Brian Micklethwait's Blog
In which I continue to seek part time employment as the ruler of the world.Home
Patrick Crozier on An underground history lesson
Patrick Crozier on Shiny little Aston Martin
Mike on Swarm Manned Aerial Vehicle Multirotor Super Drone
Vitrier Gujan-Mestras on Designing and building with glass
Brian Micklethwait on The wait continues
MarkR on The wait continues
Brian Micklethwait on An old American car in Tottenham Court Road
Sam Duncan on An old American car in Tottenham Court Road
6000 on London Biggin Hill "Jet Centre"?
6000 on William Hague on the collapse of the centre left
Most recent entries
- Painting the bridges of Richmond
- Strange light
- Blokes photoing
- An underground history lesson
- England rugby and London soccer
- Here begins the Essex Way
- Glass Build white van
- BT Tower with cranes
- Shiny little Aston Martin
- On packaging – and on the need to chuck it out
- View of the footbridge - view from the footbridge
- Juliet Barker on Knights of Old: A lot of history in one paragraph
- Crane on fire
- I was photoing white vans in February 2007
- Early thoughts on the Rugby World Cup
Other Blogs I write for
6000 Miles from Civilisation
A Decent Muesli
Adventures in Capitalism
Alex Ross: The Rest Is Noise
Another Food Blog
Antoine Clarke's Election Watch
Armed and Dangerous
Art Of The State Blog
Boatang & Demetriou
Burning Our Money
Chase me ladies, I'm in the cavalry
China Law Blog
Civilian Gun Self-Defense Blog
Coffee & Complexity
Communities Dominate Brands
Confused of Calcutta
Conservative Party Reptile
Counting Cats in Zanzibar
Deleted by tomorrow
Don't Hold Your Breath
Douglas Carswell Blog
Dr Robert Lefever
Englands Freedome, Souldiers Rights
Everything I Say is Right
Fat Man on a Keyboard
Ferraris for all
Freedom and Whisky
From The Barrel of a Gun
Gates of Vienna
Global Warming Politics
Greg Mankiw's Blog
Guido Fawkes' blog
Here Comes Everybody
Hit & Run
House of Dumb
Iain Dale's Diary
Jeffrey Archer's Official Blog
Jessica Duchen's classical music blog
Laissez Faire Books
Last of the Few
Libertarian Alliance: Blog
Liberty Dad - a World Without Dictators
Lib on the United Kingdom
Little Man, What Now?
Loic Le Meur Blog
L'Ombre de l'Olivier
London Daily Photo
Metamagician and the Hellfire Club
Michael J. Totten's Middle East Journal
More Than Mind Games
Mutualist Blog: Free Market Anti-Capitalism
My Boyfriend Is A Twat
My Other Stuff
Nation of Shopkeepers
Never Trust a Hippy
Non Diet Weight Loss
Nurses for Reform blog
Obnoxio The Clown
On an Overgrown Path
One Man & His Blog
Owlthoughts of a peripatetic pedant
Oxford Libertarian Society /blog
Patri's Peripatetic Peregrinations
Police Inspector Blog
Private Sector Development blog
Remember I'm the Bloody Architect
Setting The World To Rights
SimonHewittJones.com The Violin Blog
Sky Watching My World
Social Affairs Unit
Squander Two Blog
Stuff White People Like
Stumbling and Mumbling
Technology Liberation Front
The Adam Smith Institute Blog
The Becker-Posner Blog
The Belgravia Dispatch
The Belmont Club
The Big Blog Company
The Big Picture
the blog of dave cole
The Corridor of Uncertainty (a Cricket blog)
The Daily Ablution
The Devil's Advocate
The Devil's Kitchen
The Dissident Frogman
The Distributed Republic
The Early Days of a Better Nation
The Examined Life
The Fly Bottle
The Freeway to Serfdom
The Future of Music
The Happiness Project
The Jarndyce Blog
The London Fog
The Long Tail
The Lumber Room
The Online Photographer
The Only Winning Move
The Policeman's Blog
The Road to Surfdom
The Wedding Photography Blog
The Welfare State We're In
UK Commentators - Laban Tall's Blog
UK Libertarian Party
Violins and Starships
we make money not art
What Do I Know?
What's Up With That?
Where the grass is greener
White Sun of the Desert
Why Evolution Is True
Your Freedom and Ours
Arts & Letters Daily
Bjørn Stærk's homepage
Butterflies and Wheels
Dark Roasted Blend
Digital Photography Review
Ghana Centre for Democratic Reform
Global Warming and the Climate
History According to Bob
Institut économique Molinari
Institute of Economic Affairs
Ludwig von Mises Institute
Oxford Libertarian Society
The Christopher Hitchens Web
The Space Review
The TaxPayers' Alliance
This is Local London
UK Libertarian Party
Victor Davis Hanson
WSJ.com Opinion Journal
Bits from books
Bloggers and blogging
Brian Micklethwait podcasts
Cats and kittens
Food and drink
How the mind works
Media and journalism
Middle East and Islam
My blog ruins
Signs and notices
The Micklethwait Clock
This and that
Category archive: Links
One of my favourite buildings that I’ve never seen is the recently completed (quite recently completed - 2008) Oslo Opera House, which looks like this:
Sooner or later, some big public building was bound to be built like this, with a roof that doubles up as a big public open space, where you can walk to the highest spot on the building’s roof, without once having to go indoors.
Oslo Opera has become a new landmark for the city and proved an instant success with both locals and tourists.
And of course, that roof doesn’t have to be the bland and featureless desert that this one is, in this picture. Sooner or later, it will acquire roof clutter! Perhaps it already has.
As entire cities compete with one another for tourists, buildings like this, with walkabout roofs, will surely become ever more common, as ever more tourists search, as I search, for places up in the sky from which to take tourist snaps. It is no accident that I found the above picture and quote at a site called Visit Norway. (Although sadly, this Visit Norway site fucks with the links and causes them not to work, and these fucked links also fuck with subsequent links which are none of Visit Norway’s damn business. This caused me major problems, until I just stripped out all Visit Norway linkage, at which point sanity was restored. So if you care, you’ll have to find the damn place for yourself. I think Visit Norway was trying to help. It failed. Norway, sort this out.)
Even as I praise this building, I make no judgement about what goes on inside it. The point of these “iconic” buildings - horizontal Big Things - you might say, is that they are fun to visit, regardless of their mere indoor contents. See also: Tate Modern. After all, one of the advantages of a roof like this is that the roof can be enjoyed even as the inside of the building can be entirely ignored.
What got me writing about this Oslo building was a recent posting at Dezeen, featuring another proposed building by the same architects, Snohetta (which has a forward slash through the “o") which uses the same trick, of people being able to walk up to the top in a big zig zag. This time it is a museum in Budapest:
And oh look, I went to the Sn o-with-forward-slash hetta website, and here is another Snohetta proposal, using the same trick, for another opera house, this time in Busan, South Korea:
With the design of the Busan Opera, the opera is no longer a passive playground for the elite but becomes interactive, democratic space, responding to the public’s ambitions and interests.
This is architect speak for:
People can walk about on the roof and take photos without having to sit through some stupid damn opera.
And oh look, again. Snohetta have also proposed that a new media centre in Vienna should look like this:
Look again, and you encounter the Barack Obama Presidential Center:
These last two are not so zig zag, but the principle is the same.
London awaits you, Snohettans.
The other day, I forget which one, I worked something out that had been confusing me. Why, given all the fun I get out of photography and given all the time I spend doing it and thinking about it, have I not immersed myself in all the technicalities of photography? Why is it that the only setting on my camera that I regularly use is the one called “Automatic”? Why am I no nearer to understanding manual focussing than I was a decade ago?
The answer is that it is the point-and-shoot sort of photography that strikes me as the most interesting sort of photography now happening. Not in art galleries where the latest black-and-white photos of plague victims or under-age African soldiers are on display, in photos that cost more to buy than paintings and took more trouble to produce. That is all so twentieth century, and even, actually, nineteenth century. What counts now, for me, are the photos you can take with your mobile phone camera, or with the jumped-up mobile phone camera that I use, and the sort of photos that regular people are now able to take, of regular stuff rather than of foreign catastrophes that someone will pay them to take art-gallery standard photos of.
In short, I take point-and-shoot pictures because I like to be part of history, and this is where the history of photography now is. (If you disagree, realise that what you are reading is not an argument. It is a description of a feeling.)
What I have is called a “bridge” camera, but all that this means is that it is a bog-standard point-and-shoot camera that takes somewhat better photos when you go click, and which has a twiddly screen, and a lens that can go from close-up to mega-zoom without any faffing about with multiple lenses. I have the best cheap camera that I can get, rather than the cheapest proper camera. Oh, you can set my camera on manual and go all Real Photographer with it. But if you want to do that, you should have a proper Real Photographer camera, not a bridge camera, and you should have a rucksack full of lenses, each perfect for each oh-so-carefully-taken shot. What “bridge” means is the best camera you can have without having to give any thought to “photography”. Instead, you just think about the picture. More precisely, you think about what you see and which of the things that you see are the most interesting, and why.
My camera is not really any sort of “bridge”. Bridge suggests that I am going somewhere with it, somewhere different, as in different from the technical point of view. But I’m not. Technically, I am staying right where I am. If I am getting better at photography, it is because I am getting better at choosing what to point my camera at.
A bridge camera is rather like “crossover” music in that respect. Crossover music is not for people who are actually doing any crossing over, from one sort of music to any other sort of music. Crossover music is its own sort of music. The people who like crossover music (and there’s nothing wrong with that) are people who like crossover music and who will continue to listen to crossover music, with no actual crossing over from any other sort of music to any other sort of music happening at all.
No links, because I thought of this all by myself.
Nothing from me here today, but something at Samizdata (which makes a change), in the form of a remarkable song lyric from the 1920s by Cole Porter. Pure libertarianism. They maybe did not have the word back then (I don’t know), but they certainly had the thing itself:
Live and let live, and remember this line:
Your business is your business,
And my business is mine.
Here is a London picture, with the River Thames turned into a floor, very badly carpeted with very bad carpet tiles:
It’s Google Maps’s 3D-isation of London.
Despite the bad river carpeting, I would like to explore this Virtual London. But none of the reports I read of this exciting new virtuality tell me how can do this. Can I? And if I can, will I have to pay?
I love this, from AndrewZ at Samizdata, commenting on this piece by Natalie Solent, which quotes a couple of particularly demented pieces of writing in the Guardian, about cupcake fascism (this phrase should never be forgotten) and about the horrors of tourism. (Natalie has been agreeably busy at Samizdata of late.)
The online edition of any newspaper that isn’t behind a paywall relies on advertising to generate income and this depends on maximising the number of page views. The simplest way to do that is to publish outrageous and provocative opinions that will attract links from elsewhere and start a blazing row among the regular commenters. The great liberal newspaper of old is now little more than a group blog that trolls its own readers for advertising revenue.
No link from here to the original pieces, about cupcake fascism or tourism. Oh no. BmdotCOM is not falling into that trap.
Now that I have read the rest of them, I can report that all the comments at Samizdata on this posting are pretty good and worth a look.
One of the rules I have developed for my own photographic activities is to try always to take pictures, in among all the merely nice pictures, which tell me where I was and what these nice pictures were of.
I do not always follow this rule. Rules are like that. The ones you follow all the time, automatically, don’t have to be rules. It’s the rules you often break which are nevertheless good which have to be rules, to persuade you to follow them more than you would otherwise.
Here, for instance, is a fun snap:
That was taken on June 29th 2007, 5.38pm (plus 30 seconds), a fact which I now know because my camera automatically recorded it. I called the photo ArtHasItsUses, as this young guy is demonstrating. But, where are we? I have two other snaps of the same scene, but none of them include any information about exactly where we are, like a street name. Nor did I photo the plaque at the bottom of the sculpture, as I often do. This would likewise have given me some useful words to google, and offered me the opportunity to supply a link to other works by the same artist. But I did neither of these sensible things.
I tried following the phone number that you can see behind the Thing, but before anything would tell me anything about that (maybe) then the anythings in question demanded to know all kinds of things about me, and I gave up.
I understand that many cameras nowadays automatically record exact place of shot along with exact time of shot. Mine is not such a camera.
A vague clue is that, judging by other photos taken somewhat earlier, I appear to have been in the general vicinity of Islington, North London. But where? And what is this rather agreeable Thing? Who did it? Anybody?
Incoming, entitled “Request Link Removal”:
I am contacting you on behalf of Eurostar, we work with their Online Marketing team and are currently reviewing the number of links pointing to the Eurostar website. In order to comply with Google’s regulations, there are a number of links which we are required to remove or nofollow. We have identified such links from your website and would like to request that you either remove the link or add a nofollow tag to it.
The link(s) we wish to be removed can be found here:
[original link written out but it doesn’t fit properly here]
Please can you let me know once you have altered the link or if you have any questions,
SEO Account Executive
360i | 62-70 Shorts Gardens | Covent Garden| London, WC2H 9AH
The link in the above email is to an entire month of postings here, so it took me a while to find the offending link in question. I was half hoping I wouldn’t find it, so I could send a sarky email back saying: Be more specific. Which posting? No such luck. It’s in this posting, where is says “November”. Worth following that link because it is to one of my very best ever (I think) photos.
I don’t understand what a “nofollow tag” is or how to make such a thing work, so I just removed the link.
My link originally went “http(semicolon)//stpancras.eurostar.com/en-gb/why-we-moving” (I’ve changed “:” to “(semicolon)” there to stop this version causing more grief). Trying StPancrasDotEurostarDotCom now gets Google saying:
Oops! Google Chrome could not find stpancras.eurostar.com. Did you mean: www.eurostar.com/stpancras
Interesting that Google omits the question mark there, I think.
So, presumably this is a case of an old Eurostar website that they no longer want anyone reading.
Or is it? I don’t know. Can anyone tell me more about what just happened?
To me, it all has a slightly objectionable taste to it. The link to our site no longer works, so you must remove your link to it. Why? Why can’t the link just not work any more? Does it clog up the internet, or something, with repeated attempts to make the link work? Is that what this is about?
Yes, I’m afraid I’ve been doing rather a lot of quota posting of late.
So anyway, here’s the link.
And here is the quota photo:
That’s actually one of my more favourite recent photos. It was taken just before Christmas, in Twickenham, where Patrick Crozier lives, through the window of a shop where they sell … things like that.
I like the water on the window.
When you are old you tend to assume that confusion is your fault even if actually it is not
Happy Old Year
The Heron Tower restaurant
I’ve just been quotulated
You can achieve everything you want if you’re unambitious enough
Emmanuel Todd links
Better a year late than never
On how being linked to enables you to tell your story as you wish and why long titles are good
BrianMicklethwaitDotCom has been seen elsewhere!
Dream and reality in Mumbai
Beware the Men In Orange!
Lighter blogging here but not none
Freedom Tower and Gary Johnson at Samizdata
Big Things and small things
Less (here) is more (at Samizdata)
How to immobilise a cat
Natalie Solent at Biased BBC
A Good Old Day at Samizdata
Friday link dump
Ireland beating England in Dublin
On the rise of Bishop Hill
Emmanuel Todd quoted and Instalanched
Yet more redirection
Mmmmmm … Asian skyscrapers!
Another link enema
A blog posting linking to a science article
St Matthew reinterpreted
Links to this and that
Ten thoughts about the Pakistan cricket corruption story
Natalie links back
Making those Big Statements one slice at a time
Cats and bridges on Pixdaus
Climategate and a blurry and artificially lit roundabout
Four recent bits by me at Samizdata
A great Johnathan Pearce Britain-can-dump-the-EU blog posting - and the value of informative titles
Link to a list of peer-reviewed papers supporting skepticism of “man-made” global warming
Climbing aboard Samizdata
Antoine Clarke talks about Facebook and Twitter – Guido and … Ian Geldard?
Two Samizdata pieces
UK libertarian bloggers 2.0
Spelling Micklethwait wrong and Googling for Brian Micklethwaite
At Samizdata: cricket - crime - Kevin Dowd quote
James Tyler’s speech at Policy Exchange
A question about double inverted commas in OpenOffice.org Writer
Unamazing photo of amazing road
TARP stuff - and a trip to Sheffield
Billion Monkeys liked photoing the nastiest poster!
Link to Samizdata piece about arguments from incredulity
More random links
Nothing today but link to Samizdata
Samizdata piece about caring for Mum
New addition to blogroll
Blogging elsewhere and talks elsewhere
Redirect to a piece on Samizdata about a camera
I’m not nearly grand enough to ignore this
Today I have been blogging elsewhere and also doing other things
Educating Small Boy and Smart Boy
Posting with Jesus at the far end of the Kings Road
The space between the buildings
I listened to both of them at the same time!
Links to me elsewhere – and a photo of Marc-Henri Glendening
Che Guevara was a murderer and your T-Shirt is not cool
An education link
A squinting cat and a master ephemerist
Links and guns
Further pictorial shallowness
At the dogs
Splog is the new splig
Lots of links
The double thank-you moment
White Man’s Poison?
“What you like learning about is probably what you like to do”
Cricket blogging by me elsewhere
Tall chess men and tall buildings in the evening
It’s only a Billion Monkeys if you count mobile phones (and then it’s far more)
Svensmark – for and against
Norman interested – Harry has some wildness in his genealogy
New York Times links - owned genes
Everyone in the world is not like me
Two photos elsewhere
Links I like
When everything is copyable
Samizdata cranks it out
Greatest hits – good idea
Foreigners on film
Classical music Natalie
Chinamen playing cricket
Car wreck Natalie
How links have weakened the mainstream media
Reading and writing for the www are the same
What is a squarry?
A little networking