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In which I continue to seek part time employment as the ruler of the world.

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Category archive: Cranes

Thursday February 08 2018

The view from on top of my block of flats is jot quite high enough to be really great, like, say, the view from the top of the Tate Modern Extension.  Plus, there is the great lump that is Hide Tower, right outside my front window, which blocks off a huge chunk of London.

But if the light is playing games, things can get entertaining.  While grubbling back in the archives looking for a shot, from my roof, of the now deceased New Scotland Yard building just off Victoria Street, I came across this shot, taken just under two years ago, looking from my roof along Chapter Street, towards Battersea Power Station:

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Cranes, roof clutter, vapour trails.  Lovely.

I find that I can best photo a sunset, not by photoing the sunset itself, but by photoing it with and behind buildings, and showing what it can do to buildings.  In the right light, the most commonplace of buildings can be transformed into something far less commonplace.

Sunday January 28 2018

This is the last of my postings about my walkabouts beyond Lower Marsh on Jan 5th and on Jan 18th, the three photos below having been taken on Jan 18th.

Just as on Jan 5th, the light was extraordinary.  On Jan 5th, it was, for me, at its most extraordinary on Blackfriars Road, and then at Victoria Station (see the posting immediate below this one).  On Jan 18th, at the same time of the day, it was at its most extraordinary when I was on Blackfriars road bridge, which is what Blackfriars Road turns into when it crosses the river.  Blackfriars Bridge being the one next to the Blackfriars railway station bridge, as you can very clearly see here:

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What we see there is the now nearly horizontal sunlight bashing in under the clouds overhead and picking out the bridge.  Very dramatic.  And just as on Jan 5th, the light was particularly good at picking out something painted red.  On Jan 5th, it was a crane, the very same crane that we see in the above photo, in the distance, in front of 240 Blackfriars.  On Jan 18th, it was Blackfriars road bridge itself.

The above photo captured the drama that I saw at the time.  The next photo, taken moments before the one above, isn’t so dramatic.  It felt very dramatic, but my photo captures little of the drama that I saw.  The light that illluminated that scaffolding in the middle looked amazing.  But I now have to point it out to you:

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So, why this photo?  Well, for my purposes, it does have one great merit, which is that it shows that the street lights, on the right of the road bridge as we look along it, were not switched on.  Yet moments later, these lights were “switched on”, by the sun, just as similarly un-electrified lights in Victoria Station had been lit up by the sun on Jan 5th:

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Behind these lights are the lower floors of One Blackfriars, now nearing completion.

Thursday January 25 2018

All this stressing about having to have a new blog is, well, stressful.  So, thank goodness for all the lovely photos I took that day.  They have been a great comfort.  I have nearly finished bragging about them, but not quite.

This is one is one of my particular favourites from that day:

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Remember I said that Windows Photo Viewer is turning everything a bit yellow?  Well yes, it is, although a more accurate description would be: cream.  And the odd thing is that the above photo actually looks prettier to me in its creamy manifestation than it does here, as taken.  But, I still like it a lot.  I suppose I could squirt some cream into it with my photoshopclone, but I don’t hold with that sort of thing, which has created another barrier, which is that I don’t know how to do that.

Once more, we see:  trees without leaves, and behind them cranes, and behind them, the top of 240 Blackfriars.  We are looking along Lower Marsh in a north-easterly direction, towards 240 Blackfriars, and behind that, the City of London and its bigger Big Things.

Monday January 22 2018

On the fifth and eighteenth days of this month I was in Lower Marsh, which is just south of Waterloo Station, as I often am.  On each of these days, there was bright sunshine, and cloud.

On each day, after I had done my business in Lower Marsh and continued on to Blackfriars Road, and to its two newly constructed edifices: One Blackfriars (the curvey one) and 240 Blackfriars (the “crystaline” one).

The first of these photos, !.1, shows One, and One reflected in 240:

imageimageimageimageimage
imageimageimageimageimage
imageimageimageimageimage

I love a good crane, and 1.2 is rather remarkable, because it shows (a) two construction cranes, (b) these cranes reflected in 240 Blackfriars, and (c) on the surface of that same building and above the reflections of the cranes, the shadows of those same cranes.  If you click on nothing else, click on that.

Photo 1.3 tells us where we are, and shows One of that road scraping the sky,

In 2.1, 2.3 and 3.3, we see another joy of winter, trees without leaves.

The final photo of this little set, 3.3, shows the tower of a crane with some of those trees, and is included because the colours are what you would expect with regular lighting.

Ah, but what if the lighting is irregular?  What if there is bright sunlight hitting a crane tower, but with dark cloud instead of blue sky behind it?  3.2 is what then happens.  Worth another click, I’d say.

And 3.1 shows clouds of a very different sort, again reflected in 240 Blackriars.  Also pretty dramatic.

1.1 to 2.1 taken on the fifth.  2.3 to 3.3 on the eighteenth.

What, no photos of photoers?  Was I the only one photoing?  Could nobody else see the epic dramas of light and dark, construction and reflection, scaffolding and skeletal trees, that I was seeing?  Apparently not.

On the fifth, soon after I had taken the first four of the above photos, my fellow photoers had been all over the man with the flaming tuba.

Photography is light.  But I guess for most photoers, mere light, bouncing off of dreary things like modern buildings, cranes, trees, scaffolding and the like, is not enough.

Wednesday January 03 2018

Over at Dezeen, they’ve got a posting about the growth of the City of London Skyscraper Cluster, which describes that process by showing how it is reckoned it will look in 2026.

And they reckon it will look like this:

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From other angles, though, it can look more like it’s three clusters.

To give you more of an idea how the architecture of the City is changing, here is a photo I took in May of this year:

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Here is the bit from another of the dezeen clutch of fake-photos, fake-taken from pretty much the same angle (although from a bit nearer than mine), which lets you see what they are busy building now:

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And here, by way of a bonus, and mostly because I Just Like It, is a photo I took of the same cluster but from the other side, last November:

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That photo was taken from a big patch of grass in the Bethnal Green area called Weavers Fields.

That link points out the Huguenot connection with Weavers Fields.  Blog and learn.  (My mother’s maiden name was Bosanquet.  Her Bosanquet ancestor was one of those Huguenots, who arrived here from France following The Revocation of the Edict of Nantes.  (For cricket fans: another Bosanquet, who is a distant cousin of mine.  (But I digress.)))

Monday December 18 2017

A mixed day.  In the morning, Australia won the Ashes back.  And in the evening, when I got back from a photo-expedition, I found water trickling down the wall of my kitchen, the wall in question being the one behind me in the picture at the top of this blog, a wall filled with CDs, a quite large number of which had their documentation soaked.  It could have been a hell of a lot worse, but it wasn’t at all good.  I have just spent most of the evening trying to sort that out, but probably not accomplishing much.  Many pages of musical info will be stuck together irrevocably.  Bugger.

But in between those two disasters, the photo-expedition was pretty good.  I will surely show more of its results here Real Soon Now.  For the moment, following an evening spent fretting about those CDs, here is just one such result:

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I tend not to like sunsets, by which I mean that I tend not to like the photos I take of sunsets.  But if there are cranes involved, that’s a different story.  Also, for the cricket, a sunset is all too appropriate.

Sunday December 03 2017

I knew this would happen.  Ever since I noticed those leaning tower cranes of London, which looked like they might be about to collapse through the unbalanced weight at the top of them, I knew that as I wandered through my photo-archives I’d find more such pairs of leaning tower cranes, leaning in opposite directions to each other, and looking like they should have collapsed and caused a flurry of shocked news reports, but which never actually did that.

And I just did:

image

Taken from the top of the Monument, on the same day as the photo below of the Walkie-Talkie.

At the time, all I thought I was photoing was a nice sunset and some nice cranes, posing nicely in front of The Wheel.  But those two cranes on the right there seem to be in that same state of strong disagreement about what exactly vertical is, and for the same reason.

Yet, if either of those cranes had collapsed, late on in the year 2012, I am sure that we would have heard about it, and that I would have remembered it.  Clearly, they did not collapse.  They were just leaning over a bit.

All those cranes that we see were working on, among other buildings, two rather striking buildings that are now finished.  I’m talking about the two stumps now blocking the view of the Shell Building.  There is, on the right, in between the two leaning cranes discussed above, 240 Blackfriars.  And to the left of 240 Blackfriars, as we look, the innards of the Tate Modern Extension, from which further lovely views out over lovely London were to materialise.

Saturday December 02 2017

Indeed.  I was going through the I Just Like It file, and came across two, independently selected, which make a nice pair.

First, taken in November 2012, the Walkie-Talkie while still under construction, viewed from the top of the Monument:

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And second, taken in January 2016, the Monument now just about visible in the scrimmage of smaller London

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The Walkie-Talkie looks very big from the top of the Monument.

The Monument looks very small from the top of the Walkie-Talkie.

And while we’re about it, here is another photo that links these two buildings.  Taken on that same day in November 2012, back on the ground, with a little sign on the right there, saying “Pudding Lane”. 

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The Monument remembers those who died in the Great Fire of London of 1666.  Pudding Lane, or so I was always told, was where that fire started.

Also, three days after taking that photo of the Monument from above, above, I took this photo of the Monument from below, along with another sign, this time a temporary sign telling me how to get to the Monument:

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The way to get to the Monument was not, it would seem, the obvious way to get to the Monument.

Monument dwarfed by Walkie-Talkie
Tilbury (2): Pop faces on a footbridge
Cranes and horses
A better photo of One Kemble Street
The Waterloo crane cluster
Twentytwo
The leaning tower cranes of London
A good day
Dramatic sky over Brixton
Eight
The yellow tubes are temporary, right?
Kobelco excavator
DLR Big Thing sunset
On my need to photo dullness
Quota cranes
Bright light on crane tower
Michal Huniewicz drone-photos London Gateway and its cranes
London is being Benidormed
Spurs are in a hurry to get home again
Battersea Power Station then and now and soon
Eastern towers
Window cleaning cranes in Victoria
Three Walkie Talkie photos
Chronicle Tower and its roof (and window-cleaning crane)
Scaffoldage
Battersea from Clapham Junction
To Tottenham (7): Building the new Spurs stadium
To Tottenham (6): The Spurs Shop
Quota construction
Fog in Victoria
Early dusk
To Tottenham (1): A fine day (especially for scaffolding)
Stratford
A dogs and cats building
Wembley Arch lighting contrast
Another TV aerial
The Dome and Tower Bridge aligned
The Big Parliament Tower and the Shard as seen from the Westminster Cathedral Tower
Photoing Tate Modern from the Oval and the Oval from Tate Modern
Centre Point and surroundings as seen from the top of the Tate Modern Extension
M20 bridge destroyed by passing digger
Views of Epsom and views from Epsom
Sunny Croydon
Quota Shard with quota cranes
Dernbach decisive again
More photos from last Friday
A lurid sunset
The hottest day of the year (4): An antique view from Waterloo
The draw that turned out not to be
Photoers photoing the views from the Tate Modern Extension
Views from the new Tate Modern Extension
Temporary Oxford Street
The right moment and the right alignment
Are London’s cranes about to depart for a few years?
New York construction cranes in action
The new US Embassy – from my roof
New Thin Things in New York (but not in Lower Manhattan)
Incoming imagery from Antoine
Using your crane to protect your cement mixer
Another walk along the river
Sickness and sunset
A crane folds itself up
Checked out: The Big Olympic Thing
Mechanical giraffes
Barcelona owl
How cranes might not keep falling
White vans in Kentish Town
148 to Burgess Park
Orange coloured London
Matt Ridley on Epicurus and Lucretius
Less heat and more light
Remembering the summer sun
Very local fog in London
Miami cranes
Man on horseback – and cranes
BT Tower with cranes
Crane on fire
A day in BMdotcom heaven (4): A tale of two penultimate overs
Some quota reflected cranes and a quota white van
Rainbow over Millbank
Photoing down by the river
Cranes and a bridge (but not in a good way)
The light outside the Proud Archivist on the evening of July 22nd
Golden Cheesegrater with cranes
With GD2 in Richmond Park (1): Views of London
Photographers by the river
London dragon
Smoke over west London
Light
A very distant and yet very good view of the Big Things of London
Big Thing alignments from the top of Westminster Cathedral
The new Wembley Stadium under construction plus a white van
Ballerina and crane
The view from outside Waterloo Station
How Centre Point is looking just now
Viewing the clutter at Centre Point
Fantastic day
A weird view of the Wheel - and cats in Tiger
The wrong kind of cranes
Christmas Day photos
In the City with Gus
Shard shots
I just like it
Sunshine - construction work - artificial rain
Crane lamp
The ballerina and her support act
Ballerina with cranes again - this time with added spy cameras
Quota ballerina with cranes photo
A tumult of cranes (and the Spraycan)
My week in Brittany 2: A crane holding a bridge at Canning Town!
Big Things through a gasometer
Smaller Old Thing in front of Big New Things
A Sunday ramble
Quota bird
Big Things in the sunset
What to call the sneerquote Salesforce /sneerquote tower? (plus a quite profound tangent)
Compact Cats buried under London’s poshest homes
Pavlova with cranes
I see cats
Me and the first cranes at London Gateway last September
Other things last Wednesday
South Bank Architects?
The ROH from the ME Rooftop Bar
Eiffel Tower with chimney pots – La Défense ditto
The text of my talk for Christian Michel last night on the impact of digital photography
Digital photography as telepathy
Ice sculptures in Docklands – Big Things from Docklands
Battersea crane cluster
Quota crane and quota plane
Ballerina with crane
More photos of things past
The Kelpies of Falkirk
I need to photo this again
Sunrise from my roof
My own personal Big Thing viewing platform with close-up Roof Clutter
Cranes seen through Cardinal Place
Another picture from yesterday
Birds on a crane
Battersea sunset
Two favourite photos from September 5th
Baltimore: cranes - a bridge - scaffolding
London Gateway from above
Shard with roof clutter and a crane
There are cranes and there are cranes
Wandering about afterwards
Crossrail grubbings
Art without Artists
Giant cranes made in China for new London super-port in Thurrock
Four crane photos
Progress with the Vauxhall crane
New crane up
A new crane has already arrived
Close-up of the ruined Vauxhall crane
In Borough High Street
Cranes over Vincent Square (again)