Brian Micklethwait's Blog
In which I continue to seek part time employment as the ruler of the world.Home
Brian Micklethwait on Why I like Cricinfo
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Tatyana on English is weird
Brian Micklethwait on New York construction cranes in action
Andrew Duffin on New York construction cranes in action
Friday Night SMoke on English is weird
Scott Morter on 55 Broadway
Ben on Incoming imagery from Antoine
Brian Micklethwait on Face recognition – face disguise – the age of pseudo-omniscience
Brian Micklethwait on The new US Embassy – from my roof
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- Are London’s cranes about to depart for a few years?
- The new Tate Modern extension from inside Blackfriars Station
- Brexit graphics
- Brilliant Brian’s Last Friday talk
- Referendum day graphics
- Big Things and viewing galleries in the Square Mile
- Why I like Cricinfo
- English is weird
- The Union Jack’s near death experience(s?)
- New York construction cranes in action
- Some thoughts on the Izzard effect
- Lioness eats camera
- An MP murdered
- A great new bridge in Iran
- Lions - Bears - Blackhawks
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Category archive: Environment
Another French picture, but this time taken in Paris, by my friend Antoine Clarke (to whom thanks):
That would be La Defense, unless I am much mistaken, that being Paris’s new Big Thing district.
I cropped that photo slightly, to moderate that leaning-inwards effect you get when you point a camera upwards at tall buildings.
The email that brought the above snap to my desk, earlier this month, was entitled “warmer than when you were here last”. When I last visited Paris, it was indeed very, very cold, so cold that water features became ice features (see the first picture there).
Today, Antoine sent me another photo, also suffering somewhat from leaning-inwards syndrome, and also cropped by me, more than somewhat. See right.
Mostly what I think about Antoine’s most recent picture is: What an amazing crane! So very tall, and so very thin. It’s amazing it even stays up, let alone manages to accomplish anything. I don’t remember cranes like that existing a generation ago, but maybe that’s merely because no towers that high were being built in London. Not that Antoine’s crane is in London. It is somewhere in America, but where, I do not know.
I just did a bit of googling for books about cranes, and if my googling is anything to go by, books about construction cranes and their history are a lot thinner on the ground than are construction cranes. When you consider how many tons of books have been written about the buildings that construction cranes construct, it is surprising that so little is written about the mighty machines without which such construction would be impossible.
It reminds me of the analogous profusion of books on the history of science, and the comparative neglect of the history of scientific instruments.
As I think I have written before, one major defect of my blog-posting software is that I do not get an accurate picture of how the final blog posting will look, and in this case, whether there is enough verbiage on the left hand side of this tall thin picture of a tall thin crane, to prevent the picture of the tall thin crane impinging upon the posting below. Hence this somewhat verbose and superfluous paragraph, which may not even have been necessary, but I can’t now tell.
The weather in Thuir and surrounding parts yesterday and today has been grim, in sharp contrast to the weather at the end of last week.
Here is that sharp (as in sharp and then not at all sharp) contrast:
On the left, the weather last week, as viewed from the top of the house I am staying in. On the right, the weather viewed from the same spot this afternoon. The weather on the left was the sort that decreased the apparent force of gravity. The weather now is the sort that you describe yourself as being under.
Note that it is not only the far away Pyrenees that have disappeared in the right hand picture. The further away bit of the much nearer, green bit of the landscape has also vanished under cloud.
These two pictures (click on either to get it bigger) both involved a lot of cropping, and fiddling about to get the cropping exactly (or approximately exactly) so. Without Photocat, I could never have done it.
I am looking forward to maybe (I promise nothing) doing similar before-and-after snaps involving recently constructed buildings in London.
Being sick as in feeling sick, and occasionally being sick as in being sick. As in expelling stuff I had previous eaten from my mouth.
Quota photo time:
There is so much light crashing across London from west to east that evening the eastern clouds were lit up pink, like they were a sunset or something. So I know what you are thinking. It must have been one hell of a sunset to do that. And you are not wrong:
If I wasn’t sick I probably wouldn’t indulge in such a lurid sunset, which I photoed last Saturday evening on Tower Bridge. But I am sick. I can do what I like.
Actually, it’s already getting better. But wish me well anyway.
I like trees without leaves for many reasons. One is that you can put them in front of Big Things and still see the Big Things.
And another is that without leaves in the way, I get to enjoy the peculiar sculptural effects contrived in and on trees by the pruning process.
Consider this photo, which I took this February, looking across Vincent Square towards Parliament and the river:
Ignore the wheel with the bobbles on it. Forget the pointy tower on the left. Consider those trees, and the strange shapes of their branches, caused by pruning.
A particular effect that such pruning causes is when a quite thick branch is lopped off, and the result is like a fist, holding lots more much thinner branches.
Here is another photo, taken down by the river in 2010, which shows that effect:
Again, forget about the spiky footbridge in the middle of the picture and that crane behind it, which is obviously what I thought I was photoing at the time, with the trees as a mere frame. Look at the trees, with their big thick branches, that suddenly stop (because of pruning) and then burst out in all directions with lots of much smaller branches.
The photo I’ve been able to track down in my archives that best illustrates this effect is of some trees at the junction between Rochester Row and Vauxhall Bridge Road:
I seem to recall that Rochester Row has lots of trees thus truncated, which I also seem to recall photoing, several times. But I was unable to find any such photos.
What this particular snap shows very well is how the tree, once pruned, sometimes sort of blows the end of itself up into a balloon, before the new branches finally manage to burst out, hence the fist effect. I’m thinking especially of what happened on the right in the above picture.
The reason I went rootling through my archives for snaps of this sort was that when walking along beside the somewhat distant-from-London reaches of the New River, in the vicinity of Enfield, with GodDaughter One last Saturday, we encountered the most extreme example I have ever seen of a tree that has been pruned into a different shape to the one it would naturally have adopted.
Feast your eyes on this:
Is that not one of the weirdest things you have ever seen? It looks more like something for swimming in the sea than like a tree.
This snap was snapped at one of the entrances to Enfield Town Park, or Town Park as they call it in Enfield. You can see the New River in the background. Had we succeeded in sticking closer to the New River at that particular point in our wanderings, we would have missed this.
What was the pruner thinking, I wonder? Did he think that he had ended this tree’s growth? If so, shouldn’t he or someone have painted over the top, to stop it growing some more? Or, was he actually going for this effect? Was this some kind of experiment? Who can say? Whatever the explanation, I’m glad that this was done and that I got to photo, and to bring it to the attention of the world, this remarkable effect.
Today I made the mistake of going out to do something before I had shoved something up here. So this is not a complicated posting. It’s a rubbish lorry, which I photoed today, just before doing something, near the Angel tube station:
Dirty Harry’s Waste Management, of Chingford, would seem to be the kind of enterprise that doesn’t have its own website. It is merely mentioned on lots of other websites, of the sort that enable you to do research on enterprises that don’t have websites.
The art on the side of this rubbish collecting lorry reminds me of that on these Wicked Campers.
Here is a sunny evening photo from a few days back, just after the clocks had moved forward. The sun got the email, and was shining enthusiastically at an amazingly late hour. But the tree is still in its winter, skeletal form. Which I like:
Today will be a day out with G(od)D(aughter) One, in weather that now looks like it was ordered via a website where you can decide, except that apparently there’ll be rain in the early evening instead of a sunny early evening like it was for the above photo. “Showers”, they said last night on the telly. That could mean anything from spectacular clouds to total dreariness. We shall see.
Whatever. Spring is definitely here.
This morning’s weather looks, from out of my kitchen window, like this:
The building work opposite will probably never look as pretty again as it does now. I feel rather the same about many new buildings, of the more serviceable and vernacular sort, as I do about trees, preferring such buildings also when they are still at the skeletal stage.
The weather over the weekend has been excellent, but I have been stuck indoors watching the Six Nations, which England have just won, even though there’s a still another weekend to go, thanks to Scotland beating France today.
I nearly went out today, despite the rugby, which I could have watched the recording of instead of watching it live. But this ...:
... which is the London weather forecast for tomorrow, persuaded me to postpone going out until tomorrow, since the weather tomorrow is also going to be good. Weather forecasts this near to the actual time they forecast are always accurate.
But, where to go. I am fast running out of new places in London to visit. I know that this is not true, but - rather bizarrely - that is how it now feels to me. And in order to make a proper early start, I need a predetermined destination to get me going. But, which destination? Memo to self: before bed tonight, I need to have fixed on something enticing.
What I am already thinking about is to go south, on foot. Across Vauxhall Bridge, maybe, but then, instead of going somewhere from Vauxhall Station, or walking along beside the river, I have in mind to go onwards, inland, in a south-westerly direction. What is Kennington Park? Can Big Things be seen from that? Time to find out. Then maybe wander in the general direction of the City, towards the Big Things.
Important. The mobile phone needs to be powered up, because I will need to know where I am at all times.
So, I’m about half way through telling the massed ranks of BMdotcom readers about an excellent day out with G(od)D(aughter) One, which was many months ago, now. My last posting about that was done at the end of last year. And there you were thinking, what with this no longer being last year, the year in which the excellent day out happened, I was all done with that day. Oh no. There’s lots more to be said about it. It feels to me like I’ve hardly started.
Today, since this is Friday, cat day, and more recently non-human creatures of any kind day, here are, not actual creatures, but some vans which I snapped that day, which illustrate some of the contrasting attitudes that we humans used to have and have now towards non-humans.
We eat non-human creatures:
We use sculpted non-human creatures to carry us on roundabouts
We also make use of real non-human creatures in circuses to entertain us, circuses and entertain us humans. Or, we used to. This kind of things has become rather old school and unfashionable, on account of it being considered cruel.
Now, that sort of entertainment has been almost entirely replaced by the pleasure we get from conserving and staring at non-human creatures:
My life, in this digital century, has contained quite a lot of wonderful expeditions which I never got around to mentioning here. Take the trip that I and G(od)D(aughter) 1 made to Beckton Sewage Works, on September 21st 2013. The only time I mentioned this here, it would seem, was in this posting, where I mentioned that I otherwise did not mention it.
So, to go some way towards correcting that, here is a picture of some birds that I took that day:
You want to know why London contains so many birds? Sewage processing, that’s why. Birds love that. The Beckton Sewage Works is one great big open air bird canteen.
And here is a picture of a sign that I took, which explains that a huge new sewage tunnel was in the process of being constructed, at the time of our visit:
More about that here:
The 75-metre deep Beckton overflow shaft is the entry point for the Lee Tunnel, a £635million project just as ambitious as the more highly-publicised Crossrail. Over the past five years, engineers have built a 6km tunnel stretching from Beckton up to Abbey Mills pumping station in Stratford, east London. The Lee Tunnel will help prevent more than 16 million tons of sewage from overflowing into the River Lee each year by capturing it and taking it down to Beckton. The sewage treatment works itself is being upgraded and expanded by 60 per cent to enable it to deal with the increased volume.
And the Lee Tunnel is just the first phase of the even more ambitious Thames Tideway Tunnel, a 25km tunnel that will handle sewage from Acton in west London through to Abbey Mills in the east. The Thames Tideway Tunnel will deal with the 34 most polluting overflow points along the Thames. Work on the £4.2billion project, known popularly as the London super sewer, starts in earnest in 2017 with engineers pulling the chain, so to speak, in 2023.
And here is another photo I took that day, which I include in this posting because I like it:
Behind that fence may, or may not, be activity associated with the digging of the big tunnel. But, I think it was.
Happy Christmas, as and when you get around to reading this.
The weather this Christmas has been terrible. Warm, yes, but relentlessly cloudy and rainy. It seems like it’s been raining in London ever since I said here early last month that in London rain is quite rare. Wednesday was a brief respite, which the weather forecasters duly noted beforehand, but yesterday and today it’s back to mostly cloudy and rainy. So here is some Christmas photo-cheer from just before Christmas last year, when the weather was mostly what it should be around this time, suitably cold and frequently bright and sunny.
I mentioned earlier my intention to focus of a Friday on non-deline as well as feline members of the animal kingdom. This fine beast was to be seen last Christmas outside the old Covent Garden Market, where they used to sell fruit and veg - all that having moved to this place - and where they now sell stuff.
And here are two more photos, of the beast’s head, with a dose of that proper Christmas weather behind it, and of the sign at the beast’s feet, about how you mustn’t molest it in any way:
BrianMicklethwaitDotCom would not be BrianMicklethwaitDotCom if I hadn’t photoed photoers and stuck some of the resulting photos up here, so here are some of the many other photoers who photoed this reindeer. The first two have the reindeer on their screens:
And my favourite one didn’t have anything on her screen that I could see, but did have reindeers on her excellent woolly top.
Relevant website. Like I said, stuff.
Many more here, as Hartley adds, at Calvin Seibert’s My “Sand Castles” Flickr site.
Here, I think we can say with confidence, is another impact of digital photography. Seibert doesn’t say in his short introductory spiel (click on “show more") how important digital photography is in preserving something of these castles before the incoming tide or human destructiveness or accident claims them. But it obviously is. Would he have developed this way of sculpting, if he had had no convenient way of recording it?
And my other thought is that the website where Hartley learned about these castles, which is called Amusing Planet and which I had not previously heard of, will be well worth making regular visits to. It says in this post that Amusing Planet has now been in action for nearly eight years. I must have been there before. But, I didn’t pay any attention to the surroundings of whatever posting I was looking at. I should have.
This morning, I met up for a late breakfast in Eltham with regular commenter here Alastair. I took a ton of photos, because after we had breakfasted we checked out a great view of London just to the south, which Alastair had recently chanced upon and had told me about. But before I even look at all the photos I took, here is a photo that Alastair showed me today, which he took on November 1st. November 1st was very foggy, and this is the Walkie Talkie, smothered in fog:
If you like the Walkie Talkie, as both Alastair and I do, then: Hurrah! It’s the Walkie-Talkie!
If you hate the Walkie Talkie, and many do hate it, cheer up. In this picture of the Walkie Talkie, you can hardly see the Walkie Talkie at all!
It was something to do with the fact that it was unseasonably warm yesterday, which resulted in fog this morning in London, but only in patches. And the Evening Standard, which now keeps virtually ticking over at the weekend, reported on the various London fog photos people have been taking.
This, taken by this guy, is my favourite:
Cranes (and the Walkie-Talkie) in front of the fog. Shard stabbing through the fog.
It’s been a very bad last few days here at BMdotcom. First there was the domain name fiasco, and then last night and into this morning there was another interruption, caused by a power cut in a totally different part of London to me, which was in its turn caused by all that rain we had recently. And then the interruption was prolonged by the mishandling of this power cut by my rather creeky and out-of-date version of Expression Engine. The two events were unrelated. I think there’s a Macbeth quote that deals with this kind of thing. One of those plays about a king for whom things are starting to go badly wrong. But rest assured that there is no sign that BMdotcom is about to be dethroned permanently.
So anyway, here is one of those photo-postings made quick and easy by my “I just like them!” directory.
I just like this, taken in 2007:
And I just like this, taken a month ago:
That second one was already edited and ready to post, with its new name, but I don’t believe I ever got around to actually displaying it. If I did, well, take another look.
I do not promise more substantial stuff tomorrow, but I do hope for it.
I need to get out less, and this weather is not helping. I spent last night shovelling pictures from SD cards onto Godot (my mainframe computer) who has now returned, all the while revelling in how fast everything is, again, like wading through a vacuum. And now I have about a dozen catch-up type postings rattling around in my head, many of them involving recent photos, which I want to post all at once. But the weather out is just too good to ignore. Which means that by the end of today I will probably be even further behind.
But, I will now do one of these postings, which happens also to illustrate the excellence of the weather in London just now
Last night, on Westminster Bridge, I photoed a particularly excellent Bald Bloke Taking Photos. These two snaps of the gentleman in question make a nice pair, I think:
Excellent Bald Bloke Rift Valley on the back of his neck there.