Brian Micklethwait's Blog

In which I continue to seek part time employment as the ruler of the world.

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Category archive: History

Tuesday October 28 2014

Today, blogwise, has been one of those days.  By that I mean not that I have been too busy to do any blogging.  I merely mean that I haven’t felt like doing any, and have in fact not, until now.  I have had plenty of time to blog.  I just haven’t used any of it to blog.

So, it’s just as well that, I now discover, there has been an incoming email from Michael Jennings, entitled:

If you want to ride a really old bus, here is your chance.

Which reminds me that, recently, when mostly photoing photoers photoing Blood Swept Lands and Seas of Red, I found myself photoing, instead, this:

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He wasn’t taking photos.  He was checking through photos he’d taken earlier.

I can remember when buses like that were the latest thing.

LATER: More about those Tower of London poppies.  I read that Guardian piece before I discovered Guido was already on to it, and I thought it was weird too.  Like one of the commenters, and Guido, said: clickbait.  Plus, as another commenter said: yeah, the general public likes it, it means something, no wonder the Guardian art critic can’t be doing with it.  Let’s hope Natalie Solent gives the piece a good fisking like it’s 2004.

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I know what you are thinking.  That there is no connection between a big red historic thing which people just never forget about and a big red thing about an historic thing which people just never forget about.  Something along those lines?

Monday October 27 2014

Next Friday, October 31st, Christian Michel is giving a talk at my home entitled, somewhat provocatively: “Soviet and Nazi Art as Illustrations of Ayn Rand’s Aesthetics”.  He is certainly not the first to have pointed out the overlap, so to speak.

Here’s what Christian says about his talk (which I “LATER” (Tuesday) realised I need to insert into this posting, near the beginning):

Art does not feature high on the libertarian agenda. One exception is Ayn Rand, who declared that of all human products art is perhaps the most important. She went on to develop her own theory of aesthetics, and even attempted (as did Jean-Paul Sartre at the same time) to deliver her entire philosophy through the sole medium of literature (both failed).

In my talk this Friday I will sum up Rand’s aesthetics, her contribution to the field, and will show that it was nowhere better illustrated in the twentieth century than in the arts of National-Socialist Germany and Soviet Russia. The point is not to denigrate Rand’s philosophy by that association, but to say that genuine artists find a way to convey their deepest values and sense of life, to express the highest human aspirations and struggles, whatever their circumstances, and that’s exactly what Rand celebrated.

And here is something of what I think about these kinds of things.

Just after World War 2, many an artist said things along the lines of: after Auschwitz, we cannot any longer do purely representational art.  (Similar things were said by classical composers: after Auschwitz, we can’t any longer do pretty tunes.) But the artists had been abandoning pictorial representation (and tunefulness) long before Auschwitz happened, so “Auschwitz” has the air of being a rationalisation rather than the real reason for these artistic trends.

The crimes of Soviet Communism never had quite the same effect on most of the artists, even as an excuse for abstraction, although there were honourable exceptions (Mondrian for instance).  Too many artists admired the Soviet Union, especially during and just after World War 2, during its struggle and after victory over Nazi Germany.

Realistic art had also been seriously deranged by photography.  Photography destroyed the economic foundations of your average painter of realistic portraits and realistic paintings of such things as landscapes, and turned art painting into a sort of cultural bombsite, in which (to quote the words of an early twentieth century popular song) “anything goes”, anything, that is, except realistic pictures of people and of things.  Realism, for the average artist, just made him look like a bad photographer.  Even the claim that “art” now had to be an attack on the delusional bourgeois habit of trying to make visual and conceptual sense of the world has the feel, for me, of a rationalisation.

But there is much more to “realism” than mere realism.  What looks at first glance merely realistic is often aspirational, and to abandon the field of representational art to the mid twentieth century totalitarians was surely a propaganda error, to put it no more strongly.  For the likes of Ayn Rand, this was a surrender by the civilised world that should never have happened.

To point out that Rand favoured images that resembled Nazi and Soviet art is not to accuse her of being a Nazi or a Communist.  It is to realise that she did not want the still immensely potent artistic weapon that is representational painting and sculpture to be monopolised by the totalitarians.

All of which is something of how I see (and hear) the kinds of things that Christian Michel will be talking about on Friday.  As to what Christian himself will say, well, we shall see, and hear.

Meanwhile, here is an abundance of visual clues as to the sort of aesthetic territory that Christian will be traversing in his talk.  It will be an illustrated talk.  Here, without identification or further comment, from me or from him, are the illustrations he has sent me, in the order (I assume) in which he will be referring to them.

A few of these images are small enough to fit within the 500 pixel horizontal limit that prevails at this blog, a couple being very small indeed.  But most can be enlarged (a little or quite a lot) with a click:

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Tuesday October 21 2014

There I was, lying in the bath, listening to Radio 3.  Some music had ended, and I was now being subjected to a programme which I do not usually listen to, called Words and Music.  And I heard the actor Jim Broadbent saying these words, by Michel de Montaigne:

I take the first subject that chance offers.  They are all equally good to me.  And I never plan to develop them completely.  For I do not see the whole of anything.  (Nor do those who promise to show it to us.) Of a hundred members and faces that each thing has, I take one, sometimes only to lick it, sometimes to brush the surface, sometimes to pinch it to the bone.  I give it a stab, not as wide, but as deep as I know how.  And most often, I like to take them from some unaccustomed point of view. Scattering a word here, there another, samples separated from their context, dispersed, without a plan and without a promise, I am not bound to make something of them, or to adhere to them myself, without varying when I please, and giving myself up to doubt and uncertainty, and my ruling quality, which is ignorance.

Sounds like a blogger, doesn’t he?  A blogger, that is to say, like me. Especially where he says “without a promise”.  I keep saying that. Above all there is that “this is what it is and if you don’t like it you know just what you can do about it” vibe that so many bloggers give off.  With Montaigne, we are arriving at that first moment in history when writing and publishing new stuff had become easy.  Not as easy as it is when you blog, but a whole lot easier than it had been.

I transcribed the above quote from Broadbent’s reading of it.  The punctuation is somewhat uncertain, and at one point assertively creative on my part.  I added some brackets, around what is clearly a diversion from his main line of thought to which he immediately returns.  It’s a sideswipe at others and it is then forgotten.

Such is the wonder that is the internet that I had little difficulty in tracking down the quote.  It is near the beginning of Montaigne’s essay entitled “Of Democritus and Heraclitus”, in volume three of his essays.

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The BBC used a more recent translation, which I much prefer the sound of, it being less antique and long-winded.  And if Montaigne himself was also antique and long-winded, then I still prefer intelligibility to stylistic accuracy.

LATER: More about Montaigne, also emphasising the modern social media angle, here.

Sunday October 12 2014

I have already quoted a couple of interesting bits from Bill Bryson’s excellent book, At Home.  I have now finished reading this, but just before I did, I encountered some interesting stuff about paint (pp. 453-5):

When paints became popular, people wanted them to be as vivid as they could possibly be made. The restrained colours that we associate with the Georgian period in Britain, or Colonial period in America, are a consequence of fading, not decorative restraint. In 1979, when Mount Vernon began a programme of repainting the interiors in faithful colours, ‘people came and just yelled at us’, Dennis Pogue, the curator, told me with a grin when I visited. ‘They told us we were making Mount Vernon garish. They were right - we were. But that’s just because that’s the way it was. It was hard for a lot of people to accept that what we were doing was faithful restoration.

‘Even now paint charts for Colonial-style paints virtually always show the colours from the period as muted. In fact, colours were actually nearly always quite deep and sometimes even startling. The richer a colour you could get, the more you tended to be admired. For one thing, rich colours generally denoted expense, since you needed a lot of pigment to make them. Also, you need to remember that often these colours were seen by candlelight, so they needed to be more forceful to have any kind of impact in muted light.’

The effect is now repeated at Monticello, where several of the rooms are of the most vivid yellows and greens.  Suddenly George Washington and Thomas Jefferson come across as having the decorative instincts of hippies. In fact, however, compared with what followed they were exceedingly restrained.

When the first ready-mixed paints came on to the market in the second half of the nineteenth century, people slapped them on with something like wild abandon. It became fashionable not just to have powerfully bright colours in the home, but to have as many as seven or eight colours in a single room.

If we looked closely, however, we would be surprised to note that two very basic colours didn’t exist at all in Mr Marsham’s day: a good white and a good black. The brightest white available was a rather dull off-white, and although whites improved through the nineteenth century, it wasn’t until the 1940s, with the addition of titanium dioxide to paints, that really strong, lasting whites became available. The absence of a good white paint would have been doubly noticeable in early New England, for the Puritans not only had no white paint but didn’t believe in painting anyway. (They thought it was showy.) So all those gleaming white churches we associate with New England towns are in fact a comparatively recent phenomenon.

Also missing from the painter’s palette was a strong black. Permanent black paint, distilled from tar and pitch, wasn’t popularly available until the late nineteenth century. So all the glossy black front doors, railings, gates, lampposts, gutters, downpipes and other fittings that are such an elemental feature of London’s streets today are actually quite recent. If we were to be thrust back intime to Dickens’s London, one of the most startling differences to greet us would be the absence of black painted surfaces. In the time of Dickens, almost all ironwork was green, light blue or dull grey.

Famously, the rise of the Modern Movement in Architecture was triggered by, among many other things, a revulsion against the excesses of Victorian-era decoration, especially architectural decoration.  Decoration became mechanised, and thus both much more common and much less meaningful.  What did all this mechanised decoration prove, what did it mean, when you could thrash it out with no more difficulty than you could erect a plain wall?

What the above Bryson quote strongly suggests, at any rate to me, is that something rather similar happened with colour.

Why is the overwhelming atmosphere of Modernist architecture and architectural propaganda so very monochrome, still.  Part of the answer is that it was only recently learned how to do monochrome.  Monochrome looked modern, from about 1900-ish onwards, because it was modern.  Monochrome was the latest thing.  Colour, meanwhile, had become much cheaper and had been used with garish nouveau riche excess, and there was a reaction to that also, just as there was to excessive decoration.

Sunday October 05 2014

While rootling around in the www like it was about 2003, I found this piece, dating from 2009, which was all about this apparently pretty but otherwise unremarkable abstract picture:

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In case you don’t already know what is going on here, the big story here is that the blue bits and the green bits are the same colour.  What colour your eyes see something as depends on the other colours in the immediate vicinity.

The writer linked to above found this graphic here, which you can too if you do a bit of scrolling down.

If you saw this around 2009, or something similar around 2003, then apologies for the repetition.  That early period of blogging, just after 2000, will always seem to me like a fleeting golden age, when everything of this sort was being discovered and passed on for the very first time.  Because we could.  Before, we couldn’t.  Now, we could.  But now (as in now), most of this sort of trivia has been in circulation for a decade, and it lacks the impact it once had.  We bloggers must find new things to say, to cover for the fact that blogging itself is no longer new.  This is not a bad thing.

Thursday October 02 2014

Earlier this evening I attended a talk given by Michael Jennings at the Rose and Crown in Southwark.  Read Michael’s background briefing about the things he talked about further this evening, either here, or here.

I have friends who seem to revel in having their photos taken, but Michael is not one of them.  He entirely lacks vanity, and tends, when being photoed, to have the look of a man worrying about how bad he fears he will look in the photo.  So it was that, having earlier been asked for a photo of Michael by Simon Gibbs, the organiser of the meeting, I was only able quickly to find one that was remotely good enough.  (You can see it at the other end of the second of the above links.) This evening I made a particular effort to correct this, and here is one of the better shots that I took of Michael this evening:

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The most dramatic moment in the evening came when the Putin-echoing stooge Russian lady in the audience (there always seem to be one such stooge at any public event mentioning Russia and its current policies) tangled with Michael on the subject of Poland.  Why were the Poles so paranoid about Russia and so keen to join NATO?

Michael replied with a short history lesson that was brief, and crushing.  Nazi-Soviet Pact.  (The stooge later denied that this had even happened, so Michael later told me.) Katyn Massacre.  Warsaw Uprising.  (Stalin parked the Red Army outside Warsaw and let the Nazis crush it.) An imposed Communist government, that the Poles would never have chosen for themselves, for the next half century.  Final sentence, something like: “If fearing Russia after all that means you are paranoid, then yes, I guess the Poles are paranoid.” Applause.  With any luck, this little interchange will be viewable on video, along with the talk itself of course.

Earlier, the lady stooge had waxed eloquent to me, in the socialising period before the talk, about the superiority of Russian education over English education.  She had a point.  Russian children are indeed made to work far harder at their lessons than English children are these days.  But what if the lessons they learn are a pack of lies?

See also this, recently at Samizdata.

On a happier note, I harvested several names and emails of various young, clever libertarians to add to my Brian’s Last Fridays list.  A couple of them being, so it seemed to me, of exceptional promise.  (I hope that doesn’t sound patronising.) I was particularly impressed by this guy.

Friday September 26 2014

Just about to go to bed following a very satisfactory Last Friday meeting, addressed by Priya Dutta, on the subject of education and libertarianism.  Priya, many thanks for an excellent talk, and for attracting such a large and intelligent throng to listen to it.  Although I don’t want to definitely promise anything, I will try to say something more about what you said than that, Real Soon Now.  But right now, I am too tired to attempt anything.

Something I often forget to do at these things is take photos, probably because the photos I take are usually not very good.  Tonight, Rob Fisher took photos, and I of course photoed him doing this ...:

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... and then I took other photos.  But the really good news is that Rob’s camera is much better than mine, especially in bad light.  He has promised to send me his best, and I look forward to seeing what he got.

For something rather more substantial from me, about libertarianism if not about education, try this recent Samizdata posting.

Monday September 22 2014

Chippendale most of us have heard of.  But Rannie?  Who is, or was, Rannie?  Exactly.

Seven years ago now, I wrote a Samizdata piece about two-man teams.  It still, I think, reads well, and it contained the following assertions:

Even when a single creative genius seems to stand in isolated splendour, more often than not it turns out that there was or is a backroom toiler seeing to the money, minding the shop, cleaning up the mess, lining up the required resources, publishing and/or editing what the Great Man has merely written, quietly eliminating the blunders of, or, not infrequently, actually doing the work only fantasised and announced by, the Great Man. Time and again, the famous period of apparently individual creativity coincides precisely with the time when that anonymous partner was also but less obtrusively beavering away, contributing crucially to the outcome, and often crucially saying boo to the goose when the goose laid a duff egg. If deprived, for some reason, of his back-up man, the Lone Genius falls silent, or mysteriously fails at everything else he attempts. ...

Now read this, from At Home, the Bill Bryson book I am currently reading.  On pages 234-5, concerning Thomas Chippendale, the noted furniture maker, Bryson writes:

He was an outstanding furniture maker but hopeless at running a business, a deficiency that became acutely evident upon the death of his business partner, James Rannie, in 1766. Rannie was the brains of the operation and without him Chippendale lurched from crisis to crisis for the rest of his life.  All this was painfully ironic, for as he struggled to pay his men and keep himself out of a debtor’s cell, Chippendale was producing items of the highest quality for some of England’s richest households, and working closely with the leading architects and designers - Robert Adam, James Wyatt, Sir William Chambers and others. Yet his personal trajectory was relentlessly downwards.

It was not an easy age in which to do business.  Customers were routinely slow in paying. Chippendale had to threaten David Garrick, the actor and impresario, with legal action for chronic unpaid bills, and stopped work at Nostell Priory, a stately home in Yorkshire, when the debt there reached £6,838 - a whopping liability. ‘I have not a single guinea to pay my men with tomorrow: he wrote in despair at one point. It is clear that Chippendale spent much of his life in a froth of anxiety, scarcely for a moment enjoying any sense of security at all.  At his death in 1779, his personal worth had sunk to just £28 2s 9d - not enough to buy a modest piece of ormolu from his own showrooms. ...

Rannie did not make the actual furniture, but he was essential to Chippendale in exactly the sort of way I describe.

It feels good to be so right.

Chippendale without Rannie
Keeping up appearances
Bill Bryson on the miracle of crop rotation
Headlights with cleaning brush
Happy Friday (eventually)
On not letting either God or (the other) God do everything
Postrel goes for Gray
Bond car
PID at the Times
Something at Samizdata
Smaller Old Thing in front of Big New Things
Round headlights equals an old car
Football comment
Russian tanks in London
Vespa GS in Lower Marsh
The Not-V2 at London Bridge Station
Emmanuel Todd talking in English (about how the Euro is doomed)
Tricycles
The Lib Dem cat is out of the box
Tower Bridge before it got covered in stone
Building as ornament
Bennett and Lotus on how Emmanuel Todd’s family provoked his Grand Theory of Everything
Lilburne on a T-shirt and Lilburne on a mug
A old bus doing regular bus stuff
Michael Jennings talking about Russia this Friday
James II dressed as a Roman
Ten years ago today
VC DSO DSO DSO DSO
Anton Howes – James Lawson – Will Hamilton
Two badly lit views of “Victoria Tower” and why Big Ben is not St Stephen’s Tower or Elizabeth Tower
South Bank signs
Green screen blue screen
A selfie taken in 1955 - another taken in 2014 - another being taken in 2014
Another photographer photo from the archives
Amusing cats versus important people
Remembering another Christian name (and flagging up another talk)
Quota quote
Feline ephemera
Don’t judge a new technology by its first stumbling steps
The Met swoops on the Adams Family
Colour photography
Omaha dead
The text of my talk for Christian Michel last night
Making sense of digital photography
Digital photography as telepathy
How hydrogen bombs work
Boris Johnson’s London
Whitewash
Old London photos
On having written about the 1958/9 Ashes series before the 2013/4 Ashes series had started
Tough going in Australia
I’m not the only one who suffers from rightward lean
Jane Austen’s naval brothers
Donald McCloskey?
Michael Jennings photoes Cape Bojador
Comrade Blimp
Digital photographers holding maps
Victor!
Daniel Hannan’s latest book(s?)
The Kelpies of Falkirk
They did not die to make us free
Heroes?
Rob Fisher on old things not looking old
Eurostar before St Pancras
Wedding photography - old and new
A vanished building and a bendy bus
A Strutton Ground shop and a Strutton Ground pub
Otherwise blogging (and a Burgess Park butterfly)
Anton Howes at the Rose and Crown
Algernon Sidney sends for Micklethwait because Micklethwait is wise, learned, diligent, and faithful
The next four Brian’s Last Fridays (including December 27)
The Times of May 24th 1940
Antoine Clarke on life and libertarianism in Britain in 1913
Billy Fury Way
The Alex Singleton blog
Views from Kings College
An old Mini and a new Mini
Craig Willy on Emmanuel Todd
Steve Davies talk last night
Emmanuel Todd links
Cassette iPhone photographer
Wedding photography (6): The Wedding and the Reception
Pictures from Georgia and Warsaw
Bookshops as Amazon showrooms
Feynman Diagrams on the Feynman van
Wedding photography (3): Technology as sculpture
So painters also used to “take” pictures
Crossrail grubbings
Me and the Six Nations under the weather
Classical CDs from Gramex
Bad times for the NHS
Crusader latrines
Steven Pinker’s description of The Enlightenment
Bomber Command Memorial pictures
How gun control works and how it will defend Libertaria
A camera in each hand
Changing views from the Monument
America 3.0
Remembrance Sunday photos
A review of Detlev Schlichter’s new book (multiplied by 4)
Kevin Dowd last night
76 operas and a monument in the wrong place for Hermann the German
Emmanuel Todd’s latest book - in English
Science can relax about the harm done to it by Climategate
Bizarre History - Johannes Brahms did not murder cats
Do not climb on the Thing!
Pictures of Detlev Schlichter
Shostakovich with cat
Gormley’s South Bank Men
Everything competes with everything
Photographing change from the Monument
Soviet health and safety posters
Let us now trash infamous men
A Spanish geography lesson
Bouncing bombs and spinning cricket balls
Me and Patrick Crozier talk about the banking crisis and its possible consequences
Lancaster
An amazon reviewer defends Alex Ross
October 2007 conversation about modern architecture with Patrick Crozier
St Valentine’s Day talk by me on architecture
Mozart might have become a criminal
Alex Ross on Hollywood film scores
Professor C. Northcote Parkinson on the Edifice Complex
Leytonstonia
More redirection
Obamanomics dod not work
English will not last for ever shock
James Waterton on a very smart very dumb Russian
Rockets are a great improvement on balloons
Defeating Islam (2): Conversion to Christianity will trump higher birth rates in Islamic countries
More bridge magic
What if the British Empire had stayed together?
St Matthew reinterpreted
Soros and his money
Happy hundredth
Links to this and that
Toby Baxendale on what went wrong and what to do about it
Anti-aircraft guns may not have killed many enemy airplanes but they did point them out
Perfectly clear politics
Obama raises the price of tanning
Everyone?
Farnborough redirect
303 Squadron in the movie and on the telly
I do love a steam train on a viaduct
Castro slams Israel
As strong and sweet as the free market itself
Soviet space leftovers
I love television
Photos of things past
Steve Davies lecture - photoing and videoing the lecture - post-lecture chat
One child poster
Everybody draw Mohammed every day!
God is not One
Why my libertarianism has the look and feel of socialism
Why David Hepworth is wrong about podcasting
The cats from out of town that cleared out the rats during the siege of Leningrad
You had a hard disc?  Luxury!
Cricket talk tonight
Three more headlines and how the internet remembers it all
Photographic coup
Short posting (with short photo) about SpaceShipTwo
ClimateGate roars on and Man(n)-made warming is taking on a whole new meaning
In Gorbachev we trust?
Luxembourg church in hill and Luxembourg footbridge
How building St Peter’s Rome split the Catholic Church and how marzipan was invented in Luebeck
Frank McLynn: “Counterfactual history is the essence of history …”
Going global
Polish anti-semitism - a history lesson at last night’s dinner
Death to all who try to tiptoe past our guards while wearing giant baby costumes!
At least libertarianism is understood over there
Alex Ross on Sibelius
The concrete monstrosities of the South Bank may be about to get colourful
Changing faces of Europe
A little archaeology
What Bercow does next
Model T parts flatvert
Tienanmen + Twitter = Teheran
Hislop fluffs the rhyme
What next for Guido Fawkes?
Handel in London – and an angelic tenor aria
There weren’t a billion of them then
Patri Friedman versus Chris Tame
Lawrence H. White on the Scottish experience of free banking
Signs of the times in Belfast
My confusion about free banking
What the previous two postings here have in common
Daniel Hannan and the shape of the media to come
“Vivid characters, devious plotting and buckets of gore …”
Bike made entirely of wood
Long platform ticket
Clay Shirky on newspaper doom
Reading Kasparov
Ancient Sheffield dwarfed by modernity
Professor Dowd and I contemplate a stately home from a distance
Monsal Viaduct
Who is Arnold Leah?
Philippa Micklethwait - the Eulogy
Jennings did it
Flat train picture and regular train picture
Another strange Staines statue
Meme for the New Depression
Roll out the Lino
Milk containers ancient and modern
Commenting about the Dowd lecture at Samizdata
“Dying is a fulltime business. You haven’t time to do a lap of honour.”
Making the new look and feel like the old
My parents and my uncle and two aunts
Another antique
Four Minutes
Old postage stamps
Michael Jennings on shoring up the bad old economy versus building a good new one
What-iffing
And here is a real quotation
Quota quotes from Wodehouse
More Englefield Green strangeness
Further thoughts on Karajan’s conducting
P. J. O’Rourke confuses the average with the significant
The Official Story and the Most Confident Alternative
Thoughts concerning FDR’s warmongering nature
Lang Lang crushes Yundi Li!
Billion Monkey hits 40
“I will cause a boy that driveth a plough to know more of the scriptures than thou dost.”
Redirect
Another pendulum theory
Reasons to be a bit more cheerful
Wingtipping a V1
They aren’t complete idiots all the time
Brought?
Chinese Friday?
Rock and roll will die very soon!
Monster buildings and monster people
Mahler’s 9th in Vienna in 1938
Another great viaduct
Cricket chat
John Carey on Shakespeare and the high-art/ popular-art distinction
Keith Windschuttle on history - truth - Robert Hughes
Official bias
Billion Monkey lady! – Gherkin! – Monument!
Strange weather
Modernity dwarfed by church
Photo of some foodski
Resizing Slim with Expression Engine
Cricket misery
Switching from dumb bombing to smart bombing
Non-bio oil
A poetic Hornby
Armed is less dangerous
Star and stripe
Terence Kealey on the Wright brothers and their patent battles
Guido Fawkes gets Douglas Jardine wrong
Photos are better
Were any of them really that nice?
Pictures with words
An impulse posting about procrastination
The absurdly derided excellence of British weather forecasts
Voting for Boris?
Eusociality
Perkins photos
Slow day here
Billion Monkey Alan Little?
Dominic Lawson on Herbert von Karajan
Nothing there
Celebrating a victory
Brian Hitler!
Ed Smith on how baseball defeated cricket in America
A soundbite to describe Britain a hundred years ago
Cuba before Communism
Theodore Dalrymple on the menace of honest public officials and much else besides
Me talking about the great twentieth century musical divide
Flat viaduct and spiral bridge
“At that moment I suddenly started to view Nagi as an enemy …”
Blogging – the end of the beginning
Holiday
Fifty million Bible bombs
Books on the go and on a machine
Probably not right - but definitely written
The romance of new technology – or the drudgery of it
Operation Cat Drop and some Hello Kitty Bags
The bridge that was going to make Westminster a fine city and London a desert
Remembrance photos
Fourteen British viaducts
She’s alive I tell you! Alive!
Socialising with the Social Media
Understanding is the booby prize exclamation mark
Architecture talk
Will China fail?
The Emperor Jones
Yes this is cat blogging
Smelling the smoke in the Microsoft machine
A train called Professor George Gray
Che Guevara was a murderer and your T-Shirt is not cool
New word alert
Did Hitler have a plan to conquer the USA?
A conversation - and another outage
A dreadful age
Juan Bautista Alberdi
American war memorial by the sea at St Nazaire
Three … thirty six … sixty one … a hundred a forty eight …
Blogs are not cacophonous
At the dogs
Lots of links
Test match special
Four Billion Monkey snaps!
Cold War winner
Islam was peaceful and tolerant until the Christians attacked it
Lost Bach
Mean bombers
Emmanuel Todd (5): A CrozierVision podcast
Emmanuel Todd (4): From ideology to economic progress
Zong
Lebrecht daily?
Alan Turing – dead earth and cold wires
Thomas Edison - from cheat to creator
Alessandro Volta feels electricity on his tongue
The Great Global Warming Swindle debate now begins
Random London snaps from last year
Church dwarfed by modernity
Will twentieth century aerial warfare be repeated by toys?
Susan Hill on not having to be up-to-the-minute about book blogging
Svensmark – for and against
Gandhi on equality for all … except …
Harold C. Shonberg on how to perform Bach
Emmanuel Todd (2): The eight family systems
Micklethwait’s Four Star Theory of the Internet
Emmanuel Todd (1): Anthropology explains ideology
Another link to a friend and that’s your lot today
DMZ
And further talk at Christian Michel’s about water and power
World War One talk at Christian Michel’s
Islam is evil - and that’s me carrying on normally
Geoffrey Blainey on Ivan Bloch - the man who predicted World War One
Back to the future with the virtuoso violinists
Billion Monkeys and people waving blue things!
Happy day after Christmas Day
History of the Middle East as a moving map
Sullivan and Grove find some Schubert diamonds
Rubble
Pictures of and from Albert Bridge
Geek girl I like your thinkings - are nice - I want have sex with it
I really hope that the Samsung SPH-P9000 catches on
Admiral Coward
Alex talks (clearly) with me (not so clear) about classical music
The West disunited versus the Pesky Muslims
Sssssssss!!!! White man!  Take my photo!!
The extreme memes spread by moderate Muslims
“Liberty might be defended, after all” - Tom Holland’s account of the Battle of Marathon
A little transport history
A digital SLR that a Billion Monkey could lift!
Alex and Brian’s latest classical music mp3 – Saint-Saëns etc.
Shaftesbury Avenue over half a century ago
Patrick and Brian mp3 about libertarianism and spreading libertarianism
Quota quote – Victor Davis Hanson on the Western way of war
Adriana’s Thing mp3
Debussy denounces Massenet but Puccini follows him
Roll playing
Theodore Dalrymple is an Islamic Fundamentalist and so am I
On trust and obviousness
Brian and Antoine number 9
Giving up rouge for Lisbon
Four stars at Amazon
Skill and Post-Skill
Quoted but not linked to
The dilemmas of defence
Some economics
Charles Rosen on Richard Taruskin and on the socially unbound nature of some of the greatest music
The problem of long blog postings
Talking about my generation
The Great Gulf War?
Last night’s talk
Still ill
Thoughts after watching Abbado’s Lucerne Resurrection Symphony
What we eat but not what we say
Rylance’s Richard again
“They needed one another”
Two faces of Horatio Nelson and the excellence of Findlay Dunachie
Civilisation turns its attention to Chinese despotism
iPods From Space
Mitchum - MacLaine – Fonda – and Cota
The old USSR: good for thirty more years . . . then it collapsed