Brian Micklethwait's Blog

In which I continue to seek part time employment as the ruler of the world.

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Category archive: My photographs

Monday June 26 2017

Today was the first day ever of day-night county cricket, played with a pink ball instead of a red ball.  By the time it finished it was late, and I had been neglecting this blog all day, having been following the fortunes of Surrey instead, fortunes which turned out to be pretty good.

So, here is a quota photo, instead of a proper blog posting:

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That’s GodDaughter 2’s Dad, who was in London recently, photoing, as you can see quite clearly for yourselves, this.

I find The Laughing Halibut’s chips delicious, but after I have eaten them I tend to get a belly ache.  A sort of gastronomic hangover.  But the Laughing Halibut (I also like that there seems to be only one) is on the way back to my home from a frequently-used-by-me nearby tube station, and every few weeks, especially when ravenous after a long photo-walk in faraway places, I succumb.

Thursday June 22 2017

Well, two really.  Theirs, and mine:

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We are in the Turbine Hall of Tate Modern, which features a huge west-facing window that sucks the afternoon sun in, creating wonderful effects.  These are sharp and dramatic when you look at the whole picture, more subtle when viewed closer up.

I observe a couple having a photo session.  I do a big picture photo of the big scene (1.1).  Then I zoom in for more detail (1.2) complete with reflections, and to see the light in a different light, so to speak, less sharply drawn, more like a watercolour.  As they look at their photos, I zoom out again (2.1), and then as they walk off, satisfied. I zoom in again (2.2).

Things were made easier for us all by the fact that there was no Art cluttering up the place, or not that I could see.  That the Art in Tate Modern is so easily avoided is one of its best features, I think.  The architectural views, both inside and looking outwards upon London, are magnificent.  The Art, on the whole, less so.

Tuesday June 20 2017

Why do people get so angry about other people who photo their food before eating it?

Here is a pizza that I photoed, before eating it, when we all went out to dinner following GD2’s end of third year singing recital:

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And very tasty it was too.  Thank you Da Mario‘s, if that’s how you say it.

Does the very thought of me taking the above photo, in a restaurant, annoy you?  Why?  Seriously, why?  By this I don’t mean: stop feeling annoyed you fool.  By why I mean why.  What is this feeling?

I’m not sure I can prove it, but I am rather sure that a similarly small but definite spasm of annoyance is felt when the same people who disapprove of food photoing observe other photoers using selfie sticks.

Yes, I think I have it.  What food photoing and selfie sticks have in common, beyond the obvious fact that both involve photoing, is that both practices are very visible.  If they bother you, they are hard to ignore, like a slight but irregular noise when you are trying to get to sleep, or people shouting near you in an already noisy (but predictably so and thus ignorably so) tube train.

The fact of these practices being so visible is what amplifies the annoyance.

Getting back to that food photoing thing in particular, why be annoyed?

Could it be that photography has now become something very different in recent years, but that some people need to do some catching up?  The marginal cost of the next photo you take is now: zero.  The marginal cost of the next phone communication you send: also zero.  So, taking and sending a photo of what you are about to eat is of no more consequence than just telling someone you are about to consume a rather good pizza, over the phone, with mere words.  A pizza photo says, quickly, what is in it, what sort of pizza it is, how big, and so forth, just as you might if you were talking about it.  A photo thrown into the conversation is just illustrated chit-chat.

But photography, traditionally, has tended to be a much more slow, solemn and artistic and expensive thing.  And the more artistic and cultured you are, or think that you are, the more you will know this.  Do these damn people think that every damn food photo they commit and emit is some sort of eighteenth century Dutch still life painting?

Well, it kind of is, or kind of can be.  But basically, no.  If you think they think this, you’ll think them very silly.  But, they don’t think this.  What they are doing is not Big Art, even if at its best casual photoing can resemble Big Art.  What they are doing with their food photos is small talk.

Could that be something to do with it?

Also in play are the more ignoble feelings aroused by others (a) enjoying themselves (b) not caring who knows it, and (c) not caring, in particular, about you and any moans you might have about what they are doing and how they are drawing attention to themselves.  You just know that if you said to them: Excuse me, would you mind not doing that? - they’d say something along the lines of: yes we would mind not doing that, get stuffed.  Eat you own damn food and stop complaining about us photoing ours, you idiot.  And they’d be right.  And you’d know it.

Monday June 19 2017

Indeed:

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The date I did the photo is on the bus.  The place is just past the 507 bus stop at the top end of Horseferry Road, which I go past on my way to the nearest tube station.  I cropped the photo a little, but was careful to include the flowers.

Whenever I see Chinese looking couples getting married in London, having a marriage photo-session, I take all the photos I can, of them and of their photoer.  The above is a nice variation on that theme, I think.  If there’s no photoing going on, the next best thing is an interesting vehicle.

Not much today.  Too hot.  Hot indoors.  Even hotter out of doors.  So, stayed indoors.  Mostly next to my big old computer, and its fan-stroke-fan-heater.  But at least I wasn’t running around getting even hotter.

Sunday June 18 2017

Yes, time for another collection of photoer photos, taken by me a decade and more ago.

Usually, if anything on a camera twiddles, it’s just the screen.  But there was a brief moment, just over a decade ago, when a tiny few cameras had lenses that twiddled.  The thinking presumably being that by storing a lens at right angles to its position when in action, a more powerful, because much longer (or maybe that should be deeper), lens could thus be deployed.

Here are eighteen photoers using such cameras.  That sounds like a lot, but it represents pretty much all of the photoers armed with this particular sort of camera that I managed to photo, ever.  Barring a very few that I missed when trawling through my voluminous photo-archives.

The idea never really caught on.

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There seem to be four basic models involved.

These are: the Nikon Coolpix 995, the Nikon Coolpix S4, the Nikon Coolpix SQ, and the Kyocera Finecam SL300R.  Everyone shown above seems to be using a variant of one of those three models.

What the mobile phone (I think) in the penultimate photo is, I do not know.

Perhaps someone can explain to me why such devices never caught on.  I would have thought that, then and now, this design or something like it would enable you to fit a lot more photographic bang into your pocket than would be possible otherwise, in cameras where the lens and the processing are all done in the one untwiddling and hence photographically very thin object.

I suppose another way of phrasing the same question would be: How the hell do the cameras in phones work, and work so well, what with them being so thin?

Saturday June 17 2017

I just did a posting at Samizdata about the flypast over London today, that went with the Trooping of the Colour.  That I photoed from my roof, insofar as I saw it.

I stuck up a lot of Samizdata-friendly photos there, but my favourite flypast photo was this, of a couple of planes seen through some foreground roof clutter:

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You may say: not very remarkable.  But I say: this is not the kind of thing I usually see from my roof when I go up there with my camera.  For me, this is remarkable.

Friday June 16 2017

It feels hard to write about anything else in London, other than that towering inferno.  This story will run and run, because it partakes of both genuine emotions of the strongest sort, and politicians and media people eager to fan the flames.  What happened?  Who exactly has died?  Whose fault was it?  You can’t blame the media.  Their job is to tell true stories, and this is one hell of a true story.

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Daily Mirror story about a barking dog.

Politically, if you had tried to hand-craft a disaster calculated to do the most possible damage to the Conservative government, and to most encourage what now seems to be a rising tide of Corbynism, you could hardly have done it more perfectly.  Those political people who are now fanning the flames are filled with passionate moral self-confidence.  How on earth the long-term politics of all this will pan out, I have no idea.

Would a Corbynite government really turn Britain into Venezuela?  Probably not, but why take the chance?  That’s what I say.  But will enough of my fellow Brits agree with me, when the time to say comes round again?  As of now, it feels like: no.

Oh well:

Spero infestis metuo secundis.

6k liked that too.

Wednesday June 14 2017

In the movie of that name, the inmates were all rich and glamorous.  Well, they would be, they were played by movie stars.  And the fire spread slowly enough to last for a whole movie.

This tower contained mere people, and the flames spread very quickly, like … wildfire.

I presume that the social media are ablaze with images of this tower, but for me, being the age I am, it’s the Evening Standard that really brings these sorts of things home:

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As you can see, they originally went with “Inferno”, but later changed it to the more politically charged “Death Trap”.  On the telly, the story was already developing, along the lines of: they were warned.  But they did nothing.

The Evening Standard story so far.

Tuesday June 13 2017

Indeed:

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According to Laura Gibbs, this translates from Latin into this:

I am hopeful in times of danger; I am fearful when things are going well.

I love the internet.  Before the internet I would have seen this, been momentarily baffled, and would have forgotten it at once.  Now I photo it and later I learn what it means.  I then blog it and only then do I forget about it.

The building that proclaims this wisdom is now the Milestone Hotel.

Monday June 12 2017

Today I was part of a impressively numerous gang of friends and family who attended GodDaughter 2’s end of third year recital, at the Royal College of Music.

The RCM, seen from outside the Royal Albert Hall, looks like this:

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This photo was taken from just beyond the statue of Prince Albert outside the Royal Albert Hall, to the south of it.  By most standards, this statue is pretty imposing, but it is a miniature compared to the vastly bigger Royal Albert Memorial, which is to the north, the other side of Kensington Road, in Hyde Park.

After GD2’s recital, we went out and celebrated.  We ate.  We drank.  We photoed each other.  I photoed us photoing each other.  And I also took a few dozen photos in and around the RCM and its various Albert memorials, both before and after the recital.  More of that may follow (although I promise nothing).

For now, I’ll just say that although it is very hard to be objective about a person whom I have known since she was about four or some such tiny age, GD2, who is a mezzo-soprano, really seems like she is going to be the real deal.  Her voice gets stronger and more expressive, and her command of it more impressive, every time I hear her.

GD2 herself is not in the slightest bit strange, but when singing, she does strange, wonderfully.  Her performances of two of the songs from Day Turned Into Night by Iain Bell were particularly fine.  These songs feature Queen Victoria describing the life and death of – you’ve guessed it – Prince Albert.  The two that GD2 sang are very strange indeed.

Sunday June 11 2017

Indeed:

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Click on that sliver of horizontality to see the building in question.

No doubt this has already received much www attention.  And now, I attend to it.  Photos taken by me, outside Hampton Wick Overground Station, yesterday.

The graffiti in the Hampton Hackney Wick and surrounding areas is dispiritingly ubiquitous.  I prefer the way my part of town handles graffiti, which is for it all to happen in a tunnel.

Friday June 09 2017

Photoed by me in Leake Street, a week ago:

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I have no idea what most of the stuff in this photo is about, but the Theresa Who? bit certainly looks like happening pretty soon.

Thursday June 08 2017

Yes, Jamie Bartlett spoke to Libertarian Home last night, at the Two Chairmen, Dartmouth Street, London SW1, and I was very impressed.  So impressed that this morning, I went to this much bother:

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Click on any of those little squares and get to the bigger picture.  They all look much the same to me, apart from the first two.  If you want to make further use of any of them, further use away.  If you would like a larger original version of any of these photos, get in touch.

The thing is, I took lots of photos of Jamie Bartlett, as he spoke.  Normally, most of such pictures would be a blur, but just like me, my camera really liked this guy, and almost always focussed amazingly well, considering the deeply unhelpful lighting that always seems to prevail at these talks, with the wall behind perfectly lit but the face of the speaker in near darkness.  But all cameras these days see better than humans do, so no worries about that.

Bartlett told a few stories about successful radicals of his acquaintance, which are also told in his book Radicals, which I will definitely be reading in the near future.  I prefer paperbacks to hardbacks because they weigh less and take up less space, but I may not be willing to wait until Jan 2018 for the paperback version of this book.

Going by what he said last night, the radicals he writes about are people who use their media savvy to turn hitherto rather somnolent movements into media circuses, thereby waking up and alerting the wider world to these movements.

I am not surprised that amazon reviewers wrote about what a good read this book is.  Jamie Bartlett is definitely a very engaging and thoughtful speaker.  Hewas late arriving, on account of buzzing around Europe speaking to lots of other people, but he was well worth the wait.  And because of this delay I got to do some enjoyable LH socialising.

My thanks and admiration to LH’s Simon Gibbs, for organising this excellent event.

Wednesday June 07 2017

Last Saturday, I walked from Waterloo to the City, but stopped by at Tate Modern to have another look at the views from the top of the Tate Modern Extension.  But I have learned that the things to be seen within the space at the top there can also be quite striking:

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Click to get the bigger original picture.

That’s all for today.  Tomorrow, I will try (although I promise nothing) to do something rather more substantial.

Monday June 05 2017

A few hours after I took this photo (and not before all the latest terrorist dramas that were happening on the other side of the river (which I later crossed)), I took this photo, outside the Bank of England:

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This combines four things that interest me.

First, most obviously, it is a photo of an unusual means of transport.  Rather confusingly, this contraption had “PedalBus.com” written on it.  But when you type that into the www, you get redirected to pedibus.co.uk.  Where you also discover photos of contraptions with “PedalBus.com” on them.  Very confusing.

Second, the persons on the pedibus/PedalBus are making a spectacle of themselves.  People who make a spectacle of themselves are not entitled to anonymity, or not at this blog.  Photoers going about their photoing business do, mostly, get anonymity here.  But people yelling drunkenly, albeit goodnaturedly, and striking dramatic attitudes when I photo them, not.

Third, I like these downward counting numbers on the pedestrian light bits of traffic lights, which London apparently got from New Zealand.  (Blog and learn.) Very useful.  I like to photo them, preferably in combination with other interesting things.  Score.  Score again, because there is not just one 7 in this photo, there are two 7s.  This particular time of the day, just when it is starting to become dark, is the best time to photo these numbers.

And fourth, I am becoming increasingly interested by London’s many statues, as often as not commemorating the heroes of earlier conflicts.  I think one of the things I like about them is the sense of a very particular place that they radiate, just as the more showoffy Big Things do, but even more precisely.  They thus facilitate meeting up with people.  “In front of the Bank of England” might prove too vague.  “Next to Wellington” pins it down far more exactly.

The Wellington statue makes a splendid contrast with the pedi/PedalBussers.  Wellington is Wellington, seated on his horse (Copenhagen presumably), very dignified and patrician.  And the peddlers are the kind of people he commanded in his battles.

I don’t get why this statue is in front of the Bank of England.  Why isn’t there a Wellington statue at Waterloo?