen shot, with everything on the screen very visible, as it is often not. Normally I like bright, outdoor light, but when it comes to photoing other people’s screens, the worse the light is the better.
Perhaps 2.1 is the most interesting one, because it shows what dirty windows there are up there. The human eye doesn’t see through dirty windows very well, but cameras do this better, unless the camera is photoing the dirt, in which case it really photos it.
I spent today doing more tidying, and searching through my photoarchives from the second half of the year 2006, looking for people using mobile phones to take photos, as already mentioned here in this recent posting. The second half of 2006 being, it would seem, when that got started.
I found quite a few such photos, as I will surely relate here, some time soonish. But in among finding them, I also came across this, which I really like:
That’s exactly how it emerged from my camera, in Parliament Square, way back then in the late summer of 2006. I like it as it is, capturing as it does both the movement of the man on his roller blades and the hurried wave of chaos that engulfs me when I take such photos.
If you disagree, and think that the rollerblader should be cropped into greater prominence, and straightened, well, click to get the bigger version and crank up whatever version of Photoshop you have and get to work. Or, just look carefully and tilt your head.
Yes, two photos from the archives.
First, David Cameron, in November 2006, somewhat more than a year after he had become the Leader of the Opposition. Cameron is no longer the Prime Minister. The Globalisation Institute is no longer.
And, photoed about a week later, a Remembrance photoer, outside Westminster Abbey.
I took over seven hundred photos that day, including photos of many, many photoers. Not one single solitary one of them was using a mobile phone to do photoing. So I guess that means that that had not then started.
Another photo from last Wednesday, in Battersea, down by the river, of a fellow photoer:
Me being an amateur is why the Spraycan is now the Leaning Tower of Vauxhall.
Friday was the day here for cats, but now I have widened it to all kinds of creatures, cats included.
This week, a snake! On a vintage car!
I took these pictures in the square next to Quimper Cathedral, in the summer of 2008:
The snake is most clearly to be seen in pictures 1.2, 2.1, 2.2 and 3.3. I think it must be some sort of air intake, for the engine, or for something. But what do I know?
Berliet seems to be an enterprise that makes lorries these days. But if you scroll down through the images you get when you type “berliet” into google images, you start to see vintage cars, in among the more recent lorries.
If you scroll down at this site, you get to something that looks like the above vehicle. And if it is the same vehicle, or something very similar, then it is a 1907 Berliet C2 Double-Phaeton, or something very similar.
There’s a number plate on the front of my Berliet, which says: 1909 VS 29. I thought that might be a clue, rather than, you know, a number plate, so I tried “Berliet 1909 VS 29” with google images, and guess what I found. A Berliet “Double Phaeton” at a car museum in Malaga.
I even found a photo of the car in question, with a ludicrously long internet address attached to it, which I now offer you, in the hope that it works
Well, the link does seem to work, but if it doesn’t, take my word for it. Although this is not the same car as my one above, it is very similar. So similar that the car in the Andalusian museum also has, just like my car has, attached to its side, with its mouth wide open, sucking in air, … a snake. Weird.
I like this photo, of Daniel Hannan, at the top of a Guardian piece about him, and about how he was and is “The man who brought you Brexit”:
I like this photo because it is exactly the sort of photo that I try to take of photoers myself. A smartphone with interesting graphics, held over the eyes of the photoer (which of course often happens) to preserve anonymity. Or it would if there were no other photos of Hannan in the world and no article underneath the photo, telling the world all about him.
While browsing through my archives recently, I came across those pictures I took of Brexiteer Kenny, doing his rehash of a Hannan piece in Trafalgar Square, with white chalk. And what I discovered was that, to revise that Abba song, I never thought that we could win. The pictures brought back the feeling I had when I took them, which was: gallant failure. Brave effort. Well done mate, going down fighting. But, we won’t win.
I told myself that we might win, but mostly what I thought was that although the majority for Remain had slimmed down a bit over the years, it was still there.
As for the Brexit arguments now (quick versus careful), I am reading this guy. He is for careful. Every post he does says (a) that he is the cleverest person in the world and that everyone else is at best not so clever, and at worst stupid stupid stupid; and (b) something worthwhile, carefully and persuasively explicated.
I never thought that we could win, but just to be clear: there’s no regret.
Here are some pictures I took in the main part of Tate Modern, while on my way to and from the New Extension.
Once again, what I saw in this grand building, now even grander, is this amazing paucity of Art. I presume there is plenty of Art in this place, if you go looking for it. But I have never before visited any Art gallery where you have to go looking, half as determinedly as you have to in this one:
Art being somewhat lacking, the people came into their own. I photoed people. And I photoed people photoing people.
The lady with the blue hair and the blue fingers is herself a work of Art.
Yesterday evening, London burned, and people lined the river to watch:
That being a horizontal slice of one of the pictures here. A big wooden sculpture based on the London that was destroyed first time around was put on a barge, floated into central London, and burned.
The work of Artichoke.
Sangakkara, having had time off to go and win the Caribbean Premier League with his team out there, has been back playing for Surrey in recent days, with his usual huge distinction. He made the highest score of the match in Surrey’s win against Warwickshire in the County Championship, and he made that match winning 130 not out against Northants, to get Surrey to the semi-finals of this year’s 50 overs tournament.
The best time for this photo-tribute to the great man would have been just after I took all the photos. But now feels like the second best time for it. Very late is not good, but it is a lot better than never.
The first lot of pictures are of Sanga scoring his 166, of him becoming increasingly tired while doing this, and of him walking off after getting out to first ball of the final over of the Surrey innings.
Several of these shots are of – ho ho – shots. One shot should be particularly noted. This is the so-called “ramp” shot, which is when the batsman scoops the ball right over where his head would have been, straight behind the wicketkeeper or thereabouts, hopefully for a boundary. Sanga did at least one of these last September, as you can see (2.2). And he did another, even more spectacularly, when he ramped a six in the last over of that one wicket victory over Northants. (Very short YouTube video of that here.)
I also particularly like the shot of Samit Patel of Notts congratulating Sanga (3.2), as he walks back to the pavilion.
And the second lot of photos are of what Sanga did after this great innings. He fielded (4.1). And oh look, who is that doing exercises in the foreground? That would be Jade Dernbach.
After the game had concluded with a narrow Surrey win, Sanga was given a Man of the Match medal (4.2), and a Man of the Match bottle of Champagne (4.4). Surrey commentator Mark Church interviewed Sanga (5.2). And then (5.3 to 6.4) Sanga mingled with us punters, and had his photo taken by lots of us including by a very happy me, who by then was but a few feet away from him:
Note in particular the Bald Bloke, with a very battered old-school looking camera, whom I managed to include in a couple of my shots (5.3 and 6.1). Maybe I am in some of his shots.
Finally, a bone weary Sanga decides that he really has done enough mingling, and he makes his bone weary way up the steps to the Surrey dressing room (6.3). But then, he gets ambushed yet again by an admirer, a kid (6.4), and he obliges with one last shot, before making his final exit.
Yes, I know, I show recognisable faces here. But a public sports ground is a very public place, and you don’t go there unless you are willing for your face to be included in photos and TV coverage of the event. Plus, if you place yourself right next to a Celeb, then you become fair photographic game, same as the Celeb himself is. Well, those are my rules.
One day, I will collect together all the photos I have from over the years, of … this kind of thing:
I love it when Asians get married and have a photoshoot to celebrate, in London. Quite when and where they get married, I don’t know, but this is definitely a Thing that they love to do. I took the above photo this afternoon. On a bridge. With a Big albeit Ancient Thing in the background. Weird reflections.
And because they are making such a spectacle of themselves, and doing it so very delightfully, I feel it’s okay to put my photo of one of these photoshoots here.
By which I mean: here are some more photographers who are anonymous, not that these particular photographers are any more anonymous than photographers shown here usually are.
Wandering through some recent photo-archives, I came upon this particular collection of anonymous photoers, photoed by me May of this year, which had already been gathered together, but not, I believe, ever shown here. I think I recall gathering them up, and then getting diverted into doing some postings about similarly anonymous photoers photoed rather longer ago.
Anyway, here they are:
Lots of mobile phones, with one tablet, one Real Photographer doing his Real Photography thing, and the odd old school specialised digital camera. That’s pretty much how things are these days.
I know what you’re thinking. You’re thinking that there I was, making my first visit to the Tate Modern Extension, and photoing from the top of it: Big Things, cranes, roof clutter, bridges, churches dwarfed by modernity, and so forth and so on, but I made no mention of other photographers. Did I perhaps ignore them?
This was the first picture I took of the new building when we arrived in its vicinity, not of the whole building, but of some people at the top of it, taking photos:
And when I got to the top myself, I was keen to photo more of my fellow photoers, and I did:
The first and last of those nine photos are of people taking photos of the building. All the others are, as you can surely see, of people taking photos from the building, from that excellent top level aperture.
Almost entirely smartphones. I didn’t pick them out that way. That’s just how it turned out. The only non-smartphone camera is in the top picture, the one taken from the ground, and even he has a smartphone snapper next to him.
Taken by me, middle of last month, outside Westminster Abbey:
Normally, I would bore you to death with why I like this, but: busy day gotta rush.
6k writes about the long journey from journeyman amateur snapper to Artist:
I don’t pretend to be a photo ninja. I can point, and I can shoot, and sometimes the results can be pretty good. Very occasionally, they can be startlingly good, but only very occasionally. I need to work more at not just pointing and shooting to increase the percentage of those startlingly good shots. We’ll get there.
There follows a picture of a bird spreading its wings. In other words, the capture of a fleeting moment.
6k photos his family quite a bit, as they do things like explore the spectacularly beautiful coastline near where he lives, in South Africa. Photoing your loved ones is also a matter of capturing the exact right moment.
With me, I think I get nearest to Art when I’m lining things up with each other. I have a mental list of things I like, and a picture counts double in my head, if I can line a couple, or maybe even more, of these things. The most characteristic of such alignments over the years have typically involved a digital photographer, with a London Big Thing in the background.
Here are a couple of efforts I might pick out to enter a competition, if someone told me I had to do that:
In these two cases, there is also an element of me waiting for the right moment, or more accurately me snapping lots of promising looking moments and picking out the best one.
Those two are from this huge collection of unrecognisable photographers, which I doubt many of you scrutinised in its entirety. So there are two of them again. I particularly like the one with the blue balloon.
And here is another exercise in lining things up, captured just a few days ago. This time, the object at the front is a plastic water bottle, resting on the anti-pigeon netting in the courtyard outside and above my kitchen window. Behind the bottle is a thing that regulars here will know that I like a lot, namely: scaffolding! This being the scaffolding at the top of the big conversion job that’s being done across the courtyard from me:
That picture involves something I don’t usually like to do, which is cropping. The original snap was rather bigger.
I don’t know what exactly I’ve got against cropping, but it feels to me like only one or two notches up from cheating. Maybe I take rather excessive pride in (the Art of) getting the snap I want to emerge straight from the camera, no muss, no fuss, no photoshop. The truth, of course, is that cropping is itself very much an Art. But because I don’t do cropping that much, I probably could have cropped this photo a whole lot better than I actually did.
And I’m back to trivia-mongering. Any day now, I’ll be back to opinion-mongering too:
It’s the first picture of these.
Engineer Thomas Selig, 28, set up his camera on a tripod 100 metres away from a cluster of female lions and cubs in the Maasai Mara National Reserve in Kenya. He then retreated to a safari vehicle to take pictures with a remote control. A lioness decided to make off with his camera, and proceeded to chew it!
Lucky someone had a second camera, to show what happened to the first camera.
Actually, according to what I am now reading, a lot of people never stopped opinion-mongering.