Brian Micklethwait's Blog
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- Wheel behind trees
- Big cat scan
- From a cat cushion to Bill Murray and a nude to a demon horse sculpture that killed its creator
- My favourie partial eclipse photos
- Bean drops snow on tourist
- Paul Kennedy on centimetric radar
- More White Vans
- Quota scaffolding and quota roof clutter
- Not squash
- A weird view of the Wheel - and cats in Tiger
- White Vin Van
- White Van
- BT Tower behind trees
- You don’t see this any more
- Photoing the photoers on Westminster Bridge
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Category archive: Architecture
It started in Quimper, where I particularly wanted to photo the cathedral without all those summer tree leaves in the way. And I did.
But I am now realising, about a decade and a half later than I should have but better late than never, that the exact same principle applies to London. London is full of trees, which you either can see through or can’t see through, depending on the season:
That photo was taken by me yesterday afternoon, looking across Vincent Square towards … well, you can see what it was towards, because there were no leaves in the way.
See also this example of the same genre.
As usual, there’s lots of fun stuff at Colossal, of which a piece about the Chicago Bean attacking a tourist by dumping a lump of snow on them, is my recent favourite.
Go here to see the whole wonderful thing.
I like how people in Chicago call The Bean The Bean, rather than “Cloud Gate”. I feel the same way about how The Wheel in London is The Wheel, rather than the “London Eye”.
Indeed. Note to self: get well soon.
This really is a case of oh dear I’ve put nothing on the blog today, and I have a rule:
That’s looking along Lower Marsh, last September. The scaffolding is just scaffolding. But the roof clutter is special, being on the top of Millbank Tower. I like that I could just see the only truly interesting bit of that building from where I was. I particularly like that burst of roof clutter, because I can see it from my front door.
I also like the colour of the sky. You only get that kind of colour with a camera. The sky is never that colour for real.
I was in Tottenham Court Road this afternoon, searching out a toner cartridge for what I discovered is now an antique laser printer. I had no idea until now how much less toner cartridges cost if you get them on line. Stupid me.
Anyway, it was a chance to photo the BT Tower, the first and still one of the greatest of London’s new Big Things (Big Thing being what BT stands for). Most things in London look better in bright sunshine, or at least I can photo them better. But for some reason, this rule does not apply to the BT Tower. Today’s decidedly muggy weather suited it very well. Because it is quite a way behind those empty trees, it looks dim and grey, instead of bright, and this seems to suit it. Maybe this is because muggy weather makes it look further away, and consequently bigger. Here is my favourite shot that I took of it:
Summer is very nice and well lit and warm and everything, but all those damn leaves get in the way horribly, and ruin all manner of what could be great shots.
Late this afternoon I went walkabout near to where I live, and in particular to photo my local ballerina, at the top end of Victoria Street. There’s lots of building going on around her, so the nearby and behind scenery keeps changing. My favourite shot of her today was this:
At the time, that bus driving by seemed like it was an interruption, but now I think it definitely adds something, to a part of the shot which wouldn’t have been half so interesting without it.
Just before Christmas, Goddaughter 2 arranged for the two of us to see and hear a dress rehearsal of a Royal Opera House Covent Garden production of Verdi’s Un ballo in maschera. This was, for all practical purposes, a performance. I didn’t much care for Verdi before I went to this event, and I still don’t, but the show was at least notable for the outstanding singing of the lead tenor, Joseph Calleja, a new name to me. I was extremely happy whenever he was singing. (He has a blog.) The rest of the show I found somewhat forgettable, mainly because Verdi seems to have been opposed to doing nice tunes that you can remember, unlike my operatic composer favourites, Mozart, Puccini, and Richard Strauss.
But very memorable indeed, almost as good as Calleja’s singing, was the bar we visited afterwards, which is right next to the main performing space.
From the outside the opera house and the bar look like this:
The bar being the thing on the left as we look there.
And on the inside, the bar looks like this:
The ROH refers to this place as the Paul Hamlyn Hall. What regular people call it for real I have no idea, but I like it.
I especially like that disembodied clutch of drinkers, suspended up there as if in mid air, but actually in mid mirror.
Here is a closer look at that same feature:
I know exactly what is going on here, and how this weird effect is achieved, but still I’m impressed.
A bit of hasty googling has failed to tell me what this place used to be and when it was first built. I’m guessing it was at first something to do with selling fruit and/or veg, but that’s only a guess. Anyone?
Suicide Bridge being this one:
And here is a closer up view of those Big Things in the far distance there:
Photos taken last Monday.
The more I photo the Walkie Talkie, the more I like it.
Dezeen reports, here.
Hey, maybe a drone could have a 3D printer attached to it, to 3D print in the sky!
As Andy said in his comment on this:
I think the answer is micro-controllers ...
Yes, once you have clever computers piloting these things, rather than clumsy old humans, they can do almost anything.
That’s the new Blackfriars Bridge railway station, with its ziggy zaggy solar panels roof. Taken just under a year ago.
What you get when you click on the above horizontal slice is actually a whole lot better, despite the fact that this horizontal slice is what makes the picture as a whole such a nice picture.
It often happens with me that, while rootling around in the archives for one picture, I stumble across another which strikes me as worth showing to the massed ranks of BrianMicklethwaitDotCom’s readers.
Pictures like this, for instance, which I took at the top of the Monument, in November 2012:
Small, blurry, totally recognisable. Definitely a Big Thing.
As for all that wire netting (which I believe dramatically lowers the cheese content of the above shot), well, here is another shot, of how matters at the top of the Monument used to be not so long ago:
I took that in July 2007. (Note the pleasingly dated camera.) The change from prison bars to wire netting, which happened soon after that, was presumably because of different versions of health and safety. Originally there was neither, just some waste high railings. See this hand-done photo “by Canalleto (after)”, whatever that means. (His production line, but not him, maybe?) And see also this picture.
Yes, just back from a talk at Christian Michel’s. Didn’t drink “too much” wine, but did drink a lot, far too much to still be sober.
Cat news? You want cat news? Okay, the cat news is that lots of people have got into trouble of various sorts because they have too many cats, or killed too many cats, or something along those lines. Google “cats” news, and you can find the details for yourselves.
Meanwhile, here is news of a new Big Thing, in London:
This is the replacement for the Pinnacle.
Everyone commenting on this is angry about it. But then, everyone commenting on new Big Things is always angry. It’s ugly! It’s a joke! It’s random! It’s …
Excuse me while I eat a Sainsbury’s Basics egg bite. Several, actually.
… something else terrible!
But give it a few years, and we’ll all be complaining about how the next London Big Thing is spoiling the view of this Big Thing.
First, the BMdotcom headline of the day:
These drones are being used to “monitor”, not for bombing or shooting. Nevertheless, interesting.
In other drone photography news, have a look at the new Apple Headquarters, as it takes shape. This particular movie seems to be friendly, so to speak. Apple would appear to have agreed to it. But what of drone photos and drone movies that are not so friendly?
I first realised that drones would be a big deal when I saw one (with a camera attached) in a London shop window.
Thank goodness for the I Just Like It! file. Today was yet another long and annoying day doing other things besides blogging, and yet, I want to stick with the habit, without being insultingly brief. That’s when some here’s-some-I-prepared-earlier snaps can come in really handy.
So here are a few snaps I picked out about a month ago from the archives, but never got around to posting at the time. The common theme is dancing. Two are males, dancing by mistake. The other two are of females, dancing on purpose.
Every now and again, I recommend that someone do a ballet about digital photography. All that posing both by photographers and the people they are photoing.
Although, one of the blokes is playing with a frisbee rather than a camera, and one of the dancing ladies is a statue. And a favourite object of my photographic devotions, as it happens. This time, though, with added airplane exhaust. And scaffolding.
Taken in November 2006, July 2008, September 2008 and February 2012. The one top right, July 2008, would, I’m pretty sure, have featured a very big Shard in the background, had it been taken more recently.
Yes, the talk this evening went well, I think. Lots of people said they enjoyed it, and they didn’t have to do that. They could have said, as my mother said about things I did that she didn’t like, that it was “interesting”. But they didn’t say it was interesting. They said they enjoyed it. I’m guessing they really did. I did.
However, in the course of the talk, I alluded to a clever question asked by Ayumi Meegan, after a talk given by Richard Carey at my home a while back, and instead of calling here “Ayumi”, I called her “Mayumi”. Twice. She being present this evening, and me identifying her, by name, wrongly. Not good. I hope that a correction can be added, as and when any video of the talk appears at Libertarian Home. I am grateful to meetings organiser and Libertarian Home Supremo (and video man) Simon Gibbs for telling me that I had made this mistake, twice, so that I was able to apologise to Ayumi immediately. Ayumi Ayumi Ayumi.
Also, I hope Simon will add the name of David Mitchell, the comedian to whom I alluded in my talk while failing to remember his name, at all. I didn’t even get that wrong. I mentioned a clever short video lecture by Mitchell that was mentioned by Rob Fisher in a comment on this posting here.
No doubt if I ever do get to watch this performance on video, I will learn of even more serious blunders in what I said, but those will do to be getting on with.
Meanwhile, for the benefit of anyone who heard the talk and is now checking out this blog, hello, and here is something I quite like to do here, quite often, which is to post quota photos. These being photos put up here simply to ensure that something gets posted here, each day, as it almost always does. I mentioned this rule of mine in the course of the talk. Although, I suppose these particular photos aren’t really quota photos, because without them there would still be the ramblings above here today.
Whatever,these particular photos are of three of London’s Big Things, namely the BT Tower, the Gherkin and (when it was still under construction) the Cheesegrater:
The twist here is that all these Big Things are in a state of photographic blurriness. The focus is instead on mere things, in the foreground. Yet, the Big Things are still entirely recognisable, which is one of the key qualifications for being a Big Thing in the first place. For the same reason, Big Things are instantly recognisable from a great distance.
Click on these little pictures to get them a lot bigger, and also a lot blurrier, even though all they are is the same thing only bigger.
Recently, circumstances took me up from the South Bank walkway onto Waterloo Bridge. As I recall it, the idea was to walk across the bridge to one of the District Line tube stations on the north bank. But before I did that, I took pictures from the south end of the bridge, from which a lot can be seen. This isn’t the half of it, but it is some of it:
Time was when I’d have taken only pictures like that last one, of Big Ben through The Wheel. Note that all the other pictures contain things that will soon pass. Cranes. And two adverts for entertainment, one for this and one inside the Thing the advert is on the outside of. Also, in among taking these shots, I also took this one, which was very temporary indeed.
That Big Ben shot is through a gap between, I think, the Royal Festival Hall and the Hayward Gallery. Between two of those South Bank concrete lumps, anyway. I do like gaps. And then I moved a few yards south, and through the same gap between the lumps, or maybe through another gap, I saw this:
Here are two pictures I took a few days later, to explain what the above roof clutter is, both taken outside Westminster Abbey:
As you can see, the spikey bobble is on the top of Methodist Central Hall. And the roof clutter is one of London’s great roof clutter clusters, on top of top of New Scotland Yard. As so often with roof clutter, such a bland facade. With such a crazy hairdo.
The man scratching his back is, I think, St George, commemorating the Crimean War. But that could be quite wrong.
As I get to know London better, I learn to connect distant views to close-up views, not just of obvious stuff, but of everything.