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In which I continue to seek part time employment as the ruler of the world.

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Category archive: Painting

Friday August 14 2015

That’s not my punctuation.  That’s their punctuation:

image

This is sort of a wedding photo, in the sense that I took it just before the wedding of Ayumi and Richard, last Saturday, just outside the Church, where there is a market.

There was nobody manning this particular stall, selling miniature pub signs.  And I have a rule about signs that say No Photos, or for that matter No Photo’s.  That rule is: I take a photo of all such signs that I encounter.  Their rule: No Photos.  My rule: Photo of their rule.

I’m guessing that what they mean by a photo is a carefully composed photo of just one of these signs, so I don’t believe that, in the unlikely event that they find out about me posting this photo here, they’ll care.  Besides which, maybe they have discovered that if they exhibit all their signs for sale, and stick “Sorry! No Photo’s!” in among them, they get free publicity from photographers like me.

I didn’t really compose the shot.  I just grabbed it, on my way into the wedding.  But I do like how it says “Queen Vic” and then “England”, right at the top.  And, top left: “London”.

This had to go up today, because as you can see, cats are involved.  And my rule about sometimes having stuff here about cats on Fridays has mutated in my head into a rule that says that I may only mention cats on Fridays, otherwise they’d overrun the entire blog.

Speaking of cats, I also recommend this video, which I found when I visited, after long absence, Norman Lebrecht’s site, this morning.

And see also: Fossils reveal felines drove 40 species of canines to extinction after arriving in North America.

And: An actual exhibition about cats and the internet, just opened in New York.

Friday July 24 2015

Well, it hasn’t really worked has it.  No way have I caught up.  But before today ends, I do want to show you this, because it is a cat and Friday is my cat day:

image

This photo is not mine.  It is Mick Hartley‘s.  I really like his photos, both the ones he takes himself and the ones he picks out for his blog that other people have taken.

What I love about Hartley’s photos is his attitude to colour, and to black and white.  He loves both.  He loves the black and whiteness of black and white, and he loves the colourfulness of colour.

So, that white cat above, for instance.  It adds an extra something that the white cat is surrounded by a white window frame, and that it is black behind the white cat.  And, neither the cat nor the window frame would be as white if it were not for the blue wall.

So, go to Mick Hartley.  You may not want to read the whole thing just because I do.  But, look at the whole thing.

Friday July 17 2015

It’s true!  Three of weeks ago, I was scratching about for a cricket cat connection, and all the time this cricket cat connection has been out there, and I never knew, until I followed a tweet at Cricinfo!  And there it was!  Philip Clive Roderick Tufnell (nickname: “The Cat”, or so somebody claims), former Middlesex and England spin bowler, now TMS commentator, painter, has climbed aboard the catwagon!  Does he actually like cats?  Is he merely hoping to get internet hits that are the envy of artists who prefer non-feline subjects?  Who knows?  Who cares?

image

Says Tufnell:

I think people are sometimes surprised that art is my thing. I got an O level in art at school (my only one – I was too busy playing cricket!) and my Dad was a silversmith, so there’s a history of creativity in my family. I even worked with my Dad for a while when I was turning professional, and I loved it.

I’m not a landscape water-colourist or anything – you won’t bump into me and my easel on a country walk! Instead, I love to work in abstract art and with different techniques. My studio is full of spray-paint cans, because I really like the effects I can create.

You can see where I’m getting all my exclamation marks!

I love that the cat is a smoker!

Thursday June 25 2015

Here are two people whom Mick Hartley recently encountered.  He photoed them and stuck the picture up on his blog.  And I reproduce it here:

image

So, how come this flurry of privacy violation?  Hartley explains.  (There are several very heavy hints in the categories listed below.)

Saturday May 23 2015

Indeed:

image

No not taken by me. I wish.  The original and several others of the same guy that are equally fun, here.

I chose that one because, in addition to showing the artist and his murals, it also shows what a fight reinforced concrete puts up, when someone tries to destroy it.  (A point also made, with an illustration (yes taken by me) in this earlier posting.)

Sunday April 12 2015

Here is a piece I did here about how Modernism got associated with whiteness.  And for most would-be Modernists, Modernism still is white.  But, here is another piece I did about coloured Modernism, in the form of Renzo Piano’s very colourful buildings near Centre Point.  (Renzo Piano also designed the Shard.)

Here is another photo I took of these, I think, delightful edifices:

image

And here is a faked-up picture I came across not long ago, which suggests that Piano’s colourfulness may have struck a chord with other architects:

image

That picture adorns a report about the footbridge that you can see on the right of the picture, the very same one that I saw being installed last August.  But I think you will agree that the towers on the Island there are a definite echo of that Pianistic colour.

The great thing about coloured architecture is that you can build the most severely functional lumps, and only worry about brightening them up afterwards.  Form can colour function, and then colour can cover up the form and make it fun.

But it need not stop at just having one plain colour.  Soon the artists will join in, and there will be giant murals.

If I had to place a bet about how different London will look from now in thirty year’s time, this would be the change I would bet on.  Both new buildings and dull old ones will be much more brightly coloured.

I’m guessing that outdoor paint is a technology that has had a lot of work done on it in recent years, and that such work continues.

I will be interested to see if those Piano office blocks become faded, or if the colour stays bright for a decent time.

Interestingly Le Corbusier was a great one for colour being slapped on Modern buildings, but the notion never really caught on.  Or rather, it is only now catching on.

As is illustrated in this posting at Material Girls.  Where the point is also made that another huge influence on the monochrome association with Modernism was early and black-and-white photography.  Even colourfully painted buildings didn’t look coloured in the photos.  (One might add that newspapers and magazines only burst into colour after WW2, in the case of newspapers only in the 1960s.  Until then, all newspaper and magazine photos were printed in black and white.  So even if Modernism was done in colour, its influence spread in black and white.)

Now, colourful buildings tend to look colourful, both for real, and in the photos.

Thursday January 15 2015

Here’s a nice coincidence.  There I was writing about how I went from being, in my teens, a bad pen-and-ink picture-maker to, from around 2000 onwards, a far happier digital-photographic picture maker.  And here is a picture that captures that kind of metamorphosis perfectly:

image

It’s one of these pictures by Christoph Niemann.  Niemann’s pictures bring to mind that phrase used by one of the alter egos of Barry Humphries, Barry McKenzie, who described paintings as “hand done photos”.  These pictures really do only work as photos.  Until they are photoed, the job is not done.  But the hand-done bit is essential to what they are.

One thing about these pictures that I particularly like, apart from the basic fact that I like them, is their very favourable effort-to-impact ratio.  For my taste, too much of the picture-making displayed at Colossal consists of stuff that is quite nice to look at, but which took an absurdly huge amount of time and effort to contrive.  Also, there is often no logical or even meaningful connection between how the pictures are contrived and how they end up looking.  So, you’ve made a table cloth out of seeds.  Clever you.  But, why?  Niemann’s pictures answer this question perfectly.

But then again, the internet being the internet, if your elaborately pointless pictures catch people’s fancy and thousands glance at them, then I guess that, if you put in a lot of time and effort, you may well reckon than all the time and effort was worth it, especially if you had fun spending it and doing it.  And of course it is digital photography that transforms a laboriously produced one-off item of visual art that took far too much time and effort to do, into a mass experience that it made sense to spend a lot of time and effort doing.  But, most of these intricate sculptures and pictures at Colossal are just sculptures and pictures that were then photographed.  Niemann’s pictures are real Hand Done Photos.

As for me, between being a bad pen-and-ink picture maker and an okay-to-good digital photographer, I endured a big interval during which I made hardly any pictures of any kind.  My pictorial enthusiasm expressed itself in the design of pamphlets, and graphic design generally.  Basically I became a desktop publisher.  (I even earned money doing this.) First I just did publishing, on a desktop, paper-scissors-glue-photocopier.  Then computers arrived, and I was an early adopter of “desktop publishing”.  Then the internet arrived, and drew a big line under all that stuff.  I shovelled all my pamphlets onto the internet, and became a blogger.  And, I bought my first digital camera.  At first, blogging and digital photography did not mix very well.  Now, they mix very well indeed.

Tuesday January 13 2015

From time to time I go looking for pictures of bridges, preferably new ones, but seldom find anything I don’t know about.  And then, quite by chance, while clicking through these old photos, I chance upon this:

image

It’s the Golden Gate, being built, in 1937.

I recall doing a pen-an-ink type sketch (as opposed to something theatrical like a comedy sketch – odd double meaning that), when in my teens, of the Severn Road Bridge, when it only had a chunk of road in the middle, suspended in glorious isolation, going nowhere in either direction (like in the photo here).  This photo reminds me of those times.

I never actually drew any decent pictures, but I did spend a lot of time thinking about composition, by which I mean that I chose quite good pictures to do, but actually did them very badly.  Now I take good pictures, rather less badly.  How I wish there had been digital cameras when I was a teenager.  My cycling expeditions around France, and then Scandinavia, and then Iceland, would have been far more fun, and now far easier to remember.  The old cameras, with “film” in them, were ridiculous.  You had to “develop” all the damn pictures, very expensively, just to find out that about three of them weren’t total crap.  But you tell young people this nowadays they think you’re mad.  And if you did all this, guess what, you were mad.

I have never shared the contempt that most people show - or pretend to show - for Adolf Hitler’s paintings.  Okay, so they aren’t Rembrandts, but even so, I would have loved to have been as good hand-done picture-making as he was.  Could it be that people just can’t bear to accept that he ever did anything well or anything good?  Just a wild guess.

Golden Gate being built – Severn Road Bridge ditto – C20 photography – Hitler’s paintings
Non-faceless architecture in Rome
Why I am a point-and-shoot photographer rather than a Real Photographer
The illustrations for Christian Michel’s talk this Friday (plus some thoughts from me)
How Bill Bryson on white and black paint helps to explain the Modern Movement in Architecture
Union Jack Minis
Tate cat
Out and about in the sunshine
Stones created from layers of old paint from car factories
Black cars next to coloured pictures
Big Blue Cock photos
Painted people
Lego bridge in Germany
Temporary art made of brightly dressed people
Good question
Popography
Bad and good in bad weather
Edwin is a bad person
Billy Fury Way
A scaffolder likes Jeremy Clarkson
Wedding photography (6): The Wedding and the Reception
Views from the Hackney Wick station footbridge
So painters also used to “take” pictures
Lunch at Gessler at Daquise
Art without Artists
The graffiti says he won’t get his keys back
If you can’t beat them hire them
Everyone?
Spray can girl in Leake Street
One child poster
Everybody draw Mohammed every day!
Abstract satellite expressionism
The Min-Kyu Choi folding three point plug
Strange purple cat with four eyes
Of lists and distant totally photorealistic skyscrapers
The concrete monstrosities of the South Bank may be about to get colourful
Is the contemporary art bubble bursting?
If it’s not Art it can be rather fun
Painted Billion Monkey!?!
It only takes One Rich Lunatic
Two adverts in the tube
Photos are better
Church covered in church pictures
Classic car thinness
Underground art
The bridge that was going to make Westminster a fine city and London a desert
Photo-ing Venus
Russian weirdness for the Anglos
At the dogs
By the rivers and canals of East London with Goddaughter One
Deceiving the eyes of Paris
Venus undistorted
Venus by the river
Also no relation
Tube photos
Dye hard
Rubens massacre of innocents and an innocent
And I know him as well
Skies
Some art to be linked to from elsewhere