Brian Micklethwait's Blog
In which I continue to seek part time employment as the ruler of the world.Home
jhon on La Porte des Indes
Natalie Solent on Comrade Blimp
Michael Jennings on Confirmation that map use has seriously declined
Brian Micklethwait on Ashes to ashes
itrat batool on Ashes to ashes
itrat batool on Ashes black out
Michael Jennings on Ashes to ashes
Natalie Solent on Victor!
Natalie Solent on Victor!
Peter Briffa on Ashes black out
Most recent entries
- Taking photos with Big Flat Things
- Long Title (with italics)
- Confirmation that map use has seriously declined
- Comrade Blimp
- Ashes to ashes
- La Porte des Indes
- Friend on telly
- Sculpture at St James’s Tube
- Digital photographers holding maps
- More photos of things past
- Father Christmas Aerodrome
- How big should these squares be?
- Daniel Hannan’s latest book(s?)
- The Kelpies of Falkirk
Other Blogs I write for
6000 Miles from Civilisation
A Decent Muesli
Adventures in Capitalism
Alex Ross: The Rest Is Noise
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Burning Our Money
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This and that
Category archive: Sculpture
Quota photos, I’m afraid, but I like them:
Taken by me at St James’s Park Tube, yesterday. Not really sculpture, of course. But I like the colours that my camera has automatically selected for these images. And I like how the one on the left has the dirt highlighting the shapes, rather like make-up.
Anyone interested in new public sculpture should try googling for news about: Falkirk, Kelpies, sculpture, and such things. And be sure to include images in your searchings.
My favourite photos of these newly completed Kelpies are, I think, these ones, which were taken while they were still being constructed, and in particular, I like this one:
Horses heads, and also cranes.
I also like the one with the road sign in the foreground.
STV (Scottish TV presumably) news report today:
The Kelpies, by sculptor Andy Scott, are a monument to Central Scotland’s horse-powered heritage.
Each stands at a towering 30m and weighs over 300 tonnes. At a cost of £5m, the project is intended to be a symbol of regeneration in the Forth Valley.
They are part of the £43m Helix redevelopment of around 350 hectares of land between Falkirk and Grangemouth, including new parkland and pathways. It is hoped the site will attract thousands more tourists to the region and boost the local economy.
The statues were inspired by the supernatural water horses of Celtic mythology as well as the powerful heavy horses that were used in the early days of the industrial revolution.
Mr Scott, who also created the Heavy Horse sculpture on the M8 near Glasgow, said: “During the conceptual stages, I visualised the Kelpies as monuments to the horse and a paean to the lost industries of the Falkirk area and of Scotland.
I just caught the fag end of a TV news report on this, and google did the rest.
A few days ago I did a posting, featuring one of those faked up photos, about how they are talking of moving a bridge in Porto from down by the river to uptown. Unfortunately, I muddled up two different bridges. Michael Jennings informed me by phone of this muddle and then he added to the posting this further clarificatory comment:
The Dom Luis Bridge is in the centre of town, and is the principal pedestrian route from one side of the river the the other, the vehicle route for local traffic from close to the river one one side to close to the river on the other, and also (on the top deck) carries Porto’s light metro. The Maria Pia Bridge is the rail bridge a kilometre upstream that is no longer in use.
The Maria Pia Bridge was designed by Gustave Eiffel, although his employee Téophile Seyrig did much of the work. At the time it was the longest arch bridge in the world. Seyrig then (no longer working for Eiffel) built the Dom Luis Bridge, which then broke the record that had been held by the Maria Pia bridge. The two structures are similar, although the Maria Pia bridge lacks the bottom deck that the Dom Lewis bridge has. The two bridges are often confused. Also, perhaps rather sweetly, Dom Luis and Maria Pia were married to one other.
The plan to move the bridge away from the river seems a flight of fancy to me, although the basic problem that the bridge is very beautiful, very historically significant, and not presently used for anything does remain.
Michael spelt it Dom Lewis, but I’ve changed it to Dom Luis, because that does seem to be the proper spelling. Or maybe it is Don. Maybe it’s either Don Luis or Dom Lewis, and you can’t mix them. Whatever.
Michael, who happened to be just about to visit Porto when I said all this, was urged to send back photos of these two bridges. He did, for which much thanks.
Here is the bridge that is still very much in use, the Dom Luis Bridge, with a railway at the top and a road for cars and pedestrians at the bottom:
Taken with his iPad camera. Michael apologised for that, but I think it’s rather dramatic.
Later Michael sent two more pictures, presumably taken with a rather fancier camera.
First we have, again, the Dom Luis Bridge:
And here is the one they are talking about moving, the Maria Pia Bridge:
You can see why Portoans like their bridges, and why it seems like a nice idea to turn the disused one into a big piece of public sculpture.
Meanwhile, I repeat my earlier questions. Will people be allowed on top of the bridge to take photos from it? And: If Porto doesn’t want this bridge any more, can London please have it?
This is remarkable:
This is what it is:
The crows that live in Tokyo use clothes hangers to make nests. In such a large city, there are few trees, so the natural materials that crows need to make their nests are scarce. As a result, the crows occasionally take hangers from the people who live in apartments nearby, and carefully assemble them into nests. The completed nests almost look like works of art based on the theme of recycling.
Or, alternatively, like a Thing made with coat hangers.
But what I particularly like about the Crows Nest of Coat Hangers (I prefer “coat hangers” to “coathangers” because that could be read as “coa thangers") is that I have never before seen anything made like that by a bird. Made like that yes, by a human. By a bird, no. All the other photos are very nice, but I have already seen similar things, stunningly photographed. Technically, the crows nest photo is not actually that great. It’s the Thing itself that is great.
Photoed by me yesterday. On the left, the setting. On the right, the owl. It’s not a real owl. It doesn’t look like Art, i.e. something put there Officially. It’s too much like an actual owl to be Art. More like something really expensive you buy in a shop, like the one with these animals that I photoed a while back, in Croydon. The owl looks like it was put there by one of the station staff.
A little googling tells me that the owl is there to scare away pigeons.
So, they are Official, but they aren’t Art.
So yes, this time last week Goddaughter One and I went on a photowalk in the Hackney Wick area.
She sent me this photo that she took, of me photoing:
If you want to make an old man look bad, have him bend down.
This, with much rotating and cropping to avoid total embarrassment, is the photo I was taking:
I think we can agree that her photo is uglier, but more interesting and amusing.
Here is a photo I took of her:
If you want to make a young woman look good, have her bend down.
As for the photo that Goddaughter One was taking, well, I don’t have that. In general, though, she does this kind of thing quite often, e.g. when she spots a plastic bag floating in the canal. Commonplace, even ugly, objects can become very beautiful when photographed with a lot of skill, such as Goddaughter One possesses. (She is a professional, having recently had one of her photos on the front cover of the RIBA Journal.)
So, in the absence of the exact photo that Goddaughter One was taking when I took that photo of her last Sunday, here is a canal effect that I photoed, and would have photoed more had I realised, as I only did when I got home, how amusing the effect was and is. I refer to the way that a certain sort of water weed growing on the surface of still water (actually water that the water weed itself makes still) can make that surface look like dry land.
This effect is greatly enhanced when there are ugly things that are very light floating on that surface, with the water weed somehow seeming to push those objects upwards to the point where they appear simply to resting on the top of the surface, just as if it really was dry land:
Were I a bit cleverer with my camera, and were my camera also a bit cleverer, that could be an award-winning photo of the sort they print out and put in art galleries. Well, that’s what I think.
Today Goddaughter One and I had a wander around London’s Olympicland, or as much of it as we could get at, eventually ending up at the bit of the park that is already open, at the northern end of things. We started at Hackney Wick overground station, and finished there.
I took over seven hundred snaps, but am far too knackered to do a long posting now. The shot below is typical of the kind of shots I was taking. I did lots of the big, spikey topped Olympic Stadium. I did lots of shots of the Big Red Twisty Thing. And there was lots of clutter, vegetable and mineral, in the foreground.
I also did distant shots of other Big Things, also with much foreground clutter.
And so to bed.
Or maybe alligators. Who is to say? (You perhaps?)
Shop windows are full of strange and photographable things, I find. Sadly, the window aspect of window displays often causes an eruption of reflections that get in the way. Happily not this time, though.
Quota photo because I am now trying to put stuff up here at least every two days.
Stairs Thing outside St Paul’s
Wedding photography (3): Technology as sculpture
A mannequin in Tachbrook Street sheds light on the nature of perception
Art without Artists
Cheap hippos are hard to find
Skull made of skulls in gift shop street
New crane up
Little Lady Liberty - still in France
Bomber Command Memorial pictures
Latest C4 logo sculpture
76 operas and a monument in the wrong place for Hermann the German
Quota hedgehog sculpture
Another Assembly of Men
Gormley’s South Bank Men
Blue Men on a boring building in Borough High Street
Giant bull held up by scaffolding
Tiny Cardboard Box People Appear All Over Singapore
A picture I want to remember
Cats with human faces
As strong and sweet as the free market itself
One man’s intellectual theft is another man’s marketing
Everybody draw Mohammed every day!
London is about to be Kapoored with a big new Olympic Games Thing
We’ll always have Chelsea
Eros under an umbrella
Giant Bean covered in mirror
The Min-Kyu Choi folding three point plug
As found roof sculpture
Johanna Kaschke versus the Deluded Leftwinger
The Labour Party finally agrees on a new Prime Minister to replace Gordon Brown
Cat blogging and Gormley blogging
What The State looks like
The Wheel through some Art
The towers of London from the Copper Horse
Another strange Staines statue
Roll out the Lino
Not Billion Monkeys!
An abstract view of Kings Place
More sticking up stuff
Big head and big something else
Resizing Slim with Expression Engine
Pictures with words
A sculptural suggestion
Classic car thinness
The return of Friday cat-blogging
Twickenham shop attacked by the Dark Side of The Force
Exciting posting about shelves
Celebrating a victory
Not a hot day in January for the Billion Monkeys!
Billion Monkey scrunched up in a ball!
Reflections in a Belgravia shop window
Three proper photos … and three Billion Monkeys!!!
Spherical trouser sculpture
More St Pancras snaps
Manhole cover cats and Angel of the North shelves?
Yes this is cat blogging
American war memorial by the sea at St Nazaire
Berlin Billion Monkeys photo rat and cheese sand sculpture!
A squinting cat and a master ephemerist
Further pictorial shallowness
Rokeby Billion Monkey!
More Magic Andy sand sculpture
Magic Andy makes magic dragon
The Mainstream Media finally get around to noticing Andy and his sand sculptures
Random London snaps from last year
No more photos for a bit after these ones
Alice in Fortnum and Mason
Everyone likes Magic Andy
Should blogs - this one in particular - specialise?
Bartók outside South Kensington tube
The Ben Pimlott lump
And then I went home happy