Brian Micklethwait's Blog
In which I continue to seek part time employment as the ruler of the world.Home
Brian Micklethwait on Miguel aligns his message with his van
Natalie Solent on Miguel aligns his message with his van
Brian Micklethwait on Tate Modern is now fighting with its neighbours about privacy
Michael Jennings on Cyclists
Michael Jennings on Tate Modern is now fighting with its neighbours about privacy
Brian Micklethwait on Tate Modern is now fighting with its neighbours about privacy
Michael Jennings on Tate Modern is now fighting with its neighbours about privacy
Patrick Crozier on Cyclists
Brian Micklethwait on M20 bridge destroyed by passing digger
rob on M20 bridge destroyed by passing digger
Most recent entries
- 240 Blackfriars behind some reinforced concrete that is being demolished
- John Croft: Composition is not research
- The cuddly killer
- Strand Palace Hotel footbridge
- Harley Davidson - woman playing gramophone records
- Wooden Citroens and black baby dolls
- Brittany lighthouses
- Citroen correction
- When the people are the Art
- Ghost Bus
- Cats don’t smile
- Just the top of the BOT … but still instantly recognisable
- How Brexit has unified the Conservative Party
- Six dials at Seven Dials
- Miguel aligns his message with his van
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6000 Miles from Civilisation
A Decent Muesli
Adventures in Capitalism
Alex Ross: The Rest Is Noise
Another Food Blog
Antoine Clarke's Election Watch
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Burning Our Money
Chase me ladies, I'm in the cavalry
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Conservative Party Reptile
Counting Cats in Zanzibar
Deleted by tomorrow
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Everything I Say is Right
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From The Barrel of a Gun
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Here Comes Everybody
Hit & Run
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Laissez Faire Books
Last of the Few
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Lib on the United Kingdom
Little Man, What Now?
Loic Le Meur Blog
L'Ombre de l'Olivier
London Daily Photo
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Michael J. Totten's Middle East Journal
More Than Mind Games
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My Boyfriend Is A Twat
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Nation of Shopkeepers
Never Trust a Hippy
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we make money not art
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Category archive: Middle East and Islam
I continue to photo London’s black cabs and their adverts, particularly when they are entirely not black, because of being covered in a big taxi-shaped advert.
Here, for instance, is an unblack cab that particularly caught my eye, in Oxford street around a week ago:
What strikes me about this image …:
… (and oh look, I managed to save the picture without all the website verbiage on top of it), is that London looks … well, see the title of this.
The way the website puts a logo of Principal Tower in the middle of that picture makes it look like Principal Tower is right in the middle of all this foggy drama. Actually it’s way off to the left, near Broadgate Tower, beyond Liverpool Street Station.
As for this looking like Dubai, I have in mind pictures of Dubai that look like this:
I guess there’s something rather appealing about the idea of living in a magic tower which just hovers in the sky, with all that mess below blotted out. Unless you need to nip out to do some shopping.
New, big and impressive bridges have been somewhat rare here, recently. All the great bridges of my time seem to have been done at least a decade ago, or of course longer ago. Very recently, not so much. Financial crisis, I guess. Not so much “infrastructure”.
But, feast your eyes on this (that being a link to a recent posting about it at Dezeen):
Click on that to get it bigger.
The Guardian has more:
Tabiat ("nature") bridge, the largest of its kind in Iran, was architect Leila Araghian’s first project. She designed it five years ago while a student, winning a local competition for a plan to connect two parks separated by a highway in north Tehran.
It was built over two years and was unveiled in late 2014 by Tehran’s mayor, Mohammad Bagher Ghalibaf. It has since become a popular place for hangouts and morning sports. Last month, as Iranians celebrated an ancient festival of outdoor picnicking, thousands flocked to the bridge.
“I didn’t want it to be just a bridge which people would use to get from one park to another,” said Araghian, who is now 31. “I wanted it to be a place for people to stay and ponder, not simply pass.”
Built on three large pillars, the 270-metre curved structure has broad entrances, multiple pathways and three floors of restaurants and cafes and sitting areas. It was recently named among the winners of the Architizer A+ awards, a global architectural competition based in New York.
I love it when bridges are not just things to go across, but places to be in. London used to have a great example of such a bridge. It should again.
Nothing much here today, but I just did three Samizdata postings today and yesterday:
I have always felt that the fascination with cat photos that has engulfed the internet was somehow more important than just being a matter of cat photos, engulfing the internet. Now it seems that cat photos are a threat to Islam, and must be forbidden. For me, cats means pure fun. No purpose is served. Other than the purpose (purr-puss) of having fun. And it seems that there is this crazy Sheikh who also thinks that photoing cats is pure fun also, and that this is why photoing cats should be forbidden. For him, I guess, fun is never pure. Quite the opposite.
I keep wanting to write about music, but (a) it isn’t easy, unless both you and your readers know all the technical terms of your preferred sort of music. And (b) whereas words go fine with music, words about music, especially if they are attempting to be descriptive of a particular piece of music, can be devilishly hard to contrive in a way that is comprehensible without being banal and superficial and generalised.
A specialist blog or website devoted to a particular sort of music, with musical illustrations supplied to click on rather than only descriptive verbiage, whose writer(s) and readers are united by their taste in that particular sort of music, that makes perfect sense to me. I don’t read any such blogs, but it makes sense. I do read old school paper magazines (I see that there is a new one of those out that I’ve not yet seen) exactly like this. But a blog about other things which from time to time goes musical, not so much. I have no problem at all with my favourite bloggers (6k and Mick Hartley spring to mind) doing postings every so often about music that they happen particularly to like. Their gaffs, their rules. But I mostly skip such postings. I possess a lifetime and more of music in the form of a vast CD collection that I already want to listen to.
So, I do not wish myself merely to do postings about bits of music that I happen to like, hoping - implicitly or explicitly - that others will be infected with my tastes. I love Western classical music more than life itself, often a lot more. But most people don’t these days, and that’s fine with me. If I thought that western classical music was about to be completely expunged from the earth any time soon, I might feel differently about trying to infect others with the love of it, but it isn’t. Meanwhile, this music is, for me, mostly a personal thing. It is not an evangelical religion. If I meet a fellow devotee, we exchange enthusiastic exclamations of love for this or that piece or performance, but I mostly refrain from inflicting such True Believer talk on non-believers.
I am evangelical and anti-evangelical about some things. If you are not a libertarian, I want that to change. You should become a libertarian forthwith. If you are a Muslim, I want you to know, now, that I think you should stop being a Muslim, now. But if you hate Beethoven and adore hip-hop, that’s fine with me, so long as you have no plans forcibly to stop me listening to Beethoven or to force me to listen to hip-hop. If you merely want me to adore hip-hop, or even to stop adoring Beethoven, again, fine. Just so long as you don’t recommend the use of sticks or stones to make those points. Insofar as you do, then shame on you. But exactly the same point applies to people who force Beethoven upon those who resist Beethoven’s charms. I am evangelical about that sort of behaviour also. Are you threatening others with Beethoven? Stop doing that, now. Do you favour such behaviour by others. Don’t even think that.
However, more general postings about music (this one being an example) about the different ways we listen to it and enjoy it, how love of music spreads or should spread (that is what this posting has partly been about), about how those who contrive it contrive it, and so on, of the sort that all music lovers can read and tune into, even as they are hearing in their own heads quite distinct musical illustrations concerning whatever is being said, that makes more sense to me, and - memo to self - I want to do more of such postings here.
The rise and (I now fondly hope) fall of Donald Trump continues to fascinate.
This bloke says it very well, I think:
Trump is powerfully illustrating the fraud at the core of his case for the nomination. He claims that because he is a successful businessman he would be much more adept than conventional politicians at mastering the intricacies of problems and processes. He will, he brags, figure out how to deal with challenges in a way that maximizes American interests, assembling the best, most competent people to execute his plans of action. As a result, we are told, American will “win, win, win” with such numbing regularity that we will be bored to tears by all the success.
But look what is happening. The process of choosing a Republican nominee for president, while far from simple, is not as complicated as many of the challenges that cross an American president’s desk. There are, moreover, countless experienced hands who know how the process works and how to build an organization nimble enough to navigate the array of primaries (open and closed), caucuses, party meetings, varying delegate-allocation formulas, etc., exploiting or mitigating the advantages and disadvantages these present for different kinds of candidates. Yet, Trump has been out-organized, out-smarted, and out-worked by the competition – in particular, Ted Cruz, whom I support.
Trump is not being cheated. Everyone is playing by the same rules, which were available to every campaign well in advance. Trump simply is not as good at converting knowledge into success – notwithstanding the centrality of this talent to his candidacy. Perhaps this is because he is singularly good at generating free publicity (and consequently minimizing the publicity available to his rivals). Maybe he underestimated the importance of building a competent, experienced campaign organization. But he can hardly acknowledge this because it is a colossal error of judgment – and his purportedly peerless judgment is the selling point of his campaign.
My first reaction to Trump was guilty pleasure, and the belief that he would win. Now it looks like he won’t win. Now it looks as though he has done America the huge favour of (a) destroying everyone in the Republican race except the man I support, Cruz, and then (b) showing himself to be unfit to run for President, let alone win, which means that Cruz could now be President, if he can beat Hillary Clinton (or whoever). Would Cruz now have such a good chance of becoming President without Trump having flailed about like a wrecking ball, wrecking everyone except Cruz?
It is said that Cruz is a Bible Thumper. (Trump worships only himself.) But for me, frankly, Bible thumping just now is a feature rather than a bug. I reckon the Western World could damn well do with a bit more Bible thumping than it has been doing of late.
Yes, I’m talking about Islam. The rich Christians right now are turning poorer Christian’s cheeks a hell of a lot too much at the moment.
On that subject, I also recommend this posting at Mick Hartley’s, where MH has this to say:
What I’d like to see is more robust criticism of Islam itself. Given the role Islam now plays globally in ISIS, Boko Haram, al-Qaeda; its insistence that the Koran is the immutable word of Allah; its general refusal to accommodate to the modern liberal scientific world; its misogyny; its violence, this shouldn’t prove to be that difficult. What stands in the way - apart from lack of courage - is that this comes at a particular post-colonial moment in history when we in the West seem to have lost confidence in our own liberal secular tradition.
There is also, perhaps more importantly, a general confusion about a belief and the people who hold that belief, which is perfectly exemplified in the term “Islamophobia”.
It’s a key part of our secular culture that we distinguish between the person and their opinions and beliefs. I think we inherit this to some extent from our Christian tradition - freedom of conscience, “love the sinner, hate the sin”, and all that - but however it was arrived at, it’s a key enlightenment concept that underpins our sense of justice and our sense of democracy. So we should be quite comfortable criticising Islam while maintaining a proper respect for individual Muslims. ...
Or: Spoughts thoughts? You choose.
Sport (spought) has been good to me of late. Last summer, England won the Ashes. My local cricket team, Surrey, got promoted to division one, and also got to the final of the fifty overs county knock-out tournament. England then defeated South Africa in South Africa. England (a different England but still England) won the Six Nations rugby Grand Slam. And now (back to cricket again) England have got to the last four of the twenty overs slog competition, alongside the Windies, India and New Zealand. Few expect England to win this. But then, few expected England to get to the last four. No South Africa (beaten amazingly by England). No Australia (beaten today by India (aka Virat Kholi)). No Pakistan or Sri Lanka. But: England still involved.
Concerning the Grand Slam, the best thing about it was England winning all its games, but otherwise it was … a bit crap. The recently concluded World Cup, in which England did rather less well loomed too large over it. The World Cup featured no Six Nations sides in its last four, and when watching our local lads stressing and straining against each other you couldn’t help (a) thinking that the Southern Hemispherians would murder them, and (b) that a lot of the best Six Nations players seemed to be Southern Hemispherians themselves. I mean, what kind of rugby world are we living in when the most threatening French back is called Scott Spedding and was born in Krugersdorp, South Africa?
The Six Nations was worth it just to hear Jonathan Davies, a man whose commentating I have had reason to criticise in the past, say that a certain game is “crucial”, and that Wales have “matured”:
As for the twenty-twenty slogfest now in full slog, well, I have been rooting for England (England’s best batsman being a bloke called Root), but also for Afghanistan. You might think that as a devout anti-Islamist, which I definitely am, I would be rooting for the Muslim teams to lose. But actually, I think sport is one of the leading antidotes to Islamo-nuttery, and it is my understanding that the Islamo-nutters regard sport and sports-nuttery not as an expression of Islamo-nuttery, but rather, as a threat to it. Sports nuttery ultimately causes fellowship with the infidels rather than hatred of them, underneath all the youthful antagonisms which it does indeed inflame. It’s hard not to get pally with people when you play or follow games with them and against them, especially as you get older, and remember previous hostilities with fondness rather than anger.
So, in short: go Afghanistan! The Afghanistan twenty-twenty cricket team, I mean. Afghanistan gave England a hell of a fright and nearly beat them. And yesterday, they actually did beat the West Indies, even though it didn’t count for so much because the Windies had already got through to the semis and the Afghans would be going home now no matter what. But, even so, beating the Windies was a big deal, and the cricket world will have noticed, big time.
Here is Cricinfo, at the moment of Afghan triumph:
I love it when a T20 game really boils up, and they put “dot ball” in bold letters, the way they usually only write “OUT” and “FOUR” and “SIX” and “dropped”, or, as in this case, “an amazing, brave, brilliant running catch!”
And soon after that climax to the game, came this:
Chris Gayle is quite a character. Having scored a brilliant century against England that won the Windies that match and put England in the position of having to win everything from then on, his commitment to the West Indian cause is not in doubt, as it might have been had he celebrated like this with the Afghans without having done any other notable things in this tournament. He has quarrelled with West Indian cricket bureaucrats over the years, and has definitely seemed to have like playing for the Bangalore Royal Challengers more than for the West Indies.
His demeanour after today’s Afghan game is in sharp contrast to his lordly impassivity after taking the wicket of David Miller of South Africa, which reduced South Africa to 47-5, a predicament from which they failed to recover
One of the delights of virtually following this tournament is that it has been possible to watch little videos of dramatic moments, like the one of Gayle taking this wicket and then not celebrating very much. The graphic additions to this posting are merely screen captures. Clicking on them accomplishes nothing. But if you go to the original commentary from which I took my graphics, you can click on the little black video prompts, and get a little video of the drama just described.
Also: Happy Easter.
For me the interesting stuff is about why they may not be falling quite so often in the future:
We’ve already reached the next step in safety. Crane manufacturers are now trying to build in new automatic features to keep disaster from striking their equipment. Modern-day mobile cranes have load moment indicators that, when they are properly programmed, act as limit switches. These switches limit operators from moving loads deemed too heavy for the crane. The high-flying tower cranes have controls to limit loads in various places on the hoist line, depending on the function of the crane at any given point.
Tower and mobile cranes now can come equipped with video cameras to show views of the loads and work zones in the operator cab - the newest cranes include this technology in “head-up displays” that require no looking down to see the images - to manage blind lifts. Additionally, crane operators can expect to use anti-collision systems to stop a crane from moving outside its engineered zone.
The most recent crane malfunction I can find having happened in London was this one, in Ealing. Nobody hurt.
Different story altogether when a crane recently fell over in Mecca. Death toll: 107.
This prang, on the other hand, was not a crane collapsing, rather was it driven into by a helicopter. Ever since that happened, in January 2013, London’s construction cranes have all had bright red lights on the top of them. Gives a whole new meaning to the phrase “red light district”:
Those cranes are across the river from me, photoed by me last November. Not the best photo you’ve ever seen, but it does the job of showing you what I’m talking about.
I did a posting at Samizdata in 2012, about a trip I made to One New Change, but I don’t believe I ever displayed this photo, which I took soon after visiting the top of that excellent venue:
It is quite clear that this is a drycleaners. Its name, alas, is not, in my photo, quite so clear.
Photo of this enterprise taken without my deliberate and rather malicious mistake here.
I have just got back from a party at Mchael J’s, having failed to do anything here before departing to it, and this was all I could manage.
But, I can add this. During that party Michael said, while travel-talking about the Middle East:
The thing you have to remember about that part of the world is that Hezbollah are the good guys.
I think he was talking about Syria, but I could be wrong. It was a good party.
Perry de Havilland also said something else very funny, but I have forgotten what it was. It was a good party.
Good night. Sleep well. I will.
I see that of Counting Cats, in the person of Julie near Chicago, recently linked to a piece by the late Antony Flew entitled The Terrors of Islam, a piece which I had totally forgotten about. But I am sure that this piece influenced me very strongly when I read it. And I definitely did read it because I published it, for the Libertarian Alliance (Chris Tame Tendency).
It always pleases me hugely when someone links to an old LA effort of mine like this. Not exclusively mine, you understand. Somebody else had to write it. But … mine. And this particular piece of Flew’s is downright prophetic.
Counting Cats had a strange outbreak of junk postings about fake university essays a week or two back but seems to be over it now.
How much you learn from something that you just read depends not only on what it says, but on what you knew before you read it. And for me, this short paragraph cleared up several big blurs in my knowledge of Olden Times:
The new technique of fighting which had won the battle of Hastings for the Normans was also adopted in England; instead of standing or riding and hurling the lance overarm, these new warriors, the knights, charged on horseback with the lance tucked beneath the arm, so that the weight of both horse and rider was behind the blow and the weapon was reusable. Though it required discipline and training, giving rise to the birth of tournaments and the cult of chivalry, a charge by massed ranks of knights with their lances couched in this way was irresistible. Anna Comnena, the Byzantine princess who witnessed its devastating effect during the First Crusade, claimed that it could ‘make a hole in the wall of Babylon’.
That’s from the second page (page 8) of the first chapter of Agincourt, by Juliet Barket.
That bit in school history where they explained what a knight was and what knights did and how the knights did it … well, I missed it. And ever since, everyone talking about such things has assumed that I knew it very clearly, when I didn’t. It’s so obvious. How would someone like me not know it?
Oh, I sort of knew it, from having seen a hundred films where film actors did this, in film battles and in film tournaments. But I had not realised that it was a military innovation like the phalanx or gunpowder or the tank or the airplane or the atom bomb. I had not properly realised that the essence of Knighthood was collective action rather than mere individual virtue, the point being that it was the former which required the latter. And I had not realised that it was what won the Battle of Hastings. Or, even more interestingly, I had not realised that it was what won the First Crusade. (After which, I’m guessing that the Muslims then copied it.
Medieval society did not give rise to Knights. The Knights technique of fighting gave rise to Medieval society.
I remember reading Tom Holland’s Millennium, and being presented right at the end with the result of the First Crusade, without there having been any mention (that I recall) of how a European military innovation was what won it. (That doesn’t mean Holland does not mention this, merely that I don’t remember him mentioning it.)
So, at the heart of the European years between Hastings (1066) and Agincourt (1415 (when I now suppose the Knights to have met their nemesis in the form of the next big military innovation, the Archers (hence the picture on the front of Agincourt))) was a technique of fighting. Like I say, I sort of knew this, but have never before isolated this fact in my head, as a Big Fact. Instead, I have spent my whole life being rather confused about this Big Fact, reading a thousand things where the Big Fact was assumed, but never actually explained.
Why did I not correct this confusion decades ago? Because, not knowing it properly, I had not realised what a huge confusion it was.
More and more, I find myself interested in not only architecture but vehicles. Time was when I would always wait for vehicles to move out of the way, while I took photos of more properly photographic things, like buildings. But vehicles are also interesting. It is interesting, for instance, that most of the photographers I like to observe still regard vehicles only as an aesthetic interruption, rather than as being worthy of aesthetic reflection in their own right.
A particular category of vehicle I have recently been hoovering up with my Lumix FZ200 is “black cabs that aren’t actually black”. I chose this particular specimen because this is Friday and there is a big cat involved:
For Londoners, it’s an obvious fact, a fact not worth discussing, that whereas many black cabs are indeed black, many are not. But how many of those unfortunates who do not live in London, or who do not even visit London regularly, or who may never have visited London, know that black cabs aren’t necessarily black? Such persons may be interested by this, to them, unobvious fact.
Okay, not so very interesting, especially if you are a Londoner. But what do you make of this car?:
I photoed that soon after photoing the bald selfie stick guy in this earlier posting.
As it sped away I took another photo of this car, which was very blurry but which did just about tell me what its very distinct number plate was. And I can definitely tell you that the car is this car. It’s an example of something called “car wrapping”, whatever that may be. Comments anyone?
Even weirder is this car, which I photoed yesterday afternoon, in Victoria Street, soon after photoing the taxi in picture number one above:
What on earth is that? The www told me nothing.
I note that this weirdmobile has a distinctly Middle Eastern flavour to it, including what looked (in other blurrier pictures) like quite a lot of Middle Eastern writing on it, in among the English verbiage. But what it all means, or what kind of service is being sold or publicised, I have no idea. Again: can anyone tell me more?
Last Friday was another of those first days of Spring, which are coming thick and fast now. Spring has very nearly sprung, in other words. So, I was out on Westminster Bridge photoing the tourists and their cameras like it was 2006. Here are my favourites:
I’ve always been fond of the baglady look, and we see two more examples of the genre there.
For some reason, I feel that a photo of someone holding up a Cool Britannia bag is a lot cooler than a Cool Britannia bag. And the other baglady, dressed as David Hockney, looks really good in front of all that appetising verbiage, on the food kiosk next to Westminster Bridge at the Parliament end, right near where this photo was also taken. A favourite spot.
As for the lady in black, I’m not sure whether was actually photoing. Maybe she was just checking text messages. I hope she is having a good life. Here is a recent reminder that burqas can be bad news for those who wear them.
As for the group self-photoing themselves with a selfie stick, it really is time that I gathered up all the selfie-stick photos I’ve taken lately, and posted a group of them here. (But, I promise nothing.)
The selfie-stick is the latest photoing device to incur the wrath of all of those people who divert themselves by getting wrathful about the newly acquired habits of others, especially when those habits involve photography, and especially when they involve self-photography. The last such fuss involved using tablets to take photos.
Although, it seems that selfie sticks have been around for a bit longer than you might think.
Today I decided that I would like to do one of those “A Year In …” postings, at the end of this year, featuring newspaper front pages, one for each month. Everything hinged on whether I’d happened already to have taken any pictures of front pages during January.
And, I had. These front pages:
And I expanded the picture, and scrolled across. Tax demands. Some NHS politics ruckus. Snow warning. Something to do with racing, which anyway is not properly visible. Yawn yawn yawn yawn. And then there’s that “Big D”. I still don’t know what “Big D” stands for. It’s incomprehensible. But look at this subheading:
That’ll do. The rest will have to be rather better, helping readers to remember big stories of the year, but this little story will do for starters. The project survives.
A rather more serious newspaper page which I also photoed in January, not a front page but it got my attention, was this, from the Evening Standard of January 21st:
Latest news about that:
Badawi is serving 10 years in prison, and has also been sentenced to 1,000 lashes for blog posts criticizing Saudi Arabia’s clerics.
The first 50 lashes were delivered on Jan. 9 and Amnesty said he’s had none since then.
His detention and sentence have stirred up worldwide condemnation.
Amnesty being one of the chief stirrers. Good for Amnesty.
“Insulting Islam” is what Badawi has been convicted of. Carry on handing out punishments like that for “crimes” like that, and the “insults” hurled at the evil monstrosity that is Islam can only grow in volume.
Islam. The bad stuff in it is bad. And the supposedly good stuff in it only helps the bad stuff to go on doing bad, which means that the “good” stuff is bad also.
Here, as promised, is a big clutch of photos of signs that I took at the Trafalgar Square demo yesterday. If you want to, click on a square to get the original photo. The squares have, in quite a few cases been fiddled out with to make them a bit clearer, but the originals you’ll get to with clicking are exactly as taken.
There were, of course, lots of signs (including many mobile phones and at least one tablet) saying “I AM CHARLIE”, in fact you can see quite a few such if you do some clicking. But, here are all the signs I photographed that said something else as well, or instead:
Of all of these, my two favourites are “Team Civilization”, and “Down With The Tyranny of The Offended” (in French). But demos are at least as much about quantity as quality, and I trust the sheer number of signs shown here (there were plenty more that I didn’t get to photo) makes the bigger point. There were a lot of people turning out to denounce these horrible attacks.
Even the rather or almost completely illegible signs are an encouragement, I think, because what these signs tell us is that quite a few people were present, and feeling strongly enough about it to want to wave a sign, who had never been anywhere near such a demo ever before.
Feel free to reproduce any of these images at will, with or without attribution. If you’d like bigger versions of any of the pictures, my email can be found here, top left, where it says “Contact”.
Spent the middle of the day at the demo, taking my usual excessive number of pictures, and then the evening trying to divide them up into clumps to show here, or somewhere.
My main impression was that this was a real demo, rather than some faked up exercise in pretending to be angry about some bit of bad economic or political news that some bunch of people have just been hit by, but not very hard, with lots of identical signs all printed out by the same dubious Marxist agitprop organisation, and then afterwards lots of moaning about how the evil Mass Media paid no attention. There were a lot of people there:
Not surprisingly, there were a lot of French people present, what with London now containing so many French people. Also not surprisingly, the average age of those present was young, what with there being so many young French people in London.
My thanks to Goddaughter 2, now back in London, who told me that she and a friend were going to attend. Had she not done this, I would only have twigged that it was happening when it started happening and I saw it on the telly.
I have in mind, Real Soon Now, to be posting a clump of pictures of the signs and pictures that people were holding up, along the lines of these photos, that I took of a much smaller demo in London a while back, including the one above, and also including this one, which I especially like:
My immediate reaction to the Paris brouhaha was not: “I am Charlie Hebdo!” It was to take another crack at reading the Quran, to check if it really is as obnoxious as I remember it being the first time around. So far, it is, even more than I remember.