Brian Micklethwait's Blog
In which I continue to seek part time employment as the ruler of the world.Home
6000 on ASI Boat Trip 9: The man driving the boat
Valent Lau on Bond car
Alan Little on ASI Boat Trip 9: The man driving the boat
Alan Little on PID at the Times
Wedding Cufflinks on God was overheating and now needs radical transplant surgery (and Dawkins now has to do my email)
Michael jennings on ASI Boat Trip 9: The man driving the boat
Brian Micklethwait on ASI Boat Trip 9: The man driving the boat
Brian Micklethwait on ASI Boat Trip 9: The man driving the boat
Michael Jennings on ASI Boat Trip 9: The man driving the boat
6000 on God was overheating and now needs radical transplant surgery (and Dawkins now has to do my email)
Most recent entries
- It turns out that lightning speed is immensely useful
- Out and about in the sunshine
- Brutalism with shirts
- Happy Friday (eventually)
- On not letting either God or (the other) God do everything
- A tumult of cranes (and the Spraycan)
- Postrel goes for Gray
- Xxxx-ie outside Xxxx-ridges
- Bond car
- BrianMicklethwaitDotCom musical quote of the day
- Parisian roof clutter gets the Real Photographer treatment
- God was overheating and now needs radical transplant surgery (and Dawkins now has to do my email)
- A swimming pool in a skyscraper
- God is dead
- PID at the Times
Other Blogs I write for
6000 Miles from Civilisation
A Decent Muesli
Adventures in Capitalism
Alex Ross: The Rest Is Noise
Another Food Blog
Antoine Clarke's Election Watch
Armed and Dangerous
Art Of The State Blog
Boatang & Demetriou
Burning Our Money
Chase me ladies, I'm in the cavalry
China Law Blog
Civilian Gun Self-Defense Blog
Coffee & Complexity
Communities Dominate Brands
Confused of Calcutta
Conservative Party Reptile
Counting Cats in Zanzibar
Deleted by tomorrow
Don't Hold Your Breath
Douglas Carswell Blog
Dr Robert Lefever
Englands Freedome, Souldiers Rights
Everything I Say is Right
Fat Man on a Keyboard
Ferraris for all
Freedom and Whisky
From The Barrel of a Gun
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Global Warming Politics
Greg Mankiw's Blog
Guido Fawkes' blog
Here Comes Everybody
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Iain Dale's Diary
Jeffrey Archer's Official Blog
Jessica Duchen's classical music blog
Laissez Faire Books
Last of the Few
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Liberty Dad - a World Without Dictators
Lib on the United Kingdom
Little Man, What Now?
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London Daily Photo
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Michael J. Totten's Middle East Journal
More Than Mind Games
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My Boyfriend Is A Twat
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Nation of Shopkeepers
Never Trust a Hippy
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Oxford Libertarian Society /blog
Patri's Peripatetic Peregrinations
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Remember I'm the Bloody Architect
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we make money not art
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Category archive: Signs and notices
I just heard someone say in an American TV sitcom (I love American TV sitcoms) that they’re not going to answer the phone without knowing who it is, “like it’s 1994”.
I still do this, with my old 1994 style phone, which I greatly prefer to mobiles, because when I am out and about, I don’t have to answer it, and because phones connected to your house with wire cannot be lost, and because I know exactly where it is when it rings, and because that ring never changes.
Quite often, when I do answer, it’s a junk phone call, offering to extricate me from a financial error that I personally have not made by urging me to commit another financial error, and as soon as I realise it’s junk, I put the phone down. Does this constitute some sort of “success” for the junk phoning enterprise? Look, they answered! Because obviously they knew who we were, this not being 1994, and yet still they picked up the phone! Hey, we’re getting through!
Much of life these days seems to consist of doing many futile things, but contriving for these things the appearance of non-futility. These days? I suspect all days that have ever been, with humans involved, and no doubt many other species also, both before and now during the human epoch. Only the futile things and the means of contriving a non-futile appearance for them change from time to time.
I don’t mind junk phone calls. If they were more frequent, they would annoy me. As it is, if there is a pause in incoming phone calls lasting a few hours, it is soothing to be informed, even if only by a robot actor voice spouting nonsense, that my phone is still working. The pause was because nobody wanted to talk to me.
When answering junk phone calls, I pause any music that may be playing. I do not mind this. There is a part of my brain (yours too?) where you remember the musical phrase you were listening to when you last paused the music, and when you unpause it you carry on listening just as you would have done normally. I even suspect that pausing deepens my response to particular pieces of music, by fixing particular moments of them in my brain more firmly than might have happened otherwise.
Since I am now rambling like the really old person that I am rapidly becoming, let me ramble some more. In connection with none of the above, here are the wheels of a big mobile crane that I photoed in Victoria Street a while back. Click on it to get the crane:
I like cranes. That one is, I think, the Spierings SK599-AT5. I love how you can find out about things like this, these days. And this time it really is these days, rather than all days.
Here is a link to a toy version of this crane. Do contractors use toys like this to plan their jobs, I wonder? As well as just to decorate their offices or amuse their spoilt children?
It is now late morning on Sunday. Are sermons like this, when the priest is getting old, but is too well liked for anyone to want to sack him? With a blog you can ramble anyway, because nobody can sack you.
City A.M. is now one of my go-to places first thing, and there I read today:
Transport for London (TfL) will be introducing screens displaying how many people are sitting upstairs and which seats are available, in a trial system to begin in two weeks.
The display screens will be situated next to the driver as people board the bus and between the driver and the staircase before passengers go upstairs.
I am struck by two electronic sign innovations that have already arrived on the London transport scene.
There are those invaluable signs at bus stops, telling you what is due, when, and where it will go. The only problem with these signs is that not every bus stop has them. I know, I know, you can crank up the bus app on your mobile. But I prefer not to have to bother, and anyway, that’s a lot of fuss just for a bus. (Note the vagiaries of the spelling there.)
And the other innovation, much more recent, is those little signs that tell pedestrians - i.e. me - how many seconds will elapse before the pedestrian sign will be turning red. Very helpful. I don’t want to freak out motorists by getting in their way, but nor do I want to neglect an opportunity to cross if I can do so without freaking out the motorists. These latest signs tell me what I need to know. And it’s amazing how far you can travel in three seconds, if you know that three seconds is all that you have, but that you definitely do have three seconds.
So, will these new sign inside buses be any use? Judging by earlier TfL electronic signage efforts, my guess is yes.
(More rhyming fun with esses (?) there. It could so easily have been and gues and yess. And before that, fus and buss. (Does such tangenting pis you off? (And are you fed up with this multiple bracket gag? (This, I think, being the record.))))
As politically controlled entities go, TfL is not too shabby, although goodness knows what it costs. Especially given that they are now dragging their feet (which is all it will take for Uber to get truly motoring in London) when it comes to crushing Uber. It’s the same mentality, d’you think? TfL likes electronic signage, whether the signs are public or personal. Could be. Do you think the next thing will be big public Uber signs that you can use to whistle up cheap and cheerful transport, if you don’t have a mobile on you? Again: could be.
I love to look at modern buildings, before they are finished and covered up. All sorts of strange things are to be seen, that may or may not soon disappear from view.
What, for example, is this peculiar structure, which I photographed this afternoon, on the south side of Oxford Street?
Here is the original shot I took, before I cropped, rotated, and so forth:
I include that because there may be clues as to what the Thing is from its context.
But what will this Thing end up looking like? Will it be covered up? Will ladders be involved? I don’t know, but I’ll keep you posted.
I’ll also do something obvious that I failed to even attempt this afternoon, which is I’ll try to photo whatever signs on the site I could find, that might enable me to chase down a website with maybe a mock-up of what the final Thing will look like. I keep telling myself to do this kind of thing, and telling other digital photographers that they should do this kind of thing. But today, I was not concentrating on photography, I was concentrating on shopping. Trying to buy a new jacket. And I forgot to search out signs. Mistake.
But correctable. I can go back. London is what I love to photograph and if I get it wrong, I can try again. If the weather is bad I can wait until it’s nicer. It’s not like this Thing is in a foreign city I was in last month, and I’m stuck here never being able to photo those signs. I can go back there, find those signs, if they are there, and chase down that website, if it exists.
Taken by? No prizes for guessing who. Country? “Poland/Georgia”. Date? “Jan/Feb” of this year. That’s what it said in the email.
Indeed. Another full day, and no time for argued and explicated profundities. Can’t do that under time pressure, and when I am longing for bed. So, a quota Strata photo:
I like the way there are two kinds of green light there.
And of course, I like the sign about scaffolding, because I like scaffolding, and I like signs.
I like to browse through Jonathan Gewirtz’s photos from time to time, and on my latest browse I came across this photo, of a brightly lit building in Urban Florida. Miami? Don’t know, and it doesn’t matter.
What particularly got my attention was the fact that Gewirtz included in the picture: his own shadow.
I have taken the liberty of reproducing this detail here. “Copyright ©2011 Jonathan Gewirtz” is what it says just before saying “jonathangewirtz.com”, but I trust my little except does not break any rules. (Rules often being the point of copyright violations, I’m guessing. Maybe this particular copyright violation, on its own, would not be a problem, but once the line is crossed, by anyone ...) If Gewirtz wants this little piece of his work removed, he has only to say and it will be removed forthwith.
Okay, with that out of the way, the point that I want to make here is that I suspect that this thing of including your own shadow in pictures is a practice that has filtered upwards to the Real Photographers like Jonathan Gewirtz, from us digital amateurs.
Your own shadow in the picture often starts as a mistake, but then you think: well, okay, that’s my shadow, but what’s so wrong with that? I was standing there, with the sun behind me. I mean, did you think this wasn’t a photograph, and that someone standing there throwing a shadow into the picture wasn’t even there? Did you think that God took the picture? Cameras gobble up whatever they see in that moment, and in this moment, for instance, my shadow was part of what it saw. Often, the shadow is all there is, and very amusing it is too.
The crux of the matter is, I think, who the picture is for and what the point of it is. Is it for someone else, someone paying? Is perhaps a happy couple being photographed on their wedding day? In which case, they are the point, not the photographer. Likewise if the point is to photo this dish of salad, or that house interior, or this beloved pet or that sports team, well, the Real Photographer is not being paid to insert himself into the scene, and he will be careful not to.
But if, on the other hand, you are a snapper who is just having a bit of fun, then why shouldn’t you, the snapper, also become your own snappee?
But the thing is, when Real Photographers are out having fun, the way Jonathan Gewirtz presumably is when taking photos in Miami or wherever, just because he likes to, they are liable to take their ingrained Real Photographer habits of self-effacement with them. So, interesting that Gewirtz did not do this, at any rate not this time.
I’ll end with a slice out of one of these photos:
The crooked forefinger being mine.
This picture, taken a week ago, across the road from St Thomas’ Hospital, makes me think of that old Transport Blog that me and my gang used to write for:
Public proclamations of this sort mean, I believe, that you somewhat forfeit your anonymity. I could have cropped this photo down to the transport only, but did not feel obliged to.
The trick for doing photography entertainingly is to acquire more and more specialisms, more and more things you like to photo a lot. And one of my favourite specialisms is: interesting vehicles. Often old ones, like, e.g., this one.
Vehicles like this one, which I spotted in the Strand yesterday, while out and about with Goddaughter 2.
What is interesting about it is that it looks like one of those ye olde buses (permanently open back door for instance) that now only does things like weddings and corporate jollifications. I have many photographs, including many, I dare say, of this actual bus, to prove this. Yet here it is, apparently (judging by what it says at the back of it) doing regular bus stuff.
True, it is specialising in famous tourist spots, like St Paul’s and the Tower of London. Even so, odd. If tourists can ride about in such a bus, why can’t regular Londoners?
National Theatre Boo
A slightly foreign part of London
Happiness is a wallet that I didn’t lose after all
South Bank signs
Green screen blue screen
A selfie taken in 1955 - another taken in 2014 - another being taken in 2014
A new Morrisons is opening in Strutton Ground next Monday
The Met swoops on the Adams Family
South Bank Architects?
The text of my talk for Christian Michel last night
Hampers can be annoying
Otherwise blogging (and a Burgess Park butterfly)
Smaller is more legible – big is more fun
Corrie Chipps pictures the Zimbabwe inflation
Views from the Hackney Wick station footbridge
Pictures from Georgia and Warsaw
Reflections on a strange coincidence involving an Android app and a malfunctioning bus stop sign
Google Nexus 4 photos
Wedding photography (2): Signs
Remembering a warmer day
Lunch at Gessler at Daquise
Six Nations joy
Reflections on and in Westminster Tube Station
Big London Things with clutter in the foreground
Multilingual botanical gardens in Cyprus
Malta Day procession
A memorable scoreboard surrounded by empty seats
Occupy St Paul’s pictures
Another reason to like Colorado
Choosing a Clean Food Outlet in Lawas is as easy as ABC
Health and safety on a mountain in Borneo
Five pictures of me
Misspelt (correction: Italian) signs of the times
The graffiti says he won’t get his keys back
Rally Against Debt signs
Nil scrap value
Do not climb on the Thing!
The wedding lingers on
The Armstrong Gun
Signs from the Frenchosphere
And there was you thinking you were immortal
More signs of the times
Blue Men on a boring building in Borough High Street
Signs - all in my bit of one railway carriage
That’s what I call a Health and Safety Notice
If you can’t beat them hire them
Another sign of the times
The bike behind the theatre
Soviet health and safety posters
Noticing signs of the times