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In which I continue to seek part time employment as the ruler of the world.

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Category archive: Painting

Saturday March 25 2017

Before we entered the Royal Opera House to endure and eventually to enjoy Die Meistersinger my friend and I wandered around Covent Garden, and chanced upon a shop selling artfully decorated skateboards, in other words looking like this:

image

As soon as I was inside this shop I asked if I could take some photos, and they said: snap away.  So I did.  I took the above photo first, which gives an idea of what it was that got my attention.  And then I took a lot more, of which the following were the least worst:

imageimageimageimageimage
imageimageimageimageimage
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I know.  Lots of reflections in the shiny surfaces of the skateboards.  But, you get the pictures.

A cat is involved (1.3 in the above clutch).  A rather rude cat, but a cat.  At first, I thought I ought to hurry the posting up and have this ready for last Friday.  Then I thought, no, wait until next Friday.  And then I thought to hell with that, I’ve nearly done it, I will post it when it’s done.

These artistically enhanced boards have all the relaxed and unpretentious exuberance of graffiti, of the sort I most regularly observe in Leake Street under Waterloo Station.  You don’t have to read some idiot art-speak essay to find out what the hell this or that skateboard is “about”, even though it is sometimes obscure.  “SHAKEJUNT”.  “HAND IN GLOVE”.  “FIVE BORE”.  “FLIP”.  You probably have to be a skateboarder to get what words like those mean.  Which probably explains why I like the giant TV remote the best.  That I definitely understand.

However, a magic ingredient that separates these skateboards from graffiti is that the skateboards come with added property rights.  Once you’ve painted your own particular skateboard, that’s how it stays painted.  Which means you can really go to town on it, make it really great, confident that some other artist won’t paint over what you’ve just done.

There is also the fact that a skateboard, unlike graffiti, can be moved hither and thither, which means it can be bought and sold.  This means that politically sane people will gravitate towards decorating skateboards and political ignorami will prefer graffiti, property rights and civilisation being things that go hand in hand, as do attacking property rights and barbarism.  Sadly, this does not necessarily mean that the skateboard art will be better, because mad artists are often better than sane artists.  Plus, you can now add the magic of digital photography to graffiti, thereby preserving it.  But as art objects, these skateboards will, unlike graffiti, be profitable and permanent.

Here’s the final photo I took, complete with the guy who said I could take all the other photos, despite knowing I wasn’t in the market for a decorated skateboard, but was merely interested in an art gallery-ish way:

image

I asked this guy for a card or something, so I could put a link to the place here, as I have done, see above.  He didn’t have anything on paper.  But then he thought: have a bag:

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And that’s how I knew what the shop was called and where to find its website.

I hope this posting doesn’t do any harm to this enterprise, for example by diminishing its street credibility.  Do things still have street credibility?  Or, to put it in more recent parlance, is street credibility still a thing? 

Tuesday March 21 2017

Indeed:

image

Leake Street is that tunnel under the Waterloo approach tracks, filled with an ever-changing display of grafitti.  And of photoers photoing it.

Tuesday February 07 2017

Photoed by me late last month (just before I attended this (already mentioned here in passing (she is a friend (and it went brilliantly)))):

image

Yet more evidence of how digital photography has encouraged temporary art, by making it digitally preservable.  What we see is videoing, I think.  But we can be sure that a straight up still photo of the final result will be included in the photography process.

Note the silver paint, on top of what was there before.  If the previous occupant of this spot (in the Leake Street Graffiti Tunnel) didn’t have what he had done photoed, he has only himself to blame.

Don’t ask me what the graffiti means.

Friday January 27 2017

Friday is my day for cats and other creatures, but it is also David Thompson’s day for more substsantial collections of all this weird and wonderful on the internet, and one ephemeron (ephemeros? ephemerum?) in his collection today is this:

Brutalist colouring book.  Because concrete needs colour.

I followed that link.

Quote:

Brutalism lovers, sharpen your cold grey and warm grey pencils and add some colour to some great concrete constructions. First edition of 500 hundred copies. Each copy is numbered.

Ooh.  First edition.  Numbered copies.  Very arty.  Sign of the times?  I want it to be.

I have long thought that the brutalities of brutalism could use a bit of softening, and actually, a lot of softening.  With colour.  Bring it on.

Someone who agreed with me, from way back was, actually, would you believe?: Le Corbusier.  He was into bright colours to soften the brutalities of his brutalism, from the getgo.

(See also: these colourful kittens.  No softening needed there, but it was done anyway.)

Sunday November 27 2016

Or maybe it has been invented and the answer is it’s called lots of little flat screen televisions.

This thought was provoked by seeing this picture, at Mick Hartley‘s:

image

There’s nothing wrong with this Big Thing that painting it entertainingly wouldn’t put right, in fact very right indeed.  It could become a well-loved landmark, if only it was spruced up a bit, with some bright colours.  This Big Thing is called the Edificio Torres Blancas, and it is in Madrid.  In Spain they like bright colours, right?

But, what bright colours?  The answer is to copy what they now do in Trafalgar Square, with that Fourth Plinth.  In Trafalgar Square, they have solved the problem of what to put on the Fourth Plinth by keeping on changing it.  That way, everyone gets to like some of the objects they put on the Plinth, and that way everyone who dislikes what is there now can comfort themselves with the thought that it will soon be gone.  All can photo the ones they like and ignore the rest.  Eventually, a winner may be declared.  Eventually, a thing will be put there that seems to right, to so many people, that it will be decided to keep that thing there for ever.

That’s what they should do with the colouring of the above Big Thing in Madrid.

So, techies, get to work.  What we need is a new sort of paint that you just slap on, but whose colours, down to the minutest detail, can then be controlled by a big old computer at ground level.

Or, this is already possible, as the advertisers are now proving with their changeable screens, and all that it missing is that this is, for a mere building, as opposed to a commercially profitable message, for the time being, too expensive.

Also, maybe the architect is still alive and vetoing any such notions, insisting that his masterpiece remain blancas, or failing that then at least grey all over.  Time will soon correct this sorry state of affairs, if state of affairs it be.

Sunday October 30 2016

Photoed by me in Leake Street (where this cat was later to be seen), in July:

image

And what a very appropriate word it is, for the point I am about to make.  Which is that although this new Graffiti Style of painting has now upstaged the old My Kid Could Do That Modernism of an earlier era, the two styles both have in common that they are, among other things, trying to baffle you rather than inform you, unless you are part of an inside clique which gets it.

In his book, The Painted Word, Tom Wolfe wrote about this earlier sort of bafflement, the sort where you had to know what the theory was that was embodied in whatever random daub you were looking at in an Art gallery.  The new Graffiti style actually gives you words, literally.  But, you only know what they mean if you know what they mean.

But at least there is some real skill on show, in the form of how the words are presented.  They at least look pretty.  Your kid probably couldn’t do it, unless he’s one of the ones who does.

Friday October 28 2016

Indeed:

image

Leake Street, October 19th.  Probably still there, as of right now, but quite possibly already painted over.

I do not know why the cat is saying: “4”.  Some sort of golfing reference?

Wednesday October 26 2016

I’ve been photoing the Pavlova Statue outside Victoria Station for a long time.  On the left here is how she was looking, on a particularly sunny day ten years ago:

imageimageimage

But look at the state of her now, as shown on the right.  I got quite a shock, I can tell you, when I came upon her about a fortnight ago, looking like this.

The Victoria Palace Theatre is being refurbished.

Pavlova under wraps
Wembley Arch lighting contrast
David Hockney comes to Pimlico
Brexit graphics
The Union Jack’s near death experience(s?)
Centre Point through the new station entrance
Van Art
LON DON
A rubbish lorry posting
A still life and a cat cushion in Kentish Town
Painting the bridges of Richmond
Dark Satanic Millbank Tower
Sorry!  No Photo’s!
White cat – Mick Hartley’s photos and other photos he likes – black and white and colour
Phil Tufnell paints cats!!!
Two strangers photoed by Mick Hartley and shown there (and here) without their permission
Seaside muralist
London is getting more colourful
Hand done photos
Golden Gate being built – Severn Road Bridge ditto – C20 photography – Hitler’s paintings
Non-faceless architecture in Rome
Why I am a point-and-shoot photographer rather than a Real Photographer
The illustrations for Christian Michel’s talk this Friday (plus some thoughts from me)
How Bill Bryson on white and black paint helps to explain the Modern Movement in Architecture
Union Jack Minis
Tate cat
Out and about in the sunshine
Stones created from layers of old paint from car factories
Black cars next to coloured pictures
Big Blue Cock photos
Painted people
Lego bridge in Germany
Temporary art made of brightly dressed people
Good question
Popography
Bad and good in bad weather
Edwin is a bad person
Billy Fury Way
A scaffolder likes Jeremy Clarkson
Wedding photography (6): The Wedding and the Reception
Views from the Hackney Wick station footbridge
So painters also used to “take” pictures
Lunch at Gessler at Daquise
Art without Artists
The graffiti says he won’t get his keys back
If you can’t beat them hire them
Everyone?
Spray can girl in Leake Street
One child poster
Everybody draw Mohammed every day!
Abstract satellite expressionism
The Min-Kyu Choi folding three point plug
Strange purple cat with four eyes
Of lists and distant totally photorealistic skyscrapers
The concrete monstrosities of the South Bank may be about to get colourful
Is the contemporary art bubble bursting?
If it’s not Art it can be rather fun
Painted Billion Monkey!?!
It only takes One Rich Lunatic
Two adverts in the tube
Photos are better
Church covered in church pictures
Classic car thinness
Underground art
The bridge that was going to make Westminster a fine city and London a desert
Photo-ing Venus
Russian weirdness for the Anglos
At the dogs
By the rivers and canals of East London with Goddaughter One
Deceiving the eyes of Paris
Venus undistorted
Venus by the river
Also no relation
Tube photos
Dye hard
Rubens massacre of innocents and an innocent
And I know him as well
Skies
Some art to be linked to from elsewhere