Brian Micklethwait's Blog
In which I continue to seek part time employment as the ruler of the world.Home
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Most recent entries
- Shard and Walkie-Talkie from the top of the Cheesegrater
- The hottest day of the year (5): Old Citroens in Roupell Street
- The hottest day of the year (4): An antique view from Waterloo
- Large number of jobs
- The draw that turned out not to be
- Ghostbusters sculpture advert at Waterloo Station
- On the connection between drinking lots of coffee and living a long and healthy life
- Spraycan with moon
- Gherkin in splendid isolation
- Bird – and bird close up
- LIFE at the Park Theatre
- London looking like Dubai
- Illness and coolness
- Photoers photoing the views from the Tate Modern Extension
- Nelson statue in Greenwich
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Category archive: Sculpture
Indeed. Photoed by me this afternoon:
I remember enjoying the original Ghostbusters, because of its pro-free-market political angle. This piece explains this political angle well.
Mostly what I think about all the feminism in this latest iteration, and of all those complaining about the feminism, is that you don’t own works of popular entertainment just because you liked them when you were young. If you like the original but not the new one, then ignore then new one and watch the old one again. It is very childish to get all steamed up about your childhood memories being mucked about with, if they have not actually been mucked about with. I mean, the original Ghostbusters survives, and has not in fact been in any way tampered with.
The Park in question is Finsbury, the Park Theatre being near to Finsbury Park, and more to the point from my point of view, Finsbury Park tube station. I was there last night to see a friend perform at the Park Theatre, which she did very well.
That LIFE sign thing is just outside the smaller theatre space, where my friend was performing, at the top of the rest of the theatre. I do not know why it is there. Could it be that they hope that people will photo it, and then mention the Park Theatre on the internet?
I suppose the creator of this sign could also have been thinking of that old Blur tune. But that, I believe, concerns a different park.
I remember the time well. It was when I first had a really nice camera, and I explored the banks of the River Thames, finding all manner of things that I never knew existed until I chanced upon them, camera in hand. This statue of Lord Nelson, for example, which is outside a pub called the Trafalgar Tavern, in Greenwich, which I encountered in July 2007:
The www offers two sorts of pictures of this statue. There are the ones that show his face and medals, with the Trafalgar Tavern behind his Lordship, often with the word Trafalgar carefully included. And there are the views from behind, like mine, which provide a modern background, in the form of the Docklands towers or the Dome.
I did take a front view of this statue, but it was totally ruined by my shadow blasting its way into the middle of the picture. The fact that I didn’t bother to retake that shot tells you that I preferred the modern background shots.
Taken by me, middle of last month, outside Westminster Abbey:
Normally, I would bore you to death with why I like this, but: busy day gotta rush.
Friday here used to be a day for cats and kittens, and it still is, but I have recently been broadening it out to give other non-feline creatures a mention. Which I do anyway, but now it’s official. So, this Friday, I show you a pig, photoed by me about a year ago:
This pig was to be seen outside Casa Manolo in the King’s Road. There are several Casa Manolos in various parts of London, and it took me a while to work out which Casa Manola this was. (I had photoed the shop sign, but had no record of which road I was in.) But the photo here is definitely of the same group of shops in one of my photos. No pig in that photo though. Either the pig is now gone, or, more probably, the photo at the other end of that link was taken before the pig arrived. Or, the pig lives indoors and only comes out sometimes.
And here are a couple of dogs, in Tottenham Court Road a few days ago, in the entrance to Heal’s. I don’t know what they are supposed to be doing there. “Chanel” says they’re advertising perfume, but that seems strange. Whatever, I like them:
It’s like someone saw a dog with one of those muzzles on it, and thought: I could make an entire dog that way.
There is also a cat inside Heal’s, advertised outside, which Heal’s claims is famous, even “infamous”. More about that (maybe – I promise nothing) after I’ve taken a look at it myself, and had a go at photoing it.
I realise that none of these creatures is actually alive, but that’s what comes of living in London. Plenty of alive creatures, but also plenty of pretend ones.
I also realise that all the Art in these photos (see below) is in what is photoed. But that’s fine.
Usually, I do quota postings in the small hours of the morning. Today, I am doing my quota posting in the big hours of the morning, to get it out of the way before a rather busy day, at the end of which I do not want to be fretting about doing a quota posting. Although, actually, this posting has now turned into something a bit more substantial than that, and I changed the title to something more meaningful. So anyway, yes, cranes:
Ah, cranes! Those structurally perfect votes of confidence in the sky. Those cranes were snapped from the south bank of the river, looking across at The City, on the same day earlier this month that I snapped yesterday’s quota photo. What that new Moderately Big Thing is, that some of the cranes there are ministering to, I do not know, but I like how it looks, in its incomplete state.
With Brexit, will the cranes vanish for a few years, until London sorts itself out and finds itself some new business to be doing? Crexit? (You can always tell when a word has well and truly caught on, because people immediately start trying to apply the same verbal formula to other things. Brexit, verbally speaking, is the new Watergate. Frexit, Swexit, Thisgate, Thatgate, etc. etc.) I thought that the cranes were going to depart after 2008 and all that, but the money people managed to keep the plates spinning on their sticks, and London’s cranes carried on. How will it be this time?
Here is a very pessimistic piece about Britain’s prospects, for the immediately foreseeable future. Does this mean that my crane photo-archive will, in hindsight, be the capturing of a moment of the economic history of London that will now pass? If the cranes do go, how will they look when they return? When the new cranes move in, in ten years time or whenever, will cranes like those above look strangely retro, like digital cameras circa 2005?
Or, will the cranes never return, but instead be replaced by magic electric guns which fill the air with muck and sculpt a building out of the muck, 3D printing style, all in the space of an afternoon?
Taken by me earlier this month:
Blackfriars Station being the one that has its own bridge.
I’ve not yet checked out this edifice, but of course I will, Real Soon Now. Equally of course, it’s what I will be able to see from it that now excites me, rather than any of the stuff I might encounter in it. That top layer of windows looks like it has an open balcony in front of them. I hope to get out there. You can read all you want on the internet about arrangements like this, but there is no substitute for actually going there and seeing for yourself.
But, there is also the matter of other photoers to photo. They may be photoing the stuff inside. If I come across them doing this, then I will, even more of course, join in.
One of the more intriguing consequences of the not-now-so-very-recent (what with another one coming along) Scottish independence referendum (which happened in September 2014) was that, rather suddenly, the world (by which I really mean: I) suddenly found itself (myself) contemplating the idea of the Union Jack flag disappearing into the history books. Had Scotland gone separate, the Union Jack would surely have had to be redesigned. I would not have regretted Scotland detatching itself from England, in fact I would have voted for this if I could have. But, I would have regretted the passing of the Union Jack, if only because it is such a great design, so recognisable that it is capable of being endlessly mucked about with, while still remaining the Union Jack.
The new, non Scottish version of the Union Jack might have looked a bit like the bag on the left here, as we look:
That snap was snapped in 2015, after the Scottish referendum, but I don’t think those designs have anything to do with politics. They’re just simplified and rather dull variations on the Union Jack theme. The one on the left just happens to look a lot like the Union Jack minus the Saltire. (Saltire is the Scottish flag, right? Yes.) But what does the one on the right signify? In terms of the flags that go towards the Union Jack, it takes the blue stripes from the Saltire and turns them into a background for the red bits of the Welsh and English flags. So actually, it’s just a blue bag, with bits of red Union Jack-ish stuff on it. Maybe there was also a red one with white Union Jack-ish stuck on, to complete the red white and blue set. I might never have bothered showing the above photo here, if it hadn’t been for the Saltire subtraction angle.
I had already been snapping Union Jack snaps, since quite a while before that moment of the Union Jack’s possible moment of disappearance. I long ago added “funny things being done with the Union Jack” to my mental photo-category list, alongside such things as bald blokes taking photos, utilitarian and commonplace footbridges, taxis covered in adverts, Big Things seen from a long way away in among foreground clutter, and so forth and so on. But, since that earlier referendum, I have been taking photos of Union Jacks with particular zeal.
Here are a couple of very recent Union Jack snaps I did. The first is of some flip-flops, on sale at the Parliament end of Westminster Bridge:
I reckon it’s the cellophane that gives that its artistic effect.
And here is a London taxi wing mirror:
That taxi décor isn’t part of an advert. It is just a taxi decorated with the Union Jack.
And then, while I was ruminating on a posting along these lines, came this piece of graphic Union Jackery, from the Spectator, to decorate their decision to back the Leave campaign in the forthcoming EU referundum:
This reminded me of a picture I took in East London five years ago, of some Art:
I could continue, with yet more Union Jack snaps, but I will end with some more Brexit propaganda. Still on the flying theme, just before I took the above snap of how fabulous Britain will be and will feel if we Leave, here, taken just moments earlier, is another Artistic-type picture of how ghastly things will be and will feel if we Remain. That’s the EU there, trying and failing to take wing, because its bureaucracy is far too big and heavy and its wings far too feeble and misshapen, crushing us as it plummets to earth:
Are you thinking that there really needs to be a Union Jack on that car, to make this point even clearer? But that’s exactly point! The EU scrubs out the Union Jack. Look! The Union Jack is nowhere to be seen! The EU has totally obliterated it! What could be clearer?
Slightly more seriously, the EU’s rulers will not be happy until they have driven the Union Jack into the history books, not by breaking up Britain, but by swallowing it and turning it into either fuel for itself, or shit. The only Union they want, and want celebrated with a flag, is their own.
So I photo this guy outside Westminster Abbey who is wearing a Chicago Lions shirt:
Later I ask him what sport the Chicago Lions play. He doesn’t know, but the magic WWW in the sky knows, because it knows everything that there is to be known. Turns out the Chicago Lions play rugby. I couldn’t find any Chicago Lions shirts looking like that one, that colour. But I could find no other Chicago sports team called that, so that must be it.
In the course of googling I also came across some Lion statues in Chicago, and further news of how these Lion statues were made to wear Chicago Bears helmets (American football), and Chicago Blackhawks helmets (ice hockey):
Such is the world. Such is Chicago. Such is the internet.
I love to write about digital photography, and have been tracking the selfie phenomenon since long before the mere word was invented, way back in the days when I referred to digital photographers as Billion Monkeys (which I don’t anymore (because some people thought I meant Muslims)). (But also way back in the days when I didn’t worry about showing the faces of strangers, the way I worry now.) And I also enjoy often public sculpture, especially of the more recent and less abstract sort.
So, I love this:
There have been complaints, of course, such as from all the commenters there at the Daily Mail. God forbid that vulgar people should find this vulgar statue so much fun. Sculpture is Art, and Art isn’t supposed to be amusing.
One of the Daily Mail’s other photos is of bloke photoing himself with his own mobile, in front of the selfie statue. But I prefer the more subtle response that consists of simply being photoed joining in, thus:
For once, the statueness, so to speak, of the statue, the fact that it is made of monochrome metal rather than realistically painted to look like real people, works really well, because it contrasts so nicely with the real people. It helps that it seems to be exactly life size.
One of the idiot grumpy commenters at the Daily Mail said that Sugar Land is a stupid name and they were obviously desperate for some attention, which they have never had until now. But wasn’t there a Goldie Hawn movie called The Sugarland Express, or some such thing? Yes there was. Early Spielberg. But, is Sugar Land the same as Sugarland?
According to a later Daily Mail report, it isn’t only their grumpy commentariat that objects to this statue. Could this be because a lot of people heard about this story partly through the Daily Mail, and those people being the sort that hears about things via the Daily Mail, immediately started objecting, because they object to everything. Whereas, the ones who liked it hadn’t heard about it so much.
I first found about the statue via Amusing Planet, so of course I was already self-identified as the sort who would be amused. It was just that the Daily Mail had better pictures.
Yes, quota photo time. I have spent the day doing ... other things, and am in that familiar tizz of having to shove up any old thing before going to bed. So here is another snap, to add to the one I earlier showed of all those bridges, of that model of the City of London, in the City of London, which I visited last Saturday:
The point of this picture being that it doesn’t just show what is there now. It shows what it is intended will soon be built.
The biggest of those Big Things there is, I presume, this.
Isn’t it terrible how horrible modern skyscrapers are ruining the view of the Gherkin.
I was very proud of this photo of seven London bridges ...:
… when I first posted it here.
Today I took another photo of these same seven bridges:
I wish this model included Westminster as well as the City, but it’s a model of the City.
I like trees without leaves for many reasons. One is that you can put them in front of Big Things and still see the Big Things.
And another is that without leaves in the way, I get to enjoy the peculiar sculptural effects contrived in and on trees by the pruning process.
Consider this photo, which I took this February, looking across Vincent Square towards Parliament and the river:
Ignore the wheel with the bobbles on it. Forget the pointy tower on the left. Consider those trees, and the strange shapes of their branches, caused by pruning.
A particular effect that such pruning causes is when a quite thick branch is lopped off, and the result is like a fist, holding lots more much thinner branches.
Here is another photo, taken down by the river in 2010, which shows that effect:
Again, forget about the spiky footbridge in the middle of the picture and that crane behind it, which is obviously what I thought I was photoing at the time, with the trees as a mere frame. Look at the trees, with their big thick branches, that suddenly stop (because of pruning) and then burst out in all directions with lots of much smaller branches.
The photo I’ve been able to track down in my archives that best illustrates this effect is of some trees at the junction between Rochester Row and Vauxhall Bridge Road:
I seem to recall that Rochester Row has lots of trees thus truncated, which I also seem to recall photoing, several times. But I was unable to find any such photos.
What this particular snap shows very well is how the tree, once pruned, sometimes sort of blows the end of itself up into a balloon, before the new branches finally manage to burst out, hence the fist effect. I’m thinking especially of what happened on the right in the above picture.
The reason I went rootling through my archives for snaps of this sort was that when walking along beside the somewhat distant-from-London reaches of the New River, in the vicinity of Enfield, with GodDaughter One last Saturday, we encountered the most extreme example I have ever seen of a tree that has been pruned into a different shape to the one it would naturally have adopted.
Feast your eyes on this:
Is that not one of the weirdest things you have ever seen? It looks more like something for swimming in the sea than like a tree.
This snap was snapped at one of the entrances to Enfield Town Park, or Town Park as they call it in Enfield. You can see the New River in the background. Had we succeeded in sticking closer to the New River at that particular point in our wanderings, we would have missed this.
What was the pruner thinking, I wonder? Did he think that he had ended this tree’s growth? If so, shouldn’t he or someone have painted over the top, to stop it growing some more? Or, was he actually going for this effect? Was this some kind of experiment? Who can say? Whatever the explanation, I’m glad that this was done and that I got to photo, and to bring it to the attention of the world, this remarkable effect.
Indeed. While searching through the archives for this picture, I came upon this one:
I’d just seen a Superman v Batman poster in the tube, so this 3D Batmovie advert jumped out at me, metaphorically speaking. The photo was taken in May 2008, so anyone who cares can work out which Batmovie that would be.
I like the highly appropriate architectural background. That being, I think (supercommenter Alastair may want to correct me), County Hall.
Here’s a Superheroine, photoed moments later:
I’m guessing that’s Lara Croft.
Later I took this snap, of the appendages of a slightly less superheroic figure:
The South Bank of the River Thames abounds with people dressed up in strange costumes, soliciting money. I say not so superheroic, but these figures do at least remain superheroically immobile.
Now that the weather has at last changed from wintry to springy, I am about to go out to take more snaps, and I wanted my blogging duties here done before all that. And now they are.
Last Thursday, I said I would be checking out the Big Olympic Thing, and I did. The expedition was very satisfactory. I got there. I purchased, from a human, a one-year season ticket for a tenner. I ascended to the top. I took photos. I came home again. And I shall return to the B(ig) O(lympic) T(hing) and take better photos, from it if not of it, or at any rate different photos (see below).
First sighting of the BOT, as I emerged from the Westfield Shopping Centre:
Scaffolding, good. Trees mostly without leaves, good.
I still wasn’t sure how to get there exactly, but I was, as the sportsmen say, in the right areas. I asked around, and found my way, and while on my way photoed this part of a bigger map, concentrating on the area I was in at the time:
My destination is described on this map as “Arcelormittal Orbit”. It’ll never catch on.
Photoing maps when on photo-expeditions is very good, especially if the map says “you are here”, somewhere in it, which alas this one does not. Even so, this map shows where I went pretty well.
I started at the DLR station, in the clump of transport signs to the far right. I went through the pale blue expanse that is the Westfield shopping centre, along “The Street”, and then along “Stratford Walk”. Then I emerged into the open and negotiated my way past the “International Quarter”, following that big red arrow that points towards the stadium, and by then it was pretty clear.
Neither the area around the BOT nor the BOT itself is finished. There is a notable lack of any enterprise selling food or drink, and the whole place now has the air of a holding operation.
Here, for instance, was the seething mass of humanity with whom I competed for space on the lift to the top of the BOT:
Next, I’m looking out through the top of the BOT to the Big Things of the middle of London, which as you can see are actually quite a way away. Below is the Olympic Stadium:
I took closer-up shots, of course, of which this is my favourite:
The reason this shot is my favourite is that it aligns two Things you don’t often see aligned, namely the towers of Tower Bridge and, right behind them, the three-eyed Thing that is the Strata. At the time I thought I was photoing only the Strata. It turns out I was photoing an Alignment of the sort I so much like, but by mistake. I love it when that happens.
6k, in a comment on my earlier BOT posting, asked about The Slide. He’s talking about this, which is a graphic I saw at tht top of the BOT just as I was leaving. I left in rather a hurry because the BOT was closing, hence the rather sloppy nature of this snap:
But, as I often like to say about my pictures, you get the picture. That is what The Slide is going to look like. More about that in the Dezeen posting about the BOT Slide that 6k kindly linked to.
6k asked if The Slide is finished yet. Answer: It has hardly started. Not started at all in any way you’d notice. See the next picture but one below.
Meanwhile here is another graphic that I photoed, at the bottom of the BOT, on the outside:
What we see there is how the view from the top of the BOT looks when the sun is off to the side rather than straight ahead, as the sun was in all of my photos of those Big Things. And when a Real Photographer is on the job.
Memo-to-self: Some time quite soon, I shall be consulting the weather forecast and making a trip out to the BOT again, in the morning.
Second-to-last shot, showing the total absence so far of any Slide action, and the Olympic Stadium, soon to be occupied by West Ham United:
Note once again the insane competition from massed humans for the facilities on offer. Not.
I will end with a shot of the BOT and a crane, snapped from just outside Pudding Mill Lane DLR, which is one of my favourite DLR stops if only because of its name. This makes the point yet again that this whole area is very much work in progress rather than finished. The Slide is yet to come, as is a lot of other stuff:
See the very bottom of the map snap above for the location of Pudding Mill Lane. As you can see from that snap, even despite its truncatedness, there is a lot of Olympicness for me to explore that I did not explore on this particular expedition. Like I say, I shall return.