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In which I continue to seek part time employment as the ruler of the world.

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Category archive: Scaffolding

Thursday January 17 2019

Today, as I promised myself on Tuesday, I went east.  The weather was even better than was forecasted, and among the very first photos I photoed was this, before I even got to the tube station:

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But the good weather came at a price, paid in degrees of temperature.  No clouds and there’s nothing to keep the warmth in.  It was cold.  And all the walking I did has taken it out of me.  Also, I met up with occasional commenter here and good friend Alastair, and that meant me getting up and out earlier than usual.  So, I am knackered, and I can’t now even summon up the energy to explain what exactly is going on in the above photo, let alone show you any more photos.  It doesn’t now help (although it will) that I have nearly six hundred photos to look at and pick from and ruminate about.

Now: early to bed.

Thursday January 03 2019

And all in the one photo:

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Also, trees without leaves.  Taken in January 2009.  On my way home, looking out towards Vauxhall Bridge Road and beyond, in the general direction of Battersea.

At present, sofas are more important to me than blogging, as the above blatant quota photo well illustrates.

This morning, the new sofa finally arrived.  It is my hope, and the promise of Westminster City Council, that the old sofa will depart tomorrow.

Tuesday December 25 2018

I haven’t been out photoing a lot lately, so here are some Christmas-themed photos picked out from the archives, taken during about the last five years or more.

There’s two dozen in all that are ready to go.  Here are the first dozen:

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Another dozen tomorrow.

I hope your Christmas is going well, with some of the right people with you, and not too many of the wrong people.

Tuesday December 11 2018

Outside Westminster Abbey, in June of this year:

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The first is just the general scene.  Big Ben smothered in scaffolding in the distance, beyond Parliament Square.  Lots of people standing around, enjoying themselves, photoing each other.  And me first noticing a classic croucher photoer, in the middle.  Photo 2, I zoom in on the croucher photoer.  Photo 4 has me including my shadow in the composition, making three photoers in all.  Top left, a photoer’s shadow.  Then the croucher.  Then my shadow.  Nice.  Or so I think.

But Photo 3 (2.1), which I believe was something of an accident at the time, is now my favourite, because of what happens to my shadow.  Part of it falls on the croucher photoer herself.  But the left side of my head’s shadow misses her and hits the ground right behind her, making it invisible to me and my camera and making it look like the side of my actual head has been removed.  In some ways, nicer.  Or so I think.

Photography is light.  And when the light is bright, and when selfie shadows are a feature rather than (as with Real Photographers) a bug, there can be some real fun to be had.

Thursday December 06 2018

On the same day, September 24th 2013, that I took all those artistic photos not of cranes, I also photoed something else that wasn’t a crane either.  In addition to liking cranes I also like bridges, but this other something wasn’t a bridge either, despite looking a lot like one.  I refer to this contrivance:

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So far as I can work it out, this is a structure to protect a road against some power lines which are crossing that road.  The road in question being the A1014, aka “The Manorway”, just before it runs out of puff at a roundabout.

I know.  Why this one structure, there?  What’s so special about these power lines?  Were people about to start working on them, and were they scared that they might fall on the road and set light to a lorry laden with some highly inflammable liquid, of the sort they concern themselves with in Coryton?  Could be.  According to this, there used to be a refinery there (hence yesterday’s ruins).  Now, there either already is or there is about to be a diesel import terminal.  Yes, apparently this got going last year.

Maybe the structure I photoed is somehow a consequence of this change.

Saturday December 01 2018

I spent most of today, and am about to spend the rest of it, recovering from some combination of a cold, and drinking too much last night, at my Last Friday of the Month evening.  It went very well, but very well is not how I felt this morning, or feel now.

So, quota photo time.

I could rhapsodise indefinitely about this photo (which I photoed on the same afternoon I photoed this photo of Centre Point):

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The thing I want you all to realise is that the light hitting the white sheet is hitting it from both sides.  There is the sun behind the white sheet.  And there is the sun bouncing off the windows on this side of the street, a lot of it in window shaped shapes.

The next project is to track down the building and see what it looks like without all the scaffolding.

Wednesday October 31 2018

This is the third consecutive posting here based on photos I took, two days ago now, while walking from the Angel to Barbican tube.

The reason for the abundance of photos from that walk was the light.  It was a classic London early evening, when the sky above was getting grey and dull, but when there was a gap in the clouds out west, and the sunlight came crashing through that gap horizontally, light a searchlight, picking out random things that were sticking upwards, above the point at which old London stopped going upwards and only new London protrudes.  Not everything doing this got caught in the beam, just some things.  Behind them or next to them there would be objects entirely unlit and already fading fast into darkness.

Things like cranes:

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That’s a fairly conventional photo for me, because the darkening sky is the background, as it often is when I photo evening sunlight crashing into cranes.

But this next one, taken rather later as I neared the Barbican, seemed to me to be something else again:

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I have a kind of check list mentality when judging my own photos.  I have a list of things I like, and the more such things are happening in the photo, the higher the photo scores.  Cranes, tick, with the evening sun hitting them, tick.  Another is interesting architectural silhouettes.  Of such Big Things as the Gherkin, the Walkie Talkier, the Shard, and so on.  And although those Barbican towers are not the prettiest Things in London by a long way, their silhouettes are distinctive, because of that saw tooth effect you get at the sides.  I also like the understated roof clutter there.

Friday October 19 2018

More and more of my photo-time is spent collating the photos I have already taken.  Last night, for instance, I went looking for (more) photos of London taxis with adverts on them.  There is something especially appealing, to me anyway, about a large number of objects all exactly the same shape, but each decorated differently.  (Some time, I must go searching for my photos of elephants.)

Equally appealing, to me, were those Gormley Men.  In that case, each Man was the same, and undecorated in the more usual and rather bland sculpture way.  But, each one was in a different place and a different sort of setting.  My Gormley Men photos did not need collating, because Gormley had already collated them, by putting all his Men in the same part of London at the same time.  Therefore my photos of the Gormley Men mostly collated themselves.

Not so the elephants, or taxis.  When looking for taxis, I am looking for taxis photoed in the course of all manner of different photo-expeditions each with their own directories.

But my point is that in the course of all this taxi-collating, I was clicking through literally thousands of non-taxi photos, and I kept coming across non-taxi photos that I particularly liked.  Like (kike as in “such as” – this is not a command) this one, for instance, taken last June:

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I like doing modified cliches in writing, and I also like them photographically.  A view, for instance, of some London Thing that has been photoed to death, but put beside or in front of or behind something that is not so usual.  Most photoers would regard the above scaffolding as a problem rather than any sort of solution, to the Eros-has been photoed-to-death problem.

The scaffolding’s wrapping has the effect of clearing away all the usual clutter from Piccadilly Circus and replacing it with something a lot like sky on a dull day.  It puts Eros in an empty field in the countryside, you might say.  And yes I know, I like clutter.  But not always.

Here is another modified cliché photo:

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The Wheel has been photoed to death, and that’s a view I regularly see – and regularly photo - of it, from the point where Strutton Ground meets Victoria Street, looking down Victoria Street towards Parliament Square and beyond.  But that sky behind The Wheel made The Wheel look amazing, on that particular day in January of this year.

Finally, one of many photos I took this year of Battersea Power Station:

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The Power Station and (if you are a craniac like me) its crane cluster are the clichés.  And if you want to take the sting out of a cliché, one way is to reflect it in something.  At that point its extreme recognisability becomes more a virtue and less of a bore.  Its very clichéness becomes helpful to the photo.

This photo was taken from the upstream side of the Power Station, where there is already a big chunk of new flats up and running, with accompanying tasteless sculpture, coffee serving places and the like.  All sparked, I believe, by the new USA Embassy.

This photo of mine turns Battersea Power Station upside down.  I’ve always thought that an upside down Battersea Power Station would make a rather good table.  But, until now I never thought to go looking for such a table on the www.  Here we go.  That took about three seconds, so I bet there are plenty more that are cheaper.  This guy had the same idea, but those two links were all I could quickly find concerning this notion.

Here is another modified cliché photo of Battersea Power Station, the modification this time being smoke.

Come to think of it, all those London taxi photos I’ve been digging up are also modified cliché photos, aren’t they?  London taxi = cliché, adverts = modification.

How photo-collating reminded me of some (other) good modified cliché photos
The last really fine day of 2018 (2): Scaffolding wrapped and unwrapped - and the Reichstag wrapped
Confirmation that The Peak is a one-off rather than a two-off
The last really fine day of 2018 (1): Some pleasurable reinforcement
Photoing The Wheel from Tottenham Court Road
Views from the John Lewis roof garden
Another leaning crane
Art and information
A lorry brings reinforcements
Imperfectly hidden scaffolding
The Blackfriars ghost columns make themselves useful
Pimlico roof clutter
Battersea Power Station – 2005 – 2012 – 2016 - 2017
Cranes – scaffolding – colours
Cromwell with a plain background
Royal Albert and his Hall
Covered scaffolding in sunshine
More photoers
The selfie hair pat
Back in England
Possible blogging interruptions
The Great Big City Thing – new Big City Things – a not so big City Thing
A temporary RCM corridor – the inside and the outside
The horror of a concrete thing having its eye put out
The light and the lights on Blackfriars Bridge
Winter sunlight and new buildings beyond Lower Marsh
Pavlova is back
Eight
The Wheel reflections and The Wheel juxtapositions (and a The Wheel postcard)
Battersea Power Station then and now and soon
Scaffoldage
To Tottenham (7): Building the new Spurs stadium
Early dusk
To Tottenham (1): A fine day (especially for scaffolding)
Roof clutter on my roof and from my roof
Pavlova under wraps
Waterloo Eurostar revamp begins
Strand Palace Hotel footbridge
Ghost Bus
Cyclists
Centre Point and surroundings as seen from the top of the Tate Modern Extension
Sunny Croydon
More photos from last Friday
Scaffolding - covered up and then brightly lit
Temporary Oxford Street
The right moment and the right alignment
Horizontal French signs
Spring
A crane folds itself up
Checked out: The Big Olympic Thing
Photo of Mountbatten on Sea Containers House
148 to Burgess Park
Dialogue
Twelve 2015 photos
Out and about with GD1 (7): Instead of using her Real Camera GD1 mostly iPhotoed
Less heat and more light
The view from my kitchen
Rainbow over Millbank
A couple of old squares
Fun stuff in Oxford Street
The view from outside Waterloo Station
How Centre Point is looking just now
Along the river towards Battersea
Lovely light