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In which I continue to seek part time employment as the ruler of the world.

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Category archive: Career counselling

Thursday September 06 2018

I enjoyed this Twitterxchange. here.

Colin Kaepernick:

Believe in something. Even if it means sacrificing everything.

Scott Adams:

I’m pro-Kaepernick (for his effective protest on a real issue) but this is the worst life advice you will ever see. Develop a talent stack instead.

One of the classic career counselling clashes, the one between meaning and process.  There is a distinct whiff of Jordan Peterson in what Kaepernick says, or is said by Nike to be saying.

I’m sort of in between on this one.  I’d say: believe in something and develop a talent stack that achieves it, or failing that, something else worth achieving.  And I’d add that we all end up sacrificing everything in the end, or at least losing it.  We all must die of something.  Let it be of something meaningful or at least having attempted something meaningful.

I’m now catching up with Scott Adams, and in particular, am viewing this.  I like how Adams’s videos to camera begin with a piece of “simultaneous sip” nonsense, because this means that you don’t have to go back to the beginning when you crank one of them up.

Tuesday August 07 2018

Nice Twitter exchange about how Ryanair provides a leg-up for young airline pilots.

Tom Chivers:

Saw the pilot of the Ryanair flight I’m on and honestly if I worked in a bar I would have IDed him

My friend and followee Michael Jennings replies:

Ryanair is a good place for a young pilot. They fly lots of hours and get promoted to captain fast. Then, with this on their CV, they go somewhere else where the working conditions are nicer.

Tom Chivers:

I remember reading that other airlines love Ryanair for exactly that reason. Steady supply of good trained pilots who are grateful not to work for Ryanair any more.

So, Ryanair is, from the employment, first-rung-on-the-ladder point of view, … well, see above.

I still miss Transport Blog.

Saturday February 17 2018

I still get cheques through the post, and then I insert these cheques into my bank account by going physically to my local physical branch of my unlocal bank and by handing the cheques over to a cashier.  My bank, however, doesn’t like this.  Just like Tesco, they want me to do the work.  In Tesco’s case they now demand that I become my own check-out person and operate their computers for them.  So, it’s Sainsbury’s and Waitrose for me, from now on.  Bye bye Tesco.  In the bank’s case, they want me to do their work for them while I sit at home.  But, I like the exercise.  In the huge bank queue, I get to read a book concentratedly, because there is nothing else to do.  Good.

All of which is a preamble to the fact that when I came across this, I LedOL:

“Are you aware that you can now do all of this online?”

image

Genius.  K. J. Lamb, well done.

One of the many techniques they use to put you off actually going to the physical local branch of your Big Bank is to keep changing the people behind the bars.  And these total strangers are constantly, and insultingly, asking you to prove that you are who you are.  Well, madam, I’ve been banking with your bank for the last half century.  Who the hell are you?  Please could you give me proof that you actually do work here?

Someone should make a movie about a twenty first century bank robbery, where the robbers, who are disgruntled ex-employees of the Big Bank that owns the bank branch they bust into, bust into the bank branch, overpower the witless bunch of newbies who happen to be running the place that day, and park them all in a back room for the day with tape over their months, and then the robbers run the bank all day long, while one of their number hacks into the mainframe computer of the Big Bank that owns everything, and sucks all the money out of it.  The point is: none of the customers who visit the branch while all this is happening would find it in the slightest bit odd to be confronted by a bunch of total strangers.  That would ring no alarm bells at all, because this happens all the time.

Saturday January 13 2018

Yesterday afternoon GodDaughter2 arranged for me to be in the audience (which was mostly singing students like her) of a master class presided over by American operatic tenor Michael Fabiano, a totally new name to me.  He should have been.  My bad, as he would say.  Very impressive.  Very impressive.

This event was the most recent one of these.  But they scrub all mention from there of the past, however immediate, so no mention there of Fabiano, which there had been until yesterday.

Here are a few recollections I banged into my computer last night before going to bed.  Not tidied up much.  I just didn’t want to forget it.

Sing, every note, all the time – switch off singing and then when you need to switch on again, you won’t be able to do it.

Singing is not just done with two little things in your throat.  Sing with your whole body, from head to toe.  Including your balls.  (The student singers he was teaching were all guys, two baritones, two tenors.) I hope you don’t mind me saying such things.  (Nobody did.)

You must sing to the people way up in the roof.  They must hear every note you sing.  Not just the people in the first five rows.

Don’t be afraid to take a breath - I’m a great fan of breathing when you need to breath – no seriously

First note is critical.  Final note is critical.  You can screw up in between.  But first note bad can mean they’ll hear nothing further.  Final note good, and that’s what they’ll remember.

Stay firmly planted on the floor.  Stand how you stand in the tube, when you have nothing to hold on to.  Don’t rise off the floor on your toes when it gets difficult.

Stay relaxed by going to your “happy place” in your mind.

In auditions, don’t be bound by rules that box you in.  Break those rules, do whatever you have to do to do what you do.  Applies to all artists.

Piano accompanists: play louder, like an orchestra.  Louder.  Twice as loud as that.  (He spent a lot of time conducting the pianists.)

Go for it.  (Said that a lot.) Be free.  Fly like a bird.  Never relax your wings (keep singing) or you fall to the ground.

In my opinion … this is my opinion ...

Make progress as a young singer by finding one or two people whose judgement you trust.  Follow their advice and work hour after hour, day after day, with them.  A hundred people advising is confusion.  One or two is what a young person needs.

How to make the transition from student to real singer?  With difficulty.  I began by doing 22 auditions all over Europe.  First 21, I followed the rules, stood in the spot marked X: nothing, failure.  22nd audition: disaster.  Fell over at the start, literally.  But laughed at myself.  Good middle notes, they knew I had a cold, but also a good personality.  Got work.  They trusted me to do better.

Mentor?  Renee Fleming was one.  Sang next to her on stage.  Her voice ridiculously small, on stage.  But, my agent way up at the back heard everything, and wept.  I then sat way up there myself and listened to Fleming sing equally quietly, heard everything and was equally moved

Sing oh well and sing ee well, and you’ll sing ah well.  (Think that was it.) …

And probably lots more that I missed.  But, I now find, you can watch the whole thing on YouTube.  However, the length-to-content ratio of watching something like this on YouTube is such that you, if you have got this far in this posting, are much more likely to make do with reading what I just put.  So let’s hope I didn’t get anything too wrong.  Plus: more mentions of this event, with video bits, at the RCM Twitter feed.  Fabiano also tweets, of course.  More reaction to yesterday there.

There were four student singers on show, first two being baritones, and in the second half, two tenors.  The most extraordinary moments of this event came in the second half, when the two tenors took it in turns to sing things that Fabiano has presumably sung for real, as it were.  And occasionally, to illustrate a point he was making, Fabiano would sing a snatch of the thing himself.

At which point, as the young people say these day: OMG.  His sound was about four times bigger than what the students were doing.  (The first of these moments got Fabiano a loud round of applause.) Fabiano’s talk, about filling the entire 2,500 people place, was a hell of a lot more than talk.  He does this, every time he sings in such a place.  The message was loud and the message was clear.  That’s what you guys must aim for.  That’s what it sounds like.

The good news is that the first tenor in particular (Thomas Erlank), was taking audible steps towards being an opera star, after only a few minutes of badgering from Fabiano.  I think you’re great, said Fabiano, which is why I’m being so hard on you.  Fabiano didn’t say those exact words to any of the others, so that will definitely have counted for something, in Erlank’s mind.  You could see him getting bigger, as Fabiano both talked him up and hacked away at his mistakes.

Of the others, the one who particularly impressed me was the second baritone (Kieran Rayner), who looked and behaved like a trainee accountant, but who sang like a trainee god.  By the time Fabiano had been at him for a bit, he started to get a bit more like an actual god.  The sheer sound of Rayner’s voice was beautiful from the start, I thought.  As did Fabiano.

Fabiano made a big deal of vibrato, which he seemed almost to equate with singing.  But vibrato is, for me, a huge barrier.  Rayner did do enough of it to satisfy Fabiano, but not nearly enough to put me off.  I mention this because I believe that I am not the only one who feels this way.  Too much wobble, and it just sounds like wobble and nothing else.  Singers who overdo the wobble never break past that oh-god-it’s-bloody-opera barrier.  But not enough vibrato, and they don’t get to fill those 2,500 seat opera houses.  And even if they do, no OMG, Fabiano style.

Final point, by way of summary.  When each singer did his performance, Fabiano made a point of going to the back of the hall, to hear how it sounded there.  Fabiano made no bones about it that what concerned him was not how you or he felt about it while doing it, or how Renee Fleming sounded to him when he was standing on the stage right next to her.  What matters is the effect it has on the audience, all of the audience, including and especially the audience in the cheaper seats.  Are they getting what they came for and they paid for?

Deepest thanks to GD2 for enabling me to witness all this.

Thursday August 28 2014

This afternoon, The Guru is coming by to reconstruct God, so God (the other one) willing, I will be back in serious computing business by this evening.

When I was recently in Brittany, my hosts supplied me with a state-of-the-art laptop and a state-of-the-art internet connection.  These last few days, without God (my one) and having to make do with Dawkins (my obsolete and clunky little laptop, the thing I am typing into now), I have felt less connected to the world than I did in Brittany.  I am connected, after a fashion.  But Dawkins is so slow and clunky that I have been doing only essentials (like finding out about England being hammered in the ODI yesterday), and checking incoming emails, and shoving anything however bad up here once every day.  It’s like I’ve regressed to about 2000.

I have managed to put up a few pictures here, in God’s absence.  But Dawkins’ screen makes these pictures look terrible.  I am looking forward to seeing God’s version of these pictures and hope they will be greatly improved compared to what I am seeing now.

Thank God (the other one) I haven’t been depending on God (my one) for music.  As I have surely explained here many times, one big reason I prefer CDs (and separate CD players scattered around my home) to all this twenty first century computerised music on a computer is that if God goes wrong, as he just has, I don’t lose music.  I also have music concerts recorded off of the telly, onto DVDs, which I can play on my telly, which is likewise a completely separate set-up to God.

In general, the argument against having everything done by one great big master computer is that when something goes wrong with that master computer, everything else in your life also goes wrong, just when you may need those things not to.  One of the things that willgo wrong, rather regularly, with your all-in-one master computer is when this or that particular one of its excessively numerous functions becomes seriously out of date.  I mean, if it has a vacuum cleaner included, what happens if vacuum cleaners suddenly get hugely better?  In Brian world, all I have to do is get another new and improved vacuum cleaner, and chuck out the old one.  In all-in-one master computer world, you are stuck with your obsolete vacuum cleaner.  Or, if you can, you have to break open your all-in-one master computer and fit a new vacuum cleaner, and probably also lots of other new stuff to make sure the new vacuum cleaner works, which buggers up a couple of your other functions that used to work fine but which no longer work fine.  Or at all.  I prefer to keep things simple, and separate.

Something rather similar applies with how to handle (the other) God.  That is another arrangement you don’t want to have running the whole of your life for you either.  It’s okay if you do God for some of the time and keep Him in his place, but you want scientists telling you about science, doctors about medicine, and your work colleagues about your work, and so on.  If, on the other hand, absolutely everything in your life, and worse, everything in the entire world you live in, is controlled by ((your version of) the other) God, everything is very liable to go to Hell.  (Aka: Separation of Church and State.  Aks: don’t be a religious nutter.)

I have my own particular take on (the other) God, which is that He is made-up nonsense.  But just as wise believers in (the other) God don’t let that dominate their thinking on non-God things, nor do I think that my opinions about (the other) God can explain everything else as well.  These opinions merely explain the particular matter of (the other) God being made-up nonsense.

Do not, as they say, put all your eggs in one basket.

Monday February 17 2014

I think that this piece by Megan McArdle, entitled Why Writers Are the Worst Procrastinators is good.

Quote:

Most writers were the kids who easily, almost automatically, got A’s in English class. (There are exceptions, but they often also seem to be exceptions to the general writerly habit of putting off writing as long as possible.) At an early age, when grammar school teachers were struggling to inculcate the lesson that effort was the main key to success in school, these future scribblers gave the obvious lie to this assertion. Where others read haltingly, they were plowing two grades ahead in the reading workbooks. These are the kids who turned in a completed YA novel for their fifth-grade project. It isn’t that they never failed, but at a very early age, they didn’t have to fail much; their natural talents kept them at the head of the class.

This teaches a very bad, very false lesson: that success in work mostly depends on natural talent. Unfortunately, when you are a professional writer, you are competing with all the other kids who were at the top of their English classes. Your stuff may not - indeed, probably won’t - be the best anymore.

If you’ve spent most of your life cruising ahead on natural ability, doing what came easily and quickly, every word you write becomes a test of just how much ability you have, every article a referendum on how good a writer you are. As long as you have not written that article, that speech, that novel, it could still be good. Before you take to the keys, you are Proust and Oscar Wilde and George Orwell all rolled up into one delicious package. By the time you’re finished, you’re more like one of those 1940’s pulp hacks who strung hundred-page paragraphs together with semicolons because it was too much effort to figure out where the sentence should end.

That last pararaph certainly rings bells for me.  Which is why I find that the cure for blogger’s block is the opposite of self-esteem.  Self-esteem, as McArdle says, gets in the way.  Self-abasement can get you going again.  I’m a crap writer, so anything I do manage to put now won’t make me any worse.  And hey, it may even cheer me up by making me better!

As for that thing about having it too easy in school, I recall Geoff Boycott saying the exact same thing about cricketers.  The ones who were effortlessly good as kids, and who therefore didn’t have to scrap, later often came second best to others who did scrap when they were kids.

Of course, sportsmen don’t procrastinate, because they have a set timetable when they have to perform.  Instead they just do badly.

And I also recall Malcolm Gladwell throwing older brothers into the mix, in one of his books.  Ace basketballer Michael Jordan had an elder brother, who he had to scrap against when young.  I think it was Jordan.

I wrote this just before going to bed, even though I have had the whole day to do something better.

Thursday September 20 2012

I have just discovered this report by James Hamilton of a conference on the subject of the self help movement) and I like it a lot.  Or rather, I think I had seen it before, but then something else came up before I had properly read it, and I never got back to it.  Until today, when I read it right through.

Quote:

It is one of the classic “insults of class” – having to win for yourself the right to believe that you are entitled to form and follow your own ambitions. At the summit, Robert Kelsey attributed to self help his recognition that his sense of failure in life was in fact a fear of failure. That’s a hugely important point and he made it well. It’s also a middle class one. It’s easier to have a fear of failure when you know how and where to start, indeed, when you know you are allowed to start at all.

The need to change, to be different succeed is a familiar idea to anyone from a working class background. That, to put it bluntly, is because it’s true. It’s an easy thing for middle class journalists and writers to mock, who already have security, who already own the idea that you can achieve what you set out to do, who started life already halfway into the world most people must hustle and scramble to reach. It’s easy to mock when you’ve grown up knowing lawyers, poets, artists, bankers and academics and so assume that those fine careers are options for you. (I am lower middle class in origin and made it to 18 without having known personally any adults in any of those fields – I saw only computing, and not much of that. What about families where no one works at all?)

I’ve a friend, the child of a famous man, who has never read any self help, but knows it’s all crap. The family are wealthy: the chosen career is in a field with formidable entry costs. But I know this about my friend too: they’ve always had written goals. They’ve always used social “tricks” like mirroring and pacing in order to get on. They have a deliberate strategy to overcome failure when it occurs. They have another strategy for networking. They visualize their ideal outcomes.

So much of what they do is pure Tony Robbins. But they don’t know that, because actually, it’s just what people at their level in society do. Not overtly, or even knowingly: there’s no need. They’ll never be as self-conscious about it as people like me who have had to get it all out of a book (if not that one) because there was nowhere else for it to come from.

And I wonder if my friend, or anyone who has ever pitched an article for the hell of it, or just thought they might just – what the heck! – put in for that (interesting) job, or been called on to consult or whatever – I wonder if they have quite realized how unusual they are in British life. That their luck and fortune might lie – not in the results of their decisions, but in their assumption that they can make their decisions at all.

I came from a quite posh family, but I got rather less of this sort of advice from my parents than you might expect from such people.  So I too had to find out about it by reading books.  And then I developed a hobby as a career councillor, basically passing on what I had read.  And Hamilton is right.  There are indeed people who do not have it in their bones that they can decide things.  Such people can be greatly cheered up by being told that indeed they can.  Sometimes this is the only extra thing they need to learn (by which I mean merely think about for a bit because it’s obviously true once you actually say it) in order to take off like a rocket.

Friday October 23 2009

Susan Hill writes, in connection with celebrity authors, or to more exact in connection with the opposite kind, this:

… in the last few years it has become very common for good novels to sell under 100 copies.

If I ever try to write a novel, (a) shoot me, and (b) I’ll just give it away on the www, probably as a series of blog postings, probably here.  And if a hundred people read it, I’d probably rate that a success.

If you want thousands to read your novel, then surely getting a few hundred to like it to start with, who are in a position to recommend it to others without those others having to pay anything, to the point where people who like to read their books in book form (assuming there remain any such people after you’ve written your novel) hear about your novel, from quite a lot of people who liked it, would seem like an obvious first step.  In short, try to become a mini-celebrity novelist.

If you want to make money as a novel-writer, then here is my career advice: get a job, and write in your spare time, following the above plan (i.e. buying the above quite cheap literary lottery ticket).  That way, you will make money as a novelist, although I agree not in the way you may have meant.  Make that: make money and be a novelist.  (When I career counsel, I often suggest that.  It makes a change from “find a job doing what you love”, which is often disastrous, not least because there is no rule that says you will be any good or any use to anyone else doing what you love.  Worse, you may just end up hating what you used to love.  Often “keep your work and what you love separate” proves to be the catalytic suggestion which sorts everything out a treat.)

Or, instead of writing a “good novel”, you could try writing the kind of story people in their thousands like to read, like a crime story with plausibly virtuous policemen and implausibly villainous villains.

Under a hundred copies
Quotes dump
What next for Guido Fawkes?
An impulse posting about procrastination
The publicness of private life
“What you like learning about is probably what you like to do”
Everyone in the world is not like me
At least I got today’s obligatory posting done before midnight
On letting career decisions make themselves
Getting things read
Blogging is filing for those who can’t
The risk of not taking any risks