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In which I continue to seek part time employment as the ruler of the world.

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Category archive: Other creatures

Friday February 17 2017

You don’t have to believe that animals either have or should have rights to realise that people who are gratuitously cruel to animals are likely to be more cruel than usual to their fellow humans.  But what of fake cruelty to fake animals leading to real cruelty to real creatures, animal or human?  I imagine there is some kind of correlation there too, although my googling skills fell short of finding an appropriate link to piece demonstrating that.

Being cruel to a fake animal that another human loves is clearly very cruel, to the human.

As was, I think, this demonstration of fake cruelty that recently hit the internet.  That link is not for those who are squeamish about beheaded teddy bears.

And what of people who are nice to fake animals?

Here is a picture I took in my favourite London shop, Gramex in Lower Marsh, in which there currently resides a teddy bear who was recently rescued from sleeping rough, by Gramex proprietor Roger Hewland:

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If you consequently suspect that Roger Hewland is a kind man, your suspicion would be entirely correct.  I agree with you that kindness to fake animals and kindness to real people are probably also correlated.

I sometimes drop into Gramex just to use the toilet.  Never has the expression “spend a penny” been less appropriate.

Thursday February 16 2017

Yesterday I told you about a photo I took on January 20th of this year.  Earlier that day I had journeyed to Bromley-By-Bow tube station, then walked south along the River Lea, and ended my wanderings at Star Lane Station.  It was a great day for photoing, and I especially enjoyed photoing this witty sculpture:

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But who did it?  This evening I realised that I seemed to recall Mick Hartley having something to say about this, and so it proved.

It’s by Abigail Fallis, and it is called DNA DL90.  Well, I say that’s what it’s called.  That’s what Abigail Fallis called it, but I bet nobody else calls it that.  I bet what most people call it is more like: Shopping Trolley Spiral.  I’m guessing further that Abigail Fallis regards her sculpture as some kind of critique of late capitalist consumerism.  But such ArtGrumbling need not stop the rest of it thoroughly enjoying the thing, and also continuing to relish our trips to the supermarket, there to sample the delights of early capitalism.  Because you see, Abigail, capitalism is just getting started.

Yes. I was right.  Says Hartley:

It is, says Fallis, a symbol of modern society’s consumer culture, which has now become entwined in our genetic make-up. They can’t help themselves, can they, these artists?

The usual bitch about Artsists is that they are predictable, and indeed they are.  But this was something else again.  I literally predicted this, before I read it.  How predictable is that?  Very, very.

Friday February 10 2017

As regulars here will know, I am interested by the phenomenon of colour.  I don’t mean people of colour, and all the arguments around that.  I mean the colours of things like paint, walls, modern architecture.  Red, blue, green, yellow.  Actual colours.  (Plus also: black and white.)

So, I was greatly intrigued by a piece that I recently encountered, about how blue tarantula spiders are inspiring techies to make 3D printed blue.

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Quote:

Tarantulas aren’t usually known for having a striking blue color, but the ones that do recently inspired new technology that can produce vibrant, 3D-printed color that will never fade.

Back in 2015, a team of researchers led by the University of Akron marveled at the spiders’ blue hue and concluded that it was created not from pigment but from nanostructures in their hairs. In other words, these tarantulas are blue because of structural color, which is produced through light scattering caused by structures of sub-micrometer size features made by translucent materials.

I love grand histories of everything, which look at the past, present and future of mankind through just the one lens.  Weapons.  Communications.  Spices.  Potatoes.  That kind of thing.  I recently purchased a book called The Sea and Civilization: A Maritime History of the World.  Well, one of the next books I am going to purchase is likely to be a history of the world seen entirely in terms of mankind’s quest for colour - natural and artificial, or, as above, and I suspect very typically, a combination of the two.

Friday January 20 2017

Today will be the forth consecutive day of clear skies over southern England.  On Tuesday and Wednesday, the first two of these four days, I journeyed to East London, and today I plan to do the same.  (Yesterday, I just couldn’t make myself do this.  Instead I got a haircut.)

Living and working on my own, to my own schedule, creates problems as well as solving or abolishing them.  Being old, I basically have to get up as soon as I wake up, in order to squirt urine where it needs to go rather than where it doesn’t.  And, having woken up, getting to sleep again can then be difficult and time consuming.  Either I do this, eventually, which takes a big bite out of the beginning of my day.  Or, I stay awake, which means that by the early evening I will be asleep in my chair.  I am staying awake today, to make maximum use of all that sunlight which even now I can see outside.  But, if I leave my self-imposed blogging duties for today to the evening, I will find this very difficult.  This evening I will be both sleep-deprived and exhausted from my wanderings.  Also, I want to be at an event this evening.  So, I am blogging now, before journeying to East London.

It is for times like these that I collect photos that I just like into special directories, of photos that I just like.  Since today is Friday, my day for cats and other creatures, here is an other creature:

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A rather blurry photo, so no clicking for anything bigger there.  That’s it.  But click on this, of the sign under the elephant, if you want to read more about it:

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Having to get up every few hours when trying to sleep is a penalty of old age, but a better thing about being old right now is that the indiscriminate inquisitiveness of oldies like me is now more easily answered, without me having to pester any actual humans.  Getting old used to mean remaining permanently confused by more and more random stuff, but less so now I can just ask the www.  Time was when a photo like the one of this elephant in my archives would have remained for ever mysterious.  Now, I can learn all I want about to about it.

Here is a better elephant sculpture photo, which I found here

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But why is the union jack elephant a different shape to all the others?  I could find this out, probably.  But can I be bothered?  Do I care?  No.

Saturday January 14 2017

Photoed by me, earlier this evening, in Leicester Square:

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Somebody gave me a leaflet, about this, while I was photoing.  Maybe this was what the demo was about.  Maybe not.

Friday December 16 2016

Indeed.  Photoed by me in the Victoria Station branch of W.H. Smith, last week.

Friday is my day for other creatures, and you can’t get more other creatury than Fantastic Beasts, can you?

And here is Where to Find Them.  Well, it’s one of the places to find them:

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All the Penguin Modern Classics that they are selling occupy just the one alcove.  Thirty books to read in a lifetime, one alcove.  And Fantastic Beasts, one alcove.  The J.K. Rowling juggernaut rumbles on.

And that’s not even to mention Robert Galbraith.

Friday December 09 2016

Alice Robb writes about the strange relationship between humans and cats:

When a stray cat wandered onto the tracks of a midtown 7 train last month, the MTA halted the entire subway line until the animal was out of harm’s way. At the same time, the U.S. government euthanizes millions of stray cats each year. They’re a disaster for the environment: One conservancy organization has called cats the “ecological axis of evil.” ...

There was no single, obvious reason for cats to have been domesticated, says Robb, like meat, or milk, or fur.  They are famously unbiddable.  And they can be very nasty to us.  So, how did it happen?

As I talked to scientists, it dawned on me that we weren’t necessarily the ones who were driving this relationship. House cats sidled up to our first settlements 10,000 years ago, because of big changes we started making to the environment. All of these animals crept into our settlement and were eating our trash - animals like badgers and foxes, in addition to small wildcats. They got into this new niche and exploited it.

So how did they trick us into feeding them and taking care of them?
For a long time, it was probably just an accident. But there are reasons that cats made the transition, but we don’t have badgers or foxes as pets today. One reason is that cats have a set of physical features that, for completely accidental reasons, remind us of human babies. Cats have big round eyes located right in the middle of their faces, because they’re ambush predators and need good binocular vision. They have little noses, because they don’t hunt by smell. They have round faces because they have short, powerful jaws. This set of features, which is actually just an expression of the way the cat hunts, looks to us like our infants. That gave them a leg up on the competition, and made them an intriguing and charming presence, rather than a straight-up nuisance, like a raccoon.

I always assumed that cats were made welcome by our ancestors because they killed rats and mice, which gobbled up our crops.  But, says Robb, cats often can’t be bothered to kill rats, because of all the garbage humans emit.

There’s plenty of garbage for everybody. Cats and rats have been photographed sharing piles of trash. Why would these animals fight and risk their lives, when they could just comfortably graze together?

As for the suppose health benefits of keeping a cat, these, says Robb, are highly dubious.

It all adds up to a pretty good summary of the cat/person relationship.

Friday December 02 2016

Friday is the day here for cats and other creatures, so here, among other things, is a panda:

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What this photo illustrates is the perennial problem of trying to chuck stuff out, which is that all too often, stuff is just too nice to chuck out.

I recall, a year or two after the Berlin Wall was dismantled, meeting an Eastern European lady, who complained about how the packages and pots and bottles in which produce was suddenly now sold was too good to chuck out.  Bloody capitalism.  Capitalist rubbish was better than what they had previously had as actual stuff.

In a modified form, I now suffer from this syndrome.  It has crept up on me more gradually, but throughout my lifetime, packaging has been getting ever better, probably because it is the sort of industry that politicians disapprove of, and have hence left to its own devices, an industry’s own devices invariably being better than any device devised by politicians.  The packaging industry, not having been “helped”, has thrived.

Beer bottles (the one in the picture still has beer in it so that will be consumed first), I have learned not to miss.  But even they are sometimes so artfully designed that it seems wrong to throw them away.

The coffee jar I will keep, because coffee jars are so structurally impressive.

But that panda has got to go.

Packaging that is too good
Creatures of outer London
A dogs and cats building
The Battersea Dogs and Cats Home light show
The internet is for telling me what’s on the telly
Batman consults his smartphone
Snake on a car
More birds on a TV aerial
Union Jacks having fun
Pigeons on a TV aerial
Pink van with roller-blading fox
Deliveroo V sign
Eltham horses (and a dog (I think))
A very good meeting - and a quota horse with quota cart
Street dogs
French animals from GodDaughter 2
Bird – and bird close up
A pig and two dogs