Brian Micklethwait's Blog
In which I continue to seek part time employment as the ruler of the world.Home
Javier on Droneverts
Alastair on Wembley Arch lighting contrast
Rob Fisher on What does Thames "RIB" Experience mean?
Heathrow Transfers on Miguel aligns his message with his van
Brian Micklethwait on So shiny it looks fake
Patrick Crozier on So shiny it looks fake
Patrick Crozier on So shiny it looks fake
Natalie Solent on Wooden Citroens and black baby dolls
Brian Micklethwait on Miguel aligns his message with his van
Natalie Solent on Miguel aligns his message with his van
Most recent entries
- Pavlova under wraps
- Batman consults his smartphone
- The art of taxi advertising
- Drones are not toys
- Snake on a car
- A particularly good panoramic view of central London
- Coastline politics at Samizdata
- Wembley Arch lighting contrast
- A blown up airplane and a dodgy internet connection
- Rereading a Rebus
- Rod Green on Boys and Men at the time of Magna Carta
- More birds on a TV aerial
- Van – grey but very interesting
- Union Jacks having fun
Other Blogs I write for
6000 Miles from Civilisation
A Decent Muesli
Adventures in Capitalism
Alex Ross: The Rest Is Noise
Another Food Blog
Antoine Clarke's Election Watch
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Burning Our Money
Chase me ladies, I'm in the cavalry
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Communities Dominate Brands
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Counting Cats in Zanzibar
Deleted by tomorrow
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Everything I Say is Right
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we make money not art
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Category archive: Sculpture
I’ve been photoing the Pavlova Statue outside Victoria Station for a long time. On the left here is how she was looking, on a particularly sunny day ten years ago:
But look at the state of her now, as shown on the right. I got quite a shock, I can tell you, when I came upon her about a fortnight ago, looking like this.
The Victoria Palace Theatre is being refurbished.
Click at will, to get bigger, less square pictures.
Displayed in chronological order. Taken between May 2011 and August 2014. When I took that last one, of the bikini-wearing bottle openers, that got me collecting all the others. That last one is definitely the one where the Union Jacks are having the most fun.
Whenever I see an old car, of the sort that was the latest thing when I was a kid, I photo it, or I try to.
See, for instance, those delightful old Citroens in Roupell Street. Which were there, I have since learned, not because someone in Roupell Street is collecting them, but because someone in Roupell Street is repairing them.
And see also, this ...:
… which I saw earlier this week, while on my way to a violin and piano recital at the Romanian Cultural Institute in Belgrave Square. A Rolls Royce, on the way to what turned out to be a Rolls Royce performance.
I used to have a Dinky Toy version of that car.
I am increasingly coming to believe that many of our most powerfully felt aesthetic prejudices are formed in the nursery. And that a lot of Modern Art is the recreation of those happy sensations, in an enlarged form, suitable for the enlarged people that the nursery dwellers turn into.
But Dinky Toy cars don’t have to be enlarged, because they already have been. Enlarged Dinky Toy cars are called: cars.
Come to think of it, I also had a couple of Dinky Toy Citroens, a DS19, and a 2CV. Yes, this explains a lot.
Sunday was a good photography day. After lunching with a friend in the Waterloo area, I made my way, as reported yesterday, to the Tate Modern Extension. When up at the top of this I took many photos, and some quite good photos.
But none, for me, was better than this, which I spied just before getting into the lift from Floor 10 back to the ground:
I can’t remember exactly when the change happened from plaster casts to … that, but happen it did, and I am impressed. I’m guessing that one of the many advantages of this system is that you can take it off and put it back on again, to do things like assess progress, or deal with skin discomforts.
I’m further guessing that you can dismantle one of these things, give it a good wash, and then use it again.
More from me on the subject of plastic and its newly devised applications in this at Samizdata earlier today.
I love the various visual effects you sometimes get when a piece of reinforced concrete is being destroyed and when it puts up a fight. I can’t say that it always does this, because you wouldn’t see anything when it is routed into oblivion in the space of a few hours, would you? But when it does fight for its life, it can be quite a sight. These effects are particularly worthy of being photographically immortalised because however long the fight lasts, it will still end, and pretty soon.
And, I find that the more I see of 240 Blackfriars, from near and from far, the more I like it.
So, here is today’s photo, taken today:
I took this while on my way from Waterloo to Tate Modern and its Extension viewing gallery, which I am visiting a lot these days, before the Let Them Get Net Curtains row causes the place to be closed or at least severely curtailed.
240 Blackfriars is the work, I have just learned, of Allford Hall Monaghan Morris, whom I have now started to learn more about. I never heard of them until now.
Preliminary findings: I think that 240 Blackfriars will probably turn out to be my favourite of their buildings so far. And: they make a lot of use of colour, which I favour, but which can often look very tacky and Seventies-ish if you don’t do it right.
The directory with all the snaps I took in Quimper and surrounding places, ten years ago, contains some fine images.
And some rather weird ones:
Okay, Citroens made of wood is not that weird. Certainly not in France.
But those really rather realistic black baby dolls is something we surely don’t do nearly so much over here. I’m guessing we have too much of a history of what you might call derogatory black dolls, unrealistically racist dolls, and that means that all black dolls are now tainted in our eyes, even much more realistic ones like the ones in that picture. They evoke a tradition and a way of thinking we would prefer not to be reminded of, or worse, to be thought to be perpetuating. When the British are being sentimental about black babies, they do it in those (I think) ghastly charity fundraising telly adverts.
But what do I know? I’m just thinking aloud. Maybe we do have lots of dolls like these in British shop windows, and I merely haven’t noticed them. But, my first reaction when I say these black babies was, as I say: weird. Certainly striking enough to take several photos of.
He of course shows the whole thing. Me, I am more and more coming to see that the quality I most value in these Big Things is their instant recognisability. Hey, look at that. That can only be … That!
So here is another photo of the Big Olympic Thing from my archives, showing hardly any of it, but still (for me anyway) instantly recognisable:
Click to get the bigger original. Rather artistic, I think.
Taken the same day, and from the same place, that I took this photo of the Shard and the Gherkin directly in line.
This I knew:
Seven Dials is a small road junction in Covent Garden in the West End of London where seven streets converge.
But this, I did not know:
At the centre of the roughly circular space is a column bearing six sundials, a result of the column being commissioned before a late stage alteration of the plans from an original six roads to seven.
I used to work in Covent Garden and Seven Dials was a favourite spot then. There was a hardware shop in one of the Seven Dials spokes, so to speak, and I used to go there a lot.
Here is a picture I took of this column and of some of its surroundings, this (very sunny) afternoon:
But, here is a picture I took of the inscription at the bottom of the column, which I never noticed before:
So, was a replacement column put up, around that time?
Yes. The original column went to Weybridge, via Addlestone, which reminds me of trains from Egham when I was kid. “Virginia Water, Chertsey, AddleSTONE and Weybridge”, an old man used to yell, just before the train for these locations departed. I used to love that. But I digress. Here’s what happened to the original Seven Dials column:
The original sundial column was removed in 1773. It was long believed that it had been pulled down by an angry mob, but recent research suggests it was deliberately removed by the Paving Commissioners in an attempt to rid the area of “undesirables”. The remains were acquired by architect James Paine, who kept them at his house in Addlestone, Surrey, from where they were bought in 1820 by public subscription and re-erected in nearby Weybridge as a memorial to Princess Frederica Charlotte of Prussia, Duchess of York and Albany.
The replacement sundial column was installed in 1988–89 to the original design. It was unveiled by Queen Beatrix of the Netherlands on a visit to commemorate the tercentenary of the reign of William and Mary, during which the area was developed.
Original design presumably means that, just like the original, the new column only has six dials at the top.
Keeping their distance
Quota Pavlova statue photo
Ghostbusters sculpture advert at Waterloo Station
LIFE at the Park Theatre
Nelson statue in Greenwich
Photoers and railings
A pig and two dogs
Are London’s cranes about to depart for a few years?
The new Tate Modern extension from inside Blackfriars Station
The Union Jack’s near death experience(s?)
Lions - Bears - Blackhawks
The Sugar Land selfie statue
The City from above
Seven London bridges (again)
Trees pruned into strange sculptures
South Bank Superheroes
Checked out: The Big Olympic Thing
Today I am checking out the Big Olympic Thing
Bike fishing in Amsterdam
Twelve 2015 photos
Quota sculpture made of plastic milk bottles on the South Bank in 2012
Stick objects and my brother through a stick object
Some reindeer-based Christmas cheer from last year
Modernist sand castles at Amusing Planet (and at Mick Hartley’s)
The laboriousness-to-effect ratio at Colossal
Wheel and shadow (and Wheel reflected)
Anonymous guys taking (and making) pictures in Trafalgar Square
Coloured lights in bottles outside the RFH
Going to Kings Cross to see gas holders
The sexiest statue in London?
Jim Glymph gets Frank Gehry past the limits of what is buildable
Another The Wires! Building in Japan (plus more Dezeenery)
Man on horseback – and cranes
On packaging – and on the need to chuck it out
Big Ben through the legs of Gandhi statue in Parliament Square
Digital photography ballet
Two photographers photoing me
Lining things up behind the Royal Festival Hall
Pavlova reflected in double glazing
Two strangers photoed by Mick Hartley and shown there (and here) without their permission
Two more Pavlova pictures
Ballerina and crane
Why I mostly write about architectural design rather than about interior design
A Shiny Thing and a friend also photoing it - with an iPhone
More Big Olympic Thing photos
A Shiny Thing by Frank Stella Hon RA
Giant cat head worn by a human
CATable at the Building Centre
The receiving station at Swains Lane (and the previous version of it)
From a cat cushion to Bill Murray and a nude to a demon horse sculpture that killed its creator
Bean drops snow on tourist
Pavlova with a new building and a passing bus
The rise of (interest in) 3D printing
Is 2007 old enough?
Anish Kapoor photoed next to his big shiny balls
BMdotcom (mathematical (and sporting)) quote of the day
Hand done photos
Cats in Quimper shops
Hirst’s Hymn outside the Tate Gallery
To Covent Garden (3): Cat that looks a bit like a dog
Christmas tree with scaffolding
To Tower Bridge: Shadow selfie – Peace memorial – Big Things old and new
Phone (and cash) box
The Poppies (4): Bald Blokes photoing them
Quota photo from Paris (also a selfie)
The Poppies (3): People taking selfies
The Poppies (2): The crowds
The Poppies (1): What they look like
The illustrations for Christian Michel’s talk this Friday (plus some thoughts from me)
Big cat advertises guide dogs
Photographers in Tate Ancient
The ballerina and her support act
Ballerina with cranes again - this time with added spy cameras
Quota ballerina with cranes photo
Out and about in the sunshine
Back from France (plus cat photos)
Sacred architecture and profane roof clutter - a speculation
What is this Thing?
A Bobcat digger and the Coade Lion from the back
3D printed structural joints and another Gormley man
The Dragon Bridge of Da Nang
Pavlova with cranes
Big Blue Cock photos
Noah – Cosi at the Imax – Big Blue Cock
James II dressed as a Roman
VC DSO DSO DSO DSO
Lego bridge in Germany
Finally working out what I liked about those Gormley Men
Art has its uses – but where did it have its uses this time – and what is it?
Photographers in the spring
3D printed baby in the womb
Don’t judge a new technology by its first stumbling steps
A quota post (with a quota link to a post about a post about a quota photo) and another quota photo
Faberge - Brutalism
Temporary art made of brightly dressed people
6k quota photo of sea
Sandcastles that will live for ever
Ice sculptures in Docklands – Big Things from Docklands
3D printer sighted!
Dog wearing funny spectacles plus electrical clutter
Ballerina with crane
Sculpture at St James’s Tube
The Kelpies of Falkirk
Michael Jennings photos the bridges of Porto
Crows nest made of coat hangers
Owl at Canning Town railway station
Photoing each other - and photoing stuff in the canal
A day in and around Olympicland with Goddaughter One
Quota photo of a bucket of plastic crocodiles in an otherwise deserted shop window in Oxford Street
Stairs Thing outside St Paul’s
Wedding photography (3): Technology as sculpture
A mannequin in Tachbrook Street sheds light on the nature of perception
Art without Artists
Cheap hippos are hard to find
Skull made of skulls in gift shop street
New crane up
Little Lady Liberty - still in France
Bomber Command Memorial pictures
Latest C4 logo sculpture
76 operas and a monument in the wrong place for Hermann the German
Quota hedgehog sculpture
Another Assembly of Men
Gormley’s South Bank Men
Blue Men on a boring building in Borough High Street
Giant bull held up by scaffolding
Tiny Cardboard Box People Appear All Over Singapore
A picture I want to remember
Cats with human faces
As strong and sweet as the free market itself
One man’s intellectual theft is another man’s marketing
Everybody draw Mohammed every day!
London is about to be Kapoored with a big new Olympic Games Thing
We’ll always have Chelsea
Eros under an umbrella
Giant Bean covered in mirror
The Min-Kyu Choi folding three point plug
As found roof sculpture
Johanna Kaschke versus the Deluded Leftwinger
The Labour Party finally agrees on a new Prime Minister to replace Gordon Brown
Cat blogging and Gormley blogging
What The State looks like
The Wheel through some Art
The towers of London from the Copper Horse
Another strange Staines statue
Roll out the Lino
Not Billion Monkeys!
An abstract view of Kings Place
More sticking up stuff
Big head and big something else
Resizing Slim with Expression Engine
Pictures with words
A sculptural suggestion
Classic car thinness
The return of Friday cat-blogging
Twickenham shop attacked by the Dark Side of The Force
Exciting posting about shelves
Celebrating a victory
Not a hot day in January for the Billion Monkeys!
Billion Monkey scrunched up in a ball!
Reflections in a Belgravia shop window
Three proper photos … and three Billion Monkeys!!!
Spherical trouser sculpture
More St Pancras snaps
Manhole cover cats and Angel of the North shelves?
Yes this is cat blogging
American war memorial by the sea at St Nazaire
Berlin Billion Monkeys photo rat and cheese sand sculpture!
A squinting cat and a master ephemerist
Further pictorial shallowness
Rokeby Billion Monkey!
More Magic Andy sand sculpture
Magic Andy makes magic dragon
The Mainstream Media finally get around to noticing Andy and his sand sculptures
Random London snaps from last year
No more photos for a bit after these ones
Alice in Fortnum and Mason
Everyone likes Magic Andy
Should blogs - this one in particular - specialise?
Bartók outside South Kensington tube
The Ben Pimlott lump
And then I went home happy