Brian Micklethwait's Blog
In which I continue to seek part time employment as the ruler of the world.Home
http://aprilbickford.com/the-chartered-insurance-i on Regent's Canal creatures (and a photographer)
affordable car insurance on What sort of duck is this?
6000 on The view from the roof
Darren on Second childhood
Tom on LON DON
Kim Bergstrom on Looking in at the Zaha Hadid Design Gallery in Goswell Road
6000 on Another walk along the river
Darren on Another walk along the river
Brian Micklethwait on What sort of duck is this?
Brian Micklethwait on What sort of duck is this?
Most recent entries
- With Photocat I can do cropping while keeping it the same shape
- Why I photo postcards
- My camera can see through a Ryanairplane window better than I can
- Using your crane to protect your cement mixer
- The view from the roof
- A souvenir screen capture
- Second childhood
- New Tricks is popular because it is full of old people and it is mostly old people who watch telly
- White vans are becoming very informative
- My latest meeting went fine
- Pizza Express bus
- The difference between roof clutter and roof clutter
- Another photo for the traffic lights countdown set
- Centre Point through the new station entrance
- My next last Friday meeting: Patrick Crozier on the political consequences of WW1
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6000 Miles from Civilisation
A Decent Muesli
Adventures in Capitalism
Alex Ross: The Rest Is Noise
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Burning Our Money
Chase me ladies, I'm in the cavalry
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Confused of Calcutta
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Counting Cats in Zanzibar
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Everything I Say is Right
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Never Trust a Hippy
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we make money not art
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Category archive: Cats and kittens
Travel and learn.
I mentioned in a recent posting that picture editing here in Thuir is different. This is because I can’t remember the name of the photo-editing programme that I usually use, and am having to use a different one. And the one I am using is called Photocat. Irritating. But one very good thing has emerged from all the irritation, which is that Photocat can do cropping which follows the original shape of the picture,which with me is always 4x3. This means that I can now crop a picture and still have the final result the exact same 1000x750 pixels that all my other pictures are, and that means that I can easily do a much smaller version and make. I could do that with my regular programme, but only with a lot of fiddling about.
Photocat also does rotating in a way that takes you straight to the biggest version you can then have, also while preserving the same proportions.
Here, for instance, appropriately enough, is picture of a cat which I took in Castelnou yesterday. On the left is the original snap. On the right is the cropped version.
Whether the picture above actually needed cropping is not the point. The point is that cropping, while keeping the shape the same, was painless.
As is rotating. This same cat later did a bit of rotating of its own, so here is the original of it doing that, with my left foot intruding. And on the right is my rotation of its rotating, also cropped:
Photocat is a web based application, or I think it is. It works pretty much like you own it, except that if your internet is down, it presumably doesn’t work.
This posting has been done to ensure that I do not forget the name of this programme. Photocat. By which I mean Photocat.
Incoming from Darren (to whom thanks also for various recent comments):
Saw this White Van story and thought of you.
The artist, known only as Mr Konjusha is 22 and from east London.
His work has been spotted at various locations since he started drawing on the vehicles about three weeks ago. He said he had worked on 10 vans so far.
I think the whiteness of White Vans is all part of their appeal. If they are white and clean, they look really clean. If they are white a dirty, they look really dirty.
But if they are white and dirty, but if the dirt has been turned into art, what are they then?
Once again we have here an art form which is greatly encouraged by cheap digital photography. Would Mr Konjusha be so inclined to exert himself thus, were it not possible for his efforts to be quickly and easily recorded and equally easily shared with an admiring public?
Judging by what he says about how he was trying to put a smile on delivery drivers’ faces, he started doing this just for a bit of fun. But if he likes the fame and the attention he is now getting, he’ll perhaps continue for a while, more than he would have done in the previous century. Maybe, thanks to all the attention, his next job will be in advertising.
What’s the betting someone turns this dirty art into something that will actually get printed, nice and cleanly, onto a nice clean van?
I’ve included “cats and kittens” in the category list because the guy says that some of the faces he does look like hybrid human/lion faces.
Yesterday I duly climbed to the top of the Big Olympic Thing, but today I want to show you some creature pictures. Having decided to broaden Fridays out from mere cats, to any non-human living thing, I have been wandering through my photo-archives with half an eye for any nice looking non-human photos.
Here are a couple of snaps I particular liked:
These were both taken on a photo-walk that I and G(od)D(aughter) One did in May of 2011. We spent the day walking along Regent’s Canal. I did a couple of postings about this walk at the time, but took many more good snaps than that.
The two birds above are occupants of the Snowdon Aviary. At the end of that link it says that this Aviary contains some “white ibis”, ibis being, apparently, the plural of ibis. Are those things ibis? Could be. I’m hopeless at which brand of bird is which.
The sign, which actually includes a cat, is over an entrance to the footpath beside the canal, from the road. I think. You walk under it, I’m pretty sure.
Strangely, if my photos of the day are anything to go by, we didn’t see many swimming birds that day, in the actual canal. But when we got to Paddington Basin we saw a few.
I often try to photo such birds, but only rarely come away with anything that strikes me as very interesting. The world is, after all, full of extremely Real Photogaphers who like to photo birds. So, what can I add to all that?
These two birds are maybe a bit nice, if not actually what you’d call interesting. The feathers on the one on the left have come out quite well. And the one on the right has an interesting (because pink) beak, which doesn’t look normal to me:
GD1 and I don’t talk much on these walks. We each tend to concentrate on our own photoing. I occasionally photo her from a distance though, with other interesting things (such as bridges) in the background. And occasionally, she photos me:
I like how, in the picture of GD1 photoing me, there is another photographer operating, in the background, on the left as we look.
Well, the New Year (even though the New Year is actually getting quite old now) Resolution here, to blog early, and sometimes even to blog often, is working well. I haven’t delayed going to bed because of this blog for about a week, and I sense that this may even continue.
Friday is my day for cats, and now also for other creatures, and already this Friday, even though it not yet even the middle of the day, there has already been a posting here about dogs. Republican dogs. That posting is right below this one, but there’s the link anyway.
And here now is another creature posting, about a truly unique other creature - half cat, yes, but also half dog, half bee, half zebra, and wholly suitcase - of the sort that kids can ride, at airports, to stop them getting bored:
Apparently Trunki made the first of these, and then some Hong Kong guys did a cheaper knock-off, and Trunki complained. Trunki lost.
These cases - the physical (suit)case and the legal case - illustrate the fine line that divides a design from an idea:
But five Supreme Court justices unanimously disagreed, and ruled in favour of PMS on Wednesday – stating that while it had “sympathy for Magmatic”, the “Design Right is intended to protect designs not ideas”.
It looks a lot like a design being copied to me. Not that I mind. And actually, I think the Hong Kong version is better, because the original can’t make up its mind whether its eyes are eyes or horns. HK case resolves this by having eyes and horns.
PMS website: here.
Regular cats have kittens, but this cat is big, and has cubs:
Mick Hartley had a picture of an underpass, at Mick Hartley, today. I went to where that underpass picture came from, to try to understand the underpass picture. I still don’t understand the underpass picture, but I did find the above mega-feline. Rather than reduce the whole picture and lose feline detail, I cranked up the cropper, in square mode (of which I am particularly fond).
I like white vans. And since this is Friday, I at least want recently to have encountered, virtually or for real, something feline, but with a bit of a difference from the usual internet felinities.
So, I was pleased to notice this vehicle, outside the Queen Elizabeth Conference Centre, across the road from Westminster Abbey, yesterday afternoon:
More about the enterprise in question here.
It is surprising, to me, given how much attention cats now get in the popular culture, how few enterprises use cattery to advertise themselves in this kind of way.
The other day (like there has been been just the one (which is idiotic)), I was in …:
… to have brunch with GD2 and her sister in their newly acquired home.
While there I took some photos, including this still life, of pots and pans and utensils, which looks rather nice, like an oil painting:
Staying tasteful and artistic, and seeing as how this is Friday, here is something else I snapped there:
Yes, it’s a cat cushion! It was, though, probably there when they moved in.
Since a major percentage of the point of Art is to stay a couple of steps ahead of and to thereby piss off the dumbo bourgeoisie, the latest batch of Artists would probably now reckon the cat cushion to be more Artistic than the still life.
As for the bloke who painted that Kentish Town sign, he probably now works for an advertising agency.
I’m still catching up with some of the things I did last summer, even though it is now next year. My gaff my rules. In particularly, I still have finished reporting on Richmond Park.
Richmond Park is the very picture of unthreatening sweetness and light, especially on the sort of day it was when me and GD2 paid our visit to it. But, as regulars here will know, I like to photograph signs, and maps, so that I will know where I’ve been.
In Richmond Park, there are big maps of Richmond Park, like this one:
This map is covered with the names of all the various places in Richmond Park. Most of these names are quite nice, as you can see if you take a closer look (by clicking on it), at this closer-up view of the middle of the above map:
Prince Charles’s Spinney, Thompson’s Pond, Sidmouth Wood, and Queen Elizabeth’s Plantation, they all sound nice enough, in keeping with the suburban niceness of the place. Although, I suppose “plantation” might suggest slavery.
But some of these names speak of a different and grimmer past. How about, to take a closer look at some of them, names like these:
Suddenly, Richmond Park becomes more like the sort of landscape that brings to mind, say, Vincent Price’s chilling enactment of the Witchfinder General.
Names like those two suggest interpretations that are probably far worse than the truth, of names like these:
Spankers are probably just people who chase deer so that the upper classes can kill them for sport. A saw pit is probably just a pit where sawing (of tree trunks) was done. And Peg’s Pond is probably just the pond which Peg owned, and fished in. But, I couldn’t helping thinking that Peg’s Pond was really the pond where Vincent Price made poor Peg swim, thereby proving that she was a witch. And then she got hanged in one of the two hanging locations named above.
And how about these two names:
Bone Copse? Killcat Corner? What on earth was that about? Googling told me nothing, but that proves nothing.
Photographs are, as all the world has recently been learning, except those whose business – paid or unpaid – it is to complain about what all the world has recently been learning, a wonderful aid to memory.
And many of the happiest memories of our extraordinarily comfortable and frequently very happy times involve food. So - and the complainers complain about it with a venom they seem to reserve only for this, and for selfies - people now like to photo food. Food that they have themselves prepared. And food that others have prepared for them.
And I like to photo them photoing the food. This also makes happy memories.
Man prepares meat: Man photos meat: Man prepares salad: Man photos salad:
These are happy memories from last August. Visit to friends in the outer suburbs.
The outer suburbs? What do they look like? Well, one of the things they look like (horizontalisation opportunity) is this:
That’s the large patch of grass, beyond the back wall of their back garden. And sadly, although those things in the distance do vaguely resemble Big Things, they are actually rather smaller trees.
We are beyond the “Green Belt”. The above photo, especially if clicked on, offers a glimpse of what the Green Belt might usefully be turned into, instead of it remaining for ever the wasteland of pointless open space that it is now. It would need livening up a bit. A bit of open-caste mining, or a temporary phase as a juvenile race track? Then let nature take its course, and you’ll have a lovely place. Apparently some industrial type activity (gravel?) is about to happen in that particular stretch of grass. That will stir up some interesting nature, when the industrialising is done.
Finally, this being Friday, here is a visitor to our jollifications who dropped by that afternoon:
Like many cats in places like this, this cat seems to have a basic home of basic benefactors, and daily rounds to visit other potential and not-so-basic benefactors. This visitor acquired no happy food memories with his/her visit, on the day I photoed him/her. Not that day.
But I have plenty. Without my camera, these memories would soon have gone.
Last Tuesday I attended the A(dam) S(mith) I(nstitute) Xmas Party, to which I had been looking forward. Sadly, when I got there (and this is nothing whatsoever at all to do with the quality of the ASI Xmas Party) I found that I was in a decidedly anti-social mood. Grumpy Old Men are not a cliché for nothing.
But before making my gracelessly early exit, I did manage to strike up a conversation with a young woman fresh out of studying the history of media censorship, at Cambridge. This, she said, “could not be a more libertarian subject”. True. Good. More and more libertarians seem to be emerging from universities these days, in considerable part thanks to the ASI.
Me carrying a camera caused her to mention that she too was keen on photography. I asked her what is the best photo you’ve ever taken? And she said, tapping away at her iPhone: probably one of these. Definitely a cat person. I reckoned it a bit too uncouth to be photoing her, but I did photo her iPhone, which is also good when the light is a bit dodgy, as it was that evening.
Later, I cursed myself for not remembering to ask Anton how his expedition to the USA had gone. But, as I keep having to remind myself, this is the twenty first century. You can look things like this up. And sure enough, at Anton’s Twitter Feed, I found this ("U can now watch my presentation (of thesis for the very first time!) at Columbia’s Center for Capitalism & Society: ..."), which takes you straight to this, the second this being the video of him in action. I just watched it. Excellent. And recommended to all who want to know how the world got from almost universal penury to something rapidly becoming almost universal creature comfort, in which all can have, if they wish, cat pictures on their iPhones.
What with Antoine herding drunken cats tonight, you’d think that today here might have been particularly feline. But as it happens, recent archive trawling has brought various bird photos that I’ve taken over the years to my attention.
I find birds difficult to photo, by which I mean difficult to photo interestingly. This is because they are so often photoed, very well, by other photographers. The trick for someone like me is to photo things that other people, and other photographers, tend not to see, like for instance all the other photographers. I think I managed to photo these two birds quite interestingly, just under a year ago, just before last Chistmas, but this sort of thing is rare for me.
Often, when I photo birds, I combine them with others things, as here, or as on the right, right here. This being one of those photos which I suspect will look rather good if seen very small. So, I am showing it very small. Which also means I have to waffle now, to make sure that the next photo doesn’t collide with this one on the right. What I really like about this snap is not the bird, so much as the unusual roof clutter. The bird just tops that off nicely. This shot was taken from Battersea Park railway station. That should be enough waffling.
Next, what we see is some birds seen from an unusual angle, which makes their wings look really strange, like they are made out of metal rather than bird. Whereas the earlier picture benefited from being small, this one squawked out to be horizontalised, so that is what I did:
For each of the two originals, above, click on the smaller version.
This last bird photo also shows something which is, to me, very strange. Which is, that all the birds are pointing in the same direction, one way or the other, along the road. Except one, who is, I suspect, turning from pointing one way to pointing the other way. Why are they doing this?
One possible explanation is that they are all looking at me, to see if I would throw them any food, or perhaps attack them. My guess being that when a pigeon looks at you he has to look at you sideways on, with just one eye. He doesn’t do what humans with their flat faces do, when looking at you, which is turn their faces towards you. No, a pigeon displays his profile. But what do I know? Am I making any sense? Anyone? I am probably talking nonsense.
Anyway, truth or tripe, that concludes today’s Avian Friday posting.
On Friday November 27th (i.e. exactly one week from now), my friend from way back, Antoine Clarke, will be giving a talk at my place entitled “Herding cats, or lessons from drunks about organising anarchy”.
These talks happen every last Friday of the month, and before they give one of them, I ask each speaker to supply a paragraph or two about what they’ll be saying, so I can email my list of potential attenders. Antoine has just supplied me with ten paragraphs on his talk:
It would be hard to imagine any more dysfunctional organisation than a leaderless group of drunks promising among themselves to quit drinking and to help other drunks to quit.
And then I realized that there is a similar organisation for narcotics addicts, one for cocaine addicts, crystal meth addicts and even “sex and love addicts” - whatever that may mean.
Alcoholics Anonymous has been described as a “benign anarchy” by one of its founders and manages to organize over 100,000 groups worldwide with between 1.5 million and 2 million members. Its power structure has been described as an “inverted pyramid”.
AA operates by having almost completely autonomous branches, no publicity, no professional class of “charity workers” and no set fees. It has a “12-step program” and “12 traditions” which have been described respectively as “rules for not killing yourself” and “rules for not killing other people”.
The effectiveness of AA at curing or controlling alcohol addiction is not clear cut. Because of anonymity, self-selection and the difficulty of known if someone who stops attending meetings has relapsed or simply found he can lead a functional lifestyle. The fact that over a dozen other organisations have copied AA’s 12-step and 12 tradition system suggests at least some level of success, unlike, say the UK’s National Health Service which has fewer imitators.
One particular problem for AA is that any 12-step program will only really work if it is voluntary, but in the USA especially, courts mandate that convicted criminals attend AA meetings as a parole condition. I think this reduces recidivism among the criminals (compared with them NOT following a program), but it surely dilutes the effectiveness of AA groups (more disruptive attendees, people going through the motions, possible discouragement of others).
I shall be looking at the elements of AA’s structure and organisational culture to see what lessons can be learned about the possibility of anarchic institutions especially at handling social problems.
What interests me is the “anarchy with table manners” aspect of AA and the contrast with truly dysfunctional libertarian organisations, like the Libertarian Alliance.
I’m also interested in the issue of government interference and the ways in which well-meaning interventions make matters worse. I shall also take a look at the spiritual element of AA’s 12-step program, noting that it claims to work for atheists and agnostics as well as for theists.
Hopefully, this is an attractive alternative to binge drinking on a Friday night in central London.
Indeed. There will be no binge drinking at the meeting.
I see that of Counting Cats, in the person of Julie near Chicago, recently linked to a piece by the late Antony Flew entitled The Terrors of Islam, a piece which I had totally forgotten about. But I am sure that this piece influenced me very strongly when I read it. And I definitely did read it because I published it, for the Libertarian Alliance (Chris Tame Tendency).
It always pleases me hugely when someone links to an old LA effort of mine like this. Not exclusively mine, you understand. Somebody else had to write it. But … mine. And this particular piece of Flew’s is downright prophetic.
Counting Cats had a strange outbreak of junk postings about fake university essays a week or two back but seems to be over it now.
I think my fascination with the Union Jack really got into gear with the Scottish Referendum. Why then? Because then, we might have had to abandon it. It might have become a relic.
Then, during the recently concluded Rugby World Cup, the Brits all got knocked out by the time the semi-finals came around. But, the two nations whose national flags involve the Union Jack (for the time being anyway), Australia and New Zealand (England’s flag is the red and white flag of St George), were the two finalists. So, the Union Jack triumphed, even if the nation that originated it did not.
So, I am now always on the lookout for Union Jacks, especially when the colours are being played with. The shape is wonderful, I think, but the colours can get repetitious and they come alive when altered somewhat.
And today, I found just such a Union Jack, in a shop, in Tottenham court Road. I went in and photoed it, several times. Nobody objected, or tried to sell me furniture. Or even to sell me the Union Jack that I was photoing. I just did my photos, and also a few others of cat cushions, and then made my exit.
If you look at a mirror, you tend to see yourself. If you photograph a mirror, you tend to photo yourself taking a photo, unless you are a Real Photographer. I am not, even if one of the above photos does exclude me.
£149 is what this mirror would cost you.
As I type this, Simon Schama is concluding his TV series about The Face of Britain, the final episode being entitled “The Face in the Mirror”. He is doing selfies, or “self-portraits” as they have mostly been known, until now. I expect that we will be shown regular folks posing with their selfie sticks, right at the end.