Brian Micklethwait's Blog
In which I continue to seek part time employment as the ruler of the world.Home
Andy on Aerobots
Rob Fisher on Is 2007 old enough?
Rob Fisher on The Leaning Stonehenge Tour Bus of Salisbury
Rob Fisher on Miniature photographic fakery
Michael Jennings on The Bayeux Tapestry – the ultimate horizontalised graphic
Michael Jennings on The Bayeux Tapestry – the ultimate horizontalised graphic
Brian Micklethwait on The Bayeux Tapestry – the ultimate horizontalised graphic
Rob Fisher on The Bayeux Tapestry – the ultimate horizontalised graphic
Rob Fisher on The Bayeux Tapestry – the ultimate horizontalised graphic
Sarren on Another place to look out over London from
Most recent entries
- AB mayhem
- At the top of the Monument - in 2012 and in 2007
- I said it twelve years ago
- Pete Comley talking about inflation on Friday February 27th
- Is 2007 old enough?
- January newspaper pages
- Drunkblogging a new London Big Thing
- Shadow photography (again)
- The Leaning Stonehenge Tour Bus of Salisbury
- Peter Thiel on striking a balance between optimism and pessimism and on how failure is overrated
- The Bayeux Tapestry small enough to fit in this blog
- True hearts and warm hands
- Photo-drones fighting in the Ukraine and a photo-drone above the new Apple headquarters building
- Exit Caesar
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6000 Miles from Civilisation
A Decent Muesli
Adventures in Capitalism
Alex Ross: The Rest Is Noise
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Burning Our Money
Chase me ladies, I'm in the cavalry
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Counting Cats in Zanzibar
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we make money not art
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Category archive: This blog
Spent the day writing half a talk about sport as a replacement for war, for Christian Michel. But, on the night (i.e. tonight), I just winged it. One of the better talks I’ve ever given, which admittedly isn’t saying much. And one of the most shambolically prepared. Now knackered and watching the Wildcard Playoff Highlights on C4. More considered content should follow, Real Soon Now.
The error messages have continued, so all I will do this evening is post this. Back home tomorrow evening, and I hope things work better there. The temptation to attempt another picture posting is huge, but I will resist.
No I won’t. That went so well, I’ll give it a go:
Like I said, see you tomorrow.
I have swapped one kind of computing confusion, too complicated even to describe, for another, and am now using a French keyboard, but telling the computer I am using that this keyboard is really British. This means various letters on the keyboard being in the wrong place, such as the Q and the A, which are where the A and the Q ought to be. There are other confusions, of a more serious sort.
This is a very peculiar experience for a touch typist like me, because it means that I can now only touch type. I cannot pause and go find the correct letters, because I do not know them, or not the ones that cause all the trouble. Only my fingers do.
So it is touch typing, or no typing at all.
Which is better than French typing, but still very imperfect, because some of the regular British things are things which my fingers are not that good at, most notably inverted commas, both single and double. This is why I said it is in the previous paragraph rather than abbreviating it, and why I am saying it is in this sentence, twice, without any inverted commas to indicate that I am quoting myself.
I seem to recall that faced with this dilemma on a previous French expedition, I had to make do with the computer recognising the French keyboard I was using as French, which meant switching As and Qs, etc. The alternative arrangement is somewhat better, but only somewhat.
Luckily my fingers know how to do two important things, neither of which are in the same place on these keyboards, namely commas, and full stops.
Another oddity is that the spellchecking in my blog input process demands that all words be recognisably French, and so underlines most words, because of them not being French, thus rendering itself inutile, and yes that is how you spell inutile. But, sorry about all the other spelling errors in this.
I am able to keep on posting each day, but it is proving tricky. So best to expect interruptions during the next few days. I have taken tons of photos, over the course of two cloudless days, but posting any of them is really complicated, and even telling which are the good ones is hard because the screen I am trying to use is too vague for me to tell properly.
To add to those woes, the text posting process has a bizarre quirk on this computer, or maybe it is with this mouse. Which is that the cursor is liable, without warning, to jump back several words, which makes touch typing as hard as it is usually easy. As soon as I get up any speed, I find that I am typing stuff in the wrong place, as I just did in the middle of the word “stuff” back there. Then it did it again. (Inverted commas are a struggle too.)
I guess it’s called home advantage. I have not now got it. So I am, as of now, more than usually definite about promising nothing, because nothing is what you may very well get until I am back home, and back enjoying home advantage.
For a few hours, from some time last night until around midday today, instead of getting BrianMicklethwaitDotCom, all you got, if your experience was the same as mine, was this:
Database Error: Unable to connect to your database. Your database appears to be turned off or the database connection settings in your config file are not correct. Please contact your hosting provider if the problem persists.
I couldn’t be telling you this if the above melancholy circumstance had not been corrected. Deepest thanks to The Guru, for his prompt attention to the matter.
Since I was attempting to post something last night, that means you got nothing yesterday. Trust me, your suffered far less than I did. I hope to be making it up today.
("Making it up”. What a strange expression. It means: doing a corrective favour. And it means: inventing it, even perhaps lying about it. And then there is also what women (and now some men) do to their faces, minus the “it”. Odd. Although I do see a connection between meaning two and meaning three, rude though it might be to point such a thing out. (And why make “up”? (See also “screw up” and “clean up”. (So this digressionary paragraph turned out relevant after all. (This is my record for the most consecutive close-bracket signs.)))))
From time to time I like to stick bits from books up here, usually quite short, but sometimes quite long.
With the short bits, there is no legal or moral problem. Fair use, etc. But with the longer bits, there might be a problem. Here’s how I operate. I put up whatever bit it is that I think deserves to be made much of, on the clear understanding that it might disappear at any moment. Because, if anyone associated with the book I have got my chosen bit from complains and says please remove it, I will do so, immediately.
Many might think that such persons would be being rather silly. I mean, what better way could there be to reach potential readers of the entire book in question than for readers of a blog, and a blog written by someone who already likes the book, to get to read a relatively small chunk of it? Win-win, surely. Because of course, I only put up big chunks of writing if I approve of what the chunks say.
But what if a publisher is trying to insist on the principle, that copyright damn well means what it says? Such a publisher might want to proclaim, and to be seen to proclaim, a no-tolerance attitude to the copying of bigger than small bits of any its books. Even if that particular book might be assisted by this particular recycled chunk being here, the larger principle might feel far more significant to the publisher. That principle being: If we allow this, where will it then stop?
And I get that. As I say, if any publisher or author did complain, for these kinds of reasons or for any other, then I would get it, and the bit from the book in question would at once vanish from this blog. So far, I’ve had no such complaints. Which could just be because they reckon this blog to be too insignificant to be worth risking a fight with. They wouldn’t have a fight, but they might have a rule about letting sleeping puppies, like this one, lie.
Whatever. All I am saying here is that if I put up a big bit of a book, and anyone connected to that big bit cries foul, then the big bit will immediately vanish from here, with no grumbling, or worse, self-righteous campaigning, attempts to mobilise other bloggers, etc. etc.
Think of all this as an example of Rule Utilitarianism. And I am myself a Rule Utilitarian. My libertarian beliefs are not the absurd claim that libertarianism is inscribed into the very physical fabric of the universe, an inherent fact of life itself, which we humans either recognise or fail to recognise, but which are there anyway. Tell that to the spider I just squashed into the pavement on my way home to write this. No, I like libertarianism because it works. Libertarianism is a set of basically fairly simply rules which all we humans either choose to live by or choose not to live by. If we choose to live by these rules, life is good, happy, comfortable and it gets better and better. If we don’t live by such rules, life goes to shit and stays there.
And here comes the Rule Utilitarian bit. Even if this particular bit of thieving, by the government or just by some bod like you or me, is very insignificant, and even if what the government or the bod like you or me wants to spend its or his or her ill-gotten gains on is wonderful, absolutely wonderful, my rule says: No. Not allowed. Don’t get into complicated discussions about just how little thieving is too little to be bothering about, or just how noble a noble project has to be for it to be noble enough to be financed by a spot of thieving, because that way lies the slippery slope we are now on, where the government gobbles up at least half of everything, to very little benefit for anyone other than itself. Stick to the rule. No thieving, no matter how petty its scale or how noble its supposed object.
So, I get Rule Utilitarianism. And if any publisher decides to inflict his Rule Utilitarianism, in the manner described above, upon me, I would get that, and act accordingly.
What got me wanting to spell all this out is that I have recently been reading Dominic Frisby’s excellent Bitcoin book, and I find myself wanting to put bits of it up here, quite longish bits. And in general, having just followed the link at the top of this and read some of them, I feel that postings of this sort are among the better things that I do here, and I want to do more of them. But, to all of the bits from books that will follow, I want to attach the above mentioned caveat about how the verbiage that follows may vanish without warning, and a link to this posting is the way to summarise what is going on in my head without me banging on for however many paragraphs there are here.
There I was, lying in the bath, listening to Radio 3. Some music had ended, and I was now being subjected to a programme which I do not usually listen to, called Words and Music. And I heard the actor Jim Broadbent saying these words, by Michel de Montaigne:
I take the first subject that chance offers. They are all equally good to me. And I never plan to develop them completely. For I do not see the whole of anything. (Nor do those who promise to show it to us.) Of a hundred members and faces that each thing has, I take one, sometimes only to lick it, sometimes to brush the surface, sometimes to pinch it to the bone. I give it a stab, not as wide, but as deep as I know how. And most often, I like to take them from some unaccustomed point of view. Scattering a word here, there another, samples separated from their context, dispersed, without a plan and without a promise, I am not bound to make something of them, or to adhere to them myself, without varying when I please, and giving myself up to doubt and uncertainty, and my ruling quality, which is ignorance.
Sounds like a blogger, doesn’t he? A blogger, that is to say, like me. Especially where he says “without a promise”. I keep saying that. Above all there is that “this is what it is and if you don’t like it you know just what you can do about it” vibe that so many bloggers give off. With Montaigne, we are arriving at that first moment in history when writing and publishing new stuff had become easy. Not as easy as it is when you blog, but a whole lot easier than it had been.
I transcribed the above quote from Broadbent’s reading of it. The punctuation is somewhat uncertain, and at one point assertively creative on my part. I added some brackets, around what is clearly a diversion from his main line of thought to which he immediately returns. It’s a sideswipe at others and it is then forgotten.
Such is the wonder that is the internet that I had little difficulty in tracking down the quote. It is near the beginning of Montaigne’s essay entitled “Of Democritus and Heraclitus”, in volume three of his essays.
The BBC used a more recent translation, which I much prefer the sound of, it being less antique and long-winded. And if Montaigne himself was also antique and long-winded, then I still prefer intelligibility to stylistic accuracy.
LATER: More about Montaigne, also emphasising the modern social media angle, here.
I sympathise with whoever wrote this:
West Brom can hardly believe their luck. Being denied a win at the death by Manchester United is one thing, but having teased a previously woeful Marouane Fellaini back to life must really does takes the biscuit.
“Must really does takes the biscuit.” I reckon he was choosing between, not two, but three different ways of saying what he was saying, but managed to combine all three.
This is the kind of mistake that can only happen with a computer. If you were merely writing, or typing with an old school typewriter, there is no way you would have put that.
When I perpetrate something like that, and I frequently do, and if I later spot the mistake, I then allow myself to correct it, no matter how long ago I made the mistake. Is this wrong? My blog, my rules.
A subsection of Sod’s Law states that whenever you mention someone else’s mistake in something you say on the www, you will make a similar sort of error yourself. If I do this in this posting, I will not correct my error, but will add something “LATER”, in which I identify my error.
Computers. New ways to screw things up.
I attended a talk this evening at Christian Michel’s about robots. The point was made the robot cars probably will be safer, but every once in a Blue Moon, there will be a truly spectacular disaster, of a sort impossible to perpetrate with old school cars.
Spent this evening (a) continuing to be ill (thanks for the kind comments), (b) reading a book, because (c) Godot was being built, again, in my kitchen.
This is being posted with Dawkins, because Godot is now not working. For the last fortnight Godot has been working, but not properly.
As for Godot working, properly, up to speed, all bells ringing, all whistles whistling, well, you know the answer to that.
I am still waiting.
LATER, The Guru photos progress:
Digital photography has, I believe, made a huge contribution not only to fun, but to the economy. So much of work is keeping track of what work you have done, and digital photography makes this far easier.
From early in the afternoon of Tuesday, yesterday, until early this morning, this blog was out of action. I couldn’t read it myself, let alone post anything:
The non-functioning of BrianMicklethwaitDotCom took out my emailing abilities as well. If anyone tried to email and got told to get stuffed, please try again - especially if it concerned the meeting at my home this coming Friday evening, at which Priya Dutta is going to speak about education.
I don’t suppose many people suffered much, but I did, because I didn’t know if and when BMDC was ever going to come back to life.
The problem was something to do with the internet provider (which has recently changed hands) for my Hoster. But spare a thought for Hoster. I wasn’t his only client ringing up in a state. He had lots of others doing the exact same thing. He told me that he will be changing his internet provider asap, but that he couldn’t do that until his internet provider came back on line and he was able to make the necessary arrangements.
Meanwhile, I really need to change how I do email.
More times like these. I have had a great deal too many and too much of these sorts of times lately.
Inevitably, in some of these cross-examinations, this blog came up, with me saying that I write here about whatever I feel like writing about, with very little thought for the interests of my readers. Cats on Fridays, general trivia, etc. I do Big Issues at Samizdata and trivia here. Blah blah.
However, an American lady friend, whom I had not met in quite a while and whom I was very pleased to meet again, told me that she quite liked my trivia stuff, and that she even read my postings about cricket (this being the most recent one). I thought that only I and Michael Jennings and Darren the Surrey Member were at all interested in those. It seems not.
I’m guessing that this interest on her part is partly actual interest, but also partly that a principle is at stake here. Which is: that the trivia that other people are interested in, but not you, is not actually an entirely trivial matter. Life is not only Big Issues. It is the small pleasures that give colour and texture and individuality to life. Watever matters, to someone, matters. Your opinion about what the Big Issues are should not be allowed to drive a tank or a government bureaucracy over my trivial pleasures.
So, her reading about the trivial pleasures of others is her asserting this Big Issue to herself, as well as maybe learning something about other little parts of the world, like the world of cricket (actually quite big of course, as I daresay are the worlds of embroidery and gardening and croquet and rap music and all the other little things in life that I don’t personally care about, other than to believe that tanks or government bureaucracies should not be driven over them).
Me being me, my way of asserting the importance of trivia, in general, to people, in general, is me writing about the trivia that interests me.
Her way of asserting the importance of trivia to people generally is her reading about the trivia that others write about. But we are both making the same point.
I don’t want to say that I have entirely described why my American lady friend likes to read what I write about cricket. I merely speculate that the above speculations might be a quite small part of why she does this.
(She, like me, probably also thinks that thinking about trivia can often lead to interesting angles on Big Issues, of the sort that merely looking straight at the Big Issues might cause you to miss. Pointless fun and truly original insight are often delightfully close neighbours, I think. But that’s a tangent for another time, hence this paragraph being in brackets.)
Blogging here will temporarily cease after this posting, and will resume at or about the middle of next week. I will be back. Have a good week.
Meanwhile, as a visual au revoir, here is another of the many photos I took last night, from that tiny little artificial urban mountain that is Stave Hill:
Through the gasometer in the foreground, we see the Dome of St Paul’s (attended by many cranes), the BT Tower, and on the left, with the spikey bobble on its top, the top of the Monument.
I tried to time my arrival at Stave Hill with the arrival of sunset, but got there far, far too early. So, I waited, and read a book. I hope you agree with me that it was worth the wait.
The are two photos which I took last Monday. The one with the bright blue sky, me looking up, was taken in Wigmore Street. The one looking down, was taken from the ME Hotel Radio Rooftop Bar.
They are photos not so much of roof clutter, as of roofs, roof in all their elaborately designed glory. But, you can spot the late twentieth century incursions:
The aesthetic impact of radio and television aerials does not seem to be much discussed in the architectural world. It could be that it has, and I merely haven’t noticed, but I don’t think that’s it.
Here is what I think is going on inside the heads of architectural aestheticians, on this subject. The deal we will make with you mindless philistines is: you can have your damn aerials, because we know that if you are not allowed, by us, to have your damn aerials, you will hunt us down and burn us at the stake. But, we refuse to talk about them. We will not incorporate them into our aesthetic theories of how things look, and should look. We will not see them.
Which is how we got from the above scenario, where everything on the roof is elaborately designed, but the first few aerials have crept into the pictures, but have not been seen by the architects and their aesethetic guides, to this:
Yet still, they don’t see it and they don’t talk about it.
Really, really weird.
I’ve been pondering roof clutter for a while now, but the more I ponder it, the more weird the phenomenon is.
What this reminds me of is a distinction that my sociology teachers at Essex University all those years ago made much of, that between the sacred and the profane. The sacred stuff here is the regular “architecture”, the walls, the windows, the roofs, the interiors, and so on. All of that is sacred, and is accordingly obsessed over, every tiny square inch of it, every subtle colour change, just as priests obsess about every word in a prayer.
But those aerials are profane. They don’t register. They aren’t architecture, any more than a tracksuit worn by a impoverished member of the congregation in a church is a sacred vestment, the details of which must be argued about by bishops and theologians, or the sales pitch being done over the phone on Monday morning (by someone who had been devoutly praying on Sunday) is itself a prayer. That sales pitch is profane. Forget about it. Don’t even think about it.
Those aerials, in among the sacredness of all those designed chimneys and roofs and little towers, are profane. And hence invisible. Aerials are designed, by aerial designers, to make sense of radio waves. But they are not designed to be looked at. They are a pure case of form following function. Architects ought to love them, if they believed their prayers. But they don’t because what is there for architects to add? Nothing. The job has all been done, by profane aerial designers.
Well, I don’t know. I’m thinking as I go along here, but writing it anyway. Which is all part of why I have this blog. At this blog, I am allowed to be wrong. This is a thinking allowed zone, you might say, a place where the thinking does not have to be done before the blogging begins. This is, you might say, a profane blog.
I just came across this video, here, again, which has had many hits on Youtube. Like millions of others, I like it a lot. It’s Louis C.K., complaining about people who complain about modern life and all its wondrous new gadgetry. I was going to stick the video here, but it wouldn’t fit. (Anyone know how to make it 500 wide instead of 560? Maybe I should redesign my blog wider.) But follow that link and scroll down a bit to where it says: “- it’s very funny”; and then, in white on black at the top of the video: “+Everthing’s+Amazing+ +Nobody’s+Happy”. And then click and enjoy.
Part of why improved gadgets don’t automatically make us happy is that everyone gets to have a go on them, but what really makes a lot of us happy is improved relative status. New gadgets create a different world, in which we may as likely as not be demoted in status, below others who understand the new gadgets better.
There is also the particular genius of the gadgeteers to be considered, compared to our own ungenii. New gadgets can make many of us feel like savages, out of our depth in a world of wonders, less capable (because utterly incapable of producing such a wondrous gadget), rather than more capable (through possessing the gadget).
In the article linked to, there is speculation that old people are more easily pleased, by things. I certainly enjoy digital photography, as all regulars here will know, and you obviously enjoy that or you’d not be a regular. I also enjoy typing verbiage into my magic machine and this magic blog. Perhaps a reason why these things please me so much is that I am old, and had been waiting for such things to be possible for such a very, very long time. For decades, I fretted about my inability to make pictures without fuss and write stuff without fuss, and show both to other people whenever I felt like it, again without fuss. Now I can do these things. Any envy I feel towards the people who contrived these wonder is dwarfed by the pleasure I get in doing these things, finally. I know, I’ve been showing off my pictures and babbling away at various blogs for well over a decade. But like I say, I’m old, and more than a decade is nothing to how long I spent waiting for these things to be possible, all the while not even knowing if they ever would be. I had become used to knowing that these things might never happen, which means that I still can’t quite believe that they have happened, which means that they still make me happy.
So this is me trying to post this. I just wrote a posting about something else, but it refuses to register all the text. So, will it register this text? This posting may be your lot for today, I’m afraid.
Well, this seems to be working. So why not the earlier posting, which actually said something?
LATER: Problem (sort of) solved, for the posting you see above is now visible, above. I had omitted an ”< / a >“, which signifies the end of a link, so the link went on for ever, and immediately after that for ever link I tried to include that rather big picture. This was too much for the system and it just refused to register any of the text as having any sort of future on the blog itself, even though it was still all there.
And now I’m not sure that ”< / a >“ will come out, so now this posting may degenerate into chaos. It has. I had to rewrite it as ”< / a >“ with lots of unnecessary gaps, for it to show up at all.