Because of how my life is going to be for the next week or so, there may be interruptions to the daily stream of blog postings here, daily in the sense of being something every day however trifling or banal, and daily in the sense also of me doing something before every bed time.There may even be no postings at all, for the next clutch of days.

This particular blog posting is being done before bed time tomorrow evening, and also before bed time this evening.  But after midnight, which means it can either be backdated to today or left to date itself as tomorrow, the latter option being the one I select now.  All of which is within the rules I choose to go by.

But, be warned.  Maybe there won’t be any interruptions.  We shall see.

Meanwhile here is a rather randomly selected photo, taken last summer, of the old version of New Scotland Yard in the process of being deconstructed ...:

… to make way for this.  So far, this (see previous sentence) has yet to become visible.  It has yet to show, as they say of pregnant ladies.

In a perfect world, the traffic light in myj photo would have displayed a number, denoting the number of seconds that will elapse before the light turns red.  But this is not a perfect world, as you have surely noticed on the basis of similar – maybe worse - circumstances that in your life you have experienced.  The traffic light had already turned red.

Indeed.  Last night I was walking somewhat exaustedly from St James’s Park towards Victoria, and this took me along Petty France, which is where the Ministry of Justice is to be found.  This is the one that used to be the Home Office and which looks like an Eastern Bloc Embassy.  And in Petty France, right next to this Ministry of Justice, I spotted this:

Yes, an urban fox.  You expect to see such beasts in the more sprawling London suburbs, the sort that contain lots of open spaces and vegetation.  But not trotting along the pavement, right past a major government ministry.

It was getting dark rapidly, and for some idiot reason I had set my camera to make movies instead of regular photos.  But that did at least mean I could pick out a less bad still shot.

Luckily, the quality of the photo is not the point here.  It’s the principle of the thing.  Cats and dogs, yes.  (At first, I thought that this fox was a cat.) Horses, carrying policepersons, exercising themselves in between riots.  Good.  Ducks.  Pigeons.  Herons (see below).  That’s all fine.  But foxes?  That was a real surprise.  And a definite first for me, in central London.

A couple of days ago, I photoed words, and I photoed the top of the Boomerang (although I would recommend scrolling down rather than following these links (a lot quicker (alas))).  But in among photoing all that, I also I photoed this ambiguous beast.  Ambiguous because originally, the beast looked a lot like this:

But then someone else, by adding some alternative eyes, turned the beast into this:

The original photo I took, from which both the above versions were cropped, looked like this:

You see, that’s the trouble with the Leake Street Tunnel.  Nobody owns it, other than a sort of conglomerate of politicians, and what that conglomerate has decided is that whereas all artists may paint in the Leake Street Tunnel, none of them can prevent further painting by further artists.  The only immortality achieved is virtual and digital.

Or, maybe it’s a bit more complicated.  And if you aren’t part of the club, and you just turn up and paint, you get your knees broken, or something.

Whatever.  The thing I really admire about the beast, as originally painted by Artist One, is the state of its teeth.  Check them out.  Thought has gone into them.  No wonder Artist Two was envious, and decided to appropriate them for his alternative beast.

My day was dominated by the acquisition, and then the installation, of one of these.  Which looks like this:

Sorry about all the blank white space there.  I’d fill it up with words, if only I knew how to do that.

But despite being the sort of person who is unable to make blog-words move closer to complicated shapes like that one, I made the gadget itself work perfectly.

I picked it up this afternoon from Chateau Samizdata, where all my Amazonia gets delivered in order to stop it being stolen from my place by thieves pretending to be delivery men.  (Only one of my neighbours has to be conned, and they’re in.) And this evening, I got it out of its box and put it all together, and it worked first time.  Now my new computer screen hovers miraculously over my desk, instead of being held up by an idiotically cumbersome and desk-space consuming stand.  I can even open it like a door and get at all the storage space behind it.

One of the symptoms of advancing years is that newly acquired gadgetry, of the sort that consists of about twenty different bits that you have to assemble yourself, just never works without about of week of assembling and re-assembling and effing and blinding.  But this one worked first time, and exactly as advertised.

It helped that the instructions were only in one language, English.  As a general rule, the more professional the instructions look, the worse they actually are.  It’s the difference between instructions written by lawyers who bury the instructions that matter in lots of defensively irrelevant safety instructions that a six year old wouldn’t need to be told, and instructions written, and illustrated, by someone who actually wants you to succeed in assembling the thing.

Maybe I’ll rewrite this for Amazon.

Recently, inspired by those Barcelona Graphics, I had another trawl through all the photos I took in 2005 when I visited Barcelona.

And guess what, here are a few of the photos I took, of photoers:

Part of why I did this posting is that I just like how a square of squares looks, and I wanted to do another such posting, regardless of what the photos were of.

But now that I’ve done this particular square of squares, I am struck by how interested I was, even then, in taking photos of photoers that hid their faces.  I think this preoccupation was sharpened by me being on the Continent, and fearing that photoing people’s actual faces and putting them on my blog might break some kind of Euro-law.  They make more of a fuss about privacy over there, don’t they?  Such was then, and still is, my impression.  And now, of course, I apply the same attitude over here, because: face recognition software.

Also, note in particular photo 2.3, where you can see further evidence of Barcelona’s eagerness to advertise itself with its Big Things.

The light in Barcelona was great, and lots of my photos there came out really well.  Which is why I had so many photos of photoers, and of everything else I photoed with any enthusiasm.

Most of the cameras to be seen here are now historical relics, replaced by mobile phones.  Phones with cameras arrived (and oh look another square of squares (this time 5x5)) in 2006.  This was 2005.

It’s happened again.  I am being made happy by a Mr Ed comment at Samizdata.  That’s twice in two days.  This comment is on this posting, and although I don’t grasp the relevance, Mr Ed provides a link to this BBC report:

A woman who decorated her London townhouse with red and white stripes can ignore a council order to repaint it, the High Court has ruled.

Property developer Zipporah Lisle-Mainwaring painted the candy stripes on the building in Kensington in 2015.

The Royal Borough of Kensington and Chelsea said it was out of keeping with the look of the area and had served her with a notice to repaint it white.

Mr Justice Gilbart ruled the stripy decoration was “entirely lawful”.
The council had served the notice under the Town and Country Planning Act 1990 claiming the “stripes on the front elevation, is incongruous with ... the local area.”

I wonder.  Will this judgement provoke other outbreaks of architectural colour in London?

Last night I was at the Institute of Economic Affairs for the launch of James Tooley’s remarkable book, Imprisoned in India: Corruption and Extortion in the World’s Largest Democracy.

Here are a few of the photos I took of him, talking about this book:

James Tooley is the guy who roams the earth, seeking out freelance educational enterprises, and also setting up several of his own.  But then, he fell foul of India’s criminal justice bureaucracy, and got imprisoned for a while.  Scary.  And then he wrote a book about it.  I have only read the bit at the end, because I wanted to know that James Tooley was okay.  I of course intend to read the rest, and then do my bit to plug it.

Judging by last night’s performance, James is fine.  But he is also haunted by the knowledge that many other victims of the same corrupt system are not as lucky, if that’s the word, as he was.

Also present at the launch were James Bartholomew and Martin Durkin:

Both were effusive about the book, more than they had to be, if you get my drift.

The Q and A focussed, inevitably, on what is to be done, about the vast scale of the corruption in India.  The mood of the room, although packed, was grim.  My feeling is: you start by telling the story.  You start by writing books like this one.

And the rest of us start by reading them.

A few days ago, the weather was gorgeous, in the early morning.  Forewarned by a typically omniscient short-term weather forecast, I got up early and went up to the roof of my block of flats.  I particularly wanted to photo the progress of the building work opposite, and more distantly, the progress of the new US Embassy over towards Battersea, which happens to be very visible from this spot.  But I also photoed roof clutter, near and far:

1.1 That building, on the far side of Victoria Street from me, used to be New Scotland Yard, but the Metropolitan Police are moving (to a building right next to the original Scotland Yard), and it seems that one of London’s finer roof clutter clusters will soon be no more, to be replaced by these new towers.  Blog and learn. 

1.2 Some of the scaffolding opposite, mingling with aerials, and with an older kind of aerial for tuning in to messages from the heavens, otherwise known as a church spire.

2.1 Clutter at its most cluttered close up.  Is that stuff in the foreground maybe something to do with mobile phones?  In the distance, Battersea Power Sation, with one of its chimneys yet to be completely reconstructed.

2.2 Me photoing a satellite dish, and my shadow photoing the shadow of the satellite dish.

Tomorrow’s weather is also due to be gorgeous.

I’ve spent all my blogging time today trying to write a couple of things for Samizdata, so once again it’s quota photo time, this time in the form of a photo of Tom Cruise that I photoed recently, just a few minutes before I took this footbridge photo.  To be more exact, it is a photo of a photo, of Tom Cruise:

That photo that you see in my photo is to be seen outside the Duchess Theatre in the West End, where the play being shown Goes Wrong, every night, without, although this may not be quite the way to describe things, fail.

I assume that you can only exhibit a picture of Tom Cruise like that if Tom Cruise gives his permission.  If that’s right, Tom Cruise proves himself to be a good sport.  Or, perhaps, a greedy bastard.  But for now, I’m going with good sport, if only because if he got greedy, they couldn’t afford it.

I’ve visited the top of the Tate Modern Extension several times in recent weeks, so this story particularly entertained me:

Tate Modern visitors accused of spying on Neo Bankside residents

Here’s the story:

Residents of the Rogers Stirk Harbour-designed Neo Bankside apartments have threatened legal action, after Tate Modern opened an observation deck that provides views into their private apartments.

The 360-degree rooftop viewing deck is one of the headline features of the Switch House – the 64.5-metre-high Tate Modern gallery extension by Herzog & de Meuron, which opened to the public in June.

But residents of the adjacent apartment complex have claimed that gallery visitors are using zoom-lens cameras and binoculars to peer inside their glass-walled homes and take photographs.

Having failed to reach a solution with Tate, the homeowners are now seeking legal action to regain their privacy.

I was particularly diverted by this bit:

So far the only change has been the addition of a sign asking Tate visitors to be more considerate.

Dezeen does not show any picture of this sign, but here, I can, because I photoed it several weeks ago:

I remember thinking at the time that this is almost contemptuously perfunctory.  I’m not surprised that it failed to subdue the snoopers

I believe that, as London gets more and more interesting, and full of more and more intriguing Big Things, there will be more and more such viewing platforms like this one at Tate Modern.  So, this problem of what you can see from such platforms that people don’t want you to see isn’t going to go away.

And the problem gets far worse when you consider that zoom lenses are only going to get ever more powerful.  I often joke here that my camera has better eyesight than I do, and it’s true.  But pretty soon, all cameras will have better eyesight than everyone.

It could be that about half of this particular viewing platform will be shut down, in which case, I need to make sure now that I have seen everything from that part of it that I can, before this happens.

I’d prefer the other idea, which is that these people living in glass houses should have one way mirrors installed, so they can see out but the rest of us can’t see in.  But then, expect the internet to be awash with before/after photos.

In this case police cyclists, photoed by me in Waterloo Road last Tuesday, after I had descended from the top of the Tate Modern Extension:

I am not showing you this photo for artistic impression, strictly for its content.  At the time I just thought I was photoing police on bikes, which is about as common as police on horses.  But while I took the photo, I heard a voice next to me say something like: “There go the police, ignoring the red lights.” And they were, as is evidenced by the green light telling us pedestrians that we could cross.  At the time I also thought: did I get the green light?  Yes I did.  And I don’t think that the lady on the other side of the road is that impressed either.

Also, the policeman on the right is holding a mobile phone in his right hand, which is the kind of behaviour that the police are cracking down on when anyone else does it.

A few years back, cyclists behaved like the law didn’t apply to them, which presumably it didn’t, in the sense that nobody applied it to them.  Cyclists would grab all the rights and privileges of motorists and of pedestrians, switching from one to the other whenever they felt like it, doing such things as biking past you at speed, on the pavement.  But then, in London anyway, somebody did apply the law to them.  My experience is that cyclists now behave much better than they used to.

But these police cyclists don’t seem to have got that memo.

As nudged by Simon Gibbs yesterday, I did indeed make my way to Trafalgar Square to check out Kenny and his Brexit chalk-proclamation.

The photos I sent to Libertarian Home yesterday evening were strictly utilitarian, to tell LH exactly what Kenny had written.  Read the entire thing there.

Here, on the other hand, are some pictures which give more of an idea of how it looked, what the atmosphere was, and what Kenny himself looks like:

The atmosphere was low-key, actually. There were no scenes or arguments, although I did hear the occasional “not going to read it all because it says Out”, as people walked away.  Others, however, did stop and read.  Most significant, I would guess, were those with mobile phones who were, unlike me, maybe passing it on with twenty-first century immediacy.  (I had to wait until I got home before I could send off my photos.)

I had to wait a while for Kenny to finish his efforts.  I got there before 3pm, and it wasn’t until just after 5pm that he was done.  And he started at 10am.

But it was worth the wait, and there was plenty else in Trafalgar Square to divert me, and to take photos of.  But photos like that can wait.  First things first, and that means Kenny.

One of my regular automatic google-searches is “face recognition”, and just now this has been alerting me to all the various tricks that are coming on stream for making face recognition not work, by putting on make-up, or spectacles, and such like.

Here is my contribution to this discussion:

I know what you’re thinking.  Who might that be?

Exactly.  Although, if you’re are supercomputer, you have probably worked it out.  You have a special programme which tells you to take particular interest in any faces that are trying to not be recognised.

Most of my libertarian friends think that such tech solutions are the front line of this battle.  I have long assumed that the world is moving rapidly towards a state where the question of what is X doing at the moment is technologically answerable, and impossible to prevent being answered.  For me, among other desirable things, libertarianism is the claim that although we can see X saying or doing something we don’t approve of, we shouldn’t legally prevent him or her from doing that, unless it is really, really bad.

In a world of Total Surveillance by the Big Machine, the proliferation of stupid rules and regulations with no huge moral content becomes a problem like it never used to be.  I means rules about things like what you should eat or smoke or, now, say in conversation.  Rules like that mean that we can all now be seen and heard breaking such rules.  (Okay, maybe not now, maybe not yet, but that’s where things are headed.) And that means that anyone who wants to fuck up your life or my life (for an actual real reason that has bugger all to do with the stupid rule actually being broken) can then do it.  Worse, some legislative maniac might demand that anyone that the Big Machine sees breaking this or that rule that he personally is obsessed about, should be automatically fucked over, by the Big Machine, with no human intervention involved.  With a big long list of exceptions, like legislators.  The Big Machine can’t touch them.  Libertarianism has arisen, partly, because it has become ever more necessary to insist on certain principles, principles which were imposed upon the world in former times by sheer ignorance of what other people were getting up to.

The other thing people have to do is develop thicker skins, psychologically speaking I mean, because although legislative pressure is not now a problem for most people, social pressure can become a big problem, for example if you find yourself being mobbed on the internet for some innocuous thing you said or ate.  Just because a million idiots on the internet are screeching that you are an idiot, that doesn’t mean you are, or that if you are, it matters.  When it does matter, bosses should chill, and not fire people just because the mob is screeching.  I applaud, tentatively, the recent tendency to give social media mobsters a going-over, using the same methods on them that they have been using.  Who is this mad bitch?  What has she (it does often seem to be she) been up to lately?  What is her job?  Who is her boss?  Etc.  (In the age of cyber-bullying, I feel that I now understand witchcraft crazes better.)

Another problem is that as something easily mistaken for a state of everyone knowing everything increasingly pertains, that old illusion that everything will accordingly be centrally plannable is likely to keep rearing its very ugly head, and keep on having to be experienced as a disastrous illusion.  (More libertarianism.) The point is, everyone doesn’t know everything.  Nothing like.  We can’t.  Our heads aren’t big enough, and even if they were, knowledge is not like that.  Everyone can known anything in particular that is easy to know (like where X is just now) that they want to know and ask the Big Machine about.  That’s entirely different from actual omniscience.

I spent a lot of my blogging time today writing about a talk I attended last night, given by Tim Evans.  I did not finish what I wanted to say, but the attempt left me little time to do anything here.  So, a photo, taken by me on the way to Tim’s talk, as I emerged from Euston Station:

That’s part of the roof of St Pancras Station.  I like how my snap makes you see this building, if not with fresh eyes, then at least from a rather fresh angle, instead of the usual one you get, from in front.

St Pancras Station was first opened in 1868, and the contrast between how they did the tops of big buildings in those times and how the tops of similar sized buildings are done nowadays could not be more extreme.  Now, buildings of that size tend to have flat tops, and to be covered with telecommunications equipment.

Like this:

This being New Scotland Yard.  And a statue of a man scratching his back outside Westminster Abbey.  Well, no, but that’s what it always looks like to me.  The column of that statue can also be seen in yesterday’s numerical traffic lights snap.

London’s famed Metropolitan Police are moving out of New Scotland Yard, back to old Scotland Yard.  It will be interesting to see what happens to all that roof clutter.  Maybe nothing.

Indeed.  Photoed by me next to Centre Point, this afternoon:

Another London facade which is nice but not totally wondrous is being carefully preserved, so that modernity can in due course be erected behind it.  This time I photoed it from behind.

I have been assuming that this is a purely aesthetic thing.  Done like this to get planning permission.  But someone (I do not recall who) recently told me that if you preserve a facade you don’t have to get planning permission for whatever you put behind it.  But, if you allow the facade to disappear, then you do have to get planning permission, even if what you subsequently do is re-erect the original facade.

Can anyone confirm or deny this?

Note that dash of Renzo Pianistic colour there.