Brian Micklethwait's Blog
In which I continue to seek part time employment as the ruler of the world.Home
Brian Micklethwait on Photographers by the river
Darren on Photographers by the river
Laban on Out and about with GD1 (5): Stoke Newington's Amazing Castle
Laban on Out and about with GD1 (5): Stoke Newington's Amazing Castle
Ed Harris on May 2005 was my first big month for photoing photoers
Mr.FC on An extraordinary coincidence
6000 on A smartphone wearing sunglasses
Brian Micklethwait on What writing for Samizdata should now (for me) mean
Brian Micklethwait on The Shard was looking very special today
Perry de Havilland on What writing for Samizdata should now (for me) mean
Most recent entries
- A blast from the photographic past
- Don’t mention The Wires!!! in South Korea either!
- My next camera?
- How David Irving put himself on trial
- Credit where credit is due (in France)
- Zorb football
- Palestra House – then and now
- May 2005 was my first big month for photoing photoers
- White cat – Mick Hartley’s photos and other photos he likes – black and white and colour
- Out and about with GD1 (5): Stoke Newington’s Amazing Castle
- Photographers by the river
- When David Irving called a British Judge “Mein Fuhrer”
- Tomorrow I will get out less
- London dragon
- Sunlight (selectively) on roof clutter
Other Blogs I write for
6000 Miles from Civilisation
A Decent Muesli
Adventures in Capitalism
Alex Ross: The Rest Is Noise
Another Food Blog
Antoine Clarke's Election Watch
Armed and Dangerous
Art Of The State Blog
Boatang & Demetriou
Burning Our Money
Chase me ladies, I'm in the cavalry
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Civilian Gun Self-Defense Blog
Coffee & Complexity
Communities Dominate Brands
Confused of Calcutta
Conservative Party Reptile
Counting Cats in Zanzibar
Deleted by tomorrow
Don't Hold Your Breath
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Dr Robert Lefever
Englands Freedome, Souldiers Rights
Everything I Say is Right
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From The Barrel of a Gun
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Here Comes Everybody
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we make money not art
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Category archive: Television
I have rather unkindly sliced a vertical slice out of one of the photos, of a truly extraordinary post (I mean a physical post in the road - not a piece of internetting), which is covered from the top almost to the bottom in The Wires!!!
But, maybe this is an oblique reference to The Wires!!!:
“The reason we constructed frames was to filter the surrounding environment, which changes fast in an unforeseeable manner,” explained architects Hyoungnam Lim and Eunjoo Roh.
They constantly take away some The Wires!!!, and install new The Wires!!!, in different places. Could that be what architects Hyoungnam Lim and Eunjoo Roh are, rather delicately, referring to?
What all these Don’t Mention The Wires!!! stories suggest to me is that these are countries (the other big one being Japan) where electronic communication arrived when people were still very poor in other ways, and any politician who tried to restrain The Wires!!! to make them prettier, but more expensive, would be hanged by them. Western trained aesthetes don’t like it, but know there’s nothing they can do.
I also recall hearing once about how in Japan, all buildings tend to be more temporary, because of earthquakes and all timber construction and suchlike, and that even religious buildings get torn down and rebuilt in another spot from time to time. And if it’s temporary, who cares what it looks like? If they want to make it pretty, fine. If not, also fine. If The Wires!!! will soon be different The Wires!!!, no worries. Let The Wires!!! go where they want.
But what do I know? I’m only babbling on like this to make entirely sure that this posting is longer than the post.
Looking at this some more, I do wonder if those architects maybe persuaded the electricians to rearrange these particular South Korean The Wires!!!, so that they are less visible from the Architecture, and if those frames, mentioned above, are as they are so that The Wires!!! cannot be seen through them. They act like blinkers, in other words.
If so, it should have been explained more clearly. As it is, we can only guess.
You can lose a test match on the first morning and England are well on the way to losing the first Ashes test in Cardiff, having already lost three wickets before lunch. England’s trouble is that their top four have none of them been in proper form of late, and the Australian bowlers are all just that bit too good for them to be able to solve this problem by batting themselves into some form against them. It will only get worse. If it gets better I will be delighted, but also surprised. As of now, I expect the result to be much as it was two years ago, when England shaded it three nil, except that it will be three nil to Australia, or something like that. This time, Australia are better, and England have less good batting (Bell has got worse basically) and two top bowlers who are two years more knackered, plus no Swann. So, England will lose. Anything better than that will be a bonus. We shall see.
And before anyone says I was plunged into doom by these three wickets, I was already pessimistic when it kicked off. I just wish I had put this an hour and a half sooner.
My mood is not helped by me still having to rely on my stupid laptop and it is like wading through sewage.
Also, I began the day with a Rameau harpsichord CD that had been on pause, and since it is one of those annoying CDs (a triple CD actually) without the tracks and timings on the cover, just in the inside booklet, it is hard to note where I am it in, so a CD started needs to be finished. And Rameau on the harpsichord, at any rate this particular Rameau on the harpsichord, was very minor key and lugubrious.
Every damn morning the laptop seems to insist on doing a “scheduled scan” (which always discovers nothing but takes for ever).. This is the sewage aspect. At least things on that front are now a bit better. (I was reminded about that by a little box bottom left saying Scan Completed 0/0 0/0 0/0 0/0 blah blah blah.)
Last night I watched a very depressing documentary about the holocaust, The Allies knew. But they didn’t believe it, or didn’t want to. My newly purchased milk is already going sour. There is a tube strike that has caused the entire tube to shut for the day. The weather for the ASI boat party this evening looks like being very grim and grey.
At least England haven’t lost another wicket before lunch. 88-3. Not good, but not catastrophic. Or not yet.
What with my computer misbehaving, and having a meeting chez moi this evening, I am only in the mood for a bit of frivolity. Which is fine, because Friday is the day set aside here for frivolity of a feline nature. Earlier in the week I was able to connect the subjects of drones and cricket. Today, how about cats a cricket? And cats and drones?
Well, the best cats and cricket connection I have recently noticed occurred in a Channel 5 telly show called “Psycho Pussies: When Cats Attack”. Having spent the last few weeks showing us how various animals, cats, dogs, pets, or just animals, make us LOL, they now turned to the dark side of feline behaviour.
I was only half watching, but my impression was that they were talking to the same small bunch of owners – owners willing to live with psycho pussies – over and over again. I surmise that (a) most cats do not thus misbehave, and that in most of the cases where cats do thus misbehave (b) evolution swings into action in the form of a lethal injection. But, there were a few masochistic pscho pussy owners, one of whom dressed up in cricket gear by way of self-protection rather than take the obvious lethal step. And there was my connection. Remember that for Friday, I said. And I wasn’t the only one to notice this cat/cricket angle.
As for cats and drones, well the internet is flooded with gruesome pictures of that dead cat that some psycho artist turned into a quadcopter, or whatever the small and amateur drones are now called. (Real Drones are as yet only used by Americans, to kill people.) I seem to recall doing a blog posting way back about this feline quadcopter, but cannot now find it.
However, far more amusing than this old and horrible story was what I also found during my quest for a drone cat connection, namely this:
The point being that for some, drones are, just like cats, pets. And, pets get lost. And when pets get lost, posters get put up, appealing for help.
I don’t reckon neighbours will be so sympathetic and cooperative, though.
I don’t often go to pubs, because of the noise. But Goddaughter 2, raised in France, wanted to try eating a pie in a pub, so we went to the Barley Mow in Horseferry Road to see what they had. They had pies, which proved very tasty.
Two particular circumstances made the evening pure perfection for me, besides the pure perfection of Goddaughter 2’s company I mean.
First, they had the latest England v NZ cricket ODI on the telly, and I got to watch the conclusion of England’s outstanding and outstandingly successful run chase that has just levelled the ODI series 2-2. And second, this being the twenty-first century, GD2 had her smartphone with her and was texting with all her friends. I hope you aren’t bored because of me doing all this texting, she said. No no, I said, gazing happily at the giant telly screen, you just carry on my dear. Don’t mind me. As I said to her when we were leaving, had I been asked to chose the perfect hour and more to spend in a pub this week, then given that this pub had the cricket on the go, and given that my ever-delightful companion was apologising for neglecting me and communing instead with her smartphone, this hour and more would have been it.
There was noise but it didn’t matter. We didn’t do much in the way of conversation, in other words we didn’t shout much at each other, although we did a bit because it wasn’t actually that noisy. But we were mostly doing two separate things that did not require peace and quiet to work. GD2 didn’t need silence to read and write her texts. I didn’t need any television cricket commentators to tell me that England were batting up a storm.
As we left I asked GD2 if she reckoned the social media have made it better for women in pubs. She reckoned yes they probably have. If men in pubs are diverted by men’s stuff, like cricket on the telly, then any women they have dragged along with them are now able to entertain themselves, instead of just sitting there moping and getting bored. Or, if the men were a bit more gracious than that, they would force themselves to ignore the men’s stuff and do conversation, despite their strong inclinations. Also not ideal. So, social media definitely equals progress. And if the women are distracted by women’s stuff, then the men can play with their smartphones.
One of the very few uses I have found for my own smartphone, aside from telling me where I am and where to go when I am out and about, is acquainting myself with the latest cricket scores when I am out and about.
Can artists learn about how to do art when they get old, from sportsmen? Can sportsmen learn from artists about how to handle their career twilights? I face my own twilight now, so I read Ed Smith’s piece about such things with keen interest.
The weird aspect of sporting maturity is that it happens so early in life. An athlete’s career is played out in fast-forward. Professional and emotional maturity are wildly out of sync. Andrew Flintoff told me recently that his cricket career was practically over before he felt at his most confident as a person. Many sportsmen feel the same. By the time they’ve grown up, it’s gone. The period of critical decision-making and the exercise of power arrives frighteningly early. Only when they retire do sportsmen become young again as they rejoin civilian time.
Yes, if you leave pro sport but land on your feet afterwards, much as Ed Smith himself seems to have done, it might be like being born again, rather than the slow death that it often seems to be for many sports people. But, no chance of any such resurrection for those artists, or for me. This is it.
Today there was a reminder, for cricket followers anyway, of how sports careers, like lives, can be cut cruelly short. Sometimes, sportsmen only get to have just the one (short) life.
Two cricket fielders, both running for the same catch in the outfield, collided and had to be taken away in ambulances. The match was called off.
I learned about this in an odd way. Cricinfo was doing basic commentary. Just runs, dots and wickets as they happened. No frills. No explanations. And then, the commentary just stopped. What was going on? A complicated run out. Rain? But they usually say if it is raining. Eventually I tuned into the BBC’s radio commentary, and got the story.
Google “Burns Henriques” and maybe also “Surrey” during the next few hours and days, and you’ll get plenty of hits. Rory Burns and Moises Henriques are the names. Surrey is their county. At first I thought Surrey were maybe looking at another death (to add to this one, which caused havoc at the club). So, I imagine, did everyone who was at the ground and who saw it happen. But now that seems unlikely:
One piece of misinformation circulating was that Henriques was receiving CPR. Thankfully, rumour was quickly replaced by the sight of Henriques and Burns both sitting upright and giving the thumbs up as they were lifted into ambulances and taken to nearby St Richard’s Hospital in Chichester.
So, can you get hurt, do a thumbs up, and then go to hospital and die? What do I know?
Get well soon, gentlemen, and hopefully well enough to play again, also soon.
More sports news, old sports news, from a movie I’m watching in the small hours of tomorrow morning on the TV. I know - how does that work? - time travel. The movie is Secretariat, about a champion horse in 1970s America. So, the horse’s champion jockey, the usual diminutive jockey size, walks into the Belmont Ball on the eve of the big race, with a tall and gorgeous blonde on his arm. He is asked how he convinced the tall and gorgeous blonde to attach herself to him. He says:
“I told her I’m taller when I stand on my wallet.”
Old joke? Maybe so, but first time I heard it.
I had no idea how Secretariat would end. But I know the end now. Secretariat won Belmont (on June 9th 1973, by the way) by thirty one lengths, a Belmont winning margin never seen since. Even I know that’s a lot of lengths. I did not see that coming.
LATER: Burns (a confusing name in a story when injuries are being listed): facial injuries. Henriques: seriously broken jaw. Nobody died or is going to.
LATER STILL: One man’s facial injury is another man’s opportunity. Arun Harinath, playing for Surrey for the first time this season in place of Burns, has just scored a century against Glamorgan. Such are the downs and ups of sport.
Preview – England begin latest rebuild, announced the Cricinfo front page, betting on this latest one being a flop. But then what happens?
This. England batted first and this is what the Cricinfo guy said after their innings had finished:
5.45pm, tea Well that is extraordinary. Two scintillating hundreds, first from Joe Root but then usurped by Jos Buttler. Eoin Morgan and Adil Rashid playing their parts too in big partnerships, and all after losing a wicket first ball of the innings! Just some of the records here: England’s first ODI score of over 400, the first score over 400 in an ODI in England, the most sixes in an innings from England, the world record seventh-wicket stand in an ODI. Few others I’m sure. But England have played a blinder here and if New Zealand can get anywhere close to chasing it, we’re in for an outrageous evening. See you in 25 mins…
The last over of the England innings went like this: 1 W W 6 1nb 6 1. Both the sixes were hit by England’s number ten, Plunkett, in an innings consisting of those last four balls there after those two Ws. This took England well past 400 just when it looked like they might not get to 400 after all, on account of Buttler and then Rashid (they of the record seventh-wicket stand) getting out near the end.
Jason Roy getting himself out to the first ball of the match was by no means at all the worst one-day innings you’ll ever see or hear about, because at least Roy only consumed one ball making zero runs. Thirty balls making not much more than zero is what will cost you your place in an ODI side, not very few balls making very few. Provided you don’t make too much of a habit of it, getting out first or second or third ball is okay. It comes with the territory.
Paul Collingwood was recently accused by various scumbag headline writers - headline writers are the origin of most of the biggest media lies, I find - of calling for “no consequences” cricket. But if you actually read the reports below the scumbag headlines by the scumbag headline writers, you find that what Collingwood really said was stuff like this:
“The guys in world cricket now who have taken the game to the next level are people like AB de Villiers, Glenn Maxwell, David Warner, Chris Gayle and they are playing as if they are in the back yard. It’s as if there are no consequences on their wicket whatsoever. Somehow a coach has to get that environment, certainly in the one-day form of the game, to where he can say ‘lads, you’re backed, don’t worry, you have games to fail, go out there and prove what you can do’. I think that is an important factor in how to get the utmost amount of skills from each player.”
“It’s as if there are no consequences ...” Of course there are consequences if you make a succession of small scores and no big ones, as Collingwood perfectly well knows and as he never denied. But the best players play as if that wasn’t the case, because they know that every few tries they’ll make big runs.
Talking of Jason Roy, Roy usually plays for Surrey, and also today, Surrey trounced Leicester with a day to spare, and are now promotion contenders. Leicester, big deal, I hear you sneer. But Surrey have had a bad habit of late of not taking enough wickets in such situations. They have, over recent years, bought in all sorts of big name England or nearly-England bowlers, who then try to bowl sides out at the Oval and lose the will to live, never mind bowl. This win was accomplished by younger bowlers with less starry names, notably by one young bowler called Curran, who also batted well. Also, Surrey now have a new spinner who is coming along nicely called Ansari, and there is talk of him playing for England soon, because he bowls better than Moeen Ali. But Surrey didn’t buy Ansari in after he had already proved his worth, they spotted him early and trained him up themselves. Ansari is also quite a good batter, having learned in recent months the art of hitting boundaries, which he never used to do until this season. It would be nice to see Surrey creating England players (or in Curran’s case maybe South African players, unless England come calling first) rather than just buying them in after someone else has created them, so to speak.
But I digress. In the NZ reply to England, the one-man wrecking ball that is Brendan McCullum hit two fours and then got out, off the last three balls of the first over. And whereas England were able to do without Roy, and later Stokes and new boy Billings, all of whom struck out with the bat, NZ really needed some slogging from McCullum to get them going, and they never truly recovered from his early departure. There were, in other words, consequences to McCullum getting out so quickly. See also: the recent World Cup Final. NZ ended up getting less than half England’s score, losing by 210.
England won the first test match against NZ in style, only to lose the second not at all in style. So they could easily make a hash of the next ODI against NZ, as everyone realises. But in the meantime: hurrah, and I am now going to settle down to watch the TV highlights.
I didn’t put these two covers next to each other. The Lady did it, outside its big old office in Bedford Street, London WC2. Here is what that office looks like, that being a shot of the sort I neglected to take at the time. You can see lots of covers in the windows along the bottom.
So, here are the two covers:
Shot December 15th 2014.
For those unfamiliar with Brit TV, the guy on the right is this guy.
Take a train from … anywhere, into Waterloo. Exit your train, and go through the barriers. Turn right in the big concourse and carry on walking until you have gone as far as you can go, and you get to an exit. Step outside. You are in “Station Approach”:
I’ve messed with the visuals there, to make “Station Approach” readable.
You are wisely prevented by some railings from stepping out into Station Approach itself and being run down by a taxi. But turn right out of the exit, and make your way a few dozen yards along the narrow pavement, to the point in Station Approach where you can cross the road, to some steps that lead down into “Spur Road”. (The steps are right next to the S of Spur Road, in the image above.) But, don’t go down these steps. Stay at the top of the steps and enjoy the view.
To the far left, you can see the Walkie Talkie. To the far right, the Spray Can. Between them is the sprawl of south-of-the-river London.
It’s one of my favourite London panoramas, if only because everyone else who ever sets foot in this place is either in a hurry to get somewhere else, or in a hurry to catch a train. Nobody talks about this view, the way they do of the view from such places as Parliament Hill or the top of some of London’s big or even not so big buildings
What stops this view being talked up as a “view” is the prominence of all the foreground clutter. In the background, there are Big Things to be observed, but they do not tower over the foreground. If anything, the foreground clutter dominates them. Even the Shard is an almost diffident, even sometimes (depending on the light) spectral presence rather than a “tower”. Recently there was a TV documentary about the Tower of London, and the impact of it and the Shard, each in and on their time, was compared. The message was that the Tower then was like the Shard now. But these two buildings could hardly be more different. The Tower then was telling London then that the Tower was the boss. The Shard now politely concedes to London now that London is the boss.
And of course I love this view, because I love London’s clutter, especially roof clutter, and I love it when Big Things can be seen between and beyond the clutter, without necessarily dominating:
Those shots were all taken within moments of one another, just over a week ago, on a sunny afternoon, the same sunny afternoon I took this.
Stations are great linear photo-opportunities. This is because railway tracks have to be pretty much dead level. If the lie of the land is high, the tracks have to be lower, and if the lie of the land is low, the tracks have to be higher, which is also convenient because it enables the railway to jump over the roads on bridges and viaducts rather than compete with them at such things as level crossings. This causes the platforms of many a station to be at roof level rather than at ground level.
Level crossings will get road traffic across a mere double track out in the country, but are hopeless for getting past the tracks out of Waterloo, one of the world’s busiest railway stations. The traffic would wait for ever. So, bridges and viaducts it is, and that means that Waterloo Station itself is dragged up to regular London roof level. So even if you can’t see anything from Waterloo Station itself, you can from just outside it. You can from Station Approach. Well, I can, because I want to.
Am I going to have to stop denouncing test matches that clash with the IPL? The IPL didn’t seem to have a lot of close finishes this time around. (Yesterday’s final was over long before it was over, if you get my meaning.) And now, both England and New Zealand have all their top players playing test cricket, in England, in May. And playing it really well. NZ, a far better team now than they were only a few years back, got over 500 in their first innings and a serious first innings lead. But yesterday Cook batted all day, and Stokes scored a century that absolutely did not take all day.
What struck me, watching Stokes on the C5 highlights yesterday evening, was how sweetly his off-drives were struck. He is no mere slogger, although he definitely can slog. Thanks to Stokes, England can now, on the final day, win.
Stokes hitting two blistering scores at number six (he also got 92 in the first innings), and Root not wasting any time at number five, means that Pietersen can now kiss his test career a final goodbye. Had the England batting failed in this mini-series against NZ, and above all had it failed slowly, the cries for Pietersen to come in and beef it up and speed it up would have grown in volume. As it was, the slow guys at the top failed (Lyth and Ballance both twice over), apart from Cook yesterday, while the quick batters got on with it. This leaves no place for Pietersen. Bell? A decent innings in the next game will end any moans about him.
Meanwhile, this test match, as of today, is a real cracker. And today is one of those great test days in London where they cut the prices for the last day and Lord’s suddenly fills up with people like me. Not actually me, today. But I thought about it. And if I thought about actually going, it can’t be that I think the game is meaningless. Score one for the Old Farts who think that the IPL is just a faraway T20 slog of which we know little.
This game began with England being 30 for 4. Now NZ are 12 for 3, “chasing” (the inverted commas there meaning: forget about it) 345. Broad, a bowler who, in between match winning performances, looks like a bit of a waste of space, has two wickets already. Plus, Taylor, whom Broad has just got out, was dropped off him in the previous over, and that now gets mentally chalked up by both sides as further evidence that another wicket is liable to fall at any moment.
Earlier in the week Paul Collingwood of Durham was talking up Stokes, also of Durham. He can bat, said Collingwood, which he could say with confidence after Stokes made his first innings 92. Stokes can also bowl, said Collingwood and should do so earlier than he has tended to so far in his test career. He is not just a filler in, said Collingwood. Well, now, with the score a mere 16 for 3, Stokes is bowling.
At lunch, NZ 21 for 3.
LATER: And just when I thought KP was forgotten, there was Boycott on the radio talking him up, as a replacement for the as-of-now non-firing Ian Bell. So if England get hammered in the first two Ashes tests, with Bell getting four more blobs or near blobs ... Maybe KP ... I just added a question mark to my title.
LATER: Take a bow, Collingwood! Stokes gets Williamson and McCullum in two balls! NZ 61 for 5.
After an hour in the first test against New Zealand, England are now 30 for 4. This is exactly the sort of start the England bosses did not want, because it will amplify the clamour for the return of Kevin Petersen.
Here’s Ed: “Oh dear, an inevitably miserable summer for English cricket has now commenced ... and can already hear the plaintive cries of ‘KP, blah blah, must bring KP back ... blah, blah ... it’s SCANDALOUS, KP, blah blah, he’s box-office, you know ...’”
Well, you can see which side “Ed” is on. As for me, well, I want cricket to be entertaining and diverting. Whatever England do or do not manage this summer, first against New Zealand, and then against Australia, it will certainly be entertaining and diverting. If England win, hurrah! If they lose, then there will be all the “KP, blah blah” that Ed refers to. Sport is, among other things, soap opera, and it promises to be hugely soapy and operatic this summer, because England now look like doing very badly.
My main opinion about English cricket just now is, as it has long been, that the people running it seem to imagine that the I(ndian) P(remier) L(eague), now nearing its climax for this year, is “just another T20 slogfest”, when in truth it is the Indian T20 slogfest, which means that you can earn more money playing in it than in the rest of your year as a cricketer. Something like that anyway. It’s a lot of money, especially if you are really good at it. And money talks. Money says that the world’s best players now all want to play in the IPL, and that they will not want to play stupid test matches in England against England.
I will never forget the first day of a recent England/WI series, in England, in mid-may, when Gayle scored a terrific century. But, not a terrific century for the West Indies against England, a terrific century for the Royal Challengers Bangalore. I also distinctly remember blogging about this at the time, on the day, but cannot find anything by me about this.
Yes I can. Here:
I remember very little about that meaningless test series in England, but I do remember that on the first day of it, Chris Gayle scored a brilliant century. I watched this brilliant century on my television. But Gayle did not score this brilliant century for the West Indies, against England. He scored it for the Bangalore Royal Challengers.
You would think that the ECB would have got the message. How soon before cricket fandom everywhere just hoots with derision at these “test matches” in the sodden and frigid English spring? Such tests test nobody except the out-of-their depth second-stringers sucked into them. With the star players of the touring side missing, these tests mean very little. Sport is all about meaning. Drain the meaning from a game, and the thing is dead in the water. Literally in the water, if you are playing in England, in May, and you don’t get lucky.
So, memory does not deceive.
Well, it would seem that England still have the trick of enticing the best New Zealanders to come and play test matches in England, in mid-May. That is, the NZ cricket bosses are still able to insist that their IPL-ers come to England, in the nick of time. But this still isn’t satisfactory. I will be interested to see, when I watch the highlights of day one this evening on the telly, how big the crowd is.
England, at lunch, are now somewhat less soapy and less operatic 113 for 4, after the beginnings of a decent stand between Root and Stokes. But still very iffy.
Here is a picture I took in 2005 of Kevin Pietersen and Shane Warne, which I spotted at Waterloo Station in June of that year (it’s not one of those pictures):
Having had lunch, England are now 182 for 4, and the big stand by Root and Stokes is getting bigger and bigger. Stokes is really stepping on it. Hurrah! If England end up with a decent score, the KP clamour will fade.
And, happy coincidence, my other team, Surrey, are also right now enjoying a century stand for the fifth wicket, this time by Sanga and Roy. Roy is really stepping on it.
MOMENTS LATER: Stokes out, Sanga out, withing seconds of each other. Not so happy.
The video at the other end of that link sells the drone as being fun for tourists. But I now surmise that the first great impact of drones on economic life is now already happening, in agriculture, in the bit of it where a tiny number of people manage vast acreages of agricultural land, and where a tiny increase in productivity is worth millions. These people already have an entire industry of small airplanes doing things like crop dusting, which is a very ungainly process but still already well worth doing. Imagine the benefits of being able to do that and much more, at virtually zero cost. You could plant the crop. Spray the crop. Keep and eye on the crop. Only the actual digging up of the crop, or whatever it is you have to do to crops, would still involve a bit of old school work.
I just googled “drones in agriculture”, and then clicked on Images. Wow.
Drones are a bit like 3-D printing, as a technology. There is much talk of mere humans doing it for fun, in their homes (3-D printing) or while out and about having fun (drones) but the real impact of poth these technologies is in niche markets, where specialists are doing things that have long been done, but quicker, better, cheaper, and by-and-by doing things in their line of business that were never before doable. Drones, for instance, will make a lot of land farmable that was not farmable before.
I have always believed that the core skill of my generation, watching television, would end up having huge economic impacts.
Yesterday, while walking along the sharp right kink at the top end of Horseferry Road, which I do a lot, I looked up into the bright blue sky and beheld things of colourful beauty. What do you suppose it is?:
Does this make it any clearer?:
Clear for those to whom it is now clear, but still not very clear for most, is my guess.
Yes, it’s a Big 4. And if you still don’t know what it is, apart from it being a Big 4, it is the Big 4 outside the fantastically over-the-top front door of Channel 4 TV HQ.
This Big 4 has changed a lot over the years. (You can see a few of those changes in among all this google-search-imagery.) Different artists and designers have taken it in turns to adorn its metal skeleton in a succession of different colours and costumes. The above is merely the latest iteration of this process. And definitely one of the better ones, I think.
I like how the colours all vanish once you get straight in front of the 4, and all you get is a relatively bland white 4. The effect is calculated to resemble the fleeting glimpse of the 4 that you get in the various intros you see just before Channel 4 shows on the telly. Note also how the sun at that particular later afternoon time of day picked out the white bits of the Big 4, while leaving the stuff behind it in relative darkness. I still don’t really understand how this happened, but I definitely like it.
The bad news, however, is that to get that particular Big 4 picture from the exact right place, you need to be standing in the middle of the road that turns south off Horseferry Road, past the left hand side of C4HQ, as we look at it, and at exactly the spot where the pavement would have been, right next to Horseferry Road itself.
So, finally, what we now see is the exact moment when a car came up right behind me and honked loudly, anxious to get past me and out of Horseferry Road instead of being stuck right in it, and honked at in its turn by angry cars behind it.
I immediately jumped out of the car’s way, and it politely waved thankyou as soon as it had made its slightly relieved way past me.
A lot of cars deliver and collect a lot of people to and from that exact spot, and they must get this a lot.
It started with this picture, which I took at the home of some friends a while back. I know exactly how you probably feel about this cushion, but on the other hand, I don’t care:
I love how the TV remote is there next to it. I had no idea at the time, or I would have made a point of including all of it.
But now the www-journey begins. At the bottom right hand corner of the cusion are the words “Susan Herbert”.
Obviously, I click where it says “visit page”, and arrive here. I scroll down, looking for the picture of Bill Murray and the artistic nude girl. I don’t ever find the picture of Bill Murray and the artistic nude girl, but I do encounter this, which is a posting about a big blue horse at Denver Airport. Clicking on “Denver Public Art Program” merely gets me to useless crap about Denver, but googling “luis jimenez mustang” gets me to pictures like this ...:
… and to an article in the Wall Street Journal from February 2009, which says things like this about the Blue Denver Horse:
Anatomically correct - eye-poppingly so - the 32-foot-tall fiberglass sculpture makes quite a statement at the gateway to Denver International Airport.
But that begs the question: What kind of statement, exactly?
“It looks like it’s possessed,” says Denver resident Samantha Horoschak. “I have a huge fear of flying anyway, and to be greeted at the airport by a demon horse - it’s not a soothing experience.”
Many people here agree, calling the muscular steed a terrifying welcome to the Mile High City.
Samantha Horoschak was not wrong. Because, it gets better:
Mr. Jimenez was killed working on the sculpture. In 2006, while he was hoisting pieces of the mustang for final assembly in his New Mexico studio, the horse’s massive torso swung out of control and crushed the 65-year-old artist.
Ah, that magic moment in the creative process when a work of art escapes from the control of its creator and carves out a life of its own, independent of its creator. And kills him.
Is it still there? How many more victims has it claimed? Has it caused any crashes?
I love the internet. And not just because I am quickly able to look up the proper spelling of such words as “posthumous” (which was in the original version of the title of this) and “kitsch”. It’s the mad journeys it takes you on. Who needs stupid holidays when you can go on a crazy trip like this without getting out of your kitchen chair?
Yes, they aren’t playing any squash today. It’s been rugby rugby rugby all the way.
First Wales knocked up a cricket score against Italy in Rome, and took the lead in the three-way race for the Six Nations. Then Ireland thrashed Scotland and took pole position. Now England and France are playing a mad game at Twickenham. At the moment it’s England 48 France 35. How mad is that? It probably won’t be enough, but England are giving it a right old go. England need about two more tries, I think, and since France are also scoring tries every so often, even that might not be enough. But. Five minutes to go, and England have just scored another try. 53-35. Bloody hell. This conversion has to go over. Then they have to score another try and convert that. Conversion over. 55-35. It’s on. It all has the air of been too frantic and unreal to work. But, maybe.
Trouble is, I’ve got a terrible headache and bunged-up face, and am in almost no state at all to enjoy it all. Maybe too much Parma ham at Christian Michel’s last night? That or the cheap white wine. But, I have most of it on video.
Game nearly over. England need one more try off, basically, the last play of the match.
No. England attacking but France hold out. Whistle. 55-35. Epic fail. But epic in a good way.
Wales were favourites after their big win in Rome, but they now have to make do with the bronze. Ireland win it. England second. A great day.
Squash? And what the hell is squash? Exactly. It’s a potentially great game, in which a couple of guys with slimmed down tennis rackets bash a black rubber ball around in a small courtyard. The trouble is that the courtyard is too small. As a result, the better the players, the harder it is to hit a winning shot. Watch a top squash game, and you are watching two of the people least likely ever to make a mistake, waiting for one of them to make a mistake. Watching paint dry is Shakespearian drama by comparison.
Well, rugby union is becoming like this. Two teams now consisting entirely of men-mountains knock seven bells out of each other for an hour. (Backs now look like forwards used to look, and forwards now look like laboratory accidents. The teams who are most depressing to watch are France and Wales, because they used to have diminutive attackers who did things like smoke, and dodge tackles instead of driving into them like human tanks the way everyone does now.) If either team gets tired, the other team might then score some tries, but if neither does, the contest is settled by the referee making incomprehensible penalty decisions, and by the two opposing penalty kickers.
Watching Ireland and Wales, two of the best teams in the Six Nations, is what is making me say this. It’s deep into the second half already, and for the first time in the entire game so far, one of the teams (Ireland) looks like it might score a try. But no. The ref has just blown his whistle, again, and Ireland fail to score. So Wales stay in the lead by four penalties and a drop goal, to three penalties.
Now Wales have just failed to score a try. The commentators are saying that this has been “a fantastic ten minutes of rugby”. No. Fantastic would have been if someone had actually scored.
The trouble is, the pitch is just not wide enough. I remember Bruce the Real Photographer saying this to me about a decade ago. He may have been right then, and I reckon he’s definitely right now.
And the Welsh have now scored, a really good try. Typical.
And now Ireland have scored, a penalty try, which is rather unsatisfactory but at least it’s a try. A penalty try is the one where the two scrums go at each other, and the defending scrum does something mysteriously illegal to stop the other scrum tanking themselves over the line. Wales 20 Ireland 16. It’s livening up.
Commentator: “It’s a thrilling encounter. It’s a shame there’s only about eleven minutes left.”
So. Squash for an hour. (One of the commentators called it “muscular chess”.) Then a quarter of an hour of rugby. This is what counts as “a fantastic game of rugby”.
Later: Wales 23 Ireland 16.