Brian Micklethwait's Blog
In which I continue to seek part time employment as the ruler of the world.Home
penyaring Air on Cheap long-haul flights coming soon
Andy on Aerobots
Rob Fisher on Is 2007 old enough?
Rob Fisher on The Leaning Stonehenge Tour Bus of Salisbury
Rob Fisher on Miniature photographic fakery
Michael Jennings on The Bayeux Tapestry – the ultimate horizontalised graphic
Michael Jennings on The Bayeux Tapestry – the ultimate horizontalised graphic
Brian Micklethwait on The Bayeux Tapestry – the ultimate horizontalised graphic
Rob Fisher on The Bayeux Tapestry – the ultimate horizontalised graphic
Rob Fisher on The Bayeux Tapestry – the ultimate horizontalised graphic
Most recent entries
- How bet hedging explains the perpetual terribleness of everything
- The rise of (interest in) 3D printing
- AB mayhem
- At the top of the Monument - in 2012 and in 2007
- I said it twelve years ago
- Pete Comley talking about inflation on Friday February 27th
- Is 2007 old enough?
- January newspaper pages
- Drunkblogging a new London Big Thing
- Shadow photography (again)
- The Leaning Stonehenge Tour Bus of Salisbury
- Peter Thiel on striking a balance between optimism and pessimism and on how failure is overrated
- The Bayeux Tapestry small enough to fit in this blog
- True hearts and warm hands
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6000 Miles from Civilisation
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Category archive: Computer graphics
Yes, just back from a talk at Christian Michel’s. Didn’t drink “too much” wine, but did drink a lot, far too much to still be sober.
Cat news? You want cat news? Okay, the cat news is that lots of people have got into trouble of various sorts because they have too many cats, or killed too many cats, or something along those lines. Google “cats” news, and you can find the details for yourselves.
Meanwhile, here is news of a new Big Thing, in London:
This is the replacement for the Pinnacle.
Everyone commenting on this is angry about it. But then, everyone commenting on new Big Things is always angry. It’s ugly! It’s a joke! It’s random! It’s …
Excuse me while I eat a Sainsbury’s Basics egg bite. Several, actually.
… something else terrible!
But give it a few years, and we’ll all be complaining about how the next London Big Thing is spoiling the view of this Big Thing.
Incoming from 6k, with apologies for taking so long to post it:
Would a photo thinned to 18px in height be a record for BrianMicklethwaitDotCom?
For some idiot reason, when I first came across the big image, sideways scrollable, at that site liked to above, I couldn’t seem to manage to download the image, and gave up, hence my request. All I got was the entire page. Just now I tried it again, and succeeded at once. That kind of thing often happens with me. 6K mentioned a resizing site. But of course, resizing images is something I do all the time, with my regular photoshop-clone. My problem was not having the image file in the first place. (I now realise that I did download the image, several times. I just didn’t realise where it had gone. That also happens to me a lot.)
6k also mentions another Bayeux Tapestry sighting he recently made, of bits of it redone with Lego.
Lynn writes about English history, and recommends this book about the Norman Conquest of the eleventh century, which sounds good and which I immediately ordered from Amazon, together with this book, which also sounds good.
Lynn mentions the Bayeux Tapestry, which is apparently one of the key sources for what happened during the Norman Conquest. I knew very little about this, but the Internet answers all questions and answers most of them quite quickly. Lynn herself links to a site about a Victorian copy of the Tapestry (in Reading (I had no idea about that)), in her next posting.
It turns out that the Bayeux Tapestry is the ultimate in horizontalised (that link is to a clutch of horizontalised viaducts here) graphics, as in wide but thin top-to-bottom. It is 230ft wide. And it is 20 inches high. You want wide and thin? I do. That’s wide and thin. Here is a picture of the actual Bayeux Tapestry, as it is now displayed, that makes it look like a giant Metro advert.
In a perfect world, I would be able to find a giant long and thin graphic of the entire thing, which you could scroll through horizontally. And, guess what. It is a perfect world. Thank you note 3, here, towards the end.
Anyone know how I could shrink that down to 500 pixels wide?
At that demo a week ago today, there were, of course, and abundance of smartphones being used to soak up snaps:
And there were tablets being used as well:
But more intriguingly, and this was a first for me, I saw smartphones …:
… and tablets …:
… being used actually to demonstrate. And as you can see, I wasn’t the only one who was interested.
I’m not sure what this means. I simply note that it was happening.
Here’s a nice coincidence. There I was writing about how I went from being, in my teens, a bad pen-and-ink picture-maker to, from around 2000 onwards, a far happier digital-photographic picture maker. And here is a picture that captures that kind of metamorphosis perfectly:
It’s one of these pictures by Christoph Niemann. Niemann’s pictures bring to mind that phrase used by one of the alter egos of Barry Humphries, Barry McKenzie, who described paintings as “hand done photos”. These pictures really do only work as photos. Until they are photoed, the job is not done. But the hand-done bit is essential to what they are.
One thing about these pictures that I particularly like, apart from the basic fact that I like them, is their very favourable effort-to-impact ratio. For my taste, too much of the picture-making displayed at Colossal consists of stuff that is quite nice to look at, but which took an absurdly huge amount of time and effort to contrive. Also, there is often no logical or even meaningful connection between how the pictures are contrived and how they end up looking. So, you’ve made a table cloth out of seeds. Clever you. But, why? Niemann’s pictures answer this question perfectly.
But then again, the internet being the internet, if your elaborately pointless pictures catch people’s fancy and thousands glance at them, then I guess that, if you put in a lot of time and effort, you may well reckon than all the time and effort was worth it, especially if you had fun spending it and doing it. And of course it is digital photography that transforms a laboriously produced one-off item of visual art that took far too much time and effort to do, into a mass experience that it made sense to spend a lot of time and effort doing. But, most of these intricate sculptures and pictures at Colossal are just sculptures and pictures that were then photographed. Niemann’s pictures are real Hand Done Photos.
As for me, between being a bad pen-and-ink picture maker and an okay-to-good digital photographer, I endured a big interval during which I made hardly any pictures of any kind. My pictorial enthusiasm expressed itself in the design of pamphlets, and graphic design generally. Basically I became a desktop publisher. (I even earned money doing this.) First I just did publishing, on a desktop, paper-scissors-glue-photocopier. Then computers arrived, and I was an early adopter of “desktop publishing”. Then the internet arrived, and drew a big line under all that stuff. I shovelled all my pamphlets onto the internet, and became a blogger. And, I bought my first digital camera. At first, blogging and digital photography did not mix very well. Now, they mix very well indeed.
Here, as promised, is a big clutch of photos of signs that I took at the Trafalgar Square demo yesterday. If you want to, click on a square to get the original photo. The squares have, in quite a few cases been fiddled out with to make them a bit clearer, but the originals you’ll get to with clicking are exactly as taken.
There were, of course, lots of signs (including many mobile phones and at least one tablet) saying “I AM CHARLIE”, in fact you can see quite a few such if you do some clicking. But, here are all the signs I photographed that said something else as well, or instead:
Of all of these, my two favourites are “Team Civilization”, and “Down With The Tyranny of The Offended” (in French). But demos are at least as much about quantity as quality, and I trust the sheer number of signs shown here (there were plenty more that I didn’t get to photo) makes the bigger point. There were a lot of people turning out to denounce these horrible attacks.
Even the rather or almost completely illegible signs are an encouragement, I think, because what these signs tell us is that quite a few people were present, and feeling strongly enough about it to want to wave a sign, who had never been anywhere near such a demo ever before.
Feel free to reproduce any of these images at will, with or without attribution. If you’d like bigger versions of any of the pictures, my email can be found here, top left, where it says “Contact”.
At the end of November 2014 (on the day that I also took these photos) I made a small pilgrimage to Tower Bridge, the excuse being that I might be able to photo up someone’s skirt through the observation floor that they had recently installed at the top of that bridge, and the reason being that I simply like to go on random pilgrimages in central London, for the sake of what I might see on the way there, there, and on the way back.
As often happens with these small pilgrimages of mine, I got there not at midday, but towards the end of the day. By which I mean just before and during the ending of daylight. And the ending of daylight is a very good time for taking photos, especially with a digital camera that is good in low light conditions, and especially if you are someone who likes taking pictures of other photographers in ways that don’t show their faces but do show the screens of their cameras. At dusk, those screens tend to show up particularly well, as a number of these photographer photos illustrate:
The more I photo, the more I find myself liking to take categories of photos, photos in sets. At first, my photos of photographers were just photos of photographers. But soon I was subdividing that huge category, into photographers taking selfies, photographers looking at the photos they’d taken. Recently I have found myself making further subdivisions, often of photos I have been taking for some while but which I had not been putting into a separate category in my head, if you get my meaning. So, above, in addition to all the photos of photographer’s camera screens, we see contributions to the photographers taking selfies category (subdivision: couples taking selfies), to the photographers looking at the photos they have just taken category, but also a good addition to the bald blokes taking photos category, and two for the photographers with interesting hats category.
And of course, there is that vast category that has hove into view in the last few years, of people taking photos with their mobile phones. No less than seven of the above twelve snaps are of people doing this. This was not a decision on my part, merely a consequence of me picking out nice photos of people taking photos.
My favourite photo of these is the last one of all, bottom right. The light is nearly gone, but that means that the view of the shot he is taking (with his mobile phone) shines forth splendidly, as strongly as what he is photoing. And I love that I got what he was photoing as well as his screen picture of what he was photoing.
It was the essentialness of posting that one photo, very late but not never, that made me, while I was about it, also stick up the others, all twelve having already been subdivided into a separate little directory.
The error messages have continued, so all I will do this evening is post this. Back home tomorrow evening, and I hope things work better there. The temptation to attempt another picture posting is huge, but I will resist.
No I won’t. That went so well, I’ll give it a go:
Like I said, see you tomorrow.
I have swapped one kind of computing confusion, too complicated even to describe, for another, and am now using a French keyboard, but telling the computer I am using that this keyboard is really British. This means various letters on the keyboard being in the wrong place, such as the Q and the A, which are where the A and the Q ought to be. There are other confusions, of a more serious sort.
This is a very peculiar experience for a touch typist like me, because it means that I can now only touch type. I cannot pause and go find the correct letters, because I do not know them, or not the ones that cause all the trouble. Only my fingers do.
So it is touch typing, or no typing at all.
Which is better than French typing, but still very imperfect, because some of the regular British things are things which my fingers are not that good at, most notably inverted commas, both single and double. This is why I said it is in the previous paragraph rather than abbreviating it, and why I am saying it is in this sentence, twice, without any inverted commas to indicate that I am quoting myself.
I seem to recall that faced with this dilemma on a previous French expedition, I had to make do with the computer recognising the French keyboard I was using as French, which meant switching As and Qs, etc. The alternative arrangement is somewhat better, but only somewhat.
Luckily my fingers know how to do two important things, neither of which are in the same place on these keyboards, namely commas, and full stops.
Another oddity is that the spellchecking in my blog input process demands that all words be recognisably French, and so underlines most words, because of them not being French, thus rendering itself inutile, and yes that is how you spell inutile. But, sorry about all the other spelling errors in this.
The gap between my eyesight and the eyesight of my camera grows and grows with the passing of the years, as my eyes inexorably dim and as my cameras inexorably improve. Even I can regularly manage quite decent shots with my latest camera. As a result, I become ever more immobilised by having to choose good ones from the enormous piles of decent shots I often come back with, after a day out.
Yesterday was a bit different. I went to the home of Michael Jennings for a Christmas Day lunch, picture 1.1 being the most striking thing I saw from out of his front window. The day was lovely, but the light, though wonderful, was fast fading, so Michael and our mutual lady friend and I went out for a short (by my photographic standards) walk to take advantage of it. Which meant that I took, by my standards, only a few pictures. Which made it easier to choose and stick up a few half decent ones.
Picture 1.2 is my favourite of these. Thank God for London’s religious diversity. Much as I loath what Islam says in its holy scriptures, and much as I am critical of people who go through the motions of worshipping these writings, either because they truly believe what those writings say (very wicked), or because they don’t but think that they it doesn’t matter or that they must (also wicked – yes, I mean you, Moderate Muslims – stop saying that you believe stuff that you also say that you don’t believe), I do like that having Muslims in London keeps shops open and taxis running on days like Christmas Day. Michael fixed a couple of Uber taxi rides for me, and both the drivers had Muslim sounding names.
I don’t know what the church is in 2.1 but it looks pretty behind that leafless tree. And Tower Bridge always looks pretty to me.
Re those two Tower Bridge shots, I’ve always liked how digital cameras do the opposite of the human eye, and turn urban skies bluer and brighter as they actually get darker. It’s all those orange-coloured artificial lights, burning relatively brighter as the sun sinks, together with the actual darkness on the ground, impinging upon the Automatic setting.
When it’s finished, it will look, according to the picture on the outside of the site (which is an outdoor hard copy of the first picture here), like this:
Here is what it and its surroundings will look like from above. My home can be found in that picture, this Thing being only a short walk away from it.
But, as of now, in contrast to the above simulations, it looks like this, which I think I somewhat prefer (what with all that lovely scaffolding):
Hang on. Is that a Christmas tree I see up there (in among all that lovely scaffolding)? Yes it is:
After I started taking photos of this Thing Under Construction, together with its Christmas tree, one of the men doing the constructing made “stop doing that” gestures. I was standing on a public pavement. They were building a small skyscraper with a Christmas tree on the side of it. Did they think they could keep this secret, and impose martial law for a quarter of a mile around all this? I just laughed out loud and carried on, and of course they did nothing about it.
Can you spot why “Sculpture” is included in the category list below?
A moment ago I had a twenty first century moment. I thought: Wouldn’t it be great to have a keyboard on the top of your thighs, embedded in the front of the top of the legs of your trousers. You could then type wherever, perhaps combined with a pair of those google glasses that you also wear perpetually. And it could all add up to a mega-computer if combined with a big cycle helmet full of electro-magic.
The point being that typing is never going to go away. The QWERTY keyboard is permanently with us, I think.
So, what about that top-of-your-trousers keyboard? Time was when a thought is all that such a thought could ever be. But now, no sooner is the thought thought than it is googled:
Brilliant. It’s not market-ready yet, but they’re working on it.
Gotta love that Golden Age.
Although, great though the basic idea is, I can’t help feeling that (a) washing and/or cleaning might be an issue, and (b) the keyboard needs to be separable from the trousers by some means. Maybe just strapped on, or something. What if the keyboard malfunctions? Do you then have to chuck away the jeans? What if the jeans catch on fire? Is the mere keyboard then any use? Problems problems. This, after all, is why keyboards originally separated themselves from personal computers.
But like I say, the basic idea is a very good start.
Maybe in the longer run, the future of the mobile keyboard is that your Goggle Spex will project a keyboard onto a nearby surface (and then keep that keyboard still even when you move your head around), which it will then observe your fingers typing on.
But basically we are talking about the next iteration of the personal computer. First, big old box in the office. Second, big old luggable/portable “laptop”. Third, little toy in your pocket that you can peck at. And now fourth, this. A real computer than you can wear all the time and type into whenever, wherever, within less than a second of whatever you want to type occurring to you. Had I been on a train when I had this notion, I could not then have done this blog posting. That is what needs to change, much more conveniently than it has so far changed.
Back when I took these two pictures (September 15th 2007), this was the camera that most impressed me, because its screen was so big:
More and more postings here, I predict, are going to be of pictures I took a while back.
Every so often I toy with the idea of dumping my Feline Friday habit. But what am I supposed to do with a headline that reads FBI’s most wanted cybercriminal used his cat’s name as a password? Just ignore it? Hardly.
And now that I am already doing a cat posting with a hi-tech vibe about it, how about What robots can learn from cats. One of the things robots can learn from cats, it would seem, is how to land on their feet without doing themselves damage. My favourite bit of this report is where some computer genius says:
“It’s not the fall that kills you. It’s the sudden stop at the end.”
How very true.
More hi-tech plus cats news: Buy your cat a robot: Mousr acts like real prey.
But as the tsunami of cattery on the www roars out across the planet threatening to drown everyone in feline freak facts, the backlash is getting underway. Can a wave cause a backlash? It can now. What research says about cats: they’re selfish, unfeeling, environmentally harmful creatures. They don’t love you, they slaughter endangered bird species, and they spread parasites that do your head in.
Finally, here are a couple of pictures I took last Sunday, in a Portobello Road coffee cafe:
On the left there, Perry de Havilland (Samizdata supremo) shows me a cat picture on his mobile, and on the right, on Michael J’s mobile, no cat connection, but far too good a headline to ignore.
People drone on about how our new toys have replaced real socialising. But here we observe them spicing up real socialising, by giving us something to chuckle about, while sitting right next to each other.
Also mentioned during our little bit of face-to-face socialising was this epoch-nailing scene.
Sometimes, when browsing through my photo-archives, I see pictures that make me think (a) that looks like fun, but (b) I wonder what it is. This is because photos when small often look entirely different to the way they do when they fill the screen.
On the right there is an example. Small, it is an odd-looking abstract. Click on it to big it up, and it is revealed as the subway that leads from South Kensington tube station, north, towards the Museums and then on to such places as the Royal Albert Hall. (See the dots in this map.)
I took this photo at about 9pm last night. I am told by somebody who frequents this tunnel quite often that it is very rare for it to be so empty.
When I tried to Google this strange thoroughfare, I kept finding my way instead to information about this place. I wonder, was part of the reason the place at the end of that link closed was confusion about what “South Kensington Subway” actually was?