Brian Micklethwait's Blog
In which I continue to seek part time employment as the ruler of the world.Home
neaceavorrund on The Poppies (3): People taking selfies
Simon Gibbs on On the rights and wrongs of me posting bits from books (plus a bit about Rule Utilarianism)
Mark Rousell on Hot dog shadow selfie
Michael Jennings on On the rights and wrongs of me posting bits from books (plus a bit about Rule Utilarianism)
Darren on How the internet is cheering up Art
Michael Jennings on Marginal Eurostar economics
Michael Jennings on Marginal Eurostar economics
Natalie Solent on Union Jacks with colours played around with
Natalie Solent on Union Jacks with colours played around with
Brian Micklethwait on Union Jacks with colours played around with
Most recent entries
- Erith to London: On the recognisability of London’s Big Things
- Russia unleashes tiger on China
- Tower Bridge glass shattered by beer bottle
- Database blues
- Dominic Frisby on the Hype Cycle
- Non-faceless architecture in Rome
- Scary bunny
- Phone (and cash) box
- The Magic Flute at the RCM
- The Poppies (4): Bald Blokes photoing them
- On the rights and wrongs of me posting bits from books (plus a bit about Rule Utilarianism)
- Quota photo from Paris (also a selfie)
- How the internet is cheering up Art
- Marginal Eurostar economics
- Looking down through the see-through Tower Bridge walkway – but what about looking up through it?
Other Blogs I write for
6000 Miles from Civilisation
A Decent Muesli
Adventures in Capitalism
Alex Ross: The Rest Is Noise
Another Food Blog
Antoine Clarke's Election Watch
Armed and Dangerous
Art Of The State Blog
Boatang & Demetriou
Burning Our Money
Chase me ladies, I'm in the cavalry
China Law Blog
Civilian Gun Self-Defense Blog
Coffee & Complexity
Communities Dominate Brands
Confused of Calcutta
Conservative Party Reptile
Counting Cats in Zanzibar
Deleted by tomorrow
Don't Hold Your Breath
Douglas Carswell Blog
Dr Robert Lefever
Englands Freedome, Souldiers Rights
Everything I Say is Right
Fat Man on a Keyboard
Ferraris for all
Freedom and Whisky
From The Barrel of a Gun
Gates of Vienna
Global Warming Politics
Greg Mankiw's Blog
Guido Fawkes' blog
Here Comes Everybody
Hit & Run
House of Dumb
Iain Dale's Diary
Jeffrey Archer's Official Blog
Jessica Duchen's classical music blog
Laissez Faire Books
Last of the Few
Libertarian Alliance: Blog
Liberty Dad - a World Without Dictators
Lib on the United Kingdom
Little Man, What Now?
Loic Le Meur Blog
L'Ombre de l'Olivier
London Daily Photo
Metamagician and the Hellfire Club
Michael J. Totten's Middle East Journal
More Than Mind Games
Mutualist Blog: Free Market Anti-Capitalism
My Boyfriend Is A Twat
My Other Stuff
Nation of Shopkeepers
Never Trust a Hippy
Non Diet Weight Loss
Nurses for Reform blog
Obnoxio The Clown
On an Overgrown Path
One Man & His Blog
Owlthoughts of a peripatetic pedant
Oxford Libertarian Society /blog
Patri's Peripatetic Peregrinations
Police Inspector Blog
Private Sector Development blog
Remember I'm the Bloody Architect
Setting The World To Rights
SimonHewittJones.com The Violin Blog
Sky Watching My World
Social Affairs Unit
Squander Two Blog
Stuff White People Like
Stumbling and Mumbling
Technology Liberation Front
The Adam Smith Institute Blog
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The Belgravia Dispatch
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the blog of dave cole
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The Wedding Photography Blog
The Welfare State We're In
UK Commentators - Laban Tall's Blog
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Violins and Starships
we make money not art
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What's Up With That?
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Category archive: Food and drink
Yes, I think so. Shot by me last Easter time:
If Hitchcock had ever made a movie called “The Rabbits”, this is the kind of shot that would have been in it.
So, a while back, I copied that shot over into the I Just Like It directory, all the time lamenting that I had no idea what the rabbit was doing in that particular part of London. I still don’t really know, but today I found a picture that I had taken one minute earlier, from which the rectangle below was cropped, in a way that removed people, kept the rabbit, and also kept the writting underneath the rabbit:
“London Eye presents Bunnies on the Run” proved more than enough to get an answer from Google, but really, I am none the wiser. Were there other bunnies dotted around London that I could have photoed? Who knows?
But, I do like my bunny photo.
Complicated day today, and then a complicated evening this evening, trying - and almost totally failing - to record a succession of tv shows each of which ended just as the next was starting. Luckily, the ones I screwed up will be repeated during the next few days. But, no thought of blogging until now.
So, one from the I Just Like It subdirectory. I’m on the south side of the River Thames, and I think I’m quite close to that bridge that now has a station on it.
Yes it’s a shadow selfie, involving very colourful food which contrasts well with the drab surroundings and the drab shadow of drab old me holding the food.
Taken in May 2006.
First, what’s going on in this picture? What’s weird about it? How did I contrive the weirdness?:
Hint: One of the categories for this posting is “Computer graphics”. Another hint: I like reflections.
Second, what’s the Feline Friday connection in this photo, taken earlier this week outside the Tower of London?
Hint: There is also a clue to this one in the categories list.
If nobody else supplies the answers, I will! Only by refusing to read these answers will you be able to escape them.
This article confirms not one but two of my medical prejudices, which is double nice. Experts have their uses, one of which is to tell you that you have been right all along about something they’ve only just discovered.
The article is about artificial sweeteners, and this is how it ends:
What does this all mean?
1. Our gut bacteria matters a lot. Some guts can withstand artificial sugars well and others can’t. It stands to reason that, as we learn more about the uniqueness of our own microbiome, those of us who want to lose weight would be well served by diets that are tailored to the way our body and its biomic mini-me processes sugar.
2. Artificial sweeteners are pervasive and some people still can lose weight and enhance their health while consuming them. But since we now know that, on balance, they seem to be more bad than good, moderating how much we consume might be smart, too.
3. The study suggests that if people replace artificial sugars with real sugars or cut it out, their biomes could change in a way that contributes to the restoration of normal glucose tolerance over time, all other things being equal.
So, artificial sweeteners have a tendency to be very bad for you. That’s prejudice of mine number one. But, they may not be bad for you because, and this is prejudice of mine number two, people vary, physically. There is not just the one way of being healthy. There are a minimum of several, and what is harmless or even beneficial for you and to those like you may be very bad for other sorts of people.
The basic reason I came to think that artificial sweeteners might be bad for me was, to begin with, pure rationalisation of the fact that I have always thought that they taste disgusting, compared to sugar. “Diet” stuff, as a general rule, tasted, to me, horrible compared to regular stuff. In particular, Diet Coke tasted like that pink liqued they make you gargle with at the dentist. I started out believing that Diet Coke is bad for you because I wanted it to be, and I wanted the Regular Coke that I have always chosen when coking up to be less bad. But the more I thought about that early frisson of (literally) distaste, the more I came to believe that my at first merely wishful thinking actually did make some sense. Sugar really is somewhat more natural than most sweeteners, or so I assume, and we are more likely to be creatures that can handle sugar, even if not in the quantities that life now offers.
Plus, about five years ago, my niece told me that aspartame (which she said is an evil chemical used to make evil non-sugar) is evil. Rubbish says Big Aspartame. But I reckon, for some people, it is evil.
Earlier this evening, I attended this gathering. I took a ton of photos, of which I choose this one to show you:
I choose that photo not because it is any great shakes as a photo, but because it focuses (insofar as it does focus) on what was in many ways the most impressive thing about this event, namely the number and quality of those who attended. In this respect, the evening reminded me of those big Liberty League gatherings that happen earlier in the year. Simon Gibbs and his helpers put in a huge effort to make this occasion work well, and to get a decent turnout of intelligent, paying customers.
Don’t get me wrong, the speakers were numerous and articulate, and all admirably concise, which was necessary given how many of them there were. A lot of ground was covered. A lot of food for thought was served up. If there was a big winner issue, so to speak, that best explains how much harder it has recently got to make ends meet, it was probably the cost of housing. There was general agreement that planning regulations need to be relaxed, although also general pessimism about the politics of accomplishing that. Also making a strong showing were energy costs, and the heavy and rising taxes on petrol and drink and tobacco.
But you can have all the speakers up front that you like. If enough aren’t there to listen, then your event falls very flat. This one was the opposite of that.
What is it with vegetarians and their veggie sausages and burgers? I’m a meat eater, but I don’t go around making carrots and sprouts out of beef.
This is also a good one:
I work in a call centre in Norwich and we’ve just been told our jobs are moving to India. I’m so excited! I’ve always wanted to visit India and with the salary they pay me I’ll be able to live like a Maharaja over there. Well done Aviva, keep up the good work.
Interesting piece about the rise and fall and rise of Viz, here.
It’s that time of the year when I go into one of my local supermarkets and immediately start taking photos, like that, or like this:
Yes it’s Halloween. And the shops, in this case Sainsbury’s, are full of Halloween crap. And I photo it. I wouldn’t buy any of it. Oh no. I am far above that sort of thing. But, I photo it.
Except, how about these rather cute buckets? Just the thing for my Last Friday of the Month meetings, to put crappy food in:
Only 50p per bucket! I got two. And I just might go back for more.
Not that. I wouldn’t want one of them. That’s my picture of Sainsbury’s, having the last laugh.
A few days ago I purchased a small loaf of sliced bread of my favourite sort, namely Hovis Original Wheatgerm. And I found something rather strange about it:
Not all the slices were like this, but most of them were.
I’m guessing that what happened here was that part of the previous loaf inside whatever space this loaf was cooked in got left inside, and hence incorporated into the next loaf, my loaf. And, it would appear, it got cooked twice, or at least rather more than the rest of the loaf, and before the rest of the loaf was inserted. And then everything sliced and sold to a supermarket, and bought by me, just as if nothing odd had happened at all.
I happily ate the resulting hybrid loaf, which seemed fine, even if the darker bits were a bit drier. This is not a complaint. If Hovis want to send me more sliced bread, they are welcome, but that is not my purpose with this posting. I’m just trying to entertain, with an oddity. Because, odd, don’t you think? Never seen that before.
On a slight tangent, I believe that I am becoming a better photographer with the passing of the years. By this I do not mean that I am getting technically any cleverer, although mercifully my cameras are. What I mean is that now, I realise that this is the kind of thing that needs to be photographed, before it is merely consumed. A few years ago, I might have eaten this, and then only later realised that I would have liked a photo of it.
Just to emphasise that my improvement as a photographer still has some way to go, I vaguely recall trying not to get any shadows in this photo. But, if I was so trying, I failed. You can make out the shadow of my photoing finger, towards the right. Apologies for that. You get what you pay for here.
Indeed. You don’t see this kind of thing every day:
But I did. Today.
As a general rule, I don’t advise combining ice cream with photography. Do one or the other. That is the rule I recommend. But these guys were doing an excellent job of merging these two things, and they weren’t just eating their ice creams and doing photography. They were photoing their ice creams.
I congratulated them for the excellence of their photographic imagination, and they were really pleased to hear this. I asked if I could photo them. Yes, they replied. And when I said “photo”, I meant, as they surely understood, photo them and put pictures of them up at my blog:
I also took lots photos of a demo outside Parliament by Kurds, demanding help from Britain in their battles against ISIS. Maybe (I promise nothing) I’ll put some of those snaps either here or on Samizdata, perhaps tomorrow.
Yes, me times 3:
Plus Goddaughter 2 and her mum, plus a pot plant, times 2. Click for the bigger picture.
Taken in an eatery where they have mirrors on every wall, to make a small place feel bigger. The eatery being the tuk tuk in Old Compton Street. Cheap. Cheerful. Recommended.
I’ve been reading Bryson’s At Home: A Short History of Private Life, and very entertaining and informative it is too. Strangely, one of the best things about it for me was that he explained, briefly and persuasively, both the rise to global stardom and the fall from global stardom of British agriculture. The rise was a lot to do with the idea of crop rotation. I remember vaguely being told about this in a prep school history class, but although I did remember the phrase “crop rotation”, I didn’t care about it or about what it made possible.
Here is Bryson’s description of this key discovery:
The discovery was merely this: land didn’t have to be rested regularly to retain its fertility. It was not the most scinitillatingof insights, but it changed the world.
Traditionally, most English farmland was divided into long strips called furlongs and each furlong was left fallow for one season in every three - sometimes one season in two - to recover its ability to produce healthy crops. This meant that in any year at least one-third of farmland stood idle. In consequence, there wasn’t sufficient feed to keep large numbers of animals alive through the winter, so landowners had no choice but to slaughter most of their stock each autumn and face a long, lean period till spring.
Then English farmers discovered something that Dutch farmers had known for a long time: if turnips, clover or one or two other suitable crops were sown on the idle fields, they miraculously refreshed the soil and produced a bounty of winter fodder into the bargain. It was the infusion of nitrogen that did it, though no one would understand that for nearly two hundred years. What was understood, and very much appreciated, was that it transformed agricultural fortunes dramatically. Moreover, because more animals lived through the winter, they produced heaps of additional manure, and these glorious, gratis ploppings enriched the soil even further.
It is hard to exaggerate what a miracle all this seemed. Before the eighteenth century, agriculture in Britain lurched from crisis to crisis. An academic named W. G. Hoskins calculated (in 1964) that between 1480 and 1700, one harvest in four was bad, and almost one in five was catastrophically bad. Now, thanks to the simple expedient of crop rotation, agriculture was able to settle into a continuous, more or less reliable prosperity. It was this long golden age that gave so much of the countryside the air of prosperous comeliness it enjoys still today, ...
The fall of British agriculture was all mixed up with refrigeration, which enabled the wide open spaces of the late nineteenth century world to make masses of food and to transport it to hungry urban mouths everywhere before it went bad. Prices fell below what the farmers of Britain (where there were no wide open spaces by global standards) could match.
While browsing the archives looking for a photo to have on the front of my computer, combining niceness with not making my stuff invisible, I came across a rather good photo.
The horizontalisation opportunity was too good to miss:
Click to get it all.
Not good for the front of my computer. Too much going on. No big clear slabs of nothing for computer ikons to be seen against. But I like it.
It was taken in 2012, from the top of a car park in Peckham.
More shots of and from the same spot, here.
The weather in London today was particularly fine. The light was bright and washed clean by recent rain, and the atmosphere was neither too hot nor too humid. There was bright blue sky, but there were also plenty of clouds. I had a bank to visit and electrical items to obtain, all doable on Sunday if you are in Tottenham Court Road, and then I and my companion went south towards the river.
I photoed tourist stuff, hereinafter termed touristuff. I love to photo touristuff. It changes from year to year, and it is arranged in hightly photogenic clumps such as you could never enjoy if you merely bought a single touristuff item:
Those queens seem now to be very popular, but popes less so. But those decapitated lady bottle openers are a new siting, for me. It’s amazing what can look sexy, even after being guillotined.
I photoed books, under Waterloo Bridge. Books in large and sunlit clumps, and particular books, with particular titles:
It seems that the Conan The Barbarian books were written not by just the one writer, but by a team of writers. I did not know this. I wonder how that was organised.
I photoed Art. I photoed a lady all in white, photoing Art under the Queen Elizabeth Hall. That’s if you reckon middle of the range graffiti to be Art. Is this a possible future for brutalist architecture? Painting such concrete relics would surely make sense.
And I photoed people sitting on Art, in the form of giant green chairs, next to the Imax Cinema roundabout near Waterloo station
Apparently these big green chairs used to be down in that strange circle of pedestrian space that surrounds the bottom of the Imax Cinema, inside the roundabout.
If my walkabout this afternoon is anything to go by, Art is becoming less about Deep Significance (of the sort that has to be explained with Art Bollocks essays next to the Deeply Significant Art), and more about fun. Bring it on.
And bring on the day when they have exhibitions of Touristuff in Tate Modern. I hardly ever go inside Tate Modern, but I bet that would be more fun than what they put there now. And it might also be more Significant.
Before I start ruminating more convolutedly about my recent stay in France, there is just one more shot that I want to show you from that ASI boat trip.
It’s a photo I took of the guy who was driving the boat, and (I presume) the man who was in command of the boat:
I can find no mention anywhere here of the actual people who command and work on the boats, just lots of stuff about how great the boats are for partying on. So I don’t know the name or rank of this man. But, whoever and whatever he is, I love his look of calm but ever so slightly suspicious watchfulness, with his ever so slightly raised right eyebrow. It’s the face of a man who knows that, mostly, his job is just a job, but that this is a job that just possibly might, were he seriously to neglect his duties, turn very nasty.
Besides which, you never quite know what those people back there partying might get up to, under the influence of all that drink that the other members of the crew are serving them. A boat full of tipsy revellers, even more than a normal boat, needs a sober worker to guide it and to see that all is well, no matter how friendly the waters they are travelling on.
There’s something else about this picture that intrigues me. When I was a kid, wearing short trousers was the essence of being a kid, and graduating to long trousers was the essence of ceasing to be only a kid and starting to grow up. Yet now, more and more indisputably grownup men, doing their indisputably grownup work, wear shorts. Anyone care to speculate about what this means, or about why it is happening?
Trawling through the archives this evening, I came across this fine feline:
Photoed by me, in Battersea, about two months ago.
Back here in evil Britain, hundreds of black cats are being abandoned by their owners because, according to the Daily Mail, these black cats don’t look good in SELFIES (their capital letters):
Today the RSPCA announced a rise in the number of black cats being abandoned by their owners, and attributed it to them not photographing well.
A spokesman for the animal welfare charity said that more than 70 per cent of the 1,000 cats in its care were black, and blamed the trend for people taking pictures of themselves with their phones.
He said: ‘There are a number of reasons for us having so many black cats, including the fact that black animals tend not to photograph as well as other cats with more distinctive markings.
Other cats are also easier to tell apart, he said.
The spokesman added: ‘There is a national problem with rehoming cats of this colour.
‘We really are puzzled as to why this still happens but we would urge people to never judge a cat by its colour and look at its personality instead.’
This story is everywhere. I sense hostility towards digital photography, and in particular towards the evil practice of taking photos of yourself, an evil practice which now has its own word.
However, a selfie is when you take a photo of yourself. Owners are including themselves in their cat photos on incidentally. Often only the cat is in the picture. These photos are not being taken by cats, so they are not selfies.
Cats don’t take photos of themselves. If they had been caught doing this, on video for instance, I would definitely have learned about it and passed the news on to you people. All that is actually going on here is that black cat owners are finding it hard to photo their black cats and are consequently abandoning their black cats, and obtaining other cats, more like the one in my picture above, that are easier to photo. That’s a wicked enough story as it is, without misreporting it and put your mistake in capital letters. Socks, Daily Mail. Pull yours up.
Next up, an Italian shooting champion is on trial for using live cats as target practice. I sense hostility towards shooting champions, but it may just be towards Italians.
Finally, Cats is being revived, in the Millenium Centre, Cardiff:
The highlight of the evening was the singing which included lots of harmonies ...
Which is what you want. What with Cats being a musical show, consisting mostly of people dressed as cats, singing, and trying to be harmonious about it.
Rachel Howells continues:
Cats is at the Wales Millennium Centre until Saturday 9th August and includes many matinee showings so you have no excuses not to miss it.
Once again, we see the mainstream media getting their facts in a twist, this time because of faulty grammar. No excuses not to miss it? It would appear that, at least when it comes to their online content, the writing and/or editing at the South Wales Argus has gone to the dogs.