Brian Micklethwait's Blog
In which I continue to seek part time employment as the ruler of the world.Home
Alison Hendricks on Feline ephemera
A Cowardly Citizen on "In order to comply with Google's regulations ..."
Darren on The good done by the Apple Newton
Darren on Don't judge a new technology by its first stumbling steps
Michael Jennings on The good done by the Apple Newton
Brian Micklethwait on I think I may at last have found myself a sofa
Tatyana on I think I may at last have found myself a sofa
Katherine James on A new Morrisons is opening in Strutton Ground next Monday
Katherine James on 3D printed baby in the womb
Simon Gibbs on "In order to comply with Google's regulations ..."
Most recent entries
- Under Blackfriars Bridge
- Feline ephemera
- The good done by the Apple Newton
- 3D printed baby in the womb
- A new Morrisons is opening in Strutton Ground next Monday
- Ashes Lag recovery continues
- A Bitcoin vending machine and a Lego photographer (and a Lego Hawking)
- “In order to comply with Google’s regulations …”
- Blue wind
- Don’t judge a new technology by its first stumbling steps
- Me trying to tell Norman Foster and Richard Rogers apart
- I think I may at last have found myself a sofa
- The Met swoops on the Adams Family
- South Bank Architects?
- Colour photography
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6000 Miles from Civilisation
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Category archive: USA
From towards the end of this by Stephen Green:
Apple is one of the biggest users of batteries on the planet. Every iPhone, every iPad, every MacBook runs on battery power. Apple devices also tend to get the best battery bang for the size, compared to the competition. This is a company which understands better than probably any other on the planet how to make devices which conserve power while still producing best-in-class performance. If Apple wants to continue to improve, they should absolutely pursue every kind of energy source Cook believes might produce future improvement for Apple’s devices and for its customers. Will there be blind alleys and dead ends? Sure.
The Apple Newton was a dead-end device, but creating that product also resulted in the super-low-power ARM chips which run damn near every decent mobile device on the planet.
Interesting. I don’t know what an ARM chip is, but that sounds reasonable. I’m guessing the Apple Newton was one of those ideas where a whole lot of new things all had to work at once, and only some of them, like those ARM chips, did.
I once bought an Apple keyboard, but apart from that I can’t remember buying any Apple stuff. But, I am acutely aware of how much I have benefited from their activities, which caused everyone to do far better than they would have done otherwise.
From the Preface of Christopher Barnatt’s 3D Printing: The Next Industrial Revolution:
Within a decade or so, it is likely that a fair proportion of our new possessions will be printed on demand in a local factory, in a retail outlet, or on a personal 3D printer in our own home. Some objects may also be stored and transported in a digital format, before being retrieved from the Internet just as music, video and apps are downloaded today. While the required technology to allow this to happen is still in its infancy, 3D printing is developing very rapidly indeed. Some people may tell you that 3D printing is currently being overhyped and will have little impact on industrial practices and our personal lives. Yet these are the same kinds of individuals who once told us that the Internet was no more than a flash in the pan, that online shopping would have no impact on traditional retail, and that very few people would ever carry a phone in their pocket.
In 1939 the first TV sets to go on sale in the United States were showcased at the World Fair in New York. These early TVs cost between $200 and $600 (or about the same as an automobile), and had rather fuzzy, five inch, black-and-white screens. Most of those who attended the World Fair subsequently dismissed television as a fad that would never catch on. After all, how many people could reasonably be expected to spend a large proportion of their time staring at a tiny, flickering image?
The mistake made by those who dismissed television in 1939 was to judge a revolutionary technology on the basis of its earliest manifestation. Around 7S years later, those who claim 3D printing to be no more than hype are, I think, in danger of making exactly the same error.
I’m guessing that what I saw in Currys PC World, Tottenham Court Road, was the 3D Printer equivalent of those “rather fuzzy, five inch, black-and-white screens”, at the New York World Fair, the first stumbling steps.
I haven’t read much of this book yet, but I have already learned one excellent application of 3D printing, which is to print not the Thing itself, but the mold for making the Thing. You then make the Thing itself in the regular old way. Clever.
LATER: Here is Barnatt’s description of that last thing (p. 9):
A particularly promising application of 3D printing is in the direct production of molds, or else of master ‘patterns’ from which final molds can be taken. For example, as we shall see in the next chapter, ‘3D sand casting’ is increasingly being used to print molds into which molten metals are then directly poured to create final components. As explained by ExOne - a pioneer in the manufacture of 3D printers for this purpose - by 3D printing sand casting molds, total production time can be reduced by 70 per cent, with a greater accuracy achieved and more intricate molds created. In fact, using 3D sand casting, single part molds can be formed that would be impossible to make by packing sand around a pattern object that would then need to be removed before the mold was filled with molten metal.
Like I say, clever.
My scanner turned “molds” into “maids” throughout that piece of scanning. Not clever.
One of the things I did today was copy, from one TV hard disc to another, a documentary (fronted by Richard Hammond) about the D-Day fighting that took place on Omaha Beach.
One of the shots at the end of the programme looked a lot like this:
That is one of the photos at the bottom of this page.
I recall flying over the Normandy Beaches, on the way to the South of France. Later in the journey, I took snaps like this one, of the Millau Viaduct, but I don’t recall seeing anything like that cemetery.
I have my favourite bloggers. Mick Hartley, 6k and David Thompson being my most regular visitees. Two of these three (see those two links) often put up clips of their favourite bits of music, which I pretty much always ignore. Often, when confronted by other people’s favourite musical snippets, I already have music playing, on my separate music box which is nothing to do with my computer and which therefore works when I most need it, which is when my computer is not working.
I tend not to do stick up bits of my favourite sort of music, which is classical. Partly I’m lazy and am not very clever about putting up Youtube clips here. But I could put up lots of links (one follows below) to classical stuff. But, I tend not to. There are enough reasons for people to strike this blog off their weekly-read list or whatever, without me putting them off even more with bits of classical music.
Now, first off, I have no problem with bloggers posting whatever they like. Their gaff their rules. I put whatever I like (as in like to put) here, and they can put whatever they like to put at their places. But, am I the only one who almost always ignores music at other people’s blogs? Most of us like lots of random bits of pop music, old and new. In my case, there’s also a ton of classical classics I like a lot, and others also have their favourite genres that they know all about, adore some of and like a huge proportion of.
I mention this because, entirely for my own selfish reasons, I particularly want to be able to remind myself of this clip of someone called Yulianna Avdeeva playing Chopin, particularly well to my ear. And maybe that’s it. Bloggers use their blogs as personal filing cabinets, just as I do. They put up bits of music because they want always to be able to get hold of that bit quickly, and now they know they can. The readers can just wait for the next posting, and pick up where they left off. (That link, by the way, is to a bit of classical music at a blog that specialises in classical music. Quite often I do play the clips she features, because her kind of music is my kind of music. What I’m on about here is musical clips at blogs which are mostly about non-musical things.)
I think another point being made with these bits of music is the point I make with my occasional Friday cat blogging, which is that a lot of the appeal of blogging in particular and life in general is pure enjoyment. And music, perhaps more than any other art, and especially when no words are involved or in the case of the more upbeat and silly pop tracks, is all about pure enjoyment.
By the way, when I started writing this, I thought that David Thompson also featured occasional pop snippets. So I went looking for his latest pop snippet, but found that actually he does not do this, or not lately, hence no link to any music at his blog in the second sentence of this posting. But I did find this talk, by Greg Lukianoff, about the growing menace of the I-Am-Offended industry on American campuses. Quite long, but recommended.
SInce I started on this posting, Mick Hartley stuck up another pop clip. Again, I have not listened, and probably won’t ever.
In New York, when 432 Park Avenue has been built, the views from it, from 1271 feet up, will look like this.
The City of London is also known as the Square Mile, so I have cropped out the City with the automatic square tool in my photoshop clone.
The people who concocted this rather commonplace piece of visual extrapolation have assumed that there will be no outbursts of history to complicate the picture. This may be wrong, but it makes a nice change from a few years back, when people were faking up pictures of London under thirty feet of sea water. That kind of thing is not just not believed any more. It is not even being thought about any more. It never occurred to any of the people now spreading this story around, about London building lots of new towers, to mention Rising Sea Levels, Climate Chaos, etc. etc., blah blah blah.
This is often how big arguments are won and lost. In silence. The people talking tripe stop talking it. And the people who have been explaining why the tripe is the tripe that it is, and have been in the habit of denouncing it in loud voices, no longer have any tripe to denounce. So they also go quiet.
I just watched a tv show about hydrogen bombs. One of the things I never, until now, got around to finding out about was how hydrogen bombs work. What I had not realised was that hydrogen bombs include atom bombs inside them, to trigger the “hydrogen” bit.
Basically, they sick a stash of other stuff next to an atom bomb. When the atom bomb goes off, it turns the other stuff into an explosion that is even more spectacular than the original atom bomb explosion. I did not know this. Now I do. Tremble, world. Well no, I still couldn’t make a hydrogen bomb. But I now understand a bit better how others make them.
The funniest moment was when a bloke said that there comes a time when shoving more and more stuff next to the atom bomb to make a bigger and bigger hydrogen bomb stops being worth doing, because the blast is just so huge it disappears out of the earth’s atmosphere. This means, he said, that a bomb this big, when compared to a slightly smaller one, “does no good”.
You can just hear those bomber pilots, setting out for Dresden in 1945, saying: “Come on guys, let’s go do some more good.”
I like this, from David Byrne:
I’m not saying that the artist doesn’t put their feelings into it, or any part of their biography, but that there’s a lot of constraints and considerations and templates that they work with – unconscious decisions or constraints put upon them that guide what they’re going to do.
Otherwise, why didn’t people in the 14th century start writing full-blown operas with giant orchestras and whatever? These things just weren’t available to them. Our imaginations are constrained by all these other things — which is a good thing. There’s kind of a process of evolution that goes on where the creative part of you adapts to whatever circumstances are available to you. And if you decide you want to make pop songs, or whatever, there’s a format. You can push the boundaries pretty far, but it’s still a recognized thing. And if you’re going to do something at Lincoln Center, there’s a pretty prescribed set of things you are going to do. You can push that form, but kind of from inside the genre. So I guess I’m saying that a lot of creative decisions are kind of made for us, and the trick is then working creatively within those constraints.
Happy is the artist whose inner inclinations happen to fit perfectly with the artistic forms he is offered, with audiences as they are - or as he can easily make them.
And, happy is the artist whose artistic wishes are in alignment with his artistic talents.
It is constantly said that “if Mozart had been alive today” he would have done this or that, and in all cases: a lot. But maybe he would have done nothing. Maybe he would have turned away from music-making nowadays in disgust and contempt, or maybe just frustration that it could not be what he wanted it to be. We can never know.
Is this book … :
… the same book as this book?:
It turns out that they are the same book. Hannan:
But, are they precisely the same? I mean: same intro? Same preface? Any other small tinkerings? If the Yanks (maybe the Brits?) changed the damn title, what the hell else did they change?
I find this kind of thing intensely annoying. The whole point of reading something like a book, or watching something like a movie, is that you read (or watch) precisely the same object as everybody else. (This being one reason why I so particularly resent censorship. It prevents me, again and again, from seeing what others elsewhere are seeing.)
The best you can say about this muddle is that at least this/these book/books seem to be coming out at approximately the same time.
How we invented Freedom is nevertheless in the post.
Mark Steyn may be a grump about such things as the future of Western Civilisation, but he sure can write:
For much of last year, a standard trope of President Obama’s speechwriters was that there were certain things only government could do. “That’s how we built this country - together,” he declared. “We constructed railroads and highways, the Hoover Dam and the Golden Gate Bridge. We did those things together.” As some of us pointed out, for the cost of Obama’s 2009 stimulus bill alone, you could have built 1,567 Golden Gate Bridges - or one mega-Golden Gate Bridge stretching from Boston to just off the coast of Ireland. Yet there isn’t a single bridge, or a single dam (“You will never see another federal dam,” his assistant secretary of the interior assured an audience of environmentalists). Across the land, there was not a thing for doting network correspondents in hard hats to stand in front of and say, “Obama built this.”
Until now, that is. Obamacare is as close to a Hoover Dam as latter-day Big Government gets. Which is why its catastrophic launch is sobering even for those of us who’ve been saying for five years it would be a disaster. It’s as if at the ribbon-cutting the Hoover Dam cracked open and washed away the dignitaries; as if the Golden Gate Bridge was opened to traffic with its central span missing; as if Apollo 11 had taken off for the moon but landed on Newfoundland. Obama didn’t have to build a dam or a bridge or a spaceship, just a database and a website. This is his world, the guys he hangs with, the zeitgeist he surfs so dazzlingly, Apple and Google, apps and downloads. But his website’s a sclerotic dump, and the database is a hacker’s heaven, and all that’s left is the remorseless snail mail of millions and millions of cancellation letters.
And then it disappears behind a paywall. Which is to say a place where links probably don’t work for you. Which is why I never pay to get beyond paywalls. I pay for things I want. But paywalls, walls I cannot direct every single one of my readers through (in the event that they wish to be directed so), I do not want.
But, I’ll bet you anything, at least this paywall works properly.
I just left a comment at Samizdata, on this posting by Natalie Solent (who has been very productive there of late) about the lack of security of the ObamaCare website, and this Guardian story on the subject:
The insecurity of the site, probably incurable in less than several months (from what I’m reading), has always struck me (ever since I first read about it a week or two back) as the absolute worst thing about ObamaCare, though I admit it’s a crowded field. The Bad News letters from insurance companies at least put a number to how much money is now going to be screwed out of you, that Obama said (about forty times) you would not be screwed out of. But all that data lying around for any tech-savvy passer-by to grab means there’s no upper limit to what you just might lose, if you have anything whatsoever to do with this horrible horrible thing.
It took me years to trust Amazon with my bank details. Only when about half the world seemed to be signing up for that deal did I take the plunge, and I still fear that in some mysterious way I might one day regret this. I mean, what if Amazon gets taken over by greedy incompetents, skilled only at crookedness, of the sort now already running ObamaCare (and also “advising” people about it)? I know, there are safeguards in place, but my fear is, although small, real. My fear with Obamacare would now be big, and real. My attitude to ObamaCare would be (a) I want nothing – absolutely nothing – to do with it, and (b) If the President and his gang say I have to have something to do with it, then I hope the President and his gang rot in hell.
Obama, it seems to me, has been treated like a great many other bad black Americans. He has been cut a million miles of slack, never criticised, never taught any morals, and now suddenly, patience has run out and he faces a lynch mob of enraged citizens. He is going to get the political version of a life-time prison sentence, namely a place in the Presidential Hall of Infamy. (I know what you’re thinking: wishful thinking on my part. Maybe. But his friends are all abandoning him now. He surely now realises that he has screwed up big, and that there is no way back.)
Heinlein had things to say about this. If you are going to punish big later, then it is kinder to give your punishee some warning, with small punishments earlier, when he does small things wrong when younger. I’m not talking physical abuse here, just the odd harsh word when the kid does a bad thing. That way he learns, instead of being hit with the kitchen sink, out of the blue, when he turns 18 or 50 or whatever.
Yes, incoming from Rob Fisher:
I am fascinated about why old things look old. Certainly print quality is part of it. Change, too: the Heinz beans logo (which has never changed as far as I can tell) does not look old in the way that some of these logos do.
I’m guessing this is follow-up to what I said here about how photography used to make people from the past look overly solemn, and what Rob said there, in jest, about the past being all in black and white.
Mark Twain must surely have been a bit more merry, in general, than he looks in the photo of him there, now colorised but still very grim looking.
What a lot of the colorised photos look like is stills from “historical” Hollywood movies. You expect Brad Pitt, dressed in olden times clothes, to step forward at any moment.
As for the logos, it is noticeable (although this doesn’t apply to all of them) that in quite a few of them, there was a flurry of (often quite radical) changes in and/or up until the 1950s and 1960s, but somewhat less in the way of change since. Often the later changes (see for instance: VW) are mere polishing. It’s like they were trying to get it right, and then they do get it right and stuck with it. At first they didn’t know quite what a logo was for and what logos are. They they did know. That is reinforced by the Firefox logo, which started in 2002 and then did the one early change in 2003, and that’s it.
How has the internet affected logo design?
Incoming from Rob Fisher:
This is long, but Stallman is a very clear and precise speaker, so there is much understanding to be had here.
This being a YouTube performance from 2005, lasting 1 hour and 44 minutes.
Prominent opinionators don’t need to alert the world to the fact that some opinion they said or wrote is being attended to, a bit more than the world might otherwise have assumed. It’s rather like how heads of state don’t have to dress up in fancy uniforms with lots of medals attached to prove how important they are. Everyone already knows. Lesser persons, whose upward social motions either happen through their own continuing social climbing efforts or do not happen at all, cannot afford to be so tasteful and fastidious.
The Samizdata posting that the Quotulator quotulates from, which says that, in the Quotulator’s words, Obama is doing quite well at the things he cares about, was partly the result of something that my friend Alastair James said to me recently, to the effect that rather too many recent Samizdata postings consisted of someone saying something that everyone who reads and writes for or comments at Samizdata agrees with, and then lots of commenters saying: I agree. I agree.
Original (bigger and better) photo here.
This was a ship delivering these cranes to baltimore harbor. they had to go under the Bay Bridge at low tide with the bridge closed to traffic. It was a sight to see!