Brian Micklethwait's Blog
In which I continue to seek part time employment as the ruler of the world.Home
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Brian Micklethwait on Strand Palace Hotel footbridge
Most recent entries
- Packaging that is too good
- Tidying up
- To Tottenham (1): A fine day (especially for scaffolding)
- Quota Citroen DS
- Plan as energy
- One mobile phone photoer now
- Somebody needs to invent electronically changeable paint
- Clocking clocks
- What indeed?
- Sunlight on sea
- Some more lighthouses for 6k
- Views from Waterlow Park
- Don’t be fooled by the smallness of the building
Other Blogs I write for
6000 Miles from Civilisation
A Decent Muesli
Adventures in Capitalism
Alex Ross: The Rest Is Noise
Another Food Blog
Antoine Clarke's Election Watch
Armed and Dangerous
Art Of The State Blog
Boatang & Demetriou
Burning Our Money
Chase me ladies, I'm in the cavalry
China Law Blog
Civilian Gun Self-Defense Blog
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Communities Dominate Brands
Confused of Calcutta
Conservative Party Reptile
Counting Cats in Zanzibar
Deleted by tomorrow
Don't Hold Your Breath
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Everything I Say is Right
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we make money not art
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Category archive: Propaganda
I like this photo, of Daniel Hannan, at the top of a Guardian piece about him, and about how he was and is “The man who brought you Brexit”:
I like this photo because it is exactly the sort of photo that I try to take of photoers myself. A smartphone with interesting graphics, held over the eyes of the photoer (which of course often happens) to preserve anonymity. Or it would if there were no other photos of Hannan in the world and no article underneath the photo, telling the world all about him.
While browsing through my archives recently, I came across those pictures I took of Brexiteer Kenny, doing his rehash of a Hannan piece in Trafalgar Square, with white chalk. And what I discovered was that, to revise that Abba song, I never thought that we could win. The pictures brought back the feeling I had when I took them, which was: gallant failure. Brave effort. Well done mate, going down fighting. But, we won’t win.
I told myself that we might win, but mostly what I thought was that although the majority for Remain had slimmed down a bit over the years, it was still there.
As for the Brexit arguments now (quick versus careful), I am reading this guy. He is for careful. Every post he does says (a) that he is the cleverest person in the world and that everyone else is at best not so clever, and at worst stupid stupid stupid; and (b) something worthwhile, carefully and persuasively explicated.
I never thought that we could win, but just to be clear: there’s no regret.
Now that it’s been decided that we shall Brexit, Dezeen reports on what creatives have been creating to mark the event. Here are the two images they reproduce which I think are the most striking:
Both of these images are intended as expressions of regret that Britain has voted for Brexit, but neither quite say that, or not to me. What, after all, is so great for a balloon about being stuck in a whole bunch of other balloons? It’s creator says: “sad day”, but it doesn’t look that sad to me. It just looks like a change. If he was merely describing, relatively objectively, what had happened, then I guess: fair enough.
As for the disintegrating, weeping Union Jack, that would work far better as an expression of regret, in the event that Britain had voted Remain rather than Leave. It is national flags like this one one that the EU has been working tirelessly to replace with its own flag. Very odd. But, a striking image nevertheless.
One of the more intriguing consequences of the not-now-so-very-recent (what with another one coming along) Scottish independence referendum (which happened in September 2014) was that, rather suddenly, the world (by which I really mean: I) suddenly found itself (myself) contemplating the idea of the Union Jack flag disappearing into the history books. Had Scotland gone separate, the Union Jack would surely have had to be redesigned. I would not have regretted Scotland detatching itself from England, in fact I would have voted for this if I could have. But, I would have regretted the passing of the Union Jack, if only because it is such a great design, so recognisable that it is capable of being endlessly mucked about with, while still remaining the Union Jack.
The new, non Scottish version of the Union Jack might have looked a bit like the bag on the left here, as we look:
That snap was snapped in 2015, after the Scottish referendum, but I don’t think those designs have anything to do with politics. They’re just simplified and rather dull variations on the Union Jack theme. The one on the left just happens to look a lot like the Union Jack minus the Saltire. (Saltire is the Scottish flag, right? Yes.) But what does the one on the right signify? In terms of the flags that go towards the Union Jack, it takes the blue stripes from the Saltire and turns them into a background for the red bits of the Welsh and English flags. So actually, it’s just a blue bag, with bits of red Union Jack-ish stuff on it. Maybe there was also a red one with white Union Jack-ish stuck on, to complete the red white and blue set. I might never have bothered showing the above photo here, if it hadn’t been for the Saltire subtraction angle.
I had already been snapping Union Jack snaps, since quite a while before that moment of the Union Jack’s possible moment of disappearance. I long ago added “funny things being done with the Union Jack” to my mental photo-category list, alongside such things as bald blokes taking photos, utilitarian and commonplace footbridges, taxis covered in adverts, Big Things seen from a long way away in among foreground clutter, and so forth and so on. But, since that earlier referendum, I have been taking photos of Union Jacks with particular zeal.
Here are a couple of very recent Union Jack snaps I did. The first is of some flip-flops, on sale at the Parliament end of Westminster Bridge:
I reckon it’s the cellophane that gives that its artistic effect.
And here is a London taxi wing mirror:
That taxi décor isn’t part of an advert. It is just a taxi decorated with the Union Jack.
And then, while I was ruminating on a posting along these lines, came this piece of graphic Union Jackery, from the Spectator, to decorate their decision to back the Leave campaign in the forthcoming EU referundum:
This reminded me of a picture I took in East London five years ago, of some Art:
I could continue, with yet more Union Jack snaps, but I will end with some more Brexit propaganda. Still on the flying theme, just before I took the above snap of how fabulous Britain will be and will feel if we Leave, here, taken just moments earlier, is another Artistic-type picture of how ghastly things will be and will feel if we Remain. That’s the EU there, trying and failing to take wing, because its bureaucracy is far too big and heavy and its wings far too feeble and misshapen, crushing us as it plummets to earth:
Are you thinking that there really needs to be a Union Jack on that car, to make this point even clearer? But that’s exactly point! The EU scrubs out the Union Jack. Look! The Union Jack is nowhere to be seen! The EU has totally obliterated it! What could be clearer?
Slightly more seriously, the EU’s rulers will not be happy until they have driven the Union Jack into the history books, not by breaking up Britain, but by swallowing it and turning it into either fuel for itself, or shit. The only Union they want, and want celebrated with a flag, is their own.
As nudged by Simon Gibbs yesterday, I did indeed make my way to Trafalgar Square to check out Kenny and his Brexit chalk-proclamation.
The photos I sent to Libertarian Home yesterday evening were strictly utilitarian, to tell LH exactly what Kenny had written. Read the entire thing there.
Here, on the other hand, are some pictures which give more of an idea of how it looked, what the atmosphere was, and what Kenny himself looks like:
The atmosphere was low-key, actually. There were no scenes or arguments, although I did hear the occasional “not going to read it all because it says Out”, as people walked away. Others, however, did stop and read. Most significant, I would guess, were those with mobile phones who were, unlike me, maybe passing it on with twenty-first century immediacy. (I had to wait until I got home before I could send off my photos.)
I had to wait a while for Kenny to finish his efforts. I got there before 3pm, and it wasn’t until just after 5pm that he was done. And he started at 10am.
But it was worth the wait, and there was plenty else in Trafalgar Square to divert me, and to take photos of. But photos like that can wait. First things first, and that means Kenny.
I have been neglecting Libertarian Home of late. Let me assure LH’s Dear Leader Simon Gibbs that this is not permanent, just a combination of the declining energy that accompanies advancing years, and being, first, knackered by my French expedition, ant then preoccupied with the meeting I hosted on Friday addressed by Dominic Frisby. (Because this was a dry run for a theatrical performance at the Edinburgh Festival in August, some rearranging was required in my tiny front room, to make it less completely unlike a theatre.)
Simon has made it easy for me to respond positively to his constant nudgings, by serving up a nudge that is very easy for me to respond to, and in fact which I am glad to respond to, because it takes care of my something-every-day self-imposed rule here, for today.
At the Libertarian Home secret coven site where Simon nudges most of his nudgings to his various LH helpers and comrades, he posted this picture, which he recently snapped in Trafalgar Square:
Click on that to get the original, bigger and with more verbiage.
It is typical of Simon that he nudged this in my direction (picking me out individually thereby ensuring that an email about the nudge would reach me immediately) by emphasising the horizontality of this photo. (He had other ways of recommending it to others.) What this illustrates is that Simon is good at tuning in to how others think, which is the bedrock of the art of persuasion.
Photographic horizontality interests me because it suits the blogging format by helping to make blog postings vertically shorter and hence less unwieldy than they would otherwise be, and because horizontality also suits other circumstances that happen to be of interest to me.
So, he used it. Thus are ideological movements built and strengthened.
That Brexit thing is getting less and less horizontal by the minute, apparently. Although I promise nothing, I have in mind (more Gibbs nudging) to go to Trafalgar Square this afternoon and try to photo the whole thing.
I keep wanting to write about music, but (a) it isn’t easy, unless both you and your readers know all the technical terms of your preferred sort of music. And (b) whereas words go fine with music, words about music, especially if they are attempting to be descriptive of a particular piece of music, can be devilishly hard to contrive in a way that is comprehensible without being banal and superficial and generalised.
A specialist blog or website devoted to a particular sort of music, with musical illustrations supplied to click on rather than only descriptive verbiage, whose writer(s) and readers are united by their taste in that particular sort of music, that makes perfect sense to me. I don’t read any such blogs, but it makes sense. I do read old school paper magazines (I see that there is a new one of those out that I’ve not yet seen) exactly like this. But a blog about other things which from time to time goes musical, not so much. I have no problem at all with my favourite bloggers (6k and Mick Hartley spring to mind) doing postings every so often about music that they happen particularly to like. Their gaffs, their rules. But I mostly skip such postings. I possess a lifetime and more of music in the form of a vast CD collection that I already want to listen to.
So, I do not wish myself merely to do postings about bits of music that I happen to like, hoping - implicitly or explicitly - that others will be infected with my tastes. I love Western classical music more than life itself, often a lot more. But most people don’t these days, and that’s fine with me. If I thought that western classical music was about to be completely expunged from the earth any time soon, I might feel differently about trying to infect others with the love of it, but it isn’t. Meanwhile, this music is, for me, mostly a personal thing. It is not an evangelical religion. If I meet a fellow devotee, we exchange enthusiastic exclamations of love for this or that piece or performance, but I mostly refrain from inflicting such True Believer talk on non-believers.
I am evangelical and anti-evangelical about some things. If you are not a libertarian, I want that to change. You should become a libertarian forthwith. If you are a Muslim, I want you to know, now, that I think you should stop being a Muslim, now. But if you hate Beethoven and adore hip-hop, that’s fine with me, so long as you have no plans forcibly to stop me listening to Beethoven or to force me to listen to hip-hop. If you merely want me to adore hip-hop, or even to stop adoring Beethoven, again, fine. Just so long as you don’t recommend the use of sticks or stones to make those points. Insofar as you do, then shame on you. But exactly the same point applies to people who force Beethoven upon those who resist Beethoven’s charms. I am evangelical about that sort of behaviour also. Are you threatening others with Beethoven? Stop doing that, now. Do you favour such behaviour by others. Don’t even think that.
However, more general postings about music (this one being an example) about the different ways we listen to it and enjoy it, how love of music spreads or should spread (that is what this posting has partly been about), about how those who contrive it contrive it, and so on, of the sort that all music lovers can read and tune into, even as they are hearing in their own heads quite distinct musical illustrations concerning whatever is being said, that makes more sense to me, and - memo to self - I want to do more of such postings here.
Today I began to feel properly recovered, and I spent most of my blogging time doing this posting, about this forthcoming Libertarian Home event, which is happening on May 14th. Interesting speakers, including Anton Howes, whom I particularly enjoy listening to.
Before getting ill, I managed (and thank goodness I did) finally to get properly ahead of myself with regard to my own speakers, for my own monthly meetings. After cutting it far too fine in Feb and March, but being rescued by two excellent speakers, I did some serious hustling, and am now able to announce that the following speakers-and-dates have now also been fixed, subject to all the usual qualifiers about how things might change but I hope they won’t, blah blah.
It proved a bit hard to remember everybody, and every date. All the more reason to do a memo-to-self posting here, gathering it all together, for me to refer to, and to refer other people to:
April 29th – Patrick Crozier on the political consequences of World War One. Did WW1 cause lots of bad statist crap, or might a lot of that bad stuff have happened anyway?
May 27th – Dominic Frisby on taxation.
June 24th – Anthony J. Evans on to what extent economic freedom leads to political freedom.
July 29th – Michael Jennings on the Middle East.
August 26th – Nico Metten on localism as a libertarian strategy.
Assuming that plan unfolds approximately as planned, that’s not a bad little handful of events.
The tricky thing, Adam says, is how many of his clients insist on secrecy. If you’re hiring a crowd to fill a campaign event or a film premiere, the last thing you want to do is let anyone know. Adam must balance his goal of spreading awareness of his company, so he can attract more clients, with the benefits of keeping the public in the dark. If people start to doubt the veracity of crowds, his business might suffer. “Right now, we’re still kind of this secret weapon,” Adam says. “We have the element of surprise. Yeah, you might’ve heard about political candidates paying to bring some extra bodies into their campaign events, but it’s beyond the realm of most people’s imagination that crowds are being deployed in other ways. Nobody is skeptical of crowds. Of course, in five years that could change.”
Indeed it could. And something tells me that this story is going to get very well known, very quickly. “How much are they paying you for this?” is going to be asked, a lot.
A longer term effect is also going to be that genuine protests are liable to look like they’re fake too.
People have been paid, in cash or kind, one way or another, to do this kind of thing for quite a while. All that this guy has done is turn it into a pure, if that’s the word, business.
Brexit as a clash of pessimisms
Anonymous guys taking (and making) pictures in Trafalgar Square
Simon Gibbs on computer programming - me on how Alex Singleton has not written himself out of a job
Peter Foster on Robert Owen
A new not very big Thing in Paris
Richard J. Evans on how evidence can become more significant over time
Marc Morris on how the Bayeux Tapestry ought not to exist
“Real Democracy Now” in Parliament Square this afternoon
Smartphones and tablets at the Charlie Hebdo demo
Sixty Charlie Hebdo demo signs that say something other than “Je Suis Charlie”
My digital photos on his TV
ASI Christmas Party photos
I finally did something for Samizdata
Pictures of Guy Herbert
The illustrations for Christian Michel’s talk this Friday (plus some thoughts from me)
How Bill Bryson on white and black paint helps to explain the Modern Movement in Architecture
Michael Jennings at the Rose and Crown
ASI Boat Trip 7: Other photographers
ASI Boat Trip 6: Crowd scenes
ASI Boat Trip 5: Individuals
ASI Boat Trip 4: Groups of posing people
Why you are wrong
ASI Boat Trip 3: Drink!
Will England get lucky?
Last night at my place
Anton Howes – James Lawson – Will Hamilton
Nothing from me here today
Well that’s a relief
Green screen blue screen
Remembering another Christian name (and flagging up another talk)
Alex Singleton at the ASI last night
Making sense of digital photography
The next five Brian’s Last Fridays
Quotes of the day
Me and the Six Nations under the weather
Better a year late than never
The Qur’an is not science – science cannot be ignored
Brian’s Fridays will resume on the 25th of this month
Is Samizdata in danger of becoming a photo-blog?
Don’t vote Democrat!
Reasons to think Romney is going to win big
How gun control works and how it will defend Libertaria
Why I do not share Johnathan Pearce’s admiration for Bjorn Lomborg
Say it again Perry
A review of Detlev Schlichter’s new book (multiplied by 4)
Release Ai Weiwei
Rally Against Debt signs
Pictures of Detlev Schlichter
Soviet health and safety posters
Yet more redirection
Greenies make a video saying: “We’re a bunch of vile greenie-nazis!”
Tim Evans looking happy
Spare A3 paper
Castro slams Israel
As strong and sweet as the free market itself
A demonstration I could join
This is not Mohammed
Incoming from Molly Norris!
Molly Norris was just kidding!
Three cheers for Molly Norris but also a few small grumbles
Everybody draw Mohammed on May 20th!
Why my libertarianism has the look and feel of socialism
SAY NO TO GOVERNMENT MOTORS
What’s up with this?
Antoine Clarke talks about Facebook and Twitter – Guido and … Ian Geldard?
Why I vote against AGW
Hislop fluffs the rhyme
Patri Friedman versus Chris Tame
Signs of the times in Belfast
Daniel Hannan and the shape of the media to come
Kevid Dowd video now up and watchable
Photoing the Police
Meme for the New Depression
Billion Monkeys liked photoing the nastiest poster!
My Oxford talk on Google video – or summarised by a friendly blogger
Preparing for Oxford
Blogging elsewhere and talks elsewhere
Media bias as asset stripping
Tom Burroughes on the banking crisis
Notes on libertarian tactics August 2008
Keith Windschuttle on history - truth - Robert Hughes
Art is always a value judgement
Those were the days and these are no longer the days
“Better value on goods and services across a wide range of categories …”
Paying a visit to Mum
Ed Smith on how baseball defeated cricket in America
Not very ephemeral
Moore versus Stossel on Cuban medical care
“At that moment I suddenly started to view Nagi as an enemy …”
Has global warming stopped?
Billion Monkeys and a Real Photographer at the Golden Umbrellas
Breaking the Left’s stranglehold on the moving image
Links to me elsewhere – and a photo of Marc-Henri Glendening
Bush on Cuba
Talking with Antoine Clarke about Sean Gabb
Will China fail?
Che Guevara was a murderer and your T-Shirt is not cool
Links and guns
Ideas and opportunities
On the appeal or lack of it to Young Europeans of “capitalism”
The (very) slow fade of Bolshevik Cuba
How compulsion deranges the spreading of ideas
“What do YOU think?” - “More -isationisation!”
How to handle the complaints of your fiercest critics
Some plain English
The Great Global Warming Swindle debate now begins
On the ideology of the “climate change” debate
But what is so evil about Powerpoint?
Perry de Havilland on the thinking behind Samizdata
Cute jewelry and ideologically induced woe
The extreme memes spread by moderate Muslims
Patrick and Brian mp3 about libertarianism and spreading libertarianism
Latest Brian and Antoine elections around the world mp3
Bashing on for Samizdata
Brian and Antoine mp3s now into double figures
Voluntary World 2: You’re on your own
More about rhetoric
Blogging fun and blogging profit
Help the struggle against DRM!
I am not too clever
What The Tyranny of The Facts said
On free trade and on being persuasive (and unpersuasive)