Brian Micklethwait's Blog
In which I continue to seek part time employment as the ruler of the world.Home
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Most recent entries
- Comrade Blimp
- Ashes to ashes
- La Porte des Indes
- Friend on telly
- Sculpture at St James’s Tube
- Digital photographers holding maps
- More photos of things past
- Father Christmas Aerodrome
- How big should these squares be?
- Daniel Hannan’s latest book(s?)
- The Kelpies of Falkirk
- A quota thought that (luckily for me) went nowhere
- Polish girls in Moscow doing a selfie
- Music classified
Other Blogs I write for
6000 Miles from Civilisation
A Decent Muesli
Adventures in Capitalism
Alex Ross: The Rest Is Noise
Another Food Blog
Antoine Clarke's Election Watch
Armed and Dangerous
Art Of The State Blog
Boatang & Demetriou
Burning Our Money
Chase me ladies, I'm in the cavalry
China Law Blog
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Category archive: Art
Sometimes mistakes caused by not holding the camera still can be interesting.
Today I took several photos (at Victoria Station, like the previous photo featured here) of the station electronic notice board saying where my train was about to go. Basically, I was taking notes to remind myself later of where I had been. But one of these photos went wrong. On the twiddly little screen on my camera it looked, on account of me having moved my camera vertically at the critical moment, approximately like as you see it, top right.
That one won’t last a second when I go through all these at home, I thought. If I was in the habit of deleting snaps on the fly, which I am not, I would have deleted that one straight away.
But now look at how it looked on my big screen, back home on my desk, this evening:
That’s the middle of the picture, to get how big it is when spread out sideways all over my big screen. Click on that bigger picture to get an even bigger version of the original.
I don’t think it’s just me. The smaller picture is much more legible. But the bigger picture is a lot more fun, on account of being less legible. It stops being annoyingly blurry writing, and instead becomes Art.
Photoed by me yesterday. On the left, the setting. On the right, the owl. It’s not a real owl. It doesn’t look like Art, i.e. something put there Officially. It’s too much like an actual owl to be Art. More like something really expensive you buy in a shop, like the one with these animals that I photoed a while back, in Croydon. The owl looks like it was put there by one of the station staff.
A little googling tells me that the owl is there to scare away pigeons.
So, they are Official, but they aren’t Art.
So I was leafing through Mick Hartley’s blog last week, as you do, and I came across this picture, in a posting entitled Edwin eats cats:
And I thought, I recognise this. Sure enough, when out and about near Hackney Wick myself, on (I bet) the exact same day that Hartley took the above snap, I snapped this:
Click on that, to see that the graffiti is exactly as Hartley saw it.
I have pretty much identical tastes in pictures to Mick Hartley. I probably ought to leave more comments on his site saying things like: nice photo, I like that one, good colours, and so on. But like most sane people, I am reluctant to spout words praising art. Such words tend to come out either banal or nonsensical.
More bad news for Edwin, in this picture, of another bridge, taken ten minutes later:
At the time, I thought I was photoing another bridge, which currently, as I recall, goes from nowhere to nowhere, but which will presumably go from somewhere to somewhere once they finish all that Olympic refurbishment. It turns out I was photoing graffiti.
Okay that’s enough of Western Civilisation collapsing. I agree with the graffitist using the white paint, critiquing his black paint predecessor. “Enough”, he says. I agree.
I shall definitely be having a go on this, which will be up and ready for climbing in the Autumn:
The boundaries between Art, Advertising and Fun get ever blurrier.
This particular bit of artistically fun advertising being to advertise a new way to use “tulipwood”.
Blog and learn.
I greatly enjoyed the documentary about Richard Feynman shown on BBC2 TV last night, having already greatly enjoyed the docu-drama about the Feynman Challenger investigation.
Last night’s documentary contained the following particularly choice piece of dialogue:
“Why is your van covered in Feynman Diagrams?”
“Because we’re the Feynmans.”
There is a picture of the Feynmans, next to their van, which I found here, where the picture is slightly bigger.
Does this van still exist, with all the Feynman Diagrams on it? I hope so.
As has already been reported here, I have been reading Pride and Prejudice on my Google Nexus 4 ultra-mobile computer-with-phone. And, in Chapter X of this book, I read this:
My highlighted version of that last sentence being:
“As for your Elizabeth’s picture, you must not attempt to have it taken, for what painter could do justice to those beautiful eyes?”
So, in Jane Austen time, painters “took” pictures.
I thought that was only photographers. There does seem, does there not?, to be something peculiarly apt about a photographer “taking” a picture. After all, you could only “take” a picture with one click of a mechanical button, as I just did of my Google Nexus 4 with my Panasonic Lumix FZ150, if the picture was in some basic sense already there for the taking, in its entirety. “Take” gets across the difference between photoing someone and painting a portrait of them, by which I mean “making” a portrait.
Perhaps this “take” usage, to describe portrait painting, declined when the painters stopped claiming to produce what we now call photographic likenesses, and, under the competitive influence of actual photography, began to “make” pictures of people, the whole point of and the whole justification of which was that a mere camera could absolutely not “take” such pictures. Such paintings are made, not taken. To accuse a painter of “taking” a picture would be to accuse him of adding nothing.
My thanks to my next Last Friday speaker Rob Fisher, for the link to these photos:
My inclination is not to discuss the matter of supposed overcrowding, more to note that here we have more Art without Artists. Although perhaps photographer Michael Wolf would say he is an artist.
The idea of that category of photo is that here is a photo of something real, which resembles (reduces the thing to?) abstract art.
Were all those abstract modernists prophesying the inceasing rectangularity of regular life to come?
A mannequin in Tachbrook Street sheds light on the nature of perception
Lunch at Gessler at Daquise
Wandering about afterwards
Art without Artists
Cheap hippos are hard to find
An afternoon in Croydon
BrianMicklethwaitDotCom internet headline of the day
Photographers at Eros and Art in the tube
A happy British Summer Time to all my readers
Hockey Stick art
A pill that turns sweat into perfume
Release Ai Weiwei
Gormley’s South Bank Men
Blue Men on a boring building in Borough High Street
Quota photo by someone else
Tiny Cardboard Box People Appear All Over Singapore
Spray can girl in Leake Street
A good bit about the future of art galleries and how to rescue good bits
Large areas the same colour on the first first day of spring
The right to photograph
Abstract satellite expressionism
The Min-Kyu Choi folding three point plug
Cat blogging and Gormley blogging
The Wheel through some Art
“Dying is a fulltime business. You haven’t time to do a lap of honour.”
More random links
A little drunk blogging
“… the idea is to remain ignorant of how dumb you look …”
Is the contemporary art bubble bursting?
P. J. O’Rourke confuses the average with the significant
If it’s not Art it can be rather fun
An abstract view of Kings Place
Lump art and dinner in sky
It only takes One Rich Lunatic
John Carey on Shakespeare and the high-art/ popular-art distinction
Keith Windschuttle on history - truth - Robert Hughes
Two adverts in the tube
Photos are better
Art is always a value judgement
Classic car thinness
Sounding like a different country
Girls these days flashing their cleavages it’s disgusting don’t know what the world’s coming to …
There’s a crack in the cracks at Tate Modern
Three proper photos … and three Billion Monkeys!!!
Photography is not dead
Deceiving the eyes of Paris
It only takes two idiots
Man may not sit on Art bed and be photoed by Billion Monkey lady friend!
Venus by the river
Tate Modern Extension
Wichita line (and colour) man
Skill and Post-Skill
The Million Dollar Homepage