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In which I continue to seek part time employment as the ruler of the world.

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Category archive: Theatre

Tuesday February 07 2017

Photoed by me late last month (just before I attended this (already mentioned here in passing (she is a friend (and it went brilliantly)))):

image

Yet more evidence of how digital photography has encouraged temporary art, by making it digitally preservable.  What we see is videoing, I think.  But we can be sure that a straight up still photo of the final result will be included in the photography process.

Note the silver paint, on top of what was there before.  If the previous occupant of this spot (in the Leake Street Graffiti Tunnel) didn’t have what he had done photoed, he has only himself to blame.

Don’t ask me what the graffiti means.

Thursday January 26 2017

Just heard an announcer on London Live TV pronounce Persephone as “Percy Phone”.  It should be Per Seffany, in case you also are not sure.  Y(oung) P(eople) T(hese) D(ays).  They just don’t have the Classics.

This was in connection with a show at the Vault Festival, at which a friend of mine is also performing, tonight.

Wednesday October 26 2016

I’ve been photoing the Pavlova Statue outside Victoria Station for a long time.  On the left here is how she was looking, on a particularly sunny day ten years ago:

imageimageimage

But look at the state of her now, as shown on the right.  I got quite a shock, I can tell you, when I came upon her about a fortnight ago, looking like this.

The Victoria Palace Theatre is being refurbished.

Monday October 24 2016

Or should that be smart batphone?:

image

He is also holding a weapon, a knifey thingy. somewhat like this.

Photoed by me in Trafalgar Square last Friday.

Keeping things nice and face-recognition-hostile.

Monday October 10 2016

I’ve spent all my blogging time today trying to write a couple of things for Samizdata, so once again it’s quota photo time, this time in the form of a photo of Tom Cruise that I photoed recently, just a few minutes before I took this footbridge photo.  To be more exact, it is a photo of a photo, of Tom Cruise:

image

That photo that you see in my photo is to be seen outside the Duchess Theatre in the West End, where the play being shown Goes Wrong, every night, without, although this may not be quite the way to describe things, fail.

I assume that you can only exhibit a picture of Tom Cruise like that if Tom Cruise gives his permission.  If that’s right, Tom Cruise proves himself to be a good sport.  Or, perhaps, a greedy bastard.  But for now, I’m going with good sport, if only because if he got greedy, they couldn’t afford it.

Sunday October 02 2016

Is there another such in London?:

image

Well, probably yes, quite a few such.  But, there is definitely that one.  It’s the top of the restored guess version of the Globe Theatre.

As seen, of course, from the top of the Tate Modern Extension.  It’s right next to Tate Modern (the thing on the left of the picture), and you need to get right to the back of the viewing gallery, or you don’t see it.

I reckon it’s already starting to look a bit threadbare.

Thursday July 14 2016

Indeed:

image

The Park in question is Finsbury, the Park Theatre being near to Finsbury Park, and more to the point from my point of view, Finsbury Park tube station.  I was there last night to see a friend perform at the Park Theatre, which she did very well.

That LIFE sign thing is just outside the smaller theatre space, where my friend was performing, at the top of the rest of the theatre.  I do not know why it is there.  Could it be that they hope that people will photo it, and then mention the Park Theatre on the internet?

I suppose the creator of this sign could also have been thinking of that old Blur tune.  But that, I believe, concerns a different park.

Tuesday June 07 2016

So, daily-blog-read-for-me David Thompson linked to a posting at ArtBlog, about the rights and wrongs of arts subsidies.  I read that posting, and read through the comments too, just as David Thompson did.  I find myself wanting to comment.  But, can I be bothered?

And then, in comment number 16, courtesy of the Maitre D of ArtBlog, Franklin Einspruch, I discover that I have commented, thus:

The greatest art seems to happen when high art and low art combine, in the form of something that is superficially entertaining and stirring and popular, and also as profound as profundity seekers might want it to be. Arts subsidies harm art by dividing it into less good entertainment art, paid for by punters, and less good high art, paid for with subsidies. Arts subsidies in Britain are now being cut somewhat. The result will be somewhat better art.

Which Franklin found in this Samizdata posting and copied into his comment thread.  How about that?!

The two arts that best illustrate this opinion of mine are probably Elizabethan and post-Elizabethan theatre (i.e. Shakespeare and all that), and classical music in the days of its glory, from about the late 1700s until around 1900 (i.e. Mozart, Beethoven and all that).

Shakespeare’s plays are now considered just about as profound as Art with a capital A can ever get, but at the time, his stuff was considered rather middle-brow.  Too commercial, too appealing to the rabble.  About half of Shakespeare’s mere plays - the very word suggests something not to be taken truly seriously, doesn’t it? - were nearly lost to us:

Of the 36 plays in the First Folio, 17 were printed in Shakespeare’s lifetime in various good and bad quarto editions, one was printed after his death and 18 had not yet been printed at all. It is this fact that makes the First Folio so important; without it, 18 of Shakespeare’s plays, including Twelfth Night, Measure for Measure, Macbeth, Julius Caesar and The Tempest, might never have survived.

What will posterity, in its various and many successive iterations, consider to be the Great Art of our time?  And how much of it will be lost, on account of it not now being considered artistic enough?

Art comment
Bard and Shard
Steven Johnson on how technology (such as the Magdeburg Sphere) grows science
Blue van
Quota caption competition
Ronald Harwood on Karajan
Some quota reflected cranes and a quota white van
The light outside the Proud Archivist on the evening of July 22nd
Digital photography ballet
Tomorrow I will get out less
Lots of photos of the camera man
Paul Johnson on Mozart and Da Ponte
Ruddigore in Blackfriars
A photographer and an advert
True hearts and warm hands
Anthrozoology
The Magic Flute at the RCM
Waiting for …
The ballerina and her support act
Ballerina with cranes again - this time with added spy cameras
Cat photo and cat news
Pavlova with cranes
Painted people
Ballerina with crane
A photo of a photograph
Big London Things with clutter in the foreground
Monkey Toast at the Leicester Square Theatre
That Clive Woodward gets around
More signs of the times
The bike behind the theatre
Sneezing chat
Everybody draw Mohammed every day!
Andrew Hughes on making heroes of cricketers
London Bites @ Sway
What next for Guido Fawkes?
Dream magic that spoilt the magic
“Dying is a fulltime business. You haven’t time to do a lap of honour.”
The impossibility of God but the possibility of Michael Flatley’s cure and of super-super-flees
And here is a real quotation
On autobiographical ruthlessness
John Carey on Shakespeare and the high-art/ popular-art distinction
Avoiding barbarism in the street
Pictures with words
Hear ye hear ye
A picture of a Wheel seen through a field of corn
The Emperor Jones
A dreadful age
Struggling Actress quote of the day
Cats can be taught!
Me and Alex talking Gilbert and Sullivan
The Pirates opens in New York
Hellcab at the Old Red Lion
Another quota photo of the Docklands towers
Screen back
Oscar Wilde defends society
Jeffrey Archer - blogger
Jeffrey Bernard is unwell but very entertaining
Debussy denounces Massenet but Puccini follows him
Roll playing
Midsummer Night’s Dream now downloadable for free
Shakespeare Sunday
Rylance’s Richard II – and how Richard II pre-echoes Lear
Rylance’s Richard again
King Kevin