Brian Micklethwait's Blog
In which I continue to seek part time employment as the ruler of the world.Home
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Most recent entries
- A Shiny Thing by Frank Stella Hon RA
- Richard J. Evans on how evidence can become more significant over time
- Another from the archives
- Big 4
- Another quota sign
- Magic clarified
- Viewing the clutter at Centre Point
- Giant cat head worn by a human
- BMdotcom abusive comment of the day
- Made-up London detectives in real London places
- Marc Morris on how the Bayeux Tapestry ought not to exist
- Fantastic day
- Another use for a drone
- London is getting more colourful
- Don’t mention The Wires!!
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6000 Miles from Civilisation
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Category archive: Cranes
At the point where the east end of Oxford Street connects to the south end of Tottenham Court Road, marked by Centre Point, there is now much building activity. Centre Point itself is being turned from offices into swanky apartments. And at the bottom of Centre Point there is to be a new Crossrail station which is being attached at vast expense to what is already a complicated tube junction stroke station.
Urban building activity is often described as being like a wound. But for me, such a temporary space is a photo-opportunity. It opens up unfamiliar views of clutter clusters, of entertaining comings together of and alignments of the temporary and the permanent, the ancient and the modern, the mechanical or the eletrical and the architectural.
Here are a few shots I recently took just to the south of Centre Point:
Mostly quite (to me) anonymous stuff, but with a couple of bits of favourite modern architecture in there, the BT Tower and that colourful Piano clump.
Soon, most if not all of these views will be gone.
Fantastic weather anyway. I’m still not feeling a hundred per cent. (Perhaps I never again will. (This is one of the facts about getting old. When bodily functions malfunction, they may never well-function again. (And it feels like that even more often.))) But I went out anyway to do some shopping, and then went out again with fewer clothes on, to enjoy the first real warmth and sunshine of this year instead of getting too hot in it.
Here are some snaps I took that show what a good day it’s been.
On the top left, the top of the tower right opposite me, seen from Vincent Square, through the leafless trees. Top middle, the Wheel (through more leafless trees) and that four-pointed Parliament Tower thingy that nobody knows the name of, with the Vincent Square cricket pavilion in the foreground. Top right, the new and rather crass (but I’ll probably end up liking it (perhaps after some clutter has arrived on the roof)) apartment building going up next to Vauxhall Bridge.
The bottom three snaps show what the sun, when it’s out and when evening approaches, does to the buildings on the other side of the river from me.
As you can see, from the all cranes, there is lots of new building activity in my vicinity.
Yesterday I visited a shop called Tiger in Tottenham Court Road. Here is the sign about it that sticks out into the road, even though what I thought I was photoing at the time was the Wheel:
That’s actually one of my favourite views of the Wheel, because it is so weird and unexpected. We’re looking south along Tottenham Court Road, with Centre Point on the left as we look. You hear people seeing this, and saying: Oh look, the Wheel. Wow.
Tiger has lots of stuff in it, which I haven’t time to tell you about now but will hope to do Real Soon Now. But what I will say (today) is that, after a bit of searching, I found cats, in the shapes of: a cat mat, some cat suitcases, and some tigers:
Too knackered to say more now. Suffice it to say that Tiger is a veritable cornucopia of cheap and cheerful stuff.
But still pretty:
One day, a crane reserve (that link being to where the above cranes were photographed) will be a place where they preserve and worship our mighty mechanical lifting devices, not birds. And cranes, of the good sort, will indeed be worshipped, just as soon as they are all replaced by anti-gravitational plasticene which will be stuck underneath heavy stuff, so it can be taken up to the tops of buildings by robot building workers. In the future, buildings will mostly just be sprayed into the air, but some heavy things in them will still have to be made elsewhere and lifted to their required location.
The gap between my eyesight and the eyesight of my camera grows and grows with the passing of the years, as my eyes inexorably dim and as my cameras inexorably improve. Even I can regularly manage quite decent shots with my latest camera. As a result, I become ever more immobilised by having to choose good ones from the enormous piles of decent shots I often come back with, after a day out.
Yesterday was a bit different. I went to the home of Michael Jennings for a Christmas Day lunch, picture 1.1 being the most striking thing I saw from out of his front window. The day was lovely, but the light, though wonderful, was fast fading, so Michael and our mutual lady friend and I went out for a short (by my photographic standards) walk to take advantage of it. Which meant that I took, by my standards, only a few pictures. Which made it easier to choose and stick up a few half decent ones.
Picture 1.2 is my favourite of these. Thank God for London’s religious diversity. Much as I loath what Islam says in its holy scriptures, and much as I am critical of people who go through the motions of worshipping these writings, either because they truly believe what those writings say (very wicked), or because they don’t but think that they it doesn’t matter or that they must (also wicked – yes, I mean you, Moderate Muslims – stop saying that you believe stuff that you also say that you don’t believe), I do like that having Muslims in London keeps shops open and taxis running on days like Christmas Day. Michael fixed a couple of Uber taxi rides for me, and both the drivers had Muslim sounding names.
I don’t know what the church is in 2.1 but it looks pretty behind that leafless tree. And Tower Bridge always looks pretty to me.
Re those two Tower Bridge shots, I’ve always liked how digital cameras do the opposite of the human eye, and turn urban skies bluer and brighter as they actually get darker. It’s all those orange-coloured artificial lights, burning relatively brighter as the sun sinks, together with the actual darkness on the ground, impinging upon the Automatic setting.
Today I went walkabout in the City of London with my friend Gus, father of Goddaughter 1. This evening I found, for the first time, this short video interview at the Arup (his long time employer) website, done with Gus in 2010.
Here are four vertical favourite-photos I took:
On the left, Gus shows me a magazine picture of the Cheesegrater, taken on a much nicer day than the day, cold and windy, that we were having to put up with today. Next in line is one of those Big Things seen through a gap in the foreground shots, but with a difference. This time, there are two Big Things involved. There is a sliver of Walkie-Talkie on the right, and then way beyond it, you can see the Shard. Then, we see Gus joke-propping-up the miniature Lego Gherkin that is to be seen next to the regular Gherkin. On the right, Gus looks up at something or other, this being the best snap I did of him.
Now for all my favourite horizontals.
I’m too tired after all that walking about in the cold to say much about these pictures, but see in particular 2.1, which is, I’m pretty sure, some of the bolts, a few of which recently disintegrated. Now they are having to check all such bolts, and there are a lot.
1.1: Mmmm, cranes. Grim day, well done my recently acquired camera, good in low light conditions.
1.2: Canon Street tube. Designed like a bridge, said Gus, ace bridge designer, because under it there are tube lines which it is built on top of, like a bridge. This is the building I asked about in an earlier posting here.
1.3: I included this because of the sign saying “all inquiries”. All? You know what they mean, but there is fun to be had on the phone with this sign.
2.2: A Gherkin detail, is there because I said, when I saw it, that looks rather plastic. And guess what, it is plastic.
2.4: Shows us the Lego Gherkin in front of the Actual Gherkin
3.2: A more fun picture of Gus, featuring also: me, in the right hand purple circle.
3.3, 3.4, 4.1: All the Walkie-Talkie.
4.4: For scaring pigeons, something you seldom see from above. I saw this particular cluster of pigeon scarers while descending a staircase at Liverpool Street station. That last was the very last photo I took.
When I emerged from Pimlico tube, near my home, I was amazed at how dark it had become, at a quarter to four in the afternoon. Like I say, my new camera really did the business today.
Sorry for all the cock-ups and mispronts in this posting. I’m knackered and am now going to bed.
The way to photo “iconic” buildings is to muck around with them. You can’t just stick up your basic passport photos of them, so to speak, because everyone’s seen that, even the foreigners.
You have to put your iconic building next to something else, perhaps iconic in a different way ...:
… or, you bounce your IB off a non-iconic building covered in slightly bendy glass.
Or you photo it through a Riverside Thing …:
… or behind an Iconic Bridge (the one that wobbled (see the posting immediately below)).
Or you put something else in front of it, like a photographer, and have the IB itself behind and way out of focus.
That works fine because the whole point of an IB is that you can recognise it even if it is ridiculously blurry, the way you never could a regular building.
Or, you photo it on the screen of another photographer, perhaps even a bald bloke photographer. I am now collecting bald bloke photographers, and believe me, the species is now very abundant. And by the way, if you click and look at bit carefully, you can see that the bald bloke had the same idea as me about photoing the reflected version of the Shard, rather than just the Thing itself:
As the autumn light fades, the screens of other photographers shine ever more brightly. (LATER: And, on the right there, I see cranes.)
I picked those four snaps of snappers entirely because I liked them. But, they are all pictures of snappers using their mobile phones. Mobile phone cameras are getting better and better. But of course. I mean, would they be getting worse?
But having said all that, I do like this:
No frills, no complications, just the top of the IB itself, with a bit of orange light from somewhere.
All of the above photos were taken on my way to and from the Tower of London, about tendays ago, to see all those poppies.
LATER: How in the world could I possibly have failed to include, in this, this?
Shard on camera screen, and poppies. But, this time, a clunky old camera camera rather than a mobile phone camera.
I have started a file of photos called “I Just Like Them”, for those days (very frequent) when I have left blogging for the day to the last possible moment and beyond. The idea is to have a plentiful supply of quota photos, ready to hand.
Here is the kind of thing I mean:
That was taken from the top of the Monument on November 18th 2012.
I could drone on for several paragraphs about what is so very nice about that picture (were I to do this, the redness of two of the cranes there would get a particular mention), but the simple truth is: I just like it.
Sunshine - construction work - artificial rain
The ballerina and her support act
Ballerina with cranes again - this time with added spy cameras
Quota ballerina with cranes photo
A tumult of cranes (and the Spraycan)
My week in Brittany 2: A crane holding a bridge at Canning Town!
Big Things through a gasometer
Smaller Old Thing in front of Big New Things
A Sunday ramble
Big Things in the sunset
What to call the sneerquote Salesforce /sneerquote tower? (plus a quite profound tangent)
Compact Cats buried under London’s poshest homes
Pavlova with cranes
I see cats
Me and the first cranes at London Gateway last September
Other things last Wednesday
South Bank Architects?
The ROH from the ME Rooftop Bar
Eiffel Tower with chimney pots – La Défense ditto
The text of my talk for Christian Michel last night
Digital photography as telepathy
Ice sculptures in Docklands – Big Things from Docklands
Battersea crane cluster
Quota crane and quota plane
Ballerina with crane
More photos of things past
The Kelpies of Falkirk
I need to photo this again
Sunrise from my roof
My own personal Big Thing viewing platform with close-up Roof Clutter
Cranes seen through Cardinal Place
Another picture from yesterday
Birds on a crane
Two favourite photos from September 5th
Baltimore: cranes - a bridge - scaffolding
London Gateway from above
Shard with roof clutter and a crane
There are cranes and there are cranes
Wandering about afterwards
Art without Artists
Giant cranes made in China for new London super-port in Thurrock
Four crane photos
Progress with the Vauxhall crane
New crane up
A new crane has already arrived
Close-up of the ruined Vauxhall crane
In Borough High Street
Cranes over Vincent Square (again)