Brian Micklethwait's Blog
In which I continue to seek part time employment as the ruler of the world.Home
Simon Gibbs on Strange light
Patrick Crozier on An underground history lesson
Patrick Crozier on Shiny little Aston Martin
Mike on Swarm Manned Aerial Vehicle Multirotor Super Drone
Vitrier Gujan-Mestras on Designing and building with glass
Brian Micklethwait on The wait continues
MarkR on The wait continues
Brian Micklethwait on An old American car in Tottenham Court Road
Sam Duncan on An old American car in Tottenham Court Road
6000 on London Biggin Hill "Jet Centre"?
Most recent entries
- Taxis with adverts
- Man on horseback – and cranes
- I am now really enjoying the Rugby World Cup
- Richmond boat cat - giant video kitten - East End cat graffiti
- Painting the bridges of Richmond
- Strange light
- Blokes photoing
- An underground history lesson
- England rugby and London soccer
- Here begins the Essex Way
- Glass Build white van
- BT Tower with cranes
- Shiny little Aston Martin
- On packaging – and on the need to chuck it out
- View of the footbridge - view from the footbridge
Other Blogs I write for
6000 Miles from Civilisation
A Decent Muesli
Adventures in Capitalism
Alex Ross: The Rest Is Noise
Another Food Blog
Antoine Clarke's Election Watch
Armed and Dangerous
Art Of The State Blog
Boatang & Demetriou
Burning Our Money
Chase me ladies, I'm in the cavalry
China Law Blog
Civilian Gun Self-Defense Blog
Coffee & Complexity
Communities Dominate Brands
Confused of Calcutta
Conservative Party Reptile
Counting Cats in Zanzibar
Deleted by tomorrow
Don't Hold Your Breath
Douglas Carswell Blog
Dr Robert Lefever
Englands Freedome, Souldiers Rights
Everything I Say is Right
Fat Man on a Keyboard
Ferraris for all
Freedom and Whisky
From The Barrel of a Gun
Gates of Vienna
Global Warming Politics
Greg Mankiw's Blog
Guido Fawkes' blog
Here Comes Everybody
Hit & Run
House of Dumb
Iain Dale's Diary
Jeffrey Archer's Official Blog
Jessica Duchen's classical music blog
Laissez Faire Books
Last of the Few
Libertarian Alliance: Blog
Liberty Dad - a World Without Dictators
Lib on the United Kingdom
Little Man, What Now?
Loic Le Meur Blog
L'Ombre de l'Olivier
London Daily Photo
Metamagician and the Hellfire Club
Michael J. Totten's Middle East Journal
More Than Mind Games
Mutualist Blog: Free Market Anti-Capitalism
My Boyfriend Is A Twat
My Other Stuff
Nation of Shopkeepers
Never Trust a Hippy
Non Diet Weight Loss
Nurses for Reform blog
Obnoxio The Clown
On an Overgrown Path
One Man & His Blog
Owlthoughts of a peripatetic pedant
Oxford Libertarian Society /blog
Patri's Peripatetic Peregrinations
Police Inspector Blog
Private Sector Development blog
Remember I'm the Bloody Architect
Setting The World To Rights
SimonHewittJones.com The Violin Blog
Sky Watching My World
Social Affairs Unit
Squander Two Blog
Stuff White People Like
Stumbling and Mumbling
Technology Liberation Front
The Adam Smith Institute Blog
The Becker-Posner Blog
The Belgravia Dispatch
The Belmont Club
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the blog of dave cole
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The Welfare State We're In
UK Commentators - Laban Tall's Blog
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Violins and Starships
we make money not art
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Institute of Economic Affairs
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This and that
Category archive: Friends
Incoming photo (which is something I like a lot), from Simon Gibbs, of a sign (I like signs a lot), near Southwark Cathedral:
Click on that to get the bigger, unhorizontalised picture, and read more about what this is about here. Google sends me regular links to anything that is “new architecture london”, and there’s been lots written about this place.
Although, rather oddly, I couldn’t find any pictures of this sign. Maybe this will change that.
The gimmick is that this is a pub that sprays alcohol into the air. That was always going to be catnip to the media, social and regular. “Breathe responsibly”. Arf, arf. There are already plenty of pictures around of that sign.
Last month, on the 22nd (thank you my camera), a friend took me to see a show consisting, in the first half, of improvised comedy, and in the second half of pre-written sketch comedy. This was at a venue called the Proud Archivist (thank you me for photoing the sign saying that).
The core skill of the performers who were performing that night was improvisation, and it showed, part two being a rather severe disappointment after the often considerable excellence of part one. The sort of sketches they did in part two needed to be done with detached and unrealistic faithfulness to the text, Footlights/Monty Python style, almost like you are reading the lesson in church, not “realistically”, as these performers tried to do. But all it sounded like was that they had forgotten the damn words. (I heard later that they included some improvisation in some of the sketches. That was when this dire effect was at its most severe, or so I presume.)
But best of all, which as far as I was concerned made the entire expedition totally worthwhile, was the extraordinary light outside, for a few fleeting minutes during the interval, outside being where I went during the interval.
Here are two of the photos I took from just outside the Proud Archivist, next to the canal, during that interval:
Okay, what was photoed there is nothing out of the ordinary, with the second picture just being a close-up selection from the bigger picture displayed in the first. But the light! Photography is light, and that is light! Or, it was. Do you at least get a hint of what it was like actually to have been there, then? Hope so.
That’s not my punctuation. That’s their punctuation:
This is sort of a wedding photo, in the sense that I took it just before the wedding of Ayumi and Richard, last Saturday, just outside the Church, where there is a market.
There was nobody manning this particular stall, selling miniature pub signs. And I have a rule about signs that say No Photos, or for that matter No Photo’s. That rule is: I take a photo of all such signs that I encounter. Their rule: No Photos. My rule: Photo of their rule.
I’m guessing that what they mean by a photo is a carefully composed photo of just one of these signs, so I don’t believe that, in the unlikely event that they find out about me posting this photo here, they’ll care. Besides which, maybe they have discovered that if they exhibit all their signs for sale, and stick “Sorry! No Photo’s!” in among them, they get free publicity from photographers like me.
I didn’t really compose the shot. I just grabbed it, on my way into the wedding. But I do like how it says “Queen Vic” and then “England”, right at the top. And, top left: “London”.
This had to go up today, because as you can see, cats are involved. And my rule about sometimes having stuff here about cats on Fridays has mutated in my head into a rule that says that I may only mention cats on Fridays, otherwise they’d overrun the entire blog.
Speaking of cats, I also recommend this video, which I found when I visited, after long absence, Norman Lebrecht’s site, this morning.
And: An actual exhibition about cats and the internet, just opened in New York.
A friend of mine has a young daughter who is a very promising ballerina. Young and very promising ballerinas tend to find themselves being guided from time to time by quite significant ballet persons, and I have urged my friend to pass on to any significant ballet persons he meets that they ought to do a ballet based on the antics of us digital photographers.
If any significant ballet persons ask what sort of thing that might involve, I suggest they be shown pictures like these, which I took between 2006 and 2007:
Click on any of those pictures and you’ll see that what they’re all about is the big bodily contortions that digital photographers do, mostly just to get their cameras at the right height. But, there is also the matter of the fun and games the people being photoed often get up to. They do lots of more self-conscious posing.
Quite a few of these pictures have been posted on the www by me before, mostly on this blog. But the idea of this posting is to gather together a biggish collection of such pictures, all in one place, for the ballet persons to say: “Wow! Yes! We’ll do it! Pay the crazy blogger double whatever he asks to let us look through his entire photo archive!”
There’s a whole other clutch of pictures showing digital photographers and their hands and fingers. They wave their fingers about, just to keep their fingers out of the pictures. Ballet people would like that too. In the absence of more pictures here, they could just walk over Westminster Bridge and watch the photographers doing it. Because, provided they are only using small cameras, the photographers do this all the time.
Me being me, there is no category here for “dancing”. So, “sculpture” will have to do, as in humans making sculptures of themselves.
And that’s not to even mention the whole selfie thing, and the amazing human sculpture making that that can involve.
I spent the morning not doing anything here, and then the later morning making sure that there were no Ashes mishaps. Then I spent from the middle of the day almost to the end of the night attending a wedding. I took about eight hundred pictures, but for now, one must suffice, not very wedding related, other than it was taken from where the reception took place, namely from the upstairs bar and terrace of Doggett’s Coat and Badge.
I am often out and about in London as the sun sinks, but seldom in a place like this, a crucial few dozen feet higher up than usual. I think this affected the effect of the sun on the Big Things of the City.
Although, it could just be that I was in a good mood and the view was slightly unfamiliar. After all, I was high enough to see over the new Blackfriars Bridge Station, and thus see those Big Things from an angle I’m not used to.
I am not used to the Gherkin being totally hidden by the Cheesegrater, which in this shot it just happens to be. Perhaps that is what is making the Cheesegrater look so good, to me, today. There is no bulge bulging out from behind it.
As you can see, one of the cranes was on fire with the light of the sun.
Most of the things I tell you about at this blog are the sort of things that will keep for a month.
This view, for instance, looks exactly the same today, apart from any weather differences, as it did on the day I photoed it, nearly a month ago. Okay, weather does make a difference, so these Things probably did look quite different today to how they looked on July 7. But, they won’t have moved:
G(od)D(aughter) 2 wanted to visit countryside. And I wanted to visit Richmond Park. At Christian Michel’s, on the July 6 manifestation of his 6/20 meetings, I had had a Distant Views of London’s Big Things conversation. Hotel ME, Parliament Hill (click on that to see what a huge difference different weather can make, in the space of a few minutes), this rather hard to describe one, that kind of thing. Richmond Park, said this most obliging woman. Have you tried that view? No, said I. You should, said she. So, Richmond Park was the perfect spot for me and GD2 to visit. GD2 wanted rurality. I wanted a new and exciting view of urbanity.
The picture above is a rather extreme case of a good photo taken badly. (I will return some time Real Soon New and take it better.) But I like it, because it records the moment when I first saw that the woman the night before had been spot on. Wow. There’s London. Mission accomplished.
But soon, the views got a bit better, and so did the photos:
That’s a photo taken with my now maximum zoom (maybe this will get zoomier some time soonish). The next two are me easing off on the zoom, to show not only London itself, but how London looks from Richmond Park, by including a bit more of Richmond Park.
I like these snaps so much that I took a long time pointlessly fretting about how exactly to display them here. In the end, I just did what Hartley always does. I just piled them up vertically.
The Walkie Talkie looks particularly fine in these snaps, I think. However, it is becoming harder defend this building, even though I am determined to go on doing this. Not content with firing death rays down onto the street in front of it, this building, it is now being said, is doing terrible things to the local weather. The death rays were easily corrected, but changing these wind effects will be much harder. Basically, those on the receiving end will have to get used to it, one way or another, which might include more architecture.
This is the kind thing that happens when you build a building which is a different shape to all previous buildings. You find out that there are reasons why people mostly don’t build buildings this shape. No, that’s not quite it. You find out that whereas regular-shaped buildings, having been built a million times, have had all the bugs ironed out of them, this is not true of your building. Simply nobody know exactly how to build it. Not you, not anybody.
I need to get out less, and this weather is not helping.
Tomorrow, the weather will be helping very much:
This is perfect. My life today, in the last few days, and for the last few weeks, has been one mad social whirl after another, my contented solitude being having been violated seemingly every other evening and sometimes more often even than that, which is all fun and all that, but I find that an evening out puts a blight on creativity for the entire day, because what if I start something, want to finish it, but then don’t have time to, because I have a social whirl to attend and to get ready for and to find my way to and to find out about finding my way to? Last night I whirled out to watch theatrical stuff in an unfamiliar and transportationally complicated part of town with a theatrical friend. Tonight, I face another social whirl, to meet Perry II. Every time I go out I take photos, but because of all this going out I have no time to show them to you people or not with the sort of insightful commentary that I want to attach to them without which what’s the point? - They’re just pictures.
So tomorrow (a day during which I have nothing else planned), I will stay in all day, and try (although I promise nothing) to do here a mammoth day of catch-up blogging, showing you a tiny fraction of the pictures I have been taking lately, all properly explained, and anything else I’ve been meaning to put here for some time that I decide to put here tomorrow, in not one, not two, but many postings.
We shall see.
As already related here, I had a delightful day out with G(od)D(aughter) 1, way back whenever that was. And I got as far as telling you that we had succeeded, with the help of our mobile phones, in meeting up, not (as I wrongly related (apologies to anyone inconvenienced or insulted)) at the “Manor Park” Cafe, but at the Park View Cafe. And I also wrote about how I nearly didn’t have my mobile phone with me, and about how inconvenient that would have been.
Once settled inside the
Manor Park View Cafe, GD1 and waited for the rain to stop, and conversed.
GD1 was full of apologies for the fact that she had kept on postponing our expedition. I, on the other hand, was rather pleased about these postponements, because they were caused by pressure of work, GD1’s work as a professional photographer. And I think that her being faced with pressure of work is good. Getting established as a professional photographer has been a bit of a struggle for her, but now the struggle seems to be paying off.
Another sign that GD1 is now photographically busier than she had been in former years was that she felt the need to apologise also about not having done much recent photoing for the sheer fun of it, as I constantly do, and as the two of us were about to do again. “You put me to shame” was the phrase she used, in one of her emails to me before this latest walkabout. But again, I see that as a good sign. I mean, if you have spent a day taking important photographs for a demanding client, and being sustained in your efforts by the expectation of money, would your idea of a fun way to wind down be to go out and take yet more photos, with nobody paying you? That she does rather less fun photoing than she once did means, again, that she is probably busier doing work photoing. Good. Under the circumstances, it was all the more kind of her to be willing to share a day with me doing this now, for her, ever so slightly uncongenial thing.
At the Park View Cafe, GD1 and I discussed the fact that, although becoming an established professional photographer may be a struggle, this line of business still most definitely exists.
Not that long ago, some were predicting that the ubiquity of cheap-and-cheerful cameras, wielded by cheap-and-cheerful photographers like me, would drive the formerly professional photographers out of business. Well, it did drive some of the old pro photographers out of business. But the world now is at least as full as ever it was of pro photographers, including many who started out as cheap-and-cheerful digital amateurs.
Yes, there have been big changes in the photography business, as my friend Bruce the Real Photographer long ago told me, when digital cameras first started catching on. And change often registers first as bad news for existing practitioners, who then have to adapt fast or go out of business. Because yes, lots of the kinds of photos that Real Photographers like Bruce used to charge for are now taken by amateurs instead. Family portraits, for instance. If you take photos of your kids constantly, you are pretty much bound to get lucky with some of them, and that’s all most people probably want.
And yes, amateurs like me can sometimes take nice wedding pictures. But, would you want to rely on the amateurs to take those crucial never-to-be-posed-for again wedding moments, just for the sake of a few dozen quid? I think not.
Or consider the house-selling trade. The phrase “false economy” is the one that best explained why there will always be professional photographers alive and well in that line of business. Imagine you are trying to sell a house, perhaps for several million quid. Does it really make sense to rely on some fun-photographer like me to try to make the place look its best? No it does not. A crappy set of house photos or a flattering set of house photos could be the difference between sale and no-sale, a difference that could be worth hundreds of thousands of pounds or more. So, not spending a few hundred quid making sure that the photos are non-crappy is … a false economy.
In general, whenever the economic difference made by good photos dwarfs the mere cost of good photos, then good photos will be demanded, and good photos will be paid for.
Here is a rather crappy picture which I recently took, of a non-crappy picture of a house interior, a house recently featured in the Guardian, a house which is (fingers crossed, for it is now (or was until very recently) owned by a good friend of mine) about to change hands for several million quid:
That’s a photo of a glossy brochure, devoted to this one, highly desirable house. The house-sellers paid quite a lot for that glossy brochure. For the same reason, they paid quite a lot for the photos in it. Why would they not? My friend described the mysterious things the photographer did with light when he visited. “Ambient” light, was it? I can’t even remember. A simple way of putting it would be to say that if a muggins photographer like me had taken the photos, the garden would either have been invisibly white or the rooms would have been invisibly dark. Plus, more generally, and for reasons I don’t even understand, it wouldn’t have looked like nearly such a desirable place. No wonder the guy who took this photo makes a living at it. And I’ll bet he doesn’t any longer go out fun-photoing in his spare time, any more than GD1 now does.
So, in the short run, Bruce the Real Photographer was suddenly faced with a hoard of crappy photographers like me, taking all the “good enough” photos that he had been taking, and he had to adjust to that by finding other photos to take. This was not fun for him, at all. But meanwhile, the same digitalisation-of-everything process that was making such miseries for Bruce the Real Photographer was also creating a whole new world of internettery where photos are now required. Most of these photos need only be “good enough”, so Bruce the Real Photographer can no more make a living doing them than he can make a living with the many of the photos that he had been taking for a living in his younger days. But, GD1, after a struggle, is finding work, illustrating all that internettery, for all those people - people like my friend’s house-sellers - for whom only very good is good enough.
If only because there are now so many more photos swirling about in the world, if you want your photos to stand out from the crowd, they need to be really good. And really good costs.
My guess is that the photography profession is now several times bigger in number than it used to be, before cheap digital cameras erupted.
I say similar things from time to time (for instance towards the end of this recent posting here about the changing context within which Samizdata now operates) about the impact of the internet on the old-school news media. Despite many individual failures to adapt to the new digital dispensation, and despite similar prophecies of doom at the start of the digital age, the Mainstream Media are in much the same sort of healthy state as, to adapt that phrase, Mainstream Photography. And the current non-plight of the Mainstream Media is not only analogous to the non-plight of Mainstream Photography, but yet another cause of that non-plight. After all, one of the biggest customers for Mainstream Photography is the Mainstream Media.
A man taking a Selfie before it was A Thing (and me taking a picture of him)
Moving speaker – unmoving listeners, video holder and books
Out and about with GD1 (3): Baritone borrows my charger
Out and about with GD1 (2): How mobile phones both cause and solve meeting up problems
Heaven aka the Barley Mow
A very distant and yet very good view of the Big Things of London
Church not dwarfed by anything
Ruddigore in Blackfriars
White Van Brians
From a cat cushion to Bill Murray and a nude to a demon horse sculpture that killed its creator
The Leaning Stonehenge Tour Bus of Salisbury
It feels like Sunday already
Talk went well - two (not really) quota photos
Incidental Last Friday details
Old Quimper Cathedral
Christmas Day photos
My digital photos on his TV
ASI Christmas Party photos
Photoing at the ASI party
At the ASI Christmas Party
In the City with Gus
Michael Jennings at the Rose and Crown
A birthday party with difficult lighting
Happy Friday (eventually)
ASI Boat Trip 5: Individuals
ASI Boat Trip 4: Groups of posing people
Big Things from high up at the Oval
Last night at my place
Lilburne on a T-shirt and Lilburne on a mug
Two bits of hospitality trivia
Sam Bowman on Bleeding Heart Libertarianism
Remembering another Christian name (and flagging up another talk)
3D printed baby in the womb
Church really dwarfed by modernity
Eiffel Tower with chimney pots – La Défense ditto
Digital photography as telepathy
Happy Old Year
Friend on telly
Alex on Quentin
The Heron Tower restaurant
The next four Brian’s Last Fridays (including December 27)
Photoing each other - and photoing stuff in the canal
The Alex Singleton blog
The Johnathan Pearce Samizdata gap
Wedding photography (7): Evening
Steve Davies talk last night
the Norlonto Review is back!
Wedding photography (6): The Wedding and the Reception
A Fleet Street lunch
Wedding weather looking good
Alastair James on Blythe Hill Fields and smartphones
Doing libertarian business at the Libertarian Home social
Talking architecture at the Libertarian Home social
Brian’s Fridays will resume on the 25th of this month
A (slightly delayed) Happy New Year
Christmas Eve feast
Nice blog you have here … shame if something happens to it
“I just came across this fascinating photo …”
Usain Bolt takes photos of photographers!
The view from the train
Happy New Year
Occupy St Paul’s pictures
Les Rillettes Henaff
Alex Singleton has a new blog
No fruit juice
Five pictures of me
Out to lunch with Alex Singleton
David Botsford a decade ago
And here’s the proof!!! Sixteen little square pictures!!!
Talk at Christian Michel’s
Only up to some random linkage and a little felinity
Transport Blog restarts
Beyond the Dome with Goddaughter One
10/10/10 launch for Norlonto Review
Ums and ahs
iScream from Artisan du Chocolat
Peaceful time in war zone
Tim Evans looking happy
Making the effort
Alex Singleton on Photoshop CS5
Steve Davies lecture - photoing and videoing the lecture - post-lecture chat
Goddaughter One is now a photoblogger
We’ll always have Chelsea
Why do pregnant women now do quite a lot of driving of their husbands?
Two real cats sighted in Spain!
Two red cats
Possible holiday interruption
Saying it with lights in the Victoria Station shopping centre that were still switched on!
Free Skullcandy on a bus in snowy Edinburgh
Samizdata and Zimbabwe both on the up and up?
Antoine Clarke talks about Facebook and Twitter – Guido and … Ian Geldard?
Paul Marks on the financial crisis and on the badness of Obama
I’ve just sold Jesus!!!
A little archaeology
Me and Michael Jennings talk tech trends
Tienanmen + Twitter = Teheran
London Bites @ Sway
Green eyed monster devouring cat food
Vince Miller with cat
Busy day and busy night
Cat blogging and Gormley blogging
The Vita-Mix 5000 at the Veggie Show
Google and dongle
Another Samizdata piece
Happy Christmas to all my readers
Waiting for shooting to start
To Guy’s with Gerald
At Liberty 2008 all day
On top of Tower 42
Antoine and Michael on what to do now
Tom Burroughes on the banking crisis
When three’s company but four’s a crowd
Busy at my other personal blog
“Japan is fantastic …”
Why I prefer to live in a failing neighbourhood
Resizing Slim with Expression Engine
Twenty20 cricket on Sky TV
Posting at Michael’s
The new Lowe look
Tea with CDs
A new British citizen
Billion Monkey Alan Little?
Billion Monkeys say Happy New Year!
Here it is Merry Christmas
Billion Monkeys and a Real Photographer at the Golden Umbrellas
She’s alive I tell you! Alive!
Socialising with the Social Media
Talking with Antoine Clarke about Sean Gabb
Ideas and opportunities
A talk and a photo
On the appeal or lack of it to Young Europeans of “capitalism”
Friends of Slava
Billion Monkeys at the wedding!
The Mainstream Media finally get around to noticing Andy and his sand sculptures
Evite makes sure I remember it
Me on a bridge by Goddaughter One
When “it’s” becomes “it is” – plus a picture of some Mac users
That Rooney goal
World War One talk at Christian Michel’s
Back to the future with the virtuoso violinists
Superb Simon Hewitt Jones gig – and a couple of blogger gripes
Christmas and New Year’s Eve
Haircuts before and after
By the rivers and canals of East London with Goddaughter One
Hellcab at the Old Red Lion
Alice in Texas on form - England in Australia not
Why photographing Big Ben can resemble being photographed with a sandwich
Sometimes things just work out
Adriana Media Influencer: What do you do? (the mp3s of the book)
“Publish it in your Blog!”
Everyone likes Magic Andy
Antoine Clarke and I don’t talk about elections
BrianMicklethwait.com quote of the day
Should blogs - this one in particular - specialise?
[new addition to my blogroll]
Remembering the Alternative Bookshop experience
A talking blog welcomes me back
Patrick and Brian talk about the War on Terror - thoughts about podcasting
Adriana tours her own back yard
Not much here today
Kristine writes down some of what Adriana said
Adriana’s Thing mp3
Podcasting with Adriana tomorrow
Unpaid happiness is not misery but it is a step in that direction
Billion Monkey Lady photos me!
Something to bore everyone
Billion Monkey flash!
Bashing on for Samizdata
Billion Monkey at Tom and Noreen’s wedding!
A handwritten letter from Alex Singleton
On style and politics
Another phone glitch
Chris Tame’s funeral will be this coming Saturday
On the spread of voluntariness
Quoted but not linked to
It went fine
Comedy on Thursday and rehearsing for it
Perry and Adriana in the Guardian