Brian Micklethwait's Blog
In which I continue to seek part time employment as the ruler of the world.Home
Chris Cooper on Longer life would make most of us (certainly me) more energetic and ambitious
Brian Micklethwait on Indian sign cautions against selfie sticks
Michael Jennings on Indian sign cautions against selfie sticks
Brian Micklethwait on Photoing last Friday's Last Friday meeting
Michael Jennings on Photoing last Friday's Last Friday meeting
Brian Micklethwait on Tim Marshall on 'Sykes-Picot'
Patrick Crozier on Tim Marshall on 'Sykes-Picot'
kenforthewin on The most newsworthy thing so far done by a drone
6000 on UPS drones and drone vans
6000 on Guess what this is
Most recent entries
- And in Other creatures news …
- Cat proximity awareness
- Looking up in the City
- Indian sign cautions against selfie sticks
- Leake Street photo session
- Longer life would make most of us (certainly me) more energetic and ambitious
- Azure Window broken
- Beltane & Pop van parked on the South Bank yesterday afternoon
- New River Walk
- Die Meistersinger was very good
- Spring in Islington
- ROH Covent Garden here I come
- Today’s plan
- Photoing the faces of strangers (or in my case: not)
- England crush Scotland in the 6N – plus the hugeness of home advantage
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Category archive: History
Incoming from Michael Jennings, who encountered this sign at (a?) (the?) Jodhpur Fort in Rajasthan:
Hm, what to do?
Easy. Use a drone instead.
LATER: See first comment. It’s this:
There can only be one fort like that.
Categories updated to include Architecture, History, Sport, and War.
Blog and learn.
I’m still photoing photoers, basically because the photos of photoers I took about a decade ago get more interesting by the year, and so, I’m betting, will photos like these, which I took in Trafalgar Square, last October:
The difference from ten years ago is that I avoid photoing faces far more than I tried to then. That means, as explained in this earlier posting, that I find myself photoing a lot of hair, as above. Although, 3.3 is the hair on a lady’s sleeve, and the guy in 2.3 has no hair. But, he has a hair style.
But I’m not a hair fetishist. I’m just a not-face photoer, when I’m photoing strangers who are themselves photoing.
There was a posting at Mick Hartley’s yesterday which showed that concern about photoing the faces of strangers and thereby in some way stealing from them is not new. Hartley reproduces a great pile of photos, photos like this:
Scroll down to the bottom of Hartley’s posting, and you will encounter quotes from the man, Richard Sandler, who took all these ancient black-and-white photos, of strangers. Go to where Hartley got these pictures and the quote, and you’ll get one of the questions, as well as the answer.
Have you had anyone ever question your motives in the street? Did you ever piss off anybody?
Occasionally people get angry and they have a right to, I am stealing a little something from them. Also for many years I used the strobe on the street and so there was no hiding what I was doing ... it can be startling. I have been kicked, spit on, and chased, but not very often. Once a woman with a rabbit pursued me for 30 minutes because I had flashed her and her pet.
Hartley also quotes Sandler saying this:
I think those were more interesting times because the warts of corporate/capitalist society were more visible then they are today, and those contradictions could be photographed more directly than now ... also every third person was not virtual, being on the fucking phone and not really on the street ....
Two things about that. One, there is something rather exploitative about these photos, as he goes on to admit, sort of like an old school colonist photoing the natives. Second, why the hell are “fucking” phones not themselves fit objects for his photoing? Not really on the street? Come on.
They are certainly fit objects for my photoing.
Could it be that Sandler is suffering from a dose of professional jealousy? Suddenly, the damn natives can photo the warts of corporate/capitalist society for themselves. And nowadays, they don’t even have to use a dedicated camera.
And as for flash, well, the latest cameras hardly need them. They can pretty much see in the dark.
Here are some more quotes from Tim Marshall’s Prisoners of Geography. (See this earlier posting, with another quote (about the Arctic), at the top of which I list all the earlier quotes from this book that I have displayed here.)
These ones are about what happens when European Imperialists ignored geography (p. 146):
When the Ottoman Empire began to collapse, the British and French had a different idea. In 1916 the British diplomat Colonel Sir Mark Sykes took a chinagraph pencil and drew a crude line across a map of the Middle East. It ran from Haifa on the Mediterranean in what is now Israel to Kirkuk (now in Iraq) in the north-east. It became the basis of his secret agreement with his French counterpart Francois Georges-Picot to divide the region into two spheres of influence should the Triple Entente defeat the Ottoman Empire in the First World War. North of the line was to be under French control, south of it under British hegemony.
The term ‘Sykes-Picot’ has become shorthand for the various decisions made in the first third of the twentieth century which betrayed promises given to tribal leaders and which partially explain the unrest and extremism of today. This explanation can be overstated, though: there was violence and extremism before the Europeans arrived. Nevertheless, as we saw in Africa, arbitrarily creating ‘nation states’ out of people unused to living together in one region is not a recipe for justice, equality and stability.
Prior to Sykes-Picot (in its wider sense), there was no state of Syria, no Lebanon, nor were there Jordan, Iraq, Saudi Arabia, Kuwait, Israel or Palestine. Modern maps show the borders and the names of nation states, but they are young and they are fragile.
So, what happens if you ignore geography like this? Answer: geography comes back to bite you. More to the point, it bites all the people upon whom you have inflicted your indifference to geography (p. 148):
The legacy of European colonialism left the Arabs grouped into nation states and ruled by leaders who tended to favour whichever branch ofIslam (and tribe) they themselves came from. These dictators then used the machinery of state to ensure their writ ruled over the entire area within the artificial lines drawn by the Europeans, regardless of whether this was historically appropriate and fair to the different tribes and religions that had been thrown together.
To name but one.
… is a prime example of the ensuing conflicts and chaos. The more religious among the Shia never accepted that a Sunni-led government should have control over their holy cities such as Najaf and Karbala, where their martyrs Ali and Hussein are said to be buried. These communal feelings go back centuries; a few decades of being called ‘Iraqis’ was never going to dilute such emotions.
Time I finished my review of this book.
I often travel to Euston by tube, changing there from or to the Victoria Line to or from the Northern Line, but I very rarely emerge into the street at Euston. But yesterday, I did this. I arrived by tube and I exited via the main concourse of the main railway station, on account of these new concourses being, I think, interesting places. And then when I exited from the main station, I noticed, for the first time, the rather handsome statue of Robert Stephenson that is to be seen out there, if you do that.
This statue is very fine, I think:
Perhaps because of its modern surroundings, I suspected this statue of being a recent piece of pseudo-antiquity, perhaps motivated by guilt for all the architectural antiquity at Euston that got demolished. But no, the statue dates from a mere decade after Stephenson’s death, which was in 1859.
I only discovered just now that Robert Stephenson designed the Rocket, the first ever steam locomotive. I thought his dad George did that, but George merely did the railway. Blog and learn.
I am nearing the end of Tim Marshall’s Prisoners of Geography. Apparently the paperback of this book is now on the paperback best-seller list. This is good news, because it is very good, and quite lacking in any major traces of leftist delusion or silliness.
Here, for instance, is what Marshall says about the Middle East (pp. 176-180):
… Until a few years ago Turkey was held up as an example of how a Middle Eastern country, other than Israel, could embrace democracy. That example has taken a few knocks recently with the ongoing Kurdish problem, the difficulties facing some of the tiny Christian communities and the tacit support for Islamist groups in their fight against the Syrian government. President Erdogan’s remarks on Jews, race and gender equality, taken with the creeping Islamisation of Turkey, have set alarm bells ringing. However, compared with the majority of Arab states Turkey is far more developed and recognisable as a democracy. Erdogan may be undoing some of Ataturk’s work, but the grandchildren of the Father of the Turks live more freely than anyone in the Arab Middle East.
Because the Arab states have not experienced a similar opening-up and have suffered from colonialism, they were not ready to turn the Arab uprisings (the wave of protests that started in 2010) into a real Arab Spring. Instead they soured into perpetual rioting and civil war.
The Arab Spring is a misnomer, invented by the media; it clouds our understanding of what is happening. Too many reporters rushed to interview the young liberals who were standing in city squares with placards written in English, and mistook them for the voice of the people and the direction of history. Some journalists had done the same during the ‘Green Revolution’, describing the young students of north Tehran as the ‘Youth of Iran’, thus ignoring the other young Iranians who were joining the reactionary Basij militia and Revolutionary Guard.
In 1989 in Eastern Europe there was one form of totalitarianism: Communism. In the majority of people’s minds there was only one direction in which to go: towards democracy, which was thriving on the other side of the Iron Curtain. East and West shared a historical memory of periods of democracy and civil society. The Arab world of 2011 enjoyed none of those things and faced in many different directions. There were, and are, the directions of democracy, liberal democracy (which differs from the former), nationalism, the cult of the strong leader and the direction in which many people had been facing all along - Islam in its various guises, including Islamism.
In the Middle East power does indeed flow from the barrel of a gun. Some good citizens of Misrata in Libya may want to develop a liberal democratic party, some might even want to campaign for gay rights; but their choice will be limited if the local de facto power shoots liberal democrats and gays. Iraq is a case in point: a democracy in name only, far from liberal, and a place where people are routinely murdered for being homosexual.
The second phase of the Arab uprising is well into its stride. This is the complex internal struggle within societies where religious beliefs, social mores, tribal links and guns are currently far more powerful forces than ‘Western’ ideals of equality, freedom of expression and universal suffrage. The Arab countries are beset by prejudices, indeed hatreds of which the average Westerner knows so little that they tend not to believe them even if they are laid out in print before their eyes. We are aware of our own prejudices, which are legion, but often seem to turn a blind eye to those in the Middle East.
The routine expression of hatred for others is so common in the Arab world that it barely draws comment other than from the region’s often Western-educated liberal minority who have limited access to the platform of mass media. Anti-Semitic cartoons which echo the Nazi Der Sturmer propaganda newspaper are common. Week in, week out, shock-jock imams are given space on prime-time TV shows.
Western apologists for this sort of behaviour are sometimes hamstrung by a fear of being described as one of Edward Said’s ‘Orientalists’. They betray their own liberal values by denying their universality. Others, in their naivety, say that these incitements to murder are not widespread and must be seen in the context of the Arabic language, which can be given to flights of rhetoric. This signals their lack of understanding of the ‘Arab street’, the role of the mainstream Arab media and a refusal to understand that when people who are full of hatred say something, they mean it.
When Hosni Mubarak was ousted as President of Egypt it was indeed people power that toppled him, but what the outside world failed to see was that the military had been waiting for years for an opportunity to be rid of him and his son Gamal, and that the theatre of the street provided the cover they needed. It was only when the Muslim Brotherhood called its supporters out that there was enough cover. There were only three institutions in Egypt: Mubarak’s National Democratic Party, the military and the Brotherhood. The latter two destroyed the former, the Brotherhood then won an election, began turning Egypt into an Islamist state, and paid the price by itself being overthrown by the real power in the land - the military.
The Islamists remain the second power, albeit now underground. When the anti-Mubarak demonstrations were at their height the gatherings in Cairo attracted several hundred thousand people. After Mubarak’s fall, when the radical Muslim Brotherhood preacher Yusuf al-Qaradawi returned from exile in Qatar, at least a million people came out to greet him, but few in the Western media called this the ‘voice of the people’. The liberals never had a chance. Nor do they now. This is not because the people of the region are radical; it is because if you are hungry and frightened, and you are offered either bread and security or the concept of democracy, the choice is not difficult.
In impoverished societies with few accountable institutions, power rests with gangs disguised as ‘militia’ and ‘political parties’. While they fight for power, sometimes cheered on by naive Western sympathisers, many innocent people die. It looks as if it will be that way in Libya, Syria, Yemen, Iraq and possibly other countries for years to come.
As regulars here will know, I am interested by the phenomenon of colour. I don’t mean people of colour, and all the arguments around that. I mean the colours of things like paint, walls, modern architecture. Red, blue, green, yellow. Actual colours. (Plus also: black and white.)
So, I was greatly intrigued by a piece that I recently encountered, about how blue tarantula spiders are inspiring techies to make 3D printed blue.
Tarantulas aren’t usually known for having a striking blue color, but the ones that do recently inspired new technology that can produce vibrant, 3D-printed color that will never fade.
Back in 2015, a team of researchers led by the University of Akron marveled at the spiders’ blue hue and concluded that it was created not from pigment but from nanostructures in their hairs. In other words, these tarantulas are blue because of structural color, which is produced through light scattering caused by structures of sub-micrometer size features made by translucent materials.
I love grand histories of everything, which look at the past, present and future of mankind through just the one lens. Weapons. Communications. Spices. Potatoes. That kind of thing. I recently purchased a book called The Sea and Civilization: A Maritime History of the World. Well, one of the next books I am going to purchase is likely to be a history of the world seen entirely in terms of mankind’s quest for colour - natural and artificial, or, as above, and I suspect very typically, a combination of the two.
Africa is big, and Africa’s rivers don’t help in cutting these huge distances down to size.
More from Tim Marshall’s Prisoners of Geography (p. 119):
Most of the continent’s rivers also pose a problem, as they begin in high land and descend in abrupt drops which thwart navigation. For example, the mighty Zambezi may be Africa’s fourth-longest river, running for 1,600 miles, and may be a stunning tourist attraction with its white-water rapids and the Victoria Falls, but as a trade route it is of little use. It flows through six countries, dropping from 4,900 feet to sea level when it reaches the Indian Ocean in Mozambique. Parts of it are navigable by shallow boats, but these parts do not interconnect, thus limiting the transportation of cargo.
Unlike in Europe, which has the Danube and the Rhine, this drawback has hindered contact and trade between regions - which in turn affected economic development, and hindered the formation of large trading regions. The continent’s great rivers, the Niger, the Congo, the Zambezi, the Nile and others, don’t connect and this disconnection has a human factor. Whereas huge areas of Russia, China and the USA speak a unifying language which helps trade, in Africa thousands of languages exist and no one culture emerged to dominate areas of similar size. Europe, on the other hand, was small enough to have a ‘lingua franca’ through which to communicate, and a landscape that encouraged interaction.
I’m guessing that Africa’s famed natural resources (although not of the mineral sort – those natural resources just suck in thieving foreigners) also helped to split the population up into lots of little enclaves, by making it possible for quite small communities to be economically self-sufficient. Not very self-sufficient, as in rich, but sufficiently self-sufficient not to die out but instead to keep ticking over.
I am reading Prisoners of Geography, by Tim Marshall, a new name to me. (He has also written what looks like a rather interesting book about flags.) Today I read this (pp. 116-117), about the size of Africa:
The world’s idea of African geography is flawed. Few people realise just how big it is. This is because most of us use the standard Mercator world map. This, as do other maps, depicts a sphere on a flat surface and thus distorts shapes. Africa is far, far longer than usually portrayed, which explains what an achievement it was to round the Cape of Good Hope, and is a reminder of the importance of the Suez Canal to world trade. Making it around the Cape was a momentous achievement, but once it became unnecessary to do so, the sea journey from Western Europe to India was reduced by 6,000 miles.
If you look at a world map and mentally glue Alaska onto California, then turn the USA on its head, it appears as if it would roughly fit into Africa with a few gaps here and there. In fact Africa is three times bigger than the USA. Look again at the standard Mercator map and you see that Greenland appears to be the same size as Africa, and yet Africa is actually fourteen times the size of Greenland! You could fit the USA, Greenland, India, China, Spain, France, Germany and the UK into Africa and still have room for most of Eastern Europe. We know Africa is a massive land mass, but the maps rarely tell us how massive.
I guess that part of the reason why Africa has tended to be regarded as smaller than it is, in recent decades, is that Africa has not counted for all that much, globally, in recent decades. We can expect to hear many repetitions of the above observation, as Africa develops economically, towards being the economic giant that it already is physically.
LATER: I see that I have written about this before, in a posting that proves what Marshall says about all the countries that will fit inside Africa.
I am always banging on about my collection of photos, but my collection of books is also, in some cases, becoming a bit interesting. Here, for instance, is a bit from a book that was published in 1980, by Peter Laurie, called The Micro Revolution. (pp.202-204)
At the time of writing (early 1979) the microprocessor was much discussed and many people were asking what it would do to industry and employment. My own ideas, for what they are worth, are presented here and there through this book; at this point it might be worth summarizing a study by the American management consultancy firm of Arthur D. Little Inc, which was carried out between 1976 and 1978, cost $2 million to perform and whose detailed results are available for $35,000 a copy.
The survey looked at the USA, Britain, France and Germany. It predicted that by 1987 - that is, in seven years time - the annual market for products incorporating microprocessors will be worth $30 thousand million. If computers are added. ‘It appears that by the end of the next decade every citizen of a developed country will spend an average of £100 a year on microprocessors.’
In more detail, the prediction was that American cars would be forced by strict legislation on pollution standards to install micros to control ignition and carburettion. In Europe, where people are less fussy, this development would lag. But in all countries, micros would be widely used for information and entertainment in the car.
It is predicted that the home market will be the largest, with something like 400 million intelligent units a year worth $50 each being sold in 1987. Micros will be used in many different products - we have already talked about the entertainment-communications-computer unit which will look like a TV set with a computer added. There will also be all sorts of intelligent toys, kitchen gadgets, security systems, gardening devices.
In the office there will be a large sale for text processing, facsimile and copying machines, electronic telephones, dictating systems and communication processors. If the Post Offices provide data highways to match, this will result in the ‘virtual city’ described in chapter 9.
Industrial systems will be slower to incorporate micros (a) because they differ one from another and it is not easy to mass produce equipment for this market; and (b) because what is used has to be extremely reliable - and only time can prove that.
Arthur D. Little predicts that micros will generate 400,000 extra jobs in Europe in firms making, installing and servicing equipment incorporating them. It is inescapable that if microprocessors are widely used they will increase material wealth. However, they will also put a lot of people out of work, and there is no guarantee that these people will be easily, or indeed ever, retrained for new jobs. In fact the whole thing looks like producing considerable industrial dislocation; because along with the people who will not be needed there will go a tremendous shortage of people who are needed. As early as 1979, my eighteen-year-old son, with only school computing and three months of work on microdevelopment behind him, was offered £300 a week to work in Holland. GEC said recently that they alone could employ every British electronics graduate. There is no doubt that over the next ten years anyone who can pass himself off as understanding the micro will be in great demand, and will be able to make large amounts of money in exploiting his talents.
For this decade at least there are going to be wonderful opportunities for intelligent and independent people. The classical example is young Wozniak who, in 1976, at the age of 21, with his friend Steve, set to work in his parents’ California garage to build a microcomputer. ‘I sold my calculator and Steve sold his van and we used the money to hire a printed circuit artist to layout the boards.’ In 1979 Wozniak, now 23, and the employer of 200 people was planning to ship $75 million worth of his APPLE computers.
Friday is my day for cats and other creatures, but it is also David Thompson’s day for more substsantial collections of all this weird and wonderful on the internet, and one ephemeron (ephemeros? ephemerum?) in his collection today is this:
Brutalist colouring book. Because concrete needs colour.
I followed that link.
Brutalism lovers, sharpen your cold grey and warm grey pencils and add some colour to some great concrete constructions. First edition of 500 hundred copies. Each copy is numbered.
Ooh. First edition. Numbered copies. Very arty. Sign of the times? I want it to be.
I have long thought that the brutalities of brutalism could use a bit of softening, and actually, a lot of softening. With colour. Bring it on.
Someone who agreed with me, from way back was, actually, would you believe?: Le Corbusier. He was into bright colours to soften the brutalities of his brutalism, from the getgo.
(See also: these colourful kittens. No softening needed there, but it was done anyway.)
Recently, I have been posting (for example here and here and there) photos that I took quite a while back, of scenes that are now different or in some way ephemeral, that fact often being noted in the postings themselves.
Here is another such:
This photo, taken in November 2003, is ephemeral in two ways.
First, there are men at work on the top of the Gherkin there. The photo is not technically that good, if only because the camera wasn’t that good, and neither was the light on that particular day. But, click to get it twice as big, and you will surely agree that men is definitely what we do see there. Never before that day had I seen men at work on the top of the Gherkin, unless you count before it was finished (buildings still being built being another rich source of ephemera), and never have I seen this since that day. It may be that these guys were in fact finishing the Gherkin, in some way that I don’t know about. Whatever, there they are.
And the second ephemeral thing about this photo is that it dates from the time when the Gherkin stood in something approximating to splendid isolation. The same shot taken from the same spot today (outside Liverpool Street Station) would surely contain a Cheesegrater at the very least, and probably several other Big Things.
Why did Britain (and her allies) fight WW1? Was Britain (were they) right to fight WW1?
Recently I had an email exchange with Patrick Crozier concerning World War 1, about which he knows a great deal.
Patrick to me:
The other day you suggested I write something on why Britain fought the First World War but I can’t quite remember what precisely the question was.
I suppose what I am asking is what question would you like to see addressed?
Me to Patrick:
I suppose there are two big questions. And quite a few smaller ones.
(1) What did the Allies think they were fighting WW1 for? What did they think the world would turn into, that was bad, that fighting the war and winning it would prevent?
This question divides into two parts: officialdom, and public opinion. Officialdom clearly thought WW1 worth fighting, and they at least persuaded public opinion for the duration. Did officialdom tell the truth about its real motives? If so, was this persuasive? If they told a different story for public consumption, ditto?
It is my understanding that the Blackadder Version of things, that it was all a futile waste of blood and treasure and that it achieved bugger all for anyone, only caught on in Britain the thirties, when the Communists got into their public stride following the Great Crash. Before that, British public opinion both stayed steady during the war, and afterwards was glad it had won. So, I guess there’s also a question about whether that’s right, and about the timing of the change, if and when it happened.
(2) What do YOU think the Allies actually accomplished? In other words, were they right to fight the war, given their objectives? And were they right, given YOUR objectives? Did winning WW1 actually make the world, in your judgement, a less bad place than it would have been if not fought, or, if fought, lost?
I note a confusion on my part between Britain and Britain plus all its allies. I’m not sure which I am asking about. Britain a lot, but actually all of them.
Underneath everything is a judgement, by the protagonists and by you, about what the Kaiser’s Germany was trying to do and would have tried to do in the event of victory, whether and to what extent it could have done it, and how bad that would have been.
Rather a lot of questions, I fear. I suggest you start by answering the one of them that you feel you now can already answer with the most confidence.
Blackadder link added. ("The poor old ostrich died for nothing.")
Patrick to me:
Wow, that’s a lot to be getting on with and it may require some research.
I promise to try to produce a decent answer to all that. Whether I succeed or not is another matter.
Me to Patrick:
PS Would you have any objection to me putting this exchange up at my personal blog?
Patrick to me:
Not at all.
My thanks to Patrick, both for the rather flattering exchange and for the permission to recycle it here. I do not regard Patrick as in any way obligated to me or to anyone to answer these questions, and I put them here partly for that reason. They strike me as interesting questions, whether he answers them or not.
No doubt others have answered such questions already, over the years. Another way of putting my questions would simply be to say: and what did these answers, over the years, consist of?
It seems to be believed by almost all Europeans now that WW1 was a disaster, that it did no good whatever. (WW2, in contrast, was a good war. Germany by then had gone totally bad, and WW2 put a stop to that bad Germany, albeit at further huge cost.) But what if one of the alternatives to the WW1 that actually happened might have been even worse? What if the disaster that was WW1 did actually accomplish something quite valuable? I’m not arguing that this is actually the case. I don’t know, and am simply asking.
Comments about these questions, or for that matter any proper comments, would be most welcome.
Click on TRUMP to get the Opera House.
This fantastically cost-effective piece of political signage reminds me of the stuff that Julian Lewis MP used do to CND demos in the eighties. They’d put however many hundred thousand pro-Soviet bodies on the street, and he’d put one big sign across the top of Whitehall for them all the walk under, saying something like: SOVIET STOOGES. His sign would get about half the news coverage. Drove them nuts.
Classical music making is mostly museum curation. Nothing wrong with that, because it is the best museum ever. But that is what it mostly is. Perhaps for this reason, it has long been speculated that classical music would soon stop being re-performed or re-recorded. But there seems to be little sign of this happening.
Here, to illustrate the non-demise of classical music making, is a list of currently performing pianists. It was rather hastily compiled. Perhaps some of those listed have retired. Some may even have died. And there are surely many omissions, including, quite possibly, some major omissions, including, for instance people who I am assuming to be retired or dead who are nothing of the kind.
Also, there must be a huge number of Asian pianists who are very, very good, but who I have simply not noticed the existence of. I live in London, and this list surely reflects that, both with its inclusions and its exclusions.
The number at the end of each clutch is simply me counting how many there are starting with each letter, thereby making it easier for me to count the total. It came to: 175.
Depending on how you determine inclusion or exclusion, the list could be far longer. I went for things like: Have I personally heard of them? Have they done recent recording? Are they hailed as good by classical music critics? Do I personally like their playing?
I seriously doubt whether there have ever before been as many pianists roaming the earth, performing this amazing music, mostly by dead people.
So, here we go:
Pierre-Laurent Aimard - Dimitri Alexeev - Piotr Anderszewski - Leif Ove Andsnes - Nicholas Angelich - Martha Argerich - Vladimir Ashkenazy - Yulianna Avdeeva - (8)
Sergei Babayan - Andrea Bacchetti - Daniel Barenboim - Martin James Bartlett – Jean-Efflam-Bavouzet - Alessio Bax - Mark Bebbington - Markus Becker - Boris Berezovsky - Boris Berman - Michel Beroff - Kristian Bezuidenhout - Jonathan Biss - Christian Blackshaw - Rafal Blechacz - Frank Braley - Ronald Brautigam - Yefim Bronfman - Rudolf Buchbinder - Khatia Buniatishvili - (20)
Bertrand Chamayou - Frederic Chiu - Seong-Jin Cho - Arnaldo Cohen - Imogen Cooper - (5)
Alexandra Dariescu - Lise de la Salle - Jorg Demus - Jeremy Denk - Peter Donohoe - Barry Douglas - Danny Driver - Francois-Rene Duchable (8)
Severin von Eckardstein - Michael Endres - Karl Engel - (3)
Til Fellner - Vladimir Feltsman - Janina Fialkowska - Ingrid Fliter - David Fray - Nelson Freire - Benjamin Frith - (7)
Ivana Gavric - Alexander Gavrylyuk - Boris Giltberg - Havard Gimse - Bernd Glemser - Nelson Goerner - Anna Gourari - David Greilsammer - Helene Grimaud - Benjamin Grosvenor - Horacio Guitierrez - Francois-Frederic Guy - (12)
Marc-Andre Hamelin - Wolf Harden - Rustem Hayrouodinoff - Martin Helmchen - Angela Hewitt - Peter Hill - Ian Hobson - Stephen Hough - Leslie Howard - Ching-Yun Hu - Bruce Hungerford - (11)
Valentina Igoshina - Ivan Ilic - (2)
Peter Jablonski - Paul Jacobs - Ingrid Jakoby - Martin Jones - (3)
Cyprien Katsaris - Freddy Kempf - Kevin Kenner - Olga Kern - Evgeny Kissin - Mari Kodama - Pavel Kolesnikov - (7)
Piers Lane - Lang Lang - Dejan Lazic - Eric Le Sage - John Lenehan - Elizabeth Leonskaja - Igor Levit - Daniel Levy - Paul Lewis - Yundi Li - Jenny Lin - Jan Lisiecki - Valentina Lisitsa - Louis Lortie = Alexei Lubimov - Nikolai Lugansky - (16)
Joanna MacGregor - Alexander Madzar - Oleg Marshev - Denis Matsuev - Leon McCawley - Alexander Melnikov - Gabriela Montero - Joseph Moog - Vanessa Benelli Mosell - Olli Mustonen - (10)
Jon Nakamatsu - Eldar Nebolsin - Francesco Nikolosi - David Owen Norris - (4)
Noriko Ogawa - Garrick Ohlsson - Gerhard Oppitz - Christina Ortiz - Steven Osborne - Alice Sara Ott - (6)
Enrico Pace - Murray Perahia - Javier Perianes - Alfredo Perl - Maria Perrotta - Daniel-Ben Pienaar - Maria Joao Pires - Artur Pizarro - Jonathan Plowright - Awadagin Pratt - Menahem Pressler - Vassily Primakov - (12)
Beatrice Rana - James Rhodes - Pascal Roge - Alexander Romanovsky - Martin Roscoe - Michael Rudy - (6)
Fazil Say - Konstantin Scherbakov - Andras Schiff - Dimitris Sgouros - Howard Shelley - Grigory Sokolov - Andreas Staier - Kathryn Stott - Martin Stadtfeld - Yevgeny Sudbin - (10)
Alexandre Tharaud - Jean-Yves Thibaudet - Cedric Tiberghien - Sergio Tiempo - Geoffrey Tozer - Daniil Trifonov - Simon Trpceski - Noboyuki Tsujii - (9)
Mitsuko Uchida - Florian Uhlig - (2)
Nick Van Bloss - Denes Varjon - Stephan Vladar - Lars Vogt - Arcadi Volodos - (6)
Wiayin Wang - Yuja Wang - Ashley Wass - Llyr Williams - Ingolf Wunder - Klara Wurtz - (6)
Christian Zacharias - Krystian Zimmerman – (2)
That’s a lot of pianists. All the major items of the piano repertoire have each received numerous recordings, and they each get performed somewhere on earth about every other day, and in the case of the popular piano concertos, several times a day. It just refuses to stop. The classical audience keeps aging, and then dying, only to be replaced by more aging people, who also then die, and so it goes on.
Real comments here are very rare, so all real comments on this would be very welcome. But especially welcome would be comments informing me of major omissions to that list.
Here is what this was looking like. Lots of cranes. Lots of scaffolding. And big signs on the perimeter fence celebrating glorious moments in Spurs history:
2.1, in pleasing contrast to the masculinities of football and construction, a girly bus goes by.
3.2 features how the new stadium will look from above.
It will be entertaining to return in a couple of years time, to see how it all ends up looking.
In this report, you can see more pictures of progress, viewed from above.
At present Spurs seem to be doing rather well. Today, they drew with Man City, having been two goals adrift, which was a result, and they are in second place in the Premiership.
I had been expecting them to be doing rather badly just now, what with this new custom built headquarters being now under construction.