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Category archive: Bridges

Thursday August 20 2015

On a sunny afternoon in June, this was the big picture, complete with Big Things, and a bridge, in the background:

image

I homed in on that photosession, down by the river there.

There were making a bit of a spectacle of themselves, so their recognisable faces would have been fair game, but I took lots of pictures of them, and am able to show you only faceless pictures like these:

imageimage

My favourite faceless photo being this one:

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There was a big crowd looking down on all this.  They really can’t complain, and I don’t believe they will, in the event they see those pictures.

Happy day.

Wednesday August 19 2015

Indeed.

When I took this snap, this afternoon, ...:

image

... all that I thought I was snapping was a selfie session, done by two ladies with conveniently face-hiding hats of agreeably contrasting colours.

When I got home and saw the above photo on my giant home screen, I got two nice surprises.  First there was the surprise of how well the photo had come out on such a dull day.  But there was also the surprise of what that clip-on thingy is on the iPhone.  As so often, my camera saw more that I saw.

A little googling soon got me immediately to such places as this.  That’s right, a clip-on, fish eye lens.  £10.99.

Only a smartphone camera is thin enough for a lens to be just clipped on like this.  Did you see that device coming?  Me neither.

I’m guessing that taking a selfie with such a lens makes it much more likely that you will be in the picture, which is presumably quite a problem if you can’t see the picture you are taking.  It also gives you a panoramic view in the background.

I wonder if they clocked the bloke photoing them, in that background.

Tuesday August 18 2015

6k writes about a Fairly epic disaster video:

Cranes and bridges. I know who’ll like this one…

That would be me.

But it’s not a happy crane and bridge video. It’s a bit of a disaster…

So I watched the video, and then read 6k’s commentary underneath it, in that order.  6k’s commentary described my sentiments exactly:

Look, because of the title of this post and the title of the video, you know that things aren’t going to end well. But it’s the way things happen almost in slow motion and the lack of any sort of discernible panic that makes this so entertaining.

So slo-mo was it that I checked that the people moving about as this was happening were moving at a realistic speed.  They were.  Which meant that the cranes really did descend this slowly.  It was almost like when the Twin Towers collapsed, in that way if in no other way.

I’m not good at putting up videos here, so you’ll have to follow the link at the very top of this to watch this video.  However, this disaster having been videoed at the time, there was no way the www was not going to supply follow-up stills of the resulting wreckage, and here is an aerial snap that I quickly found, which tells that story very well:

image

Click on that picture to get it bigger.  Follow the link above if you want to see where I found it.

I’m guessing (only guessing mind) that the fact that the cranes were on a boat may have been the straw that caused the camels to fall over onto those houses.

Commenter number one there spells it out, and he says that the water aspect of things was more like a bale of straw:

There is an example of this exact situation in the maritime crane operation safety textbooks. Obviously, they didn’t read those.

Here’s a quick list of safety violations:

1) None of the vehicles were secured on the decks

2) Barges stability was not ensured in any way

3) The cargo was not stabilized from swinging & windage by lines

It’s easy to sneer about how hindsight is easy, blah blah.  But this guy sounds like he might have been able to stop this, had he been directly involved.

Saturday August 08 2015

Indeed:

image

I spent the morning not doing anything here, and then the later morning making sure that there were no Ashes mishaps.  Then I spent from the middle of the day almost to the end of the night attending a wedding.  I took about eight hundred pictures, but for now, one must suffice, not very wedding related, other than it was taken from where the reception took place, namely from the upstairs bar and terrace of Doggett’s Coat and Badge.

I am often out and about in London as the sun sinks, but seldom in a place like this, a crucial few dozen feet higher up than usual.  I think this affected the effect of the sun on the Big Things of the City.

Although, it could just be that I was in a good mood and the view was slightly unfamiliar.  After all, I was high enough to see over the new Blackfriars Bridge Station, and thus see those Big Things from an angle I’m not used to.

I am not used to the Gherkin being totally hidden by the Cheesegrater, which in this shot it just happens to be.  Perhaps that is what is making the Cheesegrater look so good, to me, today.  There is no bulge bulging out from behind it.

As you can see, one of the cranes was on fire with the light of the sun.

Friday July 24 2015

During the same walk that I took this picture, and this picture, I also took these pictures, of photographers.

We start (top left) with a view of a photographer on the Millennium Footbridge, and end with a clutch of photos taken on Tower Bridge.  In between, I walk from the first bridge to the second, along the south bank.

As you can see, smartphone cameras continue to predominate:

image image imageimage image imageimage image image

As you can see, I am becoming every more careful to avoid showing recognisable - especially automatically-computer-recognisable – faces.  I have even included one photo (bottom right) where the whole point and fun of it is that a passing car hid the lady’s face, and thus caused the resulting photo to qualify for inclusion in this posting.

Also, I like that effect you get with glasses (top right), where you get a more focussed version through them of the otherwise blurry background.

Thursday July 23 2015

Said I to myself - said I, on the 10th of this month:

I need to get out less, and this weather is not helping.

Tomorrow, the weather will be helping very much:

image

This is perfect.  My life today, in the last few days, and for the last few weeks, has been one mad social whirl after another, my contented solitude being having been violated seemingly every other evening and sometimes more often even than that, which is all fun and all that, but I find that an evening out puts a blight on creativity for the entire day, because what if I start something, want to finish it, but then don’t have time to, because I have a social whirl to attend and to get ready for and to find my way to and to find out about finding my way to?  Last night I whirled out to watch theatrical stuff in an unfamiliar and transportationally complicated part of town with a theatrical friend.  Tonight, I face another social whirl, to meet Perry II.  Every time I go out I take photos, but because of all this going out I have no time to show them to you people or not with the sort of insightful commentary that I want to attach to them without which what’s the point? - They’re just pictures.

So tomorrow (a day during which I have nothing else planned), I will stay in all day, and try (although I promise nothing) to do here a mammoth day of catch-up blogging, showing you a tiny fraction of the pictures I have been taking lately, all properly explained, and anything else I’ve been meaning to put here for some time that I decide to put here tomorrow, in not one, not two, but many postings.

We shall see.

Wednesday July 22 2015

Indeed.

Busy day today, so another photo taken yesterday evening, at the southern end of Blackfriars Bridge:

image

Dragons like these are to be seen all around the City of London, guarding the City from the rest of London.  This is the kind of thing Wikipedia surely gets right, so here is that link.

You can find lots of pictures of these dragons, but not so many photos that look the way mine does, with a blurry Big Thing and a blurry crane in the background.

Tuesday June 16 2015

Wikipedia, which I assume to be reliable on something so politically uncontroversial, has this to say about the Buck Brothers:

Samuel Buck (1696 – 17 August 1779) and his brother Nathaniel Buck (died 1759/1774) were English engravers and printmakers, best known for their Buck’s Antiquities, depictions of ancient castles and monasteries. Samuel produced much work on his own but when the brothers worked together, they were usually known as the Buck Brothers. More is known about Samuel than Nathaniel.

Samuel Buck was born in Yorkshire in 1696. After publishing some prints in that county he moved to London. With Nathaniel he embarked on making a number of series of prints of “antiquities”, which consisted of ancient castles and former religious buildings in England and Wales.  Starting in 1724, they travelled around these countries, and completed sets of prints for the regions of England by 1738 and for Wales between 1739 and 1742. These are commonly known as Buck’s Antiquities. During this time they also worked on a series of townscapes in England and Wales entitled Cities, Sea-ports and Capital Towns.

I mention these guys because here are their engravings of the Thames in London, seen from the south.  All are worth clicking on.

For the first time ever on the net, here are high quality images of Samuel & Nathaniel Buck’s complete sequence of five views of London as published in 1774.

That “first time ever” was in 2012, but news like this does not date.

Together the originals form a panorama of mid 18th Century London over 4 metres long. They show, in tremendous detail, the whole of the north bank of the Thames, between Westminster and the Tower.

Horizontality!  Each is fairly horizontal to start with, but stitch them together ...

Just how accurate these engravings are of the former times that the Buck Brothers were purporting to recreate, I do not know.  But I assume they give us a pretty good idea of how things were, until such time as aliens show up to reveal to us their tourist snaps from previous visits.

I especially like the last one:

image

I like this for a number of reasons.

First, it shows the spires of old London, and hence how very well the Shard fits into contemporary London.  The Shard is of course the very embodiment of new London, but it also evokes old London, far more that most more recent London architecture.

Second, this shows old London Bridge, with all its buildings.  What fun it would be for London to build itself another such bridge.  One of the reasons I so welcome the new Blackfriars Station, on its bridge, is that it sets a precedent for just such a bridge with buildings some time in the future.  This new Ponte Vecchio on Thames probably shouldn’t be in the middle of London, though, because that would spoil a lot of views.  Why not a big bridge of this sort further downstream?  Any decade now … If it were ever to happen, such a bridge would nicely complement the new Garden Bridge, full of plants, that Joanna Lumley wants to build.  This is going ahead (… ”will” …), apparently.

And the third reason I like the above Buck Brothers panorama is that to the far right, it nicely shows what an imposing edifice the Tower of London used once to be.  Here is the detail I mean:

image

Okay, that big building to the left means that the Tower is not as imposing there as all that.  But it certainly gives you a clue concerning what an imposition it was when it was first imposed (scroll down to the quote there).

Friday May 29 2015

Indeed:

image

You can tell that the bridge is Blackfriars Bridge because it has that written on it.

And then, moments later, I photoed someone else with the same combination of ideas:

image

Both photoed at that magic hour in the evening when everything is lit like it’s in a movie and when pictures on other people’s cameras show up in my pictures .  Movie people call this magic hour “Magic Hour”, or so said a book I read a while back called Magic Hour.

Monday May 18 2015

Photographer on the upstream Hungerford Footbridge, me not on any Hungerford Footbridge:

image

Photographer on the downstream Hungerford Footbridge, me on the same Hungerford Footbridge:

image

Me on the downstream Hungerford Footbridge, photographer not on any Hungerford Footbridge:

image

The first picture is the most visually dramatic, but the third is the most mysterious.

Deck chairs on a deck makes sense, but why is there a pretend lawn on the deck?  And why did the man need to be in the middle of the pretend lawn to take his photos?

I do not know.

Tuesday April 14 2015

Fantastic weather anyway.  I’m still not feeling a hundred per cent.  (Perhaps I never again will.  (This is one of the facts about getting old.  When bodily functions malfunction, they may never well-function again.  (And it feels like that even more often.))) But I went out anyway to do some shopping, and then went out again with fewer clothes on, to enjoy the first real warmth and sunshine of this year instead of getting too hot in it.

Here are some snaps I took that show what a good day it’s been.

On the top left, the top of the tower right opposite me, seen from Vincent Square, through the leafless trees.  Top middle, the Wheel (through more leafless trees) and that four-pointed Parliament Tower thingy that nobody knows the name of, with the Vincent Square cricket pavilion in the foreground.  Top right, the new and rather crass (but I’ll probably end up liking it (perhaps after some clutter has arrived on the roof)) apartment building going up next to Vauxhall Bridge.

image image imageimage image image

The bottom three snaps show what the sun, when it’s out and when evening approaches, does to the buildings on the other side of the river from me.

As you can see, from the all cranes, there is lots of new building activity in my vicinity.

Sunday April 12 2015

Here is a piece I did here about how Modernism got associated with whiteness.  And for most would-be Modernists, Modernism still is white.  But, here is another piece I did about coloured Modernism, in the form of Renzo Piano’s very colourful buildings near Centre Point.  (Renzo Piano also designed the Shard.)

Here is another photo I took of these, I think, delightful edifices:

image

And here is a faked-up picture I came across not long ago, which suggests that Piano’s colourfulness may have struck a chord with other architects:

image

That picture adorns a report about the footbridge that you can see on the right of the picture, the very same one that I saw being installed last August.  But I think you will agree that the towers on the Island there are a definite echo of that Pianistic colour.

The great thing about coloured architecture is that you can build the most severely functional lumps, and only worry about brightening them up afterwards.  Form can colour function, and then colour can cover up the form and make it fun.

But it need not stop at just having one plain colour.  Soon the artists will join in, and there will be giant murals.

If I had to place a bet about how different London will look from now in thirty year’s time, this would be the change I would bet on.  Both new buildings and dull old ones will be much more brightly coloured.

I’m guessing that outdoor paint is a technology that has had a lot of work done on it in recent years, and that such work continues.

I will be interested to see if those Piano office blocks become faded, or if the colour stays bright for a decent time.

Interestingly Le Corbusier was a great one for colour being slapped on Modern buildings, but the notion never really caught on.  Or rather, it is only now catching on.

As is illustrated in this posting at Material Girls.  Where the point is also made that another huge influence on the monochrome association with Modernism was early and black-and-white photography.  Even colourfully painted buildings didn’t look coloured in the photos.  (One might add that newspapers and magazines only burst into colour after WW2, in the case of newspapers only in the 1960s.  Until then, all newspaper and magazine photos were printed in black and white.  So even if Modernism was done in colour, its influence spread in black and white.)

Now, colourful buildings tend to look colourful, both for real, and in the photos.

Tuesday April 07 2015

Ages ago now, before I was ill, I checked out that Suicide Bridge in North London, as reported in this posting.  This was a fine destination to have picked for an photo-odyssey, both because the destination itself did not disappoint, and because it was in an unfamiliar part of town, and thus was only the first of many wondrous discoveries I would make that day.

As the years go by, I accumulate more and more photo-collections of such days, and get further and further behind in mentioning them here.  Which is fine, because there will soon come a time when I won’t want to be going out at all, just sitting here reminiscing.  Then I can catch up.  Then I can die.

So, March 8th of this year.  I hoover up snaps of the view from Suicide Bridge and then walk away from the top of it in a westerly direction, along Hornsey Lane.  I am in Highgate.  Then I go north (actually more like west north west) along the B519, past the Ghana High Commission, until I get to a turning that looks like fun again, turning west, again (actually more like south west).  I am climbing, still, getting higher and higher above central London.  And I take another turn, south, and come upon a miniature version of the Alexandra Palace Tower (that being a bit further out of London, to the north east), beside a lane called Swains Lane.

Here is a web entry that says what this tower is.

And here are some of the photos I took of it and of various decorative effects that it had on its surroundings, on a day that, although getting very dark in parts, is still topped off with a bright blue blue sky, worthy of Hartley himself:

image image imageimage image imageimage image image

And here is another web entry, which explains what an excellent war this contraption had:

The British immediately realised that the powerful Alexandra Palace TV transmitter was capable of transmitting on the transponder frequencies and instigated ‘Operation Domino’. Using the receiving station at Swains Lane, Highgate, the return signal from the aircraft’s transponder was retransmitted back to the aircraft on its receiving frequency by the Alexandra Palace TV transmitter and hence back to the aircraft’s home station. This extra loop producing a false distance reading.

The Swains Lane receiver station was connected by Post Office landline to the Alexandra Palace transmitter. By using a low-voltage motor, this line controlled any drifting in the lock-on carrier beam, thus eliminating any give-away heterodyning beat-notes.

Which you obviously wouldn’t want, would you?

I love the way things like this look.  Totally functional, but … sculptors eat your hearts out.  It beats most of what you guys do without even giving it a thought.

Actually, slight correction provoked by actually reading some of what I linked to above. The current structure at Swains Lane is the metal successor structure to its wooden predecessor structure, and it was the wooden predecessor structure which had a good war, but was then blown down by a gale in October 1945.

Had it not been for this extreme weather story, pride of place there would have gone to the report about Quisling getting shot.

I love the internet.

Sunday March 08 2015

Suicide Bridge being this one:

image

And here is a closer up view of those Big Things in the far distance there:

image

Photos taken last Monday.

The more I photo the Walkie Talkie, the more I like it.

Thursday February 19 2015

Whereas yesterday was the first first day of spring, today is right back to being just another day of winter, cold, damp, cloudy, miserable.  So I am back rootling in the archives for sunnier memories.

Here’s a good one, of me (in the middle), Goddaughter 2 (on the right), and (on the left) a suitably anonymised photographer photoing a suitably anonymised group of people:

image

Taken last August, on one of the Hungerford Bridge footbridges.

When posting this, I was informed of a previous posting here entitled shadow photography.  Also fun.  Less anonymised strangers though.