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In which I continue to seek part time employment as the ruler of the world.

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Category archive: London

Saturday December 16 2017

My camera is pretty good, but it isn’t ideal for me.  I only use a bit of it at all regularly, the automatic bit.  So if, on a rainy day, I push, by mistake, some stupid knob on it that tells it to stop being automatic, it stops being automatic.  And, the automatic focussing refuses to work the way it should.  That’s what happened when I thought it had conked out.  It’s fine.  It was simply obeying orders.

I tried photoing the relevant knobs, first with mirrors and then with my mobile, but the results of all that were a blurry mess.  Have you ever tried getting a camera to photo its own arse?  And photoing with my mobile is something I need daylight to do half decently.

I got a much better picture of the back of my camera by going to this.

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In particular, I draw your attention to this bit:

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The knob with AF/AE LOCK on it needs to be pointing at AFS/AFF, and absolutely not at MF.  MF means, I presume, Manual Focus.  AF means automatic focus.  S and the other F mean whatever they mean.

The problem arose when, in the rain and needing to possess three hands, one to hold my bag and two to operate my camera properly, I try to look at the photo I just took.  That involves pressing the button with the green arrow on it.  To get back to photoing, press DISP.  But, what with all the rain and the confusion and only having one hand to both hold the camera and press the knobs on it, I accidentally pushed the AF/AE LOCK knob, and got it pointing at MF.  By mistake.  I’m guessing this would be why the AF/AE LOCK button includes the word “LOCK”.  And this works a treat.  I know this now.

Anyway, the upshot (metaphorically speaking) of all this is that my camera went from photos like this, just before I met up with GD2 the day before yesterday ...:

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… to this, not long after that, after the knob disaster had occurred …:

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… and then back to this:

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… when I met up with a friend yesterday, in: Hither Green.

So, panic over.

It’s an odd feeling, partially the feeling of massive relief that I won’t have to spend Christmas trying to turn whatever guarantee came with my camera into another camera, and partially the feeling that I am an idiot and that I should pay more attention to the knobs on my camera.  Delight and embarrassment all mixed up together.

This is what Americans would call a “learning experience”, and although often all that this means is “total cock-up”, in this particular case they would be right.

Thursday December 14 2017

My camera has conked out.  The autofocussing is refusing to autofocus.  Which is nasty.  And even nastier given that I only found out about this when I was trying, with it, to take photos, this afternoon, like this one:

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That’s from the top of Primrose Hill, as photoed by my mobile phone, which is a Google Nexus 4.  That one wasn’t too bad, but most of the phone-photos I phone-photoed with this annoying gadget, truly good only for telling me where I am and how soon I will reach my tube destination and what the cricket scores are, were rubbish.

Here is one of the few other good ones, taken from one of the bridges over the Regent’s Canal:

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That red boat is the Feng Shang Princess.

GodDaughter 2 was with me.  Since I couldn’t take lots of photos, there was nothing for it, I had to make do with talking to her.  And also listening to her.  Which worked out quite well.

Wednesday December 13 2017

Today I was in central London.  It wasn’t good photoing weather.  Grim and grey and wet.  But I did take this photo:

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At the time, I thought I was photoing an army of Santas.  For some reason I find the photoing of large numbers of similar or identical objects, in a big clump or clutch, to be rather satisfying.

But it turned out I was photoing two British Personal Brands With Huge Global Reach, namely The Queen, as performed by Elizabeth Windsor, and Mr Bean, as performed by Rowan Atkinson.

A lot of their appeal is that these are both characters who do a lot of physical stuff, rather than characters who talk a lot.  Neither Elizabeth Windsor nor Rowan Atkinson are stupid or inarticulate people.  On the contrary both are notable wordsmiths, blessed with famously subtle senses of humour.  Nevertheless, the Queen’s daily repertoire of stuff is adopting Royal poses and walking or being driven about Royally and making Royal gestures and doing Royal things like shaking hands with a line of lesser celebrities.  And Mr Bean mostly makes faces and does pratfalls.  These are things that anyone on earth can see – see - the point of with great ease.  You don’t have to know a word of English to get what The Queen or Mr Bean are all about.  And if only a tiny percentage of the world’s populace like what they see of these two characters, that is still a lot of people.

You see Queen and Bean together, in effigy, in tourist crap shops, a lot.  That I photoed the two of them accidentally is no, as it were, accident.

Despite googling it, I still don’t understand what this is about.

Sunday December 10 2017

There are two places in London where I regularly encounter antique cars, in other words the sort of cars that were new at the time when I was a new human being.  One of these places is Lower Marsh, where there are regular convocations of such cars, which I have regularly bumped into when shopping at Gramex for second hand CDs, which was until very recently in Lower Marsh.

And the other place where antique cars can often been seen is outside the Regency Cafe, which is about two minutes walk away from where I live.  Antique cars congregate there in order to contribute to television shows or films set in olden times, the self-consciously dated Regency Cafe being a regular location for such dramas.

I recall being rather surprised to encounter these two ancient Austins were doing, even nearer to where I live than the Regency Cafe, in the summer of 2013.  What are they do?  Answer: they had been or about to be performing outside the Regency Cafe.  Enjoy:

imageimageimage
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I am meeting someone tomorrow morning at the Regency Cafe.  I haven’t actually used this place very often, other than to photo old cars and showbiz activity outside it, but I think I will eat in it rather more in the future.

Saturday December 09 2017

Yesterday’s panda posting had all the appearance of a quota panda posting.  But it wasn’t because there’d already been a posting earlier.  Who could forget those Thameslink Seats?

But this really is a quota posting.  It features a photo of plants in summer (the summer of 2012 as it happens) that are pretending to be a trees in winter, by having branches but no leaves.  That means you can see through them to the Big Things in the distance:

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That wasn’t in the I Just Like It directory, but it could have been, because I do really like it.  The view is looking back across Victoria Park, which is out east, the other side of those Big Things from me.  The Big Things are way out of focus but still clearly recognisable, which is just what you want from Big Things.  The rule is: a photo is fine if something in it is in focus, like these plants.  If everything is out of focus, well, that’s a problem.  But even that can sometimes be quite good.

In a few years from now, that view will look very different, with several more really big Big Things, two in particular, now at various points in the pipeline.

Friday December 08 2017

Seeing a how this is Friday, and Friday is my day here for cats and other creatures, I don’t want to just leave it at train seats.  I have an Other Creature to show to you, that I photoed earlier this evening.  This was at Victoria Station, so this is also train related.

The Other Creature was, I am almost certain, a panda:

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A few moments after the moment captured above, I actually asked this guy if he’d object to me photoing his panda. I said “bear”, but it didn’t matter.  Not him, I said, just the bear.  He was fine with this, so I took another photo, of the panda.  But the above photo was better, if only because in it, the railway connection is better communicated.

And yes, the panda has stars in its eyes.  How about that?

Tuesday December 05 2017

Earlier this evening at the Two Chairmen, Westminsters, Adriana Lucas, who grew up in the old Czechoslovakia as was, gave a most eloquent talk about this experience.  She didn’t bang on at length about the usual horrors – prison camps, executions, purges, and so on – although of course these were mentioned.  Rather did she focus on the minutiae of life for the rather less unlucky victims of communism, the ones who got to stay alive.  People adjusted, basically.  Or if, like Adriana’s family, they were dissidents, they learned to be extremely distrustful of almost everyone but their closest and most trusted loved ones.  Being a dissident wasn’t about overthrowing the regime; it was merely about staying sane.

Here are four photos, that I picked out from the dozen or more that I took, and that I just sent to meetings organiser Simon Gibbs, who is to be seen in the first one, introducing Adriana.  The photos I sent to Simon were rectangles, but I actually prefer these square cropped versions.

imageimageimage
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As you can see, this excellent talk was videoed.  Videos are far harder to edit than merely to … video.  So you may have to wait a bit before seeing this one.  But, for those who did not attend this talk and for many who did, it will be worth the wait.

Sunday December 03 2017

I knew this would happen.  Ever since I noticed those leaning tower cranes of London, which looked like they might be about to collapse through the unbalanced weight at the top of them, I knew that as I wandered through my photo-archives I’d find more such pairs of leaning tower cranes, leaning in opposite directions to each other, and looking like they should have collapsed and caused a flurry of shocked news reports, but which never actually did that.

And I just did:

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Taken from the top of the Monument, on the same day as the photo below of the Walkie-Talkie.

At the time, all I thought I was photoing was a nice sunset and some nice cranes, posing nicely in front of The Wheel.  But those two cranes on the right there seem to be in that same state of strong disagreement about what exactly vertical is, and for the same reason.

Yet, if either of those cranes had collapsed, late on in the year 2012, I am sure that we would have heard about it, and that I would have remembered it.  Clearly, they did not collapse.  They were just leaning over a bit.

All those cranes that we see were working on, among other buildings, two rather striking buildings that are now finished.  I’m talking about the two stumps now blocking the view of the Shell Building.  There is, on the right, in between the two leaning cranes discussed above, 240 Blackfriars.  And to the left of 240 Blackfriars, as we look, the innards of the Tate Modern Extension, from which further lovely views out over lovely London were to materialise.

Saturday December 02 2017

Indeed.  I was going through the I Just Like It file, and came across two, independently selected, which make a nice pair.

First, taken in November 2012, the Walkie-Talkie while still under construction, viewed from the top of the Monument:

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And second, taken in January 2016, the Monument now just about visible in the scrimmage of smaller London

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The Walkie-Talkie looks very big from the top of the Monument.

The Monument looks very small from the top of the Walkie-Talkie.

And while we’re about it, here is another photo that links these two buildings.  Taken on that same day in November 2012, back on the ground, with a little sign on the right there, saying “Pudding Lane”. 

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The Monument remembers those who died in the Great Fire of London of 1666.  Pudding Lane, or so I was always told, was where that fire started.

Also, three days after taking that photo of the Monument from above, above, I took this photo of the Monument from below, along with another sign, this time a temporary sign telling me how to get to the Monument:

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The way to get to the Monument was not, it would seem, the obvious way to get to the Monument.

Friday December 01 2017

Last Saturday, a friend invited me to share some gin at The Star.  We also each had a pie, with red wine in it.  Delicious.

The Star is quite near to the junction of Oxford Street and Tottenham Court Road, and has a great slab of Crossrail turmoil right slap against it, which has turned the formerly busy Great Chappell Street into a poky little footway, and has for a year or three now destroyed all possibility of passing trade to The Star.  So, The Star has switched to invites and events.  It hasn’t now even got a sign on over its front door.  Where there once was and still ought to be a sign, there is, for the time being anyway, only blank blackness:

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But inside, things liven up considerably, in particular with an enjoyably ironic display of antique signage:

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This next one, also visible above in the general display, being a particular collector’s item, which explains why I waited until today (Friday is Cats and Other Creatures Day here at BMdotcom) before displaying it here:

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That wouldn’t be allowed now, any more than all the tobacco adverts would be.

imageAnd since this is a Cats and Other Creatures Day, there on the right is an advert for another product from the same enterprise.  If the product had been made of budgies and canaries, I’m sure the pussies would have loved it.

We got there on the dot at 1pm, opening time, and were the first there, hence those empty tables to be seen above.  But the place was soon buzzing with happy gin drinkers.

An earlier posting, featuring a photo I took just before I got to The Star, was also naughty, in a different way.  It’s interesting what naughtiness is now and is not now allowed.

Thursday November 30 2017

GodDaughter One’s Mum and Dad are members of a theatre-going gang, who take it in turns to organise for them all to go to the theatrical performance, about every month or so.  Tonight it was Antony and Cleopatra by the RSC, at the Barbican.  But GodDaughter One’s Mum was otherwise engaged, helping out with a jewellery show done by GodDaughter One’s Sister, so I went to the Barbican instead.

As so often, when I really pay attention to a Shakespeare play (and if you are seeing it in a theatre there is not a lot else to be doing), I learned a great deal about it.

I did not catch every word.  Much of the support acting, especially by the young men playing various Roman soldiers and messengers, was decidedly school-play-ish, to my old eyes and old ears.  These brand-X guys simply did not fill the auditorium properly.  Since we were at the back, we suffered.  Nor did it help that I for one could not see their faces properly, from that far away.  But Antony and Cleopatra were both pretty good, as was Enobarbus.  But honestly, only the music came over loud and clear.

I will be investigating this play further on the screen.  YouTube offers this, which looks like it could be pretty good.  I quite like north American accents in Shakespeare, given that it probably sounded more like this originally than it sounded like modern Posh English.

As for DVDs, this and this both look promising.  Also: cheap.

Back in the Barbican, Josette Simon as Cleopatra yanked the verse around a lot, but that all added to the impression of her being a force of nature.  Antony, played by Peter Byrne, was a very prosaic figure by comparison.  I especially like the line in this Guardian review about how “Simon is excellent in the closing passages suggesting that Cleopatra is living out a fantasy of an idealised Antony”.  Yes.  So, best of all might well be a DVD of this RSC production.

Saturday November 25 2017

Indeed:

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Photoed by me in Oxford Street this afternoon,

Like I said: perfunctory.

Friday November 24 2017

Yes it’s a busy time here at Chateau BMdotcom.  I have a meeting here this evening, for which I must now prepare, but, preparations are not helped by the fact that the two biggest supermarkets in my vicinity, Tescos Warwick Way, and Sainsburys Wilton Road, are both now shut, so that they can rearrange themselves, refurbish themselves, in time for Christmas presumably.  (And in order to take our minds off the fact that the prices of everything are now shooting upwards.)

This is bizarre.  Couldn’t they collude to take it in turns to shut, rather than colluding (I assume) both to be shutting at the same time?  I am too busy, doing such things as trying to think where I will be going instead to buy food for this evening, to be able to expand here upon this peculiar matter.  Let’s just say it’s lucky for capitalism that I really like it.  If I didn’t, this might have tipped me over the edge into full-on Bolshevism, at which point I might have become the straw that broke the camel of capitalism’s back.

After tonight’s meeting, I then have a succession of pre-Christmas socialisings fixed, for over the coming weekend and into next week.  All very nice and everything, but a struggle to keep track of, and to fit other necessary things around.  Which is why postings here have been a bit perfunctory of late, and why that may continue for a few more days.

Or, it may not.  Because actually, the urge to blog is, for me, hard to estimate the strength of beforehand.  Often, I think, the feeling I feel when busy that there are Things I Must Do, causes me then to avoid doing these Things by instead … blogging.

Right now, for instance, I am supposed to be preparing for this evening.  But instead ...

Yesterday I showed a photo that I actually took yesterday, rather than last year or last decade.  And today I’m doing the same.  I’m showing you another photo that I took yesterday:

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That’s the inside of the domed roof in the middle of Leadenhall Market in the City of London.  This is another of those photos which is a lot easier to take if you have a twiddly screen, such as I always now have.

Here is the next photo I took, to show you which place I mean:

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To me, one of the odder things about Leadenhall Market is that all the enterprises plying their trade in it would seem to be obliged by the house rules to proclaim their names in the exact same style and size of lettering.  This is not what you get in most shopping centres, which is what this place basically is.  But, fair enough: their gaff, their rules.  And although in one sense this is uniformity gone a bit mad, in another sense it is variety, because this is not something you see very often.

It is clearly a recent thing, and Wikipedia confirms this:

Between 1990 and 1991 the market received a dramatic redecoration which transformed its appearance, enhancing its architectural character and detail. The redecoration scheme received a special mention in the Civic Trust Awards in 1994.

Ah yes.  Commercial, you understand, but not too commercial.  The subtle business of not being too businesslike.

I passed through this place on my way to Monument tube, having been wandering towards the City and its Big Things from the Bethnal Green area, enjoying the last daylight of a very fine yesterday.  Of which maybe more here later, and of which maybe not more here later.  (This blog is also not very businesslike.)

Wednesday November 22 2017

It’s been a while since there’s been any horizontality here. (That isn’t the most recent piece of horizontality here, just one that I happen especially to like.) So, allow me now to correct this, thus:

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Click to get the bigger original.

It’s a shop just off Lea Bridge Road, opposite the station.  Photoed by me almost exactly one year ago.