Brian Micklethwait's Blog
In which I continue to seek part time employment as the ruler of the world.Home
Rocco on Milo Yiannopoulos
Tatyana on Four towers joined together by two bridges
Patrick Crozier on Peter Foster on Robert Owen
Brian Micklethwait on Filling in a Meaningless Triangle near Kensington High Street tube
Alastair on Filling in a Meaningless Triangle near Kensington High Street tube
loony sports on Standing on boxes to interview Irfan
Brian Micklethwait on Standing on boxes to interview Irfan
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MarkR on Couple photoing their own shadows
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Most recent entries
- Fantasy Vauxhall Bridge with lots of glass
- Matt Ridley on Epicurus and Lucretius
- Coloured lights in bottles outside the RFH
- Avian Friday
- New chairs
- Milo Yiannopoulos
- Four towers joined together by two bridges
- Peter Foster on Robert Owen
- Quota Bald Blokes and Big Ben
- Less heat and more light
- Antoine Clarke on herding drunk cats
- Antony Flew on the Terrors of Islam
- Bell end?
- Couple photoing their own shadows
- Standing on boxes to interview Irfan
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6000 Miles from Civilisation
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Adventures in Capitalism
Alex Ross: The Rest Is Noise
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Antoine Clarke's Election Watch
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Chase me ladies, I'm in the cavalry
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Counting Cats in Zanzibar
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Category archive: Video
Last night I did a posting at Samizdata about Milo Yiannopoulos.
Until today, when I dug him up on YouTube, I didn’t even know what nationality this guy is. American would have been my guess, but basically I didn’t know, although I did learn yesterday what he looks like. But for me he was basically a name, that I couldn’t spell.
Turns out he’s British. Very British. Who knew? Everybody except me, presumably. Blog and learn.
I asked for the opinions of Samizdata commentariat, and got some. I don’t know why, but I expected more variety in these responses, more doubts, more reservations. Actually, the Samizdata commentariat has, so far, been uniformly approving of this guy.
Now I’m listening to him babble away, and it turns out that, being a libertarian and an atheist, I’m “touchy” - meaning oversensitive about being criticised - times two. As a libertarian I’m obsessed with marijuana and with computer hacking. (Actually: No, times two.) As an atheist, well, it turns out I dress stupidly. (Yes. True.) He does love to wind people up, which he does by saying slightly untrue and quite funny things. He’s like that classic old Fleet Street type, the Opinionated Female Columnist, whose job is to overgeneralise in ways that are quite popular and pile up the readers, and to make the Outraged Classes really really outraged, and who eventually gets … old.
I’m starting to think he may soon be a bit of a has been. But, at least he now is.
I think the article that I linked to from Samizdata may have been a peak. It is truly brilliant.
What I do like is his interest in the tactics of how to spread ideas, how to win arguments, how to be able to make arguments despite the efforts of people who want nothing except to shut him up, by saying things that shut them up.
This is a hastily drawn illustration of a characteristic urban phenomenon of the late twentieth century, namely: the Meaningless Triangle:
The blue lines are the edges, aka the curbs, of two city streets, which, for reasons lost in history, meet each other at an angle.
The black lines are are piece of Modern Movement type Modern Architecture, circa 1970, made of grey concrete, with big, boring windows. Something like an office block or a department store. The Meaningless Triangles are the pink bits.
In the days of Modern Movement type Modernism, architects were obsessed with making everything rectangular, which explains that jagged, saw-like edge to the big Modern Movement type building, at the bottom of my diagram. In order for the building to be in line with one of the streets, it has to be at an angle to the other street, because the streets are not themselves at right angles.
So, why not just have wall to the building that are not at right angles? This is what is done now. Why not then?
There are many reasons. One is that doing this kind of thing, in the days before computers, was a bit difficult. But more fundamentally, right angles were, you know, Modern. Only the despised higgledy-piggledy Past had walls at crazy angles.
More fundamentally, Modern Movement architecture was not so much about building a mere building, as about building a small fragment of a potentially infinite urban grid. In a perfect world, the Modern Movement type building would not stop at the boundaries of the site. It would instead stride madly off in all four directions, covering the whole earth in a single rectangular grid. You think that’s mad? Sure it’s mad. But this was how these people thought, in those days. Hey really did publish schemes to cover the entire world with just the one new building, and smash all the others.
The boundaries of the site were an affront to the building. The building did not end gracefully and decorously at the boundary, and then show a polite face to the world. No. It merely stopped, as gracelessly and rudely as possible, and in a manner which threatened to go bashing on, just as soon as a socialist upheaval (preferably worldwide) could clear all the higgledy-piggledy crap of the past out of the way. In a perfect world, there would be no boundaries, no property rights. No arbitrary lines where one bit of “property” stops and another bit starts. Oh no. All would be owned by the People in Common, and our architect is the instrument of the People in Common, and supplies tham all, all I say, with a new and infinitely huge new building.
I know, insane. Don’t blame me. I’m just telling you what these lunatics were thinking.
Luckily, the higgledy-piggledy old world kept these maniacs under control. They had to stop their damn buildings at the edge of the site. If they had tried to bash on beyond the site, they’d have been arrested. But, they could make the ragged edge of the building look as ragged and ugly as they liked, and they did.
Hence all the Meaningless Triangles.
If you want to hear me talking about the above, go to this video, of me giving a talk about Modern Architecture, and start watching at 41 minutes.
What got me blogging about Meaningless Triangles was that I recently, in the course of wandering through my photo-archives, came across this photo:
What we see there is a very meaningful building, built to fill in a Meaningless Triangle. As I recall, this is a few dozen yards from the entrance to Kensington High Street Tube station. Yes, I just found the Caffe Nero in Wrights Lane, near that very tube station. That’s the one. I took my photo of it in 2010.
Later on, in Richmond, still beside the river, but upstream, practically in the country, I espied a cat. Here is the context, and the cat:
In other cat-related news, 6k did a cat-related posting for me to link to last Friday. He mentioned me in the first line, and then showed one of my photos, but I only realised that there was cattery later in the posting too late for last Friday so I had to wait a week. He went on to mention that video of that giant white fluffy Goodie stroke James Bond villain kitten attacking the BT Tower. Said 6k:
Yes. Kittens were huge (literally) in popular culture, even before the internet was around.
And if Brian reads this before the end of the day, he’s got a lovely Feline Friday tie-in opportunity with his post from yesterday.
Better a week late than never. (There is also a cat connection in this posting, which is about the head of another sort of big cat.)
6k is taking a bit of a break, or so he says. I’ll still keep checking in, just to see. “For personal reasons”. Ah yes, there are lot of those about, rampaging the earth, closing blogs and generally causing havoc. Me, I try to avoid having personal reasons.
Another favourite blogger of mine features more cattery here, in the form of East End high end graffiti.
6k writes about a Fairly epic disaster video:
Cranes and bridges. I know who’ll like this one…
That would be me.
But it’s not a happy crane and bridge video. It’s a bit of a disaster…
So I watched the video, and then read 6k’s commentary underneath it, in that order. 6k’s commentary described my sentiments exactly:
Look, because of the title of this post and the title of the video, you know that things aren’t going to end well. But it’s the way things happen almost in slow motion and the lack of any sort of discernible panic that makes this so entertaining.
So slo-mo was it that I checked that the people moving about as this was happening were moving at a realistic speed. They were. Which meant that the cranes really did descend this slowly. It was almost like when the Twin Towers collapsed, in that way if in no other way.
I’m not good at putting up videos here, so you’ll have to follow the link at the very top of this to watch this video. However, this disaster having been videoed at the time, there was no way the www was not going to supply follow-up stills of the resulting wreckage, and here is an aerial snap that I quickly found, which tells that story very well:
Click on that picture to get it bigger. Follow the link above if you want to see where I found it.
I’m guessing (only guessing mind) that the fact that the cranes were on a boat may have been the straw that caused the camels to fall over onto those houses.
Commenter number one there spells it out, and he says that the water aspect of things was more like a bale of straw:
There is an example of this exact situation in the maritime crane operation safety textbooks. Obviously, they didn’t read those.
Here’s a quick list of safety violations:
1) None of the vehicles were secured on the decks
2) Barges stability was not ensured in any way
3) The cargo was not stabilized from swinging & windage by lines
It’s easy to sneer about how hindsight is easy, blah blah. But this guy sounds like he might have been able to stop this, had he been directly involved.
That’s not my punctuation. That’s their punctuation:
This is sort of a wedding photo, in the sense that I took it just before the wedding of Ayumi and Richard, last Saturday, just outside the Church, where there is a market.
There was nobody manning this particular stall, selling miniature pub signs. And I have a rule about signs that say No Photos, or for that matter No Photo’s. That rule is: I take a photo of all such signs that I encounter. Their rule: No Photos. My rule: Photo of their rule.
I’m guessing that what they mean by a photo is a carefully composed photo of just one of these signs, so I don’t believe that, in the unlikely event that they find out about me posting this photo here, they’ll care. Besides which, maybe they have discovered that if they exhibit all their signs for sale, and stick “Sorry! No Photo’s!” in among them, they get free publicity from photographers like me.
I didn’t really compose the shot. I just grabbed it, on my way into the wedding. But I do like how it says “Queen Vic” and then “England”, right at the top. And, top left: “London”.
This had to go up today, because as you can see, cats are involved. And my rule about sometimes having stuff here about cats on Fridays has mutated in my head into a rule that says that I may only mention cats on Fridays, otherwise they’d overrun the entire blog.
Speaking of cats, I also recommend this video, which I found when I visited, after long absence, Norman Lebrecht’s site, this morning.
And: An actual exhibition about cats and the internet, just opened in New York.
This one (number 9) is among the most vivid:
What (I think) makes this such a remarkable image is that, by showing how totally the cars have all been wrecked, the nature of what hit them is, as it were, permanently recorded, the way it might not have been registered by mere empty ground. And because they are cars rather than buildings, each one a regular and very small distance from the ground, every ruined car is clearly visible, the way wrecked buildings might not have been. It’s as if each car is a fire-sensitive cell, like digital cameras have inside them for nailing down light.
Fireball. Nothing else could have done that.
However much the government of China and its various offshoots and local manifestations might have wanted to keep this amazing event under wraps, modern media, including digital photography, still and video, meant that they had no chance.
Following along from these pictures of earlier-than-now digital cameras, I have been doing further trawling through my photo archives, looking for weird old cameras in the hands of people wandering around the tourist spots of London, which typically, for me, then and now, means Westminster Abbey, Parliament Square, Westminster Bridge, and then along the South Bank. And with this, I thought, I had struck gold. This, I thought, from outside Westminster Abbey, nbjh is the weirdest camera of them all:
I took that picture, which I have somewhat cropped in order to eliminate the face of the man holding this contraption, on October 29th 2006. At first I thought that this camera was a very ancient digital camera, for doing still photos. A … well, a camera. But after a little googling (that the company that made this thing is called “Sharp” was no help at all) I now learn that it is a Sharp Video8 8mm Video Camcorder Player Playback Hi8 Camera, or something a lot like that.
Whatever that is. I have no real clue. Does it mean that it is pre-digital, and that it records pictures on film?
The internet was very coy on the subject of what this thing actually is, and even more coy about when it was first on sale. I myself have absolutely no idea, and would welcome enlightenment from any commenters inclined to supply it.
Today, from an advert in Shoreditch High Street, I learned of a game which is new to me …:
… Zorb football. As I have already told you, in the heading of this.
The website in the picture.
Video of people playing Zorb football.
The tackling reminds me of this.
Last night I went awandering along the river, as I so often do, and outside that excellent (even though it’s fake) Globe Theatre, I saw all this:
As you can see, I concentrated on the guy with the very, very complicated camera. And I post pictures of him here, entirely recognisable ones, because, frankly, what he was doing was performing in public, just like the people he was filming or videoing or photoing or whatever it was that he was doing, “digital filming” being my preferred guess. He was smiling (1.3 - top row right). He was part of it. And there was a big crowd watching all this. He reminded me a bit of the guy who fronted this excellent TV show. But the funny thing is, because he was clearly enjoying himself so much, I can’t tell if this guy is a Real Photographer, or an amateur much like me, who has merely hired a Real Camera.
The event, according to snatches of conversation that I happened to hear, was some kind of charity do. The queue contained many rich-looking couples dressed to the nines. And the camera man was busily immortalising everything.
What go me posting all these pictures, just like old times here, was partly the sheer pleasure involved in doing something really complicated with Glorious Godot, so fast and so solid (such a contrast with wade through sewage little Judas). And partly it was picture 3.3, middle row on the right. I love that pose, like he’s crapping by the roadside when on a really awkward holiday in an awkward country, except that obviously he’s not doing that. So, what is he doing? The fact that we cannot see his camera means it all needs explaining, and I thought, well, better put in another picture to show what he was actually doing, and then I couldn’t choose, and then I thought … this will be easy with Godot and there you go.
I still have lots of catching up to do, so what shall I do tonight? I know I’ll go to a Barbecue at Chateau Samizdata. Which they invited me to. I didn’t just ring up and say I was coming round and would be using their barbecue.
This posting is not so much me passing on advice as me seeking to solidify some ludicrously overdue advice from me to myself, about how to photograph speakers.
Don’t try to do it when they’re speaking.
Last night I took about two dozen photos of Dominic Frisby, who was address the Libertarian Home crowd at the Two Chairmen pub in Westminster. Almost all these photos were useless. This was because Frisby was talking, and when people talk, they move. The indoor light was very scarce, so the slightest motion meant a blur, and a succession of blurs was accordingly all that I got. My only photographic successes during the Frisby talk were when I switched my attention to the people listening to him. They were keeping still.
People like Richard Carey:
I think Rob clocked me, don’t you?
The only half-decent Frisby photos I got were during the Q&A, when, just like the two persons featured above, he too was listening rather than talking:
Doesn’t he look adorkable.
As to what Frisby said (on the subject of Bitcoin), well, it was all videoed, although the video camera was being hand-held, as this further snap of Richard Carey, helping out with that, illustrates:
I include that snap also because of the John Lilburne reference, Lilburne being a man whom we libertarians should be bigging up every chance we get.
Finally, a book photo. On account of Frisby’s talk beginning a few minutes earlier than I had been expecting it to, I arrived a few minutes late, and the only seat I could find was the one with Frisby’s books on it, which he had presumably earlier been sitting at. That explains the odd angle of this photo:
Both books highly recommended. More about Frisby by me (+ further links) in this Samizdata posting. In this I mentioned that Frisby was working on a Bitcoin book. As you can see, that book has now materialised.
It helps that books, like people who are listening, or for that matter doing photography, and unlike people who are talking, do not move.
I like cricket. And I like drones. But which is best?
There’s only one way to find out. Fight.
Actually, all the drone did there was hover, waiting to be clobbered, which, a minute and a half in, it duly was, by Chris Gayle.
What I want to see is a game where drones fight against each other. Or a war. Either would do.
Or, perhaps a demo.
Incoming from Michael Jennings:
Truly, that’s a glorious headline.
Indeed it is:
The drone was not hostile. It was part of the show, as was Iglesias attempting to handle it. It was just that it all went rather wrong:
“During the show a drone is used to get crowd shots and some nights Enrique grabs the drone to give the audience a point of view shot,” the statement read. “Something went wrong and he had an accident. He decided to go on and continued playing for 30 minutes while the bleeding continued throughout the show.”
Iglesias was semi-treated immediately after the accident.
Definitely a future trivia question in a pop quiz. But the worst that could have resulted from this would have been a couple of missing Iglesian fingers. This ("NY-bound plane nearly collides with drone, FAA says") could have ended far more grimly.
There will be many, many more drone dramas. They are colossally useful, and accidents buzzing around begging to happen.
The video at the other end of that link sells the drone as being fun for tourists. But I now surmise that the first great impact of drones on economic life is now already happening, in agriculture, in the bit of it where a tiny number of people manage vast acreages of agricultural land, and where a tiny increase in productivity is worth millions. These people already have an entire industry of small airplanes doing things like crop dusting, which is a very ungainly process but still already well worth doing. Imagine the benefits of being able to do that and much more, at virtually zero cost. You could plant the crop. Spray the crop. Keep and eye on the crop. Only the actual digging up of the crop, or whatever it is you have to do to crops, would still involve a bit of old school work.
I just googled “drones in agriculture”, and then clicked on Images. Wow.
Drones are a bit like 3-D printing, as a technology. There is much talk of mere humans doing it for fun, in their homes (3-D printing) or while out and about having fun (drones) but the real impact of poth these technologies is in niche markets, where specialists are doing things that have long been done, but quicker, better, cheaper, and by-and-by doing things in their line of business that were never before doable. Drones, for instance, will make a lot of land farmable that was not farmable before.
I have always believed that the core skill of my generation, watching television, would end up having huge economic impacts.
Yes, they aren’t playing any squash today. It’s been rugby rugby rugby all the way.
First Wales knocked up a cricket score against Italy in Rome, and took the lead in the three-way race for the Six Nations. Then Ireland thrashed Scotland and took pole position. Now England and France are playing a mad game at Twickenham. At the moment it’s England 48 France 35. How mad is that? It probably won’t be enough, but England are giving it a right old go. England need about two more tries, I think, and since France are also scoring tries every so often, even that might not be enough. But. Five minutes to go, and England have just scored another try. 53-35. Bloody hell. This conversion has to go over. Then they have to score another try and convert that. Conversion over. 55-35. It’s on. It all has the air of been too frantic and unreal to work. But, maybe.
Trouble is, I’ve got a terrible headache and bunged-up face, and am in almost no state at all to enjoy it all. Maybe too much Parma ham at Christian Michel’s last night? That or the cheap white wine. But, I have most of it on video.
Game nearly over. England need one more try off, basically, the last play of the match.
No. England attacking but France hold out. Whistle. 55-35. Epic fail. But epic in a good way.
Wales were favourites after their big win in Rome, but they now have to make do with the bronze. Ireland win it. England second. A great day.
For all his joie de vivre, Jardine is a master drone builder and pilot whose skills have produced remarkable footage for shows like Australian Top Gear, the BBC’s Into the Volcano, and a range of music videos. His company Aerobot sells camera-outfitted drones, including custom jobs that require unique specifications like, say, the capacity to lift an IMAX camera. From a sprawling patch of coastline real estate in Queensland, Australia, Jardine builds, tests, and tweaks his creations; the rural tranquility is conducive to a process that may occasionally lead to unidentified falling objects.
Simply put, if you’ve got a drone flying challenge, Jardine is your first call.
So, Mr Jardine is now flying his flying robots over volcanoes. There are going to be lots of calls to have these things entirely banned, but they are just too useful for that to happen.
When I was a kid and making airplanes out of balsa wood and paper, powered with rubber band propellers, I remember thinking that such toys were potentially a lot more than mere toys. I’m actually surprised at how long it has taken for this to be proved right.
What were the recent developments that made useful drones like Jardine’s possible? It is down to the power-to-weight ratio of the latest mini-engines? I tried googling “why drones work”, but all I got was arguments saying that it’s good to use drones to kill America’s enemies, not why they are now usable for such missions.