Brian Micklethwait's Blog
In which I continue to seek part time employment as the ruler of the world.Home
Patrick Crozier on Shiny little Aston Martin
Mike on Swarm Manned Aerial Vehicle Multirotor Super Drone
Vitrier Gujan-Mestras on Designing and building with glass
Brian Micklethwait on The wait continues
MarkR on The wait continues
Brian Micklethwait on An old American car in Tottenham Court Road
Sam Duncan on An old American car in Tottenham Court Road
6000 on London Biggin Hill "Jet Centre"?
6000 on William Hague on the collapse of the centre left
Brian Micklethwait on William Hague on the collapse of the centre left
Most recent entries
- Here begins the Essex Way
- Glass Build white van
- BT Tower with cranes
- Shiny little Aston Martin
- On packaging – and on the need to chuck it out
- View of the footbridge - view from the footbridge
- Juliet Barker on Knights of Old: A lot of history in one paragraph
- Crane on fire
- I was photoing white vans in February 2007
- Early thoughts on the Rugby World Cup
- What’s this?
- Tricycle transport
- Marmite crisps are back!
- Dark Satanic Millbank Tower
- A day in BMdotcom heaven (4): A tale of two penultimate overs
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6000 Miles from Civilisation
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This and that
Category archive: Video
6k writes about a Fairly epic disaster video:
Cranes and bridges. I know who’ll like this one…
That would be me.
But it’s not a happy crane and bridge video. It’s a bit of a disaster…
So I watched the video, and then read 6k’s commentary underneath it, in that order. 6k’s commentary described my sentiments exactly:
Look, because of the title of this post and the title of the video, you know that things aren’t going to end well. But it’s the way things happen almost in slow motion and the lack of any sort of discernible panic that makes this so entertaining.
So slo-mo was it that I checked that the people moving about as this was happening were moving at a realistic speed. They were. Which meant that the cranes really did descend this slowly. It was almost like when the Twin Towers collapsed, in that way if in no other way.
I’m not good at putting up videos here, so you’ll have to follow the link at the very top of this to watch this video. However, this disaster having been videoed at the time, there was no way the www was not going to supply follow-up stills of the resulting wreckage, and here is an aerial snap that I quickly found, which tells that story very well:
Click on that picture to get it bigger. Follow the link above if you want to see where I found it.
I’m guessing (only guessing mind) that the fact that the cranes were on a boat may have been the straw that caused the camels to fall over onto those houses.
Commenter number one there spells it out, and he says that the water aspect of things was more like a bale of straw:
There is an example of this exact situation in the maritime crane operation safety textbooks. Obviously, they didn’t read those.
Here’s a quick list of safety violations:
1) None of the vehicles were secured on the decks
2) Barges stability was not ensured in any way
3) The cargo was not stabilized from swinging & windage by lines
It’s easy to sneer about how hindsight is easy, blah blah. But this guy sounds like he might have been able to stop this, had he been directly involved.
That’s not my punctuation. That’s their punctuation:
This is sort of a wedding photo, in the sense that I took it just before the wedding of Ayumi and Richard, last Saturday, just outside the Church, where there is a market.
There was nobody manning this particular stall, selling miniature pub signs. And I have a rule about signs that say No Photos, or for that matter No Photo’s. That rule is: I take a photo of all such signs that I encounter. Their rule: No Photos. My rule: Photo of their rule.
I’m guessing that what they mean by a photo is a carefully composed photo of just one of these signs, so I don’t believe that, in the unlikely event that they find out about me posting this photo here, they’ll care. Besides which, maybe they have discovered that if they exhibit all their signs for sale, and stick “Sorry! No Photo’s!” in among them, they get free publicity from photographers like me.
I didn’t really compose the shot. I just grabbed it, on my way into the wedding. But I do like how it says “Queen Vic” and then “England”, right at the top. And, top left: “London”.
This had to go up today, because as you can see, cats are involved. And my rule about sometimes having stuff here about cats on Fridays has mutated in my head into a rule that says that I may only mention cats on Fridays, otherwise they’d overrun the entire blog.
Speaking of cats, I also recommend this video, which I found when I visited, after long absence, Norman Lebrecht’s site, this morning.
And: An actual exhibition about cats and the internet, just opened in New York.
This one (number 9) is among the most vivid:
What (I think) makes this such a remarkable image is that, by showing how totally the cars have all been wrecked, the nature of what hit them is, as it were, permanently recorded, the way it might not have been registered by mere empty ground. And because they are cars rather than buildings, each one a regular and very small distance from the ground, every ruined car is clearly visible, the way wrecked buildings might not have been. It’s as if each car is a fire-sensitive cell, like digital cameras have inside them for nailing down light.
Fireball. Nothing else could have done that.
However much the government of China and its various offshoots and local manifestations might have wanted to keep this amazing event under wraps, modern media, including digital photography, still and video, meant that they had no chance.
Following along from these pictures of earlier-than-now digital cameras, I have been doing further trawling through my photo archives, looking for weird old cameras in the hands of people wandering around the tourist spots of London, which typically, for me, then and now, means Westminster Abbey, Parliament Square, Westminster Bridge, and then along the South Bank. And with this, I thought, I had struck gold. This, I thought, from outside Westminster Abbey, nbjh is the weirdest camera of them all:
I took that picture, which I have somewhat cropped in order to eliminate the face of the man holding this contraption, on October 29th 2006. At first I thought that this camera was a very ancient digital camera, for doing still photos. A … well, a camera. But after a little googling (that the company that made this thing is called “Sharp” was no help at all) I now learn that it is a Sharp Video8 8mm Video Camcorder Player Playback Hi8 Camera, or something a lot like that.
Whatever that is. I have no real clue. Does it mean that it is pre-digital, and that it records pictures on film?
The internet was very coy on the subject of what this thing actually is, and even more coy about when it was first on sale. I myself have absolutely no idea, and would welcome enlightenment from any commenters inclined to supply it.
Today, from an advert in Shoreditch High Street, I learned of a game which is new to me …:
… Zorb football. As I have already told you, in the heading of this.
The website in the picture.
Video of people playing Zorb football.
The tackling reminds me of this.
Last night I went awandering along the river, as I so often do, and outside that excellent (even though it’s fake) Globe Theatre, I saw all this:
As you can see, I concentrated on the guy with the very, very complicated camera. And I post pictures of him here, entirely recognisable ones, because, frankly, what he was doing was performing in public, just like the people he was filming or videoing or photoing or whatever it was that he was doing, “digital filming” being my preferred guess. He was smiling (1.3 - top row right). He was part of it. And there was a big crowd watching all this. He reminded me a bit of the guy who fronted this excellent TV show. But the funny thing is, because he was clearly enjoying himself so much, I can’t tell if this guy is a Real Photographer, or an amateur much like me, who has merely hired a Real Camera.
The event, according to snatches of conversation that I happened to hear, was some kind of charity do. The queue contained many rich-looking couples dressed to the nines. And the camera man was busily immortalising everything.
What go me posting all these pictures, just like old times here, was partly the sheer pleasure involved in doing something really complicated with Glorious Godot, so fast and so solid (such a contrast with wade through sewage little Judas). And partly it was picture 3.3, middle row on the right. I love that pose, like he’s crapping by the roadside when on a really awkward holiday in an awkward country, except that obviously he’s not doing that. So, what is he doing? The fact that we cannot see his camera means it all needs explaining, and I thought, well, better put in another picture to show what he was actually doing, and then I couldn’t choose, and then I thought … this will be easy with Godot and there you go.
I still have lots of catching up to do, so what shall I do tonight? I know I’ll go to a Barbecue at Chateau Samizdata. Which they invited me to. I didn’t just ring up and say I was coming round and would be using their barbecue.
This posting is not so much me passing on advice as me seeking to solidify some ludicrously overdue advice from me to myself, about how to photograph speakers.
Don’t try to do it when they’re speaking.
Last night I took about two dozen photos of Dominic Frisby, who was address the Libertarian Home crowd at the Two Chairmen pub in Westminster. Almost all these photos were useless. This was because Frisby was talking, and when people talk, they move. The indoor light was very scarce, so the slightest motion meant a blur, and a succession of blurs was accordingly all that I got. My only photographic successes during the Frisby talk were when I switched my attention to the people listening to him. They were keeping still.
People like Richard Carey:
I think Rob clocked me, don’t you?
The only half-decent Frisby photos I got were during the Q&A, when, just like the two persons featured above, he too was listening rather than talking:
Doesn’t he look adorkable.
As to what Frisby said (on the subject of Bitcoin), well, it was all videoed, although the video camera was being hand-held, as this further snap of Richard Carey, helping out with that, illustrates:
I include that snap also because of the John Lilburne reference, Lilburne being a man whom we libertarians should be bigging up every chance we get.
Finally, a book photo. On account of Frisby’s talk beginning a few minutes earlier than I had been expecting it to, I arrived a few minutes late, and the only seat I could find was the one with Frisby’s books on it, which he had presumably earlier been sitting at. That explains the odd angle of this photo:
Both books highly recommended. More about Frisby by me (+ further links) in this Samizdata posting. In this I mentioned that Frisby was working on a Bitcoin book. As you can see, that book has now materialised.
It helps that books, like people who are listening, or for that matter doing photography, and unlike people who are talking, do not move.
I like cricket. And I like drones. But which is best?
There’s only one way to find out. Fight.
Actually, all the drone did there was hover, waiting to be clobbered, which, a minute and a half in, it duly was, by Chris Gayle.
What I want to see is a game where drones fight against each other. Or a war. Either would do.
Or, perhaps a demo.
Incoming from Michael Jennings:
Truly, that’s a glorious headline.
Indeed it is:
The drone was not hostile. It was part of the show, as was Iglesias attempting to handle it. It was just that it all went rather wrong:
“During the show a drone is used to get crowd shots and some nights Enrique grabs the drone to give the audience a point of view shot,” the statement read. “Something went wrong and he had an accident. He decided to go on and continued playing for 30 minutes while the bleeding continued throughout the show.”
Iglesias was semi-treated immediately after the accident.
Definitely a future trivia question in a pop quiz. But the worst that could have resulted from this would have been a couple of missing Iglesian fingers. This ("NY-bound plane nearly collides with drone, FAA says") could have ended far more grimly.
There will be many, many more drone dramas. They are colossally useful, and accidents buzzing around begging to happen.
The video at the other end of that link sells the drone as being fun for tourists. But I now surmise that the first great impact of drones on economic life is now already happening, in agriculture, in the bit of it where a tiny number of people manage vast acreages of agricultural land, and where a tiny increase in productivity is worth millions. These people already have an entire industry of small airplanes doing things like crop dusting, which is a very ungainly process but still already well worth doing. Imagine the benefits of being able to do that and much more, at virtually zero cost. You could plant the crop. Spray the crop. Keep and eye on the crop. Only the actual digging up of the crop, or whatever it is you have to do to crops, would still involve a bit of old school work.
I just googled “drones in agriculture”, and then clicked on Images. Wow.
Drones are a bit like 3-D printing, as a technology. There is much talk of mere humans doing it for fun, in their homes (3-D printing) or while out and about having fun (drones) but the real impact of poth these technologies is in niche markets, where specialists are doing things that have long been done, but quicker, better, cheaper, and by-and-by doing things in their line of business that were never before doable. Drones, for instance, will make a lot of land farmable that was not farmable before.
I have always believed that the core skill of my generation, watching television, would end up having huge economic impacts.
Yes, they aren’t playing any squash today. It’s been rugby rugby rugby all the way.
First Wales knocked up a cricket score against Italy in Rome, and took the lead in the three-way race for the Six Nations. Then Ireland thrashed Scotland and took pole position. Now England and France are playing a mad game at Twickenham. At the moment it’s England 48 France 35. How mad is that? It probably won’t be enough, but England are giving it a right old go. England need about two more tries, I think, and since France are also scoring tries every so often, even that might not be enough. But. Five minutes to go, and England have just scored another try. 53-35. Bloody hell. This conversion has to go over. Then they have to score another try and convert that. Conversion over. 55-35. It’s on. It all has the air of been too frantic and unreal to work. But, maybe.
Trouble is, I’ve got a terrible headache and bunged-up face, and am in almost no state at all to enjoy it all. Maybe too much Parma ham at Christian Michel’s last night? That or the cheap white wine. But, I have most of it on video.
Game nearly over. England need one more try off, basically, the last play of the match.
No. England attacking but France hold out. Whistle. 55-35. Epic fail. But epic in a good way.
Wales were favourites after their big win in Rome, but they now have to make do with the bronze. Ireland win it. England second. A great day.
For all his joie de vivre, Jardine is a master drone builder and pilot whose skills have produced remarkable footage for shows like Australian Top Gear, the BBC’s Into the Volcano, and a range of music videos. His company Aerobot sells camera-outfitted drones, including custom jobs that require unique specifications like, say, the capacity to lift an IMAX camera. From a sprawling patch of coastline real estate in Queensland, Australia, Jardine builds, tests, and tweaks his creations; the rural tranquility is conducive to a process that may occasionally lead to unidentified falling objects.
Simply put, if you’ve got a drone flying challenge, Jardine is your first call.
So, Mr Jardine is now flying his flying robots over volcanoes. There are going to be lots of calls to have these things entirely banned, but they are just too useful for that to happen.
When I was a kid and making airplanes out of balsa wood and paper, powered with rubber band propellers, I remember thinking that such toys were potentially a lot more than mere toys. I’m actually surprised at how long it has taken for this to be proved right.
What were the recent developments that made useful drones like Jardine’s possible? It is down to the power-to-weight ratio of the latest mini-engines? I tried googling “why drones work”, but all I got was arguments saying that it’s good to use drones to kill America’s enemies, not why they are now usable for such missions.
This coming Friday I have another of my Last Friday of the Month meetings at my home in London SW1. This coming Friday is, after all, the last Friday of the month, so the logic is inexorable. Every Friday (even if the last Friday of, say, December 2014, happened to be Boxing Day, as it was) there is a Last Friday of the Month meeting at my home.
I have been having email problems, in the form of people using gmail suddenly not receiving my emails, so even if you thought you were on my list but hear nothing via email, be assured that this meeting will happen. Try emailing me (which should work) and then telling your spam filter not to reject my reply, which you will have to do despite it being a particular individual reply. I know, crazy. I hope to write more about this problem in a posting at Samizdata, Real Soon Now.
Or, if you intend coming to this particular meeting, you could leave a comment below, and I will respond saying message received and look forward to greeting you.
Anyway, this coming Friday (Feb 27), Pete Comley will be talking about inflation. He has recently published a book on the subject, which you can learn about in this posting at Comley’s website. And you can hear what Comley sounds like and a little of how he thinks by listening to this short interview with Simon Rose of Share Radio.
The thing about Comley is that he takes a long-term - very long-term - view of inflation. He began a recent talk I attended by discussing inflation at the time of the Roman Empire.
And in the long-term, there are not one but two major influences on inflation. There is, of course, the supply of money, by the powers that be who have always insisted upon supplying money. And when they make too many coins, too many bank notes or create too much bank credit, the price of regular stuff in shops goes creeping, or rocketing, up. But there is also the demand for that regular stuff. In particular, human population fluctuates. At some moments in history, population shoots up. At other times it falls, or at the very least the rate at which it increases falls. Just now, in country after country, the birthrate is falling, and that has consequences for inflation.
Before you say it, I’ll say if for you. Many simply define inflation as the first of these two processes but not the second. Inflation is what money issuers do to the money supply. A price rise caused by rising demand is simply not inflation. It is a mere price rise. Fair enough. It certainly makes sense to distinguish these two processes from each other, however hard it may be for consumers to do this when both are happening to them. And if you do that by restricting the definition of inflation in this way, then be aware that Pete Comley’s talk will be about inflation thus defined and about price rises sparked by rising demand, and for that matter about price stability caused by static demand. (He says, by the way, that we might be about to enjoy just such a period of price stability. And although you can never be sure about such things, better handling of the recent financial crisis, and we might have got there already.)
There is also the question of what causes money issuers to inflate, in the second and more restricted sense of inflation. They seem to do this more at certain historical junctures than at others. Inflation, restrictively defined, does not just cause bad economic experiences; it is itself caused, more at some times than at others.
All very interesting, or so I think. Libertarians like me tend to be quite well informed about recent monetary history and about the evils of fiat currencies, the Fed, the Bank of England, and so on and so forth. We tend to know a lot less about similar episodes in the more distant past to what he have recently experienced. In general, we are more interested in the fluctuating supply of money than in the way that population fluctuations influence prices.
Pete Comley has a small but particular soft spot for me, on account of me having been the one who drew his attention to this book about the long-term history of prices (The Great Wave by David Hackett Fischer), which seems to have had quite a big influence on his latest book, which is called Inflation Matters. It certainly does.
I kept the Samizdata posting short, and there follow a couple of paragraphs I decided not to include, because … well, I just decided not to. The posting, which was basically just saying how about this for a clever guy go and watch him was becoming too unwieldy and too full of ponderousness. So, the rest of this is me recycling my cuts here. I can’t really put what follows as a quote, but it sort of feels like maybe I should. Anyway, here we go.
There are around a dozen or more fascinating notions expounded in Thiel’s talk. One thing in particular interested me, because it is an argument that has always interested me. Extreme pessimism, says Thiel, often causes people to think that there is nothing to be done, because whatever they do is bound to fail. Very true. But extreme optimism (optimism being my preferred stance when trying to do anything) is also dangerous, because it is liable to tell you that you don’t need to do anything. Good things will happen automatically. Says Thiel: avoid both extremes. Steer a middle path. Do of a bit of both. All of which may seem very obvious to you, but I have never heard it put quite like that, and certainly not so succinctly.
Another nice and counter-consensual thing Thiel says is that failure is over-rated, because you generally only learn one of the reasons why you failed, when in fact there were probably about half a dozen.
See the early comments at Samizdata by Rob Fisher, for other bits of cleverness from this extremely clever man.
More Thiel spiel here.
First, the BMdotcom headline of the day:
These drones are being used to “monitor”, not for bombing or shooting. Nevertheless, interesting.
In other drone photography news, have a look at the new Apple Headquarters, as it takes shape. This particular movie seems to be friendly, so to speak. Apple would appear to have agreed to it. But what of drone photos and drone movies that are not so friendly?
I first realised that drones would be a big deal when I saw one (with a camera attached) in a London shop window.