Brian Micklethwait's Blog
In which I continue to seek part time employment as the ruler of the world.Home
Chuck Pergiel on White van reflexology
Darren on Two photographers photoing me
Simon Gibbs on Digital photography ballet
Brian Micklethwait on My next camera?
Brian Micklethwait on My next camera?
Michael Jennings on No wicket in fourth over shock
Alastair on A blast from the photographic past
Brian Micklethwait on Photographers by the river
Darren on Photographers by the river
Laban on Out and about with GD1 (5): Stoke Newington's Amazing Castle
Most recent entries
- A couple of old squares
- Further spectacular information storage progress (which will immediately become very useful)
- A big Black Cab advert picture for a Samizdata posting
- Designing and building with glass
- White van reflexology
- Photoing down by the river
- iPhone with added fish eye lens
- Cranes and a bridge (but not in a good way)
- Lady rickshaw driver
- The light outside the Proud Archivist on the evening of July 22nd
- Trois Citroens (et deux chevaux)
- Sorry! No Photo’s!
- Photoing and communicating the devastation of Tianjin
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Category archive: Cranes
On a sunny afternoon in June, this was the big picture, complete with Big Things, and a bridge, in the background:
I homed in on that photosession, down by the river there.
There were making a bit of a spectacle of themselves, so their recognisable faces would have been fair game, but I took lots of pictures of them, and am able to show you only faceless pictures like these:
My favourite faceless photo being this one:
There was a big crowd looking down on all this. They really can’t complain, and I don’t believe they will, in the event they see those pictures.
6k writes about a Fairly epic disaster video:
Cranes and bridges. I know who’ll like this one…
That would be me.
But it’s not a happy crane and bridge video. It’s a bit of a disaster…
So I watched the video, and then read 6k’s commentary underneath it, in that order. 6k’s commentary described my sentiments exactly:
Look, because of the title of this post and the title of the video, you know that things aren’t going to end well. But it’s the way things happen almost in slow motion and the lack of any sort of discernible panic that makes this so entertaining.
So slo-mo was it that I checked that the people moving about as this was happening were moving at a realistic speed. They were. Which meant that the cranes really did descend this slowly. It was almost like when the Twin Towers collapsed, in that way if in no other way.
I’m not good at putting up videos here, so you’ll have to follow the link at the very top of this to watch this video. However, this disaster having been videoed at the time, there was no way the www was not going to supply follow-up stills of the resulting wreckage, and here is an aerial snap that I quickly found, which tells that story very well:
Click on that picture to get it bigger. Follow the link above if you want to see where I found it.
I’m guessing (only guessing mind) that the fact that the cranes were on a boat may have been the straw that caused the camels to fall over onto those houses.
Commenter number one there spells it out, and he says that the water aspect of things was more like a bale of straw:
There is an example of this exact situation in the maritime crane operation safety textbooks. Obviously, they didn’t read those.
Here’s a quick list of safety violations:
1) None of the vehicles were secured on the decks
2) Barges stability was not ensured in any way
3) The cargo was not stabilized from swinging & windage by lines
It’s easy to sneer about how hindsight is easy, blah blah. But this guy sounds like he might have been able to stop this, had he been directly involved.
Last month, on the 22nd (thank you my camera), a friend took me to see a show consisting, in the first half, of improvised comedy, and in the second half of pre-written sketch comedy. This was at a venue called the Proud Archivist (thank you me for photoing the sign saying that).
The core skill of the performers who were performing that night was improvisation, and it showed, part two being a rather severe disappointment after the often considerable excellence of part one. The sort of sketches they did in part two needed to be done with detached and unrealistic faithfulness to the text, Footlights/Monty Python style, almost like you are reading the lesson in church, not “realistically”, as these performers tried to do. But all it sounded like was that they had forgotten the damn words. (I heard later that they included some improvisation in some of the sketches. That was when this dire effect was at its most severe, or so I presume.)
But best of all, which as far as I was concerned made the entire expedition totally worthwhile, was the extraordinary light outside, for a few fleeting minutes during the interval, outside being where I went during the interval.
Here are two of the photos I took from just outside the Proud Archivist, next to the canal, during that interval:
Okay, what was photoed there is nothing out of the ordinary, with the second picture just being a close-up selection from the bigger picture displayed in the first. But the light! Photography is light, and that is light! Or, it was. Do you at least get a hint of what it was like actually to have been there, then? Hope so.
I spent the morning not doing anything here, and then the later morning making sure that there were no Ashes mishaps. Then I spent from the middle of the day almost to the end of the night attending a wedding. I took about eight hundred pictures, but for now, one must suffice, not very wedding related, other than it was taken from where the reception took place, namely from the upstairs bar and terrace of Doggett’s Coat and Badge.
I am often out and about in London as the sun sinks, but seldom in a place like this, a crucial few dozen feet higher up than usual. I think this affected the effect of the sun on the Big Things of the City.
Although, it could just be that I was in a good mood and the view was slightly unfamiliar. After all, I was high enough to see over the new Blackfriars Bridge Station, and thus see those Big Things from an angle I’m not used to.
I am not used to the Gherkin being totally hidden by the Cheesegrater, which in this shot it just happens to be. Perhaps that is what is making the Cheesegrater look so good, to me, today. There is no bulge bulging out from behind it.
As you can see, one of the cranes was on fire with the light of the sun.
Most of the things I tell you about at this blog are the sort of things that will keep for a month.
This view, for instance, looks exactly the same today, apart from any weather differences, as it did on the day I photoed it, nearly a month ago. Okay, weather does make a difference, so these Things probably did look quite different today to how they looked on July 7. But, they won’t have moved:
G(od)D(aughter) 2 wanted to visit countryside. And I wanted to visit Richmond Park. At Christian Michel’s, on the July 6 manifestation of his 6/20 meetings, I had had a Distant Views of London’s Big Things conversation. Hotel ME, Parliament Hill (click on that to see what a huge difference different weather can make, in the space of a few minutes), this rather hard to describe one, that kind of thing. Richmond Park, said this most obliging woman. Have you tried that view? No, said I. You should, said she. So, Richmond Park was the perfect spot for me and GD2 to visit. GD2 wanted rurality. I wanted a new and exciting view of urbanity.
The picture above is a rather extreme case of a good photo taken badly. (I will return some time Real Soon New and take it better.) But I like it, because it records the moment when I first saw that the woman the night before had been spot on. Wow. There’s London. Mission accomplished.
But soon, the views got a bit better, and so did the photos:
That’s a photo taken with my now maximum zoom (maybe this will get zoomier some time soonish). The next two are me easing off on the zoom, to show not only London itself, but how London looks from Richmond Park, by including a bit more of Richmond Park.
I like these snaps so much that I took a long time pointlessly fretting about how exactly to display them here. In the end, I just did what Hartley always does. I just piled them up vertically.
The Walkie Talkie looks particularly fine in these snaps, I think. However, it is becoming harder defend this building, even though I am determined to go on doing this. Not content with firing death rays down onto the street in front of it, this building, it is now being said, is doing terrible things to the local weather. The death rays were easily corrected, but changing these wind effects will be much harder. Basically, those on the receiving end will have to get used to it, one way or another, which might include more architecture.
This is the kind thing that happens when you build a building which is a different shape to all previous buildings. You find out that there are reasons why people mostly don’t build buildings this shape. No, that’s not quite it. You find out that whereas regular-shaped buildings, having been built a million times, have had all the bugs ironed out of them, this is not true of your building. Simply nobody know exactly how to build it. Not you, not anybody.
We start (top left) with a view of a photographer on the Millennium Footbridge, and end with a clutch of photos taken on Tower Bridge. In between, I walk from the first bridge to the second, along the south bank.
As you can see, smartphone cameras continue to predominate:
As you can see, I am becoming every more careful to avoid showing recognisable - especially automatically-computer-recognisable – faces. I have even included one photo (bottom right) where the whole point and fun of it is that a passing car hid the lady’s face, and thus caused the resulting photo to qualify for inclusion in this posting.
Also, I like that effect you get with glasses (top right), where you get a more focussed version through them of the otherwise blurry background.
Busy day today, so another photo taken yesterday evening, at the southern end of Blackfriars Bridge:
You can find lots of pictures of these dragons, but not so many photos that look the way mine does, with a blurry Big Thing and a blurry crane in the background.
Today I was out and about in the sweltering heat of London, and unusually for me, I found myself noticing a news item:
The news item being that big cloud of smoke, somewhere up river from Tate Modern. Seeing as how I myself live up river from Tate Modern, this was a bit troubling. Was it a moderately big fire, quite near to me? Would I return home to find my home ablaze? Had I started the fire by leaving something switched on that shouldn’t have been? Or was it, as I found myself ignobly hoping, a bigger fire, further away?
I consulted the www about this fire when I got home, my home not having disappeared, and there being no smoke anywhere near it. Eventually the www revealed what had happened. The fire was - and alas, as I write this, it still is - in Perivale, which is way out in the west of London. And this was one very big conflagration.
To quote the Evening Standard:
An enormous fire is raging in a warehouse in a west London suburb, with smoke visible for miles around.
Some 100 firefighters are tackling the inferno at a large building in Wadsworth Road, Perivale.
About 30 people fled before the London Fire Brigade arrived, with flames erupting just before 7pm.
That’s what I was seeing, no question about it.
According to my camera, the above photo was taken at 8pm, so the fire had already been raging for an hour before I noticed it enough to take photos of it. Not that photoing smoke is my forte. Presumably photoing smole is like photoing anything else in particular, the more you do it, the better you do it.
No matter. Many others will undoubtedly have been photoing that same huge cloud of smoke. It was, like the ES said, visible for miles around. You’ll have no difficulty finding better Perivale warehouse fire pictures, in the event that you want to see such things. For me, it is enough to know that nobody died.
A BIT LATER: Looking at the above photo, and at some of the others at the other end of the link immediately above (notably the one from beyond Tower Bridge) I realise that one of the tricks of smoke-photoing is the put the smoke behind a very definite and recognisable building. So here is another photo I took, of some of the smoke that had already travelled a bit further, to the area behind St Pauls Cathedral from where I was:
Trouble is, although St Pauls is very definitely St Pauls, the smoke is not so definitely smoke. It could just be clouds, in my photo. Like I say, smoke is not a speciality of mine.
As you can also see, there is a crane to be seen there. I also photoed smoke behind a crane cluster, but showing you that would be to change the subject.
A very distant and yet very good view of the Big Things of London
Big Thing alignments from the top of Westminster Cathedral
The new Wembley Stadium under construction plus a white van
Ballerina and crane
The view from outside Waterloo Station
How Centre Point is looking just now
Viewing the clutter at Centre Point
A weird view of the Wheel - and cats in Tiger
The wrong kind of cranes
Christmas Day photos
In the City with Gus
I just like it
Sunshine - construction work - artificial rain
The ballerina and her support act
Ballerina with cranes again - this time with added spy cameras
Quota ballerina with cranes photo
A tumult of cranes (and the Spraycan)
My week in Brittany 2: A crane holding a bridge at Canning Town!
Big Things through a gasometer
Smaller Old Thing in front of Big New Things
A Sunday ramble
Big Things in the sunset
What to call the sneerquote Salesforce /sneerquote tower? (plus a quite profound tangent)
Compact Cats buried under London’s poshest homes
Pavlova with cranes
I see cats
Me and the first cranes at London Gateway last September
Other things last Wednesday
South Bank Architects?
The ROH from the ME Rooftop Bar
Eiffel Tower with chimney pots – La Défense ditto
The text of my talk for Christian Michel last night
Digital photography as telepathy
Ice sculptures in Docklands – Big Things from Docklands
Battersea crane cluster
Quota crane and quota plane
Ballerina with crane
More photos of things past
The Kelpies of Falkirk
I need to photo this again
Sunrise from my roof
My own personal Big Thing viewing platform with close-up Roof Clutter
Cranes seen through Cardinal Place
Another picture from yesterday
Birds on a crane
Two favourite photos from September 5th
Baltimore: cranes - a bridge - scaffolding
London Gateway from above
Shard with roof clutter and a crane
There are cranes and there are cranes
Wandering about afterwards
Art without Artists
Giant cranes made in China for new London super-port in Thurrock
Four crane photos
Progress with the Vauxhall crane
New crane up
A new crane has already arrived
Close-up of the ruined Vauxhall crane
In Borough High Street
Cranes over Vincent Square (again)