Brian Micklethwait's Blog
In which I continue to seek part time employment as the ruler of the world.Home
6000 on ASI Boat Trip 9: The man driving the boat
Alan Little on ASI Boat Trip 9: The man driving the boat
Alan Little on PID at the Times
Wedding Cufflinks on God was overheating and now needs radical transplant surgery (and Dawkins now has to do my email)
Michael jennings on ASI Boat Trip 9: The man driving the boat
Brian Micklethwait on ASI Boat Trip 9: The man driving the boat
Brian Micklethwait on ASI Boat Trip 9: The man driving the boat
Michael Jennings on ASI Boat Trip 9: The man driving the boat
6000 on God was overheating and now needs radical transplant surgery (and Dawkins now has to do my email)
Michael Jennings on My week in Brittany 2: A crane holding a bridge at Canning Town!
Most recent entries
- It turns out that lightning speed is immensely useful
- Out and about in the sunshine
- Brutalism with shirts
- Happy Friday (eventually)
- On not letting either God or (the other) God do everything
- A tumult of cranes (and the Spraycan)
- Postrel goes for Gray
- Xxxx-ie outside Xxxx-ridges
- Bond car
- BrianMicklethwaitDotCom musical quote of the day
- Parisian roof clutter gets the Real Photographer treatment
- God was overheating and now needs radical transplant surgery (and Dawkins now has to do my email)
- A swimming pool in a skyscraper
- God is dead
- PID at the Times
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6000 Miles from Civilisation
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Category archive: Science fiction
Yes, here is another strange science-fictional artificial landscape, photographed by me a few days ago, to set beside this strange artificial landscape, photoed by me last August:
Both these images were contrived in the same way with the same raw material. But what is the raw material and what did I do with it?
Yes. I spent my blogging time today fretting about the finishing of this. So, no time to do much here.
But there’s an internet out there.
Here’s a very quick vid, of Kenneth Williams opining (which would be a good word for him to say) about specialisation.
Does this photo tell us the direction the Great Climate Debate is going? I took it in Foyles, underneath the Royal Festival Hall, London, on September 2nd:
I put this up to entertain you, and also so that I can send a short email to Bishop Hill about it, rather than a long and annoying one. Because I’m guessing it might interest him.
The Bishop’s (as of now) latest posting concerns an article written by some academic CAGWers (CAGW = Catastrophic Anthropogenic Global Warming), about how they can defeat their ever more annoying and persuasive “denier” enemies?
The answer to this conundrum is - you will never believe it - to be found in the realms of communication. Although Garud and his colleagues note that some observers think that communication is not enough, and point to such initiatives as the Climate Science Rapid Response Team (seriously!) that are already in place, they suggest that something called a ‘narrative approach’ might also be a part of the solution.
But that, as the Bishop well knows but Garud et al do not, is no solution to the problem the CAGWers have. The “narrative approach” is their problem. What the CAGWers have been doing is spinning a narrative and calling it science for the last quarter of a century and more, and now this narrative is unravelling, thanks to the efforts of people like Bishop Hill. This latest plan is for them to stop pretending that they aren’t doing this. That can’t work.
If the anti-CAGWers had relied on books like Michael Crichton’s State of Fear, which is one of the books in the above photo, to carry the main weight of their arguments, they’d have been utterly crushed.
LATER: Bishop Hill has linked to this, and there are comments there too.
Last night I attended a book launch, of two books, one by Madsen Pirie, and the other by J. P. Floru.
I took lots of photos, but literally just the one came out half decently. All the rest were too blurry.
So, what was special about this one? Seriously, see if you can work it out:
That’s J. P Floru, looking up for the cameras while signing a copy of his book. There’s a clue there.
I hope to be saying more about Floru’s book at Samizdata, Real Soon Now, but I promise nothing.
Someone asked what the new mainframe looks like. It looks like this:
On the front, big black rectangular nothingness, like the Monolith in 2001. The Monolith, unlike Dawkins, is sort of a God, because it taught that monkey how to make a space ship by throwing a bone into the air.
But the nothingness at the front of my new mainframe is more prosaic than that. It is a big plastic door, which you open when you want to play a CD or a DVD or something. Besides which, I conjecture that many geeks have computers which they refer to as The Monolith. Dawkins, not so many. Dawkins it remains.
It turns out it was a cookbook.
The blog posting (linked to from here) is entitled Exploitation Movie Posters 1939 - 1960. But why exactly are these movies referred to as “Exploitation” movies? Who is being exploited? And in what way is Apocalypse Now any less exploitative than the movies advertised in these particular posters?
I suppose the notion being got at is that it is our desire for pure and utterly undiluted entertainment, with no morally lofty excuse attached, to do with being educated, uplifted, improved, that is being “exploited”. Our baser instincts are being played to. Our ids are being massaged, while our egos look down, aghast.
Being a libertarian, I am particularly wary of the word “exploitation”, blurring as it does, often deliberately, the boundary between being used in a way that you consent to (often enthusiastically) and being used (often outrageously) in a way that you do not consent to. Dare to favour the first and you get accused of favouring the second. Which is a difficult trick to combat if you don’t realise what the trick is.
Putting the point about ids and egos in the language of consent, to talk of “exploitation” movies is to suggest that while our base appetites “consent” to watch movies like these, we ourselves do not. We are at the mercy of our appetites, who are co-opted by our “exploiters”. Our appetites betray us, enslave us even. But controlling our base appetites, if that’s what we decide they are, is for us to do for ourselves.
Personally I don’t think that there is anything wrong about enjoying Cat-Women of the Moon.
Photoed by me last night in Victoria Street, just outside Rymans:
It helped a lot that he was asleep and with his back to me, oblivious. But it was the book that had me taking out my camera. I zoomed in a bit:
It’s this. Quote from a very satisfied Amazon reviewer:
This is the greatest science fiction novel ever written, and in my humble opinion one of the greatest novels of the 20th Century. Strangely, it has long been known to me as “Tiger Tiger” and I have never got used to this, its original title.
Underneath the superb and imaginative futuristic setting is the story of a man transformed from a Dave Lister-style space bum into a raging, semi-literate savage intent on killing the spaceship Vorga that left him stranded. Through his weird and often violent trials and tribulations he is transformed into a powerful, intelligent and finally great man on whom the future of civilization rests. The story he uncovers and the “driven” people at the centre of the immense power struggle in which he finds himself, are remarkable and yet terrifying.
Sounds rather good. He seems to have just started it. Hope he enjoys himself.
Lucky we didn’t go to Lords
Unravelling the puzzle – and making it into a movie
“This is fun!”
Twickenham shop attacked by the Dark Side of The Force
She learned to knit her before she learned to spell her
The robotic future
iPods From Space
The old USSR: good for thirty more years . . . then it collapsed