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In which I continue to seek part time employment as the ruler of the world.

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Category archive: Sculpture

Friday October 31 2014

First, what’s going on in this picture?  What’s weird about it?  How did I contrive the weirdness?:

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Hint: One of the categories for this posting is “Computer graphics”.  Another hint: I like reflections.

Second, what’s the Feline Friday connection in this photo, taken earlier this week outside the Tower of London?

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Hint: There is also a clue to this one in the categories list.

If nobody else supplies the answers, I will!  Only by refusing to read these answers will you be able to escape them.

Monday October 27 2014

Next Friday, October 31st, Christian Michel is giving a talk at my home entitled, somewhat provocatively: “Soviet and Nazi Art as Illustrations of Ayn Rand’s Aesthetics”.  He is certainly not the first to have pointed out the overlap, so to speak.

Here’s what Christian says about his talk (which I “LATER” (Tuesday) realised I need to insert into this posting, near the beginning):

Art does not feature high on the libertarian agenda. One exception is Ayn Rand, who declared that of all human products art is perhaps the most important. She went on to develop her own theory of aesthetics, and even attempted (as did Jean-Paul Sartre at the same time) to deliver her entire philosophy through the sole medium of literature (both failed).

In my talk this Friday I will sum up Rand’s aesthetics, her contribution to the field, and will show that it was nowhere better illustrated in the twentieth century than in the arts of National-Socialist Germany and Soviet Russia. The point is not to denigrate Rand’s philosophy by that association, but to say that genuine artists find a way to convey their deepest values and sense of life, to express the highest human aspirations and struggles, whatever their circumstances, and that’s exactly what Rand celebrated.

And here is something of what I think about these kinds of things.

Just after World War 2, many an artist said things along the lines of: after Auschwitz, we cannot any longer do purely representational art.  (Similar things were said by classical composers: after Auschwitz, we can’t any longer do pretty tunes.) But the artists had been abandoning pictorial representation (and tunefulness) long before Auschwitz happened, so “Auschwitz” has the air of being a rationalisation rather than the real reason for these artistic trends.

The crimes of Soviet Communism never had quite the same effect on most of the artists, even as an excuse for abstraction, although there were honourable exceptions (Mondrian for instance).  Too many artists admired the Soviet Union, especially during and just after World War 2, during its struggle and after victory over Nazi Germany.

Realistic art had also been seriously deranged by photography.  Photography destroyed the economic foundations of your average painter of realistic portraits and realistic paintings of such things as landscapes, and turned art painting into a sort of cultural bombsite, in which (to quote the words of an early twentieth century popular song) “anything goes”, anything, that is, except realistic pictures of people and of things.  Realism, for the average artist, just made him look like a bad photographer.  Even the claim that “art” now had to be an attack on the delusional bourgeois habit of trying to make visual and conceptual sense of the world has the feel, for me, of a rationalisation.

But there is much more to “realism” than mere realism.  What looks at first glance merely realistic is often aspirational, and to abandon the field of representational art to the mid twentieth century totalitarians was surely a propaganda error, to put it no more strongly.  For the likes of Ayn Rand, this was a surrender by the civilised world that should never have happened.

To point out that Rand favoured images that resembled Nazi and Soviet art is not to accuse her of being a Nazi or a Communist.  It is to realise that she did not want the still immensely potent artistic weapon that is representational painting and sculpture to be monopolised by the totalitarians.

All of which is something of how I see (and hear) the kinds of things that Christian Michel will be talking about on Friday.  As to what Christian himself will say, well, we shall see, and hear.

Meanwhile, here is an abundance of visual clues as to the sort of aesthetic territory that Christian will be traversing in his talk.  It will be an illustrated talk.  Here, without identification or further comment, from me or from him, are the illustrations he has sent me, in the order (I assume) in which he will be referring to them.

A few of these images are small enough to fit within the 500 pixel horizontal limit that prevails at this blog, a couple being very small indeed.  But most can be enlarged (a little or quite a lot) with a click:

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Wednesday October 15 2014

It’s that time of the year when I go into one of my local supermarkets and immediately start taking photos, like that, or like this:

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Yes it’s Halloween.  And the shops, in this case Sainsbury’s, are full of Halloween crap.  And I photo it.  I wouldn’t buy any of it.  Oh no.  I am far above that sort of thing.  But, I photo it.

Except, how about these rather cute buckets?  Just the thing for my Last Friday of the Month meetings, to put crappy food in:

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Only 50p per bucket!  I got two.  And I just might go back for more.

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Not that.  I wouldn’t want one of them.  That’s my picture of Sainsbury’s, having the last laugh.

Friday October 10 2014

The lion statues in Tragalgar Square are famous, and they deserve to be.  But there is another lion statue in London that I am also fond of, namely the one on the far side of Westminster Bridge from the Houses of Parliament.  I like, when I walk along beside the river next to St Thomas’ Hospital, to photo it lined up with the Wheel.

Here is how it looked, on the day I also took these photos, and these, and these:

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I really liked this when I saw it.  You wouldn’t want a guide lion, but, that’s the joke.

And this other guy liked it too:

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I couldn’t wait for Friday to come round so I could show these snaps to you people.  Inconveniently, I took them on a Saturday.

The BBC have been doing cats, in a three part documentary, and the papers are all over it.

It turns out that with us, cats are cats.  Then they go outdoors and become lions.  They get on better with us than they do with each other.  They have evolved to manipulate us into feeding and sheltering them.

With the arrival of the internet, the evolution of cats has entered a new and more intense phase.

LATER: Although guide lions probably wouldn’t work, here’s a 2012 story about a guide cat, who guides a dog.

SUNDAY: I was back there yesterday, and that bit of yellow writing wasn’t there when I first photoed this guide dog lion:

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And they have also sorted out that strap around the lion’s front.

More about what is going on here, here.

Monday September 29 2014

As revealed in this earlier posting, I recently visited Tate Ancient, which is only a walk away from where I live.  I should go there more often.

One of the big reasons being that it is a wonderful place, not just to learn about Art and all that kind of stuff, but to photograph photographers.  All who frequent this blog know that photographing photographers is an obsession of mine.

Photographers like these two:

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The blue-haired lady on the right was photoing the sculpture that can be seen more clearly, behind the man on the left.

Note that neither of the cameras seen in action here are of the old school and conventional sort.  No, they are iCameras.  There was a lot of this going on, not just picture making, but note taking.

Saturday September 06 2014

Late this afternoon I had another go photoing the Ballerina, the idea being to do this photo again, but better.

But then I noticed what comely wenches the statues below her were, photoed them, and then picked one and photoed her with a crane behind her:

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What I like about her is that she looks so relaxed and happy about what she is doing, and for that matter about what she is wearing.  Pavlova, dancing up above them, looks otherworldly and untouchable.  The statues look like girls next door, but really nice looking.  To be more exact, they look like the kind of girls you wish had lived next door, instead of the ones who actually did.

When I click on either of the above photos, I get the big versions rotated ninety degrees.  All I can say about that for now is: my apologies.  It is far too late at night for me to be working out why this happens.  Does it happen for you?  Comments would help, as would explanations of what I am doing wrong or what is going wrong, or whatever.

Thursday September 04 2014

Indeed:

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Taken a few minutes after I had taken this photo.

I should take that shot again, and get those spy cameras looking like they’re looking right at her.

This, you see, is why I like photoing in London, rather than in foreign parts.  In foreign parts it is inconvenient to go back and take a picture again.  In London, I can do this.

Tuesday September 02 2014

Indeed, I love that ballerina and her cranes:

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Photoed by me this afternoon.

A little googling suggests to me that I am almost the only one who enjoys this confluence of balletic grace, old and new.  But my googling is nothing to write home about and maybe the www is awash with Pavlova with cranes photos.

Quota ballerina with cranes photo
Out and about in the sunshine
Back from France (plus cat photos)
Sacred architecture and profane roof clutter - a speculation
Colossal fun
What is this Thing?
A Bobcat digger and the Coade Lion from the back
3D printed structural joints and another Gormley man
The Dragon Bridge of Da Nang
Pavlova with cranes
Leaf Cycle
Big Blue Cock photos
Noah – Cosi at the Imax – Big Blue Cock
James II dressed as a Roman
VC DSO DSO DSO DSO
Lego bridge in Germany
Star car
Finally working out what I liked about those Gormley Men
Art has its uses – but where did it have its uses this time – and what is it?
Photographers in the spring
3D printed baby in the womb
Blue wind
Don’t judge a new technology by its first stumbling steps
A quota post (with a quota link to a post about a post about a quota photo) and another quota photo
Camel
Faberge - Brutalism
Temporary art made of brightly dressed people
6k quota photo of sea
Sandcastles that will live for ever
Ice sculptures in Docklands – Big Things from Docklands
3D printer sighted!
Dog wearing funny spectacles plus electrical clutter
Ballerina with crane
Sculpture at St James’s Tube
The Kelpies of Falkirk
Michael Jennings photos the bridges of Porto
Crows nest made of coat hangers
Owl at Canning Town railway station
Photoing each other - and photoing stuff in the canal
A day in and around Olympicland with Goddaughter One
Quota photo of a bucket of plastic crocodiles in an otherwise deserted shop window in Oxford Street
Rooftops
Savoy cat
Stairs Thing outside St Paul’s
Wedding photography (3): Technology as sculpture
A mannequin in Tachbrook Street sheds light on the nature of perception
Art without Artists
Cheap hippos are hard to find
Skull made of skulls in gift shop street
New crane up
Croydon cats
Little Lady Liberty - still in France
Photographing Kreod
Bomber Command Memorial pictures
Latest C4 logo sculpture
Quota frogs
76 operas and a monument in the wrong place for Hermann the German
Quota hedgehog sculpture
Another pub
Another Assembly of Men
Gormley’s South Bank Men
Blue Men on a boring building in Borough High Street
Giant bull held up by scaffolding
Cool sculpture
Giant Jesuses
Tiny Cardboard Box People Appear All Over Singapore
A picture I want to remember
Cats with human faces
As strong and sweet as the free market itself
One man’s intellectual theft is another man’s marketing
Everybody draw Mohammed every day!
Quota swan
London is about to be Kapoored with a big new Olympic Games Thing
We’ll always have Chelsea
Scaffolding ball
Eros under an umbrella
Giant Bean covered in mirror
The Min-Kyu Choi folding three point plug
Decorated hippo
As found roof sculpture
Johanna Kaschke versus the Deluded Leftwinger
The Labour Party finally agrees on a new Prime Minister to replace Gordon Brown
Dripping table
Slumponomics
Structural decoration
Cat blogging and Gormley blogging
What The State looks like
The Wheel through some Art
The towers of London from the Copper Horse
Another strange Staines statue
Roll out the Lino
Not Billion Monkeys!
An abstract view of Kings Place
More sticking up stuff
Big head and big something else
Resizing Slim with Expression Engine
3D!
Pictures with words
A sculptural suggestion
Classic car thinness
The return of Friday cat-blogging
Twickenham shop attacked by the Dark Side of The Force
Exciting posting about shelves
Celebrating a victory
Not a hot day in January for the Billion Monkeys!
Billion Monkey scrunched up in a ball!
Reflections in a Belgravia shop window
Three proper photos … and three Billion Monkeys!!!
Spherical trouser sculpture
More St Pancras snaps
Manhole cover cats and Angel of the North shelves?
Yes this is cat blogging
American war memorial by the sea at St Nazaire
Berlin Billion Monkeys photo rat and cheese sand sculpture!
A squinting cat and a master ephemerist
Further pictorial shallowness
Engadgetry
Rokeby Billion Monkey!
Cat sculptures
More Magic Andy sand sculpture
Magic Andy makes magic dragon
The Mainstream Media finally get around to noticing Andy and his sand sculptures
Random London snaps from last year
Pylons
Kiev cat
No more photos for a bit after these ones
Alice in Fortnum and Mason
Everyone likes Magic Andy
Should blogs - this one in particular - specialise?
Bartók outside South Kensington tube
The Ben Pimlott lump
Old media
And then I went home happy
Puke