I collect footbridges.  (Well, photos of.) Footbridges famous.  Footbridges not so famous.  Footbridges not even built.

Recently I came upon another for the collection:

This is a footbridge at the back of the Strand Palace Hotel.  I could find nothing about this footbridge on the www, but luckily I had already taken the precaution of asking someone local, just after I had taken my photos.  This local was entering an office in the same street with the air of doing this regularly, and who therefore seemed like someone who might know.  And he did.  What about that bridge? - I asked him.

Yes, he said.  That used to be the bridge that conveyed the servants from the Strand Palace Hotel, on the left in the above photo, to the servants quarters, which is what the dwellings on the right in my photo, behind the scaffolding, used to be.  These servants quarters had, quite a while back, been turned into mere quarters, for regular people to live in.  So, the bridge then got blocked off at the right hand end as we here look at it.  But, the bridge continued to be used by the Strand Palace Hotel as an elongated cupboard.  These old servants quarters are now being turned into luxury flats, which is why the scaffolding.  But the bridge stays.

That the original purpose of the bridge was to convey servants, as opposed to people, is presumably why the bridge has no windows.  Wouldn’t want to see servants going to and fro, would we.  Fair dos, actually.  A hotel of this sort – this one being just across the Strand from the Savoy - is a lot like a theatre, and the point of a theatre is not to see all the backstage staff wandering hither and thither.  So, I do get it.  And I doubt the servants minded that there were no windows.  I bet they minded lots of other things, but not that.

I will now expand on the matter of the exact location of this obscure footbridge.  As you can see from the square to the right, it is in Exeter Street, London WC2.  I took other photos of this Exeter Street street sign, because I have a rule about photoing information about interesting things that I photo, as well as photoing the interesting thing itself, which is that I do.  Sometimes, as on the day I took this photo, I even follow this rule.  But I thought I’d try extricating a detail from the above photo, and see how I did.  I blew the original up to maximum size, and sliced out a rectangle, tall and thin, with the street name in it.  I then expanded (see the first sentence of this paragraph) what I had, sideways, lightened it, contrasted it, sharpened it, blah blah blah, and I think you will agree that the result is unambiguous.  My point here is (a): Exeter Street, WC2, and (b): that such photomanipulation is not merely now possible.  My point (b) is that it is now very easy.  Even I can do all of this photomanipulation, really quickly and confidently.

I can remember when the only people who could work this sort of magic were spooks in movies, and then a bit later, detectives on the television.

Talking of spookiness, I included the surveillance camera in that little detail.  In London, these things are now everywhere.  Because of my sideways expanding of the photo, this camera looks like it sticks out more than it really does.

Savour this Dezeen headline:

Le Corbusier’s colourful Cité Frugès workers’ housing now hosts fashionable apartments

I could write a long essay about that headline, and still not have extricated all the irony and nuance and cultural understanding and misunderstanding, history of failure, history of success, wrapped up in it.  Maybe I will.

A central observation in such an essay, should it ever materialise, will be that Modernism now works.  Those “machines for living in” that we were promised all those years ago did not work when they were first built, hence the unwillingness of normal people to inhabit these malfunctioning machines.  But, now the Modernist machines do work.  Architects have spent decades learning how to make “functional” architecture actually function, and now, on the whole, it does.

Thus, buildings which poor people used to run a mile from are now desirable dwellings, and rich people compete to purchase them.

This is a map showing my officially designated destination last Tuesday (the hottest day of the year (so far)).  Across the bottom we see the railway going from past Waterloo main station to Waterloo East, in the middle towards the bottom, horizontally:

And just north of Waterloo East station is Roupell Street, in the middle of all those back-to-back houses, that I photoed in 2004 and then again last Tuesday (the hottest day of the year (so far)):

Here we are at the Cornwall Road end of Roupell Street, looking east.  Lots of blue sky.  No clouds.  No clouds anywhere, actually.

I suspected gentrification, and the place did indeed have an air of rocketing house prices and of the banishment of old-fashioned workers, of the sort who presumably, once upon a time, lived in these houses.

In particular, I spotted three interesting vehicles.

First, a Citroen DS19 (I think 19):

So far so (relatively) ordinary.

But this was a bit more exotic, also a Citroen, something called (I also photoed where it said this) an “SM”:

And perhaps best of all, another vintage Citroen, in the form of an estate car version of the DS19:

Click on the above three pictures to get to the uncropped and even more sun-drenched originals.

All of these Citroens were parked within the space of about two dozen yards of each other, the first two right next to each other.  I reckon what we have here is a collector of antique Citroens.  And if that isn’t gentrification, je ne sais quoi what is.

One of my regular automatic google-searches is “face recognition”, and just now this has been alerting me to all the various tricks that are coming on stream for making face recognition not work, by putting on make-up, or spectacles, and such like.

Here is my contribution to this discussion:

I know what you’re thinking.  Who might that be?

Exactly.  Although, if you’re are supercomputer, you have probably worked it out.  You have a special programme which tells you to take particular interest in any faces that are trying to not be recognised.

Most of my libertarian friends think that such tech solutions are the front line of this battle.  I have long assumed that the world is moving rapidly towards a state where the question of what is X doing at the moment is technologically answerable, and impossible to prevent being answered.  For me, among other desirable things, libertarianism is the claim that although we can see X saying or doing something we don’t approve of, we shouldn’t legally prevent him or her from doing that, unless it is really, really bad.

In a world of Total Surveillance by the Big Machine, the proliferation of stupid rules and regulations with no huge moral content becomes a problem like it never used to be.  I means rules about things like what you should eat or smoke or, now, say in conversation.  Rules like that mean that we can all now be seen and heard breaking such rules.  (Okay, maybe not now, maybe not yet, but that’s where things are headed.) And that means that anyone who wants to fuck up your life or my life (for an actual real reason that has bugger all to do with the stupid rule actually being broken) can then do it.  Worse, some legislative maniac might demand that anyone that the Big Machine sees breaking this or that rule that he personally is obsessed about, should be automatically fucked over, by the Big Machine, with no human intervention involved.  With a big long list of exceptions, like legislators.  The Big Machine can’t touch them.  Libertarianism has arisen, partly, because it has become ever more necessary to insist on certain principles, principles which were imposed upon the world in former times by sheer ignorance of what other people were getting up to.

The other thing people have to do is develop thicker skins, psychologically speaking I mean, because although legislative pressure is not now a problem for most people, social pressure can become a big problem, for example if you find yourself being mobbed on the internet for some innocuous thing you said or ate.  Just because a million idiots on the internet are screeching that you are an idiot, that doesn’t mean you are, or that if you are, it matters.  When it does matter, bosses should chill, and not fire people just because the mob is screeching.  I applaud, tentatively, the recent tendency to give social media mobsters a going-over, using the same methods on them that they have been using.  Who is this mad bitch?  What has she (it does often seem to be she) been up to lately?  What is her job?  Who is her boss?  Etc.  (In the age of cyber-bullying, I feel that I now understand witchcraft crazes better.)

Another problem is that as something easily mistaken for a state of everyone knowing everything increasingly pertains, that old illusion that everything will accordingly be centrally plannable is likely to keep rearing its very ugly head, and keep on having to be experienced as a disastrous illusion.  (More libertarianism.) The point is, everyone doesn’t know everything.  Nothing like.  We can’t.  Our heads aren’t big enough, and even if they were, knowledge is not like that.  Everyone can known anything in particular that is easy to know (like where X is just now) that they want to know and ask the Big Machine about.  That’s entirely different from actual omniscience.

This is a first:

I am at Brian Micklethwait’s place for his latest Friday. This argument against leaving the EU was made (I am literally live blogging, this is breaking news!): The good thing about Brussels is that it is impossible to be emotionally attached to it. This weakens the state.

Interesting discussion is now ensuing. And we have not even got to the speaker yet.

The liveblogger in question being Rob Fisher, to whom thanks.

The speaker and subject matter were described in this earlier posting here.

I do hope to write something soonish about what was actually said by Patrick Crozier, but meanwhile, the other interesting thing about this evening’s event, for me, was how well attended it was.  By this I mean that the room was, as it usually seems to be, comfortably but not uncomfortably full.

What was so unusual about this outcome was that when I sent that first email out last Sunday evening, flagging up the meeting, I got no responses.  Usually, one or two or three people reply by return of email that they intend to attend, and more acceptances come in as the week before the meeting (which is on the Friday) progresses.  But this time: nothing.  Not even one email.  Not a sausage.  In my reminder email, which went out yesterday, I pretty much begged people to come, and to tell me beforehand that they were coming.  And a healthy trickle of positive responses duly trickled in, and I relaxed.  And then, come the evening itself, as already revealed, pretty much the exact same number of people showed up as usually shows up.

How do people, collectively, know to do this?  There has to be some kind of mathematical law in operation here, which says that the right number of people always shows up, no matter what.

It cannot be coincidence that the only time when far, far too many people showed up for comfort was the very first of these meetings, when I restarted them at the beginning of (I think it was) 2013.  Never again.  This strongly suggests to me that The Crowd, subsequently so wise, started out ignorant, of how much comfortable space there was, but that The Crowd has subsequently learned.  And now, The Crowd knows how to turn up chez moi in the exact right numbers, every time.  No matter what I do to assemble it, and no matter what it says beforehand, or doesn’t say.

I am continuing to read, with huge pleasure, Steven Johnson’s book about Joseph Priestley, The Invention of Air.  Here’s another good bit (pp. 58-61):

With the university system languishing amid archaic traditions, and corporate R&D labs still on the distant horizon, the public space of the coffeehouse served as the central hub of innovation in British society How much of the Enlightenment do we owe to coffee? Most of the epic developments in England between 1650 and 1800 that still warrant a mention in the history textbooks have a coffeehouse lurking at some crucial juncture in their story.  The restoration of Charles II, Newton’s theory of gravity, the South Sea Bubble – they all came about, in part, because England had developed a taste for coffee, and a fondness for the kind of informal networking and shoptalk that the coffeehouse enabled.  Lloyd’s of London was once just Edward Lloyd’s coffeehouse, until the shipowners and merchants started clustering there, and collectively invented the modem insurance company.  You can’t underestimate the impact that the Club of Honest Whigs had on Priestley’s subsequent streak, precisely because he was able to plug in to an existing network of relationships and collaborations that the coffeehouse environment facilitated.  Not just because there were learned men of science sitting around the table – more formal institutions like the Royal Society supplied comparable gatherings – but also because the coffeehouse culture was cross-disciplinary by nature, the conversations freely roaming from electricity, to the abuses of Parliament, to the fate of dissenting churches.

The rise of coffeehouse culture influenced more than just the information networks of the Enlightenment; it also transformed the neurochemical networks in the brains of all those newfound coffee-drinkers.  Coffee is a stimulant that has been clinically proven to improve cognitive function - particularly for memory-related tasks - during the first cup or two. Increase the amount of “smart” drugs flowing through individual brains, and the collective intelligence of the culture will become smarter, if enough people get hooked.  Create enough caffeine-abusers in your society and you’ll be statistically more likely to launch an Age of Reason. That may itself sound like the self-justifying fantasy of a longtime coffee-drinker, but to connect coffee plausibly to the Age of Enlightenment you have to consider the context of recreational drug abuse in seventeenth-century Europe.  Coffee-drinkers are not necessarily smarter; in the long run, than those who abstain from caffeine. (Even if they are smarter for that first cup.) But when coffee originally arrived as a mass phenomenon in the mid-1600s, it was not seducing a culture of perfect sobriety.  It was replacing alcohol as the daytime drug of choice. The historian Tom Standage writes in his ingenious A History of the World in Six Glasses:

The impact of the introduction of coffee into Europe during the seventeenth century was particularly noticeable since the most common beverages of the time, even at breakfast, were weak “small beer” and wine .... Those who drank coffee instead of alcohol began the day alert and stimulated, rather than relaxed and mildly inebriated, and the quality and quantity of their work improved .... Western Europe began to emerge from an alcoholic haze that had lasted for centuries.

Emerging from that centuries-long bender, armed with a belief in the scientific method and the conviction, inherited from Newtonian physics, that simple laws could be unearthed beneath complex behavior, the networked, caffeinated minds of the eighteenth century found themselves in a universe that was ripe for discovery. The everyday world was teeming with mysterious phenomena – animals, plants, rocks, weather – that had never before been probed with the conceptual tools of the scientific method.  This sense of terra incognita also helps explain why Priestley could be so innovative in so many different disciplines, and why Enlightenment culture in general spawned so many distinct paradigm shifts.  Amateur dabblers could make transformative scientific discoveries because the history of each field was an embarrassing lineage of conjecture and superstition.  Every discipline was suddenly new again.

I’ve been reading more of Matt Ridley’s The Evolution of Everything, from which a previous excerpt can be found here, here.  It continues to be very good.  In this bit, Ridley discusses the relationship between genetic and cultural evolution:

What sparked the human revolution in Africa?  It is an almost impossibly difficult question to answer, because of the very gradual beginning of the process: the initial trigger may have been very small. The first stirrings of different tools in parts of east Africa seem to be up to 300,000 years old, so by modern standards the change was happening with glacial slowness.  And that’s a clue.  The defining feature is not culture, for plenty of animals have culture, in the sense of traditions that are passed on by learning.  The defining feature is cumulative culture - the capacity to add innovations without losing old habits.  In this sense, the human revolution was not a revolution at all, but a very, very slow cumulative change, which steadily gathered pace, accelerating towards today’s near-singularity of incessant and multifarious innovation.

It was cultural evolution. I think the change was kicked off by the habit of exchange and specialisation, which feeds upon itself - the more you exchange, the more value there is in specialisation, and vice versa - and tends to breed innovation.  Most people prefer to think it was language that was the cause of the change.  Again, language would build upon itself: the more you can speak the more there is to say.  The problem with this theory, however, is that genetics suggests Neanderthals had already undergone the linguistic revolution hundreds of thousands of years earlier - with certain versions of genes related to languages sweeping through the species.  So if language was the trigger, why did the revolution not happen earlier, and to Neanderthals too?  Others think that some aspect of human cognition must have been different in these first ‘behaviourally modern humans’: forward planning, or conscious imitation, say.  But what caused language, or exchange, or forethought, to start when and where it did?

Almost everybody answers this question in biological terms: a mutation in some gene, altering some aspect of brain structure, gave our ancestors a new skill, which enabled them to build a culture that became cumulative.  Richard Klein, for instance, talks of a single genetic change that ‘fostered the uniquely modern ability to adapt to a remarkable range of natural and social circumstance’.  Others have spoken of alterations in the size, wiring and physiology of the human brain to make possible everything from language and tool use to science and art.  Others suggest that a small number of mutations, altering the structure or expression of developmental regulatory genes, were what triggered a cultural explosion.  The evolutionary geneticist Svante Pääbo says: ‘If there is a genetic underpinning to this cultural and technological explosion, as I’m sure there is .. .’

I am not sure there is a genetic underpinning. Or rather, I think they all have it backwards, and are putting the cart before the horse.  I think it is wrong to assume that complex cognition is what makes human beings uniquely capable of cumulative cultural evolution.  Rather, it is the other way around.  Cultural evolution drove the changes in cognition that are embedded in our genes.  The changes in genes are the consequences of cultural changes.  Remember the example of the ability to digest milk in adults, which is unknown in other mammals, but common among people of European and east African origin. The genetic change was a response to the cultural change. This happened about 5,000-8,000 years ago. The geneticist Simon Fisher and I argued that the same must have been true for other features of human culture that appeared long before that.  The genetic mutations associated with facilitating our skill with language - which show evidence of ‘selective sweeps’ in the past few hundred thousand years, implying that they spread rapidly through the species - were unlikely to be the triggers that caused us to speak; but were more likely the genetic responses to the fact that we were speaking.  Only in a language-using animal would the ability to use language more fluently be an advantage.  So we will search in vain for the biological trigger of the human revolution in Africa 200,000 years ago, for all we will find is biological responses to culture.  The fortuitous adopting of a habit, through force of circumstance, by a certain tribe might have been enough to select for genes that made the members of that tribe better at speaking, exchanging, planning or innovating.  In people, genes are probably the slaves, not the masters, of culture.

On Friday November 27th (i.e. exactly one week from now), my friend from way back, Antoine Clarke, will be giving a talk at my place entitled “Herding cats, or lessons from drunks about organising anarchy”.

These talks happen every last Friday of the month, and before they give one of them, I ask each speaker to supply a paragraph or two about what they’ll be saying, so I can email my list of potential attenders.  Antoine has just supplied me with ten paragraphs on his talk:

It would be hard to imagine any more dysfunctional organisation than a leaderless group of drunks promising among themselves to quit drinking and to help other drunks to quit.

And then I realized that there is a similar organisation for narcotics addicts, one for cocaine addicts, crystal meth addicts and even “sex and love addicts” - whatever that may mean.

Alcoholics Anonymous has been described as a “benign anarchy” by one of its founders and manages to organize over 100,000 groups worldwide with between 1.5 million and 2 million members. Its power structure has been described as an “inverted pyramid”.

AA operates by having almost completely autonomous branches, no publicity, no professional class of “charity workers” and no set fees.  It has a “12-step program” and “12 traditions” which have been described respectively as “rules for not killing yourself” and “rules for not killing other people”.

The effectiveness of AA at curing or controlling alcohol addiction is not clear cut. Because of anonymity, self-selection and the difficulty of known if someone who stops attending meetings has relapsed or simply found he can lead a functional lifestyle. The fact that over a dozen other organisations have copied AA’s 12-step and 12 tradition system suggests at least some level of success, unlike, say the UK’s National Health Service which has fewer imitators.

One particular problem for AA is that any 12-step program will only really work if it is voluntary, but in the USA especially, courts mandate that convicted criminals attend AA meetings as a parole condition.  I think this reduces recidivism among the criminals (compared with them NOT following a program), but it surely dilutes the effectiveness of AA groups (more disruptive attendees, people going through the motions, possible discouragement of others).

I shall be looking at the elements of AA’s structure and organisational culture to see what lessons can be learned about the possibility of anarchic institutions especially at handling social problems.

What interests me is the “anarchy with table manners” aspect of AA and the contrast with truly dysfunctional libertarian organisations, like the Libertarian Alliance.

I’m also interested in the issue of government interference and the ways in which well-meaning interventions make matters worse. I shall also take a look at the spiritual element of AA’s 12-step program, noting that it claims to work for atheists and agnostics as well as for theists.

Hopefully, this is an attractive alternative to binge drinking on a Friday night in central London.

Indeed.  There will be no binge drinking at the meeting.

I just sat down to do a BMdotcom posting, about some strange disruption inflicted earlier this evening upon the Royal College of Music by the London premiere of the new James Bond movie.  While composing this posting, I realised that it would do nicely for Samizdata, so there it went.  I don’t do nearly enough for Samizdata these days.

The posting was based on something that Goddaughter 2 (now a student at the RCM) told me.  And she also told me something else, this time not disturbing or of any public significance, but merely rather entertaining.

GD2 now inhabits a big building, full of rooms occupied by her and her fellow students.  Lots of rooms.  Lots of doors.  All the doors looking like each other.

So, one of the ladies in a nearby room to GD2 has a boyfriend staying the night.  Boyfriend needs a piss.  Being a relaxed sort of individual, he strolls to the toilet, naked.  It is deep into the night, and he expects not to encounter anyone, and he does not, at first.  But then, problem.  Which door is the door to the room of his lady friend?  He does not remember.  About four different wrong doors are opened, complete with people behind them, most of whom were surprised but amused, before the correct door is found.

If this was a movie, that would only have been the beginning of the mayhem and the reactions to being woken up by a naked man at the door would have been far more extreme than they actually were.  But for me, this was mayhem enough to be very entertaining.  Boyfriend wasn’t bothered.  Like I say, a relaxed sort of individual.  And no harm at all came of this little nocturnal drama.  Just a mildly entertaining blog posting, or so I hope.

Indeed.  It was front page news yesterday in the Evening Standard.  I’m guessing that the way Renzo Piano and Shardeveloper Irving Sellar have been emitting verbiage about how Paddington is now “soulless and has no life” may be what got this story onto the front page:

West London’s tallest skyscraper will be at the heart of dramatic plans for a £1 billion transformation of Paddington by the property tycoon who built The Shard.

Images of a 65-storey “skinny Shard” of apartments, offices, restaurants and a roof garden designed by Renzo Piano - the Italian “starchitect” behind western Europe’s tallest building - were unveiled today ahead of a public exhibition.

Irvine Sellar, chairman of Shard developers Sellar Property Group, said although Paddington was one of London’s most important gateways it had been overlooked for decades.

He said: “At the moment you only go to Paddington for two reasons - to catch a train or to see someone in hospital. It is soulless and has no life and yet it is only five minutes from Hyde Park and seven or eight minutes from Marble Arch.

“It is a fantastic location but it is stuck in a Fifties time-warp. We intend to create a place for people to go, where they will want to live, work, eat and shop.”

I imagine many current Paddingtonians actually quite like living in a “Fifties time-warp” that has been “overlooked” by the likes of Piano and Sellar “for decades”.

I of course love the idea of this new Big Thing.  I hugely admire Renzo Piano.  His new tower and its new surroundings, and in the meantime the process of building it all, will turn Paddington into the kind of place I will want to visit far more often than I do now.  And by 2020 there’ll be another London Big Thing for me to observe and photo from afar.  So I hope this goes ahead.  (Part of the reason for this posting is to remind me to check out that public exhibition that they mention.)

But these guys sure know how to talk about locals in a way calculated to piss them off.

Photoed by me last night, at Southwark tube station:

Next to the ticket barrier at Southwark tube there are a number of these little history lessons, of which this was my favourite.  This is the kind of thing you can usually chase up quickly on the internet, and find a fuller account of.  But, my googling abilities are such that I can find no reference to this fish-discouragement story.  Anyone?

How much you learn from something that you just read depends not only on what it says, but on what you knew before you read it.  And for me, this short paragraph cleared up several big blurs in my knowledge of Olden Times:

The new technique of fighting which had won the battle of Hastings for the Normans was also adopted in England; instead of standing or riding and hurling the lance overarm, these new warriors, the knights, charged on horseback with the lance tucked beneath the arm, so that the weight of both horse and rider was behind the blow and the weapon was reusable.  Though it required discipline and training, giving rise to the birth of tournaments and the cult of chivalry, a charge by massed ranks of knights with their lances couched in this way was irresistible.  Anna Comnena, the Byzantine princess who witnessed its devastating effect during the First Crusade, claimed that it could ‘make a hole in the wall of Babylon’.

That’s from the second page (page 8) of the first chapter of Agincourt, by Juliet Barket.

That bit in school history where they explained what a knight was and what knights did and how the knights did it … well, I missed it.  And ever since, everyone talking about such things has assumed that I knew it very clearly, when I didn’t.  It’s so obvious.  How would someone like me not know it?

Oh, I sort of knew it, from having seen a hundred films where film actors did this, in film battles and in film tournaments.  But I had not realised that it was a military innovation like the phalanx or gunpowder or the tank or the airplane or the atom bomb.  I had not properly realised that the essence of Knighthood was collective action rather than mere individual virtue, the point being that it was the former which required the latter.  And I had not realised that it was what won the Battle of Hastings.  Or, even more interestingly, I had not realised that it was what won the First Crusade.  (After which, I’m guessing that the Muslims then copied it.

Medieval society did not give rise to Knights.  The Knights technique of fighting gave rise to Medieval society.

I remember reading Tom Holland’s Millennium, and being presented right at the end with the result of the First Crusade, without there having been any mention (that I recall) of how a European military innovation was what won it.  (That doesn’t mean Holland does not mention this, merely that I don’t remember him mentioning it.)

So, at the heart of the European years between Hastings (1066) and Agincourt (1415 (when I now suppose the Knights to have met their nemesis in the form of the next big military innovation, the Archers (hence the picture on the front of Agincourt))) was a technique of fighting.  Like I say, I sort of knew this, but have never before isolated this fact in my head, as a Big Fact.  Instead, I have spent my whole life being rather confused about this Big Fact, reading a thousand things where the Big Fact was assumed, but never actually explained.

Why did I not correct this confusion decades ago?  Because, not knowing it properly, I had not realised what a huge confusion it was.

I just watched a recording I made of a BBC TV show called Proms Extra, which is a chat show that responds to and flags up London’s immediately past and immediately future Promenade Concerts.  They were asking themselves whether they minded clapping in between movements, in connection with a performance of The Planets, in which this had happened..  The assembled commentators agreed that they did not mind at all.

Two thoughts from me about this.

First, the assumption seems to be that people clap in between movements because they don’t know they’re not supposed to.  But I think it is much more knowing than this.  I think the audience has changed its mind about this.

There has been a huge movement in music-making to achieve an “authentic” sound, by which is meant the sort of sound made by the first performers of the pieces.  Well, why not more authentic audiences?  Time was when “classical” audiences would clap in between movements without hesitation.  Sometimes they would yell for encores, of symphonic movements, before the symphony had even finished, just like at the opera.  That in-between-movements clapping is now happening (has been for quite a while actually) at the Proms tells me that the current fashion for clapping in among big multi-movement pieces is a very knowing decision, a very musically educated decision.  We are not “supposed” to do this?  Well guess what, we have decided that we will do this.

It’s not only this, but I am sure that this is part of it.

Personally, I think that not clapping something like the tumultuous third movement of Tchaikovsky’s Sixth Symphony, for instance, seems very unnatural.

However second, there is no doubt that this new convention, if new convention it will be, has not yet been fully established.  Sometimes it happens, sometimes not, and quite often in a rather tentative, awkward and rather indecisive way.  So, it must surely sometimes make life a little difficult for performers.

What if you have just given what you reckon was a tumultuously great performance of a movement which ends in a manner than just begs to be greeted with a round of applause, and there is silence?  In the older days, of strict inter-movement silence, fine.  I’m not finished.  But now?  Hm.  Did they not like it?  And, after a bit of silence, will they relent, and start clapping, just as I am starting the next movement?

The older regime of silence in between movements was at least a rule, which everyone stuck to and which newcomers quickly learned, from all the dirty looks they got if they broke the rule.  And performers could either pause or press on immediately, confident that no clapping would interrupt whatever effects they were seeking to create.

Said I to myself - said I, on the 10th of this month:

I need to get out less, and this weather is not helping.

Tomorrow, the weather will be helping very much:

This is perfect.  My life today, in the last few days, and for the last few weeks, has been one mad social whirl after another, my contented solitude being having been violated seemingly every other evening and sometimes more often even than that, which is all fun and all that, but I find that an evening out puts a blight on creativity for the entire day, because what if I start something, want to finish it, but then don’t have time to, because I have a social whirl to attend and to get ready for and to find my way to and to find out about finding my way to?  Last night I whirled out to watch theatrical stuff in an unfamiliar and transportationally complicated part of town with a theatrical friend.  Tonight, I face another social whirl, to meet Perry II.  Every time I go out I take photos, but because of all this going out I have no time to show them to you people or not with the sort of insightful commentary that I want to attach to them without which what’s the point? - They’re just pictures.

So tomorrow (a day during which I have nothing else planned), I will stay in all day, and try (although I promise nothing) to do here a mammoth day of catch-up blogging, showing you a tiny fraction of the pictures I have been taking lately, all properly explained, and anything else I’ve been meaning to put here for some time that I decide to put here tomorrow, in not one, not two, but many postings.

We shall see.

Incoming, this morning, 11.37 am:

Hi brian

Hi.

How are you?

Oh you know, much the same as ever.

My name is Chrystal. I am 25 years old. I am from Chongqing. I like your page. How often do you visit the site? I really want to communicate with you. I am good at Thai massage and really like to eat fish. What about you? I guess that we will have many topics to talk about.

Do you have some social networks? I will be waiting for your letter.

Best wishes
Chrystal

I was pondering my reply to Chrystal, asking for clarification about this site I am supposed to be visiting, but going on to say that she really is a bit young for me.

But then, incoming, at 12.12pm:

Hi brian

How are you?

My name is Eugenia. I am 25 years old. I am from Chongqing. I like your page. How often do you visit the site? I really want to communicate with you. I am good at Thai massage and really like to eat fish. What about you? I guess that we will have many topics to talk about.

Do you have some social networks? I will be waiting for your letter.

Best wishes
Eugenia

Uncanny.  Truly, truly uncanny.  They even both said “hi brian” is the same giant blue letters.  What are the odds?  Presumably, I should continue with the composition of my reply, and send a copy to each of them.  It’s almost as if one of them isn’t a real person.  Or even – the horror – neither of them is.  Does some terrible middle aged, male, ugly criminal want to know more about me, that he can then use to his advantage and to my disadvantage?  If Eugenia hadn’t copied Chrystal’s email to me, these suspicious thoughts might never have occurred to me.

Seriously though, these sorts of (and all the other sorts of) bullshit emails pollute email, by making you assume that any email from anyone which seems even slightly off key is bollocks, even if it isn’t.  You even think it may be bollocks if the person it’s from is someone that you know.  Because, maybe someone else stole that person’s name, or just guessed it or chose it at random.  I can remember when it actually made sense to trust incoming emails from strangers, unless they were obvious bullshit.  Those days are long gone.  At first, email seemed to create a bright new world of candour and of quick and easy communication.  But emails like the ones above clog up the pipes.  They may be a joke, but they are a joke we could all do without.