Brian Micklethwait's Blog
In which I continue to seek part time employment as the ruler of the world.Home
MarkR on Goodbye PhotoCat – hello PhotoPad
Brian Micklethwait on Deirdre McCloskey - The Great Enrichment – Using a smartphone as a mirror
Rob Fisher on Deirdre McCloskey - The Great Enrichment – Using a smartphone as a mirror
Rob Fisher on A bridge in Narbonne
Rocco on Benevolent Laissez-Faire photos
Friday Night Smoke on Safe cracks in an airplane window
6000 on The view from the roof
Darren on Second childhood
Tom on LON DON
Kim Bergstrom on Looking in at the Zaha Hadid Design Gallery in Goswell Road
Most recent entries
- Face recognition – face disguise – the age of pseudo-omniscience
- More South of France bridges
- Played 6 – Won 0 – Drawn 3 – Lost 3
- I want to write more here about music
- South of France signs
- Keeping up appearances at One Palace Street
- Goodbye PhotoCat – hello PhotoPad
- Incoming imagery from Antoine
- A bridge in Narbonne
- South of France electronic clutter
- Deirdre McCloskey - The Great Enrichment – Using a smartphone as a mirror
- Bird takes off from a TV aerial
- Benevolent Laissez-Faire photos
- Horizontal French signs
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6000 Miles from Civilisation
A Decent Muesli
Adventures in Capitalism
Alex Ross: The Rest Is Noise
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Antoine Clarke's Election Watch
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Chase me ladies, I'm in the cavalry
China Law Blog
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Category archive: Painting
A new crossrail station is being completed, and Centre Point is being given a makeover. I doubt it will look any different, but you never know.
Any decade now, Centre Point’s exterior will burst into colour. But Centre Point right now, temporarily wrapped in this and that, is as colourful as it is likely to be for a decade or two yet. A generation of monochromist modernist architects still has to die, before colour can really start happening in London. At present (see the previous photo) Renzo Piano is the only fashionable architect being colourful.
While I’m showing you pictures of that rather angly station entrance, here is another, taken moments before the one above:
Lots of signage of various kinds there.
For another view, looking down Tottenham Court Road, of this strange station entrance, see photo 3.2 of these.
As regulars here know, I am fascinated by unusual vehicles, and by almost all commercial vehicles. Whereas cars tend to be reticent about making any sort of personal statement, commercial vehicles have to communicate. They have to radiate an atmosphere. They have to dress themselves like they’re going on the pull in a nightclub. Well, they don’t have to. But most commercial vehicles are an opportunity to do marketing, so why turn it down? And these vehicles consequently radiate as many different atmospheres as there are commercial purposes being pursued in and with them.
Here are a couple of vans I spied today:
Both are somewhat self-conscious, I think. There is a lack of earnestness here, a certain ironic distance, a certain slightly bogus artifice, not to say Art, involved.
But, all part of what makes wandering about in London such an endlessly entertaining pastime.
Sausage Man website here. I tried googling “Oliver London”, but all I got was a lot of stuff about a stage musical. The small tricycle van looks oriental to me, and that its presence outside an oriental restaurant is not coincidental.
People talk about how “nothing says London” quite like … and then they say something that happens quite a lot in London or gets eaten quite a lot in London, or some such very London thing, assuming you already know that that’s what it is.
I contend that nothing says London quite like a big sign, saying “LONDON”. With that, there’s no ambiguity.
Here is a LONDON sign – well, more like a painting – that I photoed in Goswell Road late this afternoon:
That particular sign saying LONDON is a bit cleverer than your usual LONDON sign. The more usual sort of sign saying LONDON would say LONDON even more clearly, by just saying LONDON.
A bit more seriously, I’m surprised you don’t see that particular game played with the letters of the word LONDON more often.
Goswell Road is not a familiar place for me, in fact I don’t believe I’ve ever walked along it before. It’s all rather arty and designy, in an urban decay kind of way. That big LONDON sign has a definite Pop Art feel to it. Unlike the sign saying CAR PARK. Arty signs and car parks both being what you do when an urban site becomes temporarily vacant. The usual rules about what is proper don’t apply.
Today I made the mistake of going out to do something before I had shoved something up here. So this is not a complicated posting. It’s a rubbish lorry, which I photoed today, just before doing something, near the Angel tube station:
Dirty Harry’s Waste Management, of Chingford, would seem to be the kind of enterprise that doesn’t have its own website. It is merely mentioned on lots of other websites, of the sort that enable you to do research on enterprises that don’t have websites.
The art on the side of this rubbish collecting lorry reminds me of that on these Wicked Campers.
The other day (like there has been been just the one (which is idiotic)), I was in …:
… to have brunch with GD2 and her sister in their newly acquired home.
While there I took some photos, including this still life, of pots and pans and utensils, which looks rather nice, like an oil painting:
Staying tasteful and artistic, and seeing as how this is Friday, here is something else I snapped there:
Yes, it’s a cat cushion! It was, though, probably there when they moved in.
Since a major percentage of the point of Art is to stay a couple of steps ahead of and to thereby piss off the dumbo bourgeoisie, the latest batch of Artists would probably now reckon the cat cushion to be more Artistic than the still life.
As for the bloke who painted that Kentish Town sign, he probably now works for an advertising agency.
When I photo a scene, I like to get other people’s screens into my pictures:
The weather was grim and grey today, when I took the above snaps, but the paintings were bright!
Painting. Before computers, this was how they did Photoshop.
After my recent bout of picture archive trawling, I am convinced of two things.
First, that my pictures have got better and better. I only now show you the best ones from a decade ago, but most of those taken then were pretty terrible.
Second, that much of the reason for this is that my cameras have got better and better. I have got better too, but the cameras can do far more now, for the same money than they used to do. (For another example of this, see a recent 6k posting, with a picture that features a bug (which means that the bug is a feature but still a bug (heh)).)
This recent picture of mine, for instance, would not have come out nearly so well a decade ago:
Photography is light.
For a chilling description of all the various creepy organisations who are or who have been based in this creepy building – political parties, regulators, the UN, even the World Bank - I recommend reading the Millbank Tower wikipedia entry, and going to Occupants. My photo works perfectly for all that. I think it looks rather like one of those hyper-realistic oil paintings that the hyper-realist oil painters paint.
Notice how all Millbank Tower photos at Wikipedia are taken from close-up and below, thereby rendering the classic (but creepy) Millbank Tower roof clutter invisible.
That’s not my punctuation. That’s their punctuation:
This is sort of a wedding photo, in the sense that I took it just before the wedding of Ayumi and Richard, last Saturday, just outside the Church, where there is a market.
There was nobody manning this particular stall, selling miniature pub signs. And I have a rule about signs that say No Photos, or for that matter No Photo’s. That rule is: I take a photo of all such signs that I encounter. Their rule: No Photos. My rule: Photo of their rule.
I’m guessing that what they mean by a photo is a carefully composed photo of just one of these signs, so I don’t believe that, in the unlikely event that they find out about me posting this photo here, they’ll care. Besides which, maybe they have discovered that if they exhibit all their signs for sale, and stick “Sorry! No Photo’s!” in among them, they get free publicity from photographers like me.
I didn’t really compose the shot. I just grabbed it, on my way into the wedding. But I do like how it says “Queen Vic” and then “England”, right at the top. And, top left: “London”.
This had to go up today, because as you can see, cats are involved. And my rule about sometimes having stuff here about cats on Fridays has mutated in my head into a rule that says that I may only mention cats on Fridays, otherwise they’d overrun the entire blog.
Speaking of cats, I also recommend this video, which I found when I visited, after long absence, Norman Lebrecht’s site, this morning.
And: An actual exhibition about cats and the internet, just opened in New York.
White cat – Mick Hartley’s photos and other photos he likes – black and white and colour
Phil Tufnell paints cats!!!
Two strangers photoed by Mick Hartley and shown there (and here) without their permission
London is getting more colourful
Hand done photos
Golden Gate being built – Severn Road Bridge ditto – C20 photography – Hitler’s paintings
Non-faceless architecture in Rome
Why I am a point-and-shoot photographer rather than a Real Photographer
The illustrations for Christian Michel’s talk this Friday (plus some thoughts from me)
How Bill Bryson on white and black paint helps to explain the Modern Movement in Architecture
Union Jack Minis
Out and about in the sunshine
Stones created from layers of old paint from car factories
Black cars next to coloured pictures
Big Blue Cock photos
Lego bridge in Germany
Temporary art made of brightly dressed people
Bad and good in bad weather
Edwin is a bad person
Billy Fury Way
A scaffolder likes Jeremy Clarkson
Wedding photography (6): The Wedding and the Reception
Views from the Hackney Wick station footbridge
So painters also used to “take” pictures
Lunch at Gessler at Daquise
Art without Artists
The graffiti says he won’t get his keys back
If you can’t beat them hire them
Spray can girl in Leake Street
One child poster
Everybody draw Mohammed every day!
Abstract satellite expressionism
The Min-Kyu Choi folding three point plug
Strange purple cat with four eyes
Of lists and distant totally photorealistic skyscrapers
The concrete monstrosities of the South Bank may be about to get colourful
Is the contemporary art bubble bursting?
If it’s not Art it can be rather fun
Painted Billion Monkey!?!
It only takes One Rich Lunatic
Two adverts in the tube
Photos are better
Church covered in church pictures
Classic car thinness
The bridge that was going to make Westminster a fine city and London a desert
Russian weirdness for the Anglos
At the dogs
By the rivers and canals of East London with Goddaughter One
Deceiving the eyes of Paris
Venus by the river
Also no relation
Rubens massacre of innocents and an innocent
And I know him as well
Some art to be linked to from elsewhere