Brian Micklethwait's Blog

In which I continue to seek part time employment as the ruler of the world.

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Category archive: Intellectual property

Friday January 19 2018

Indeed:

image

At the time I took that photo, in Lower Marsh, I was with someone else, and just grabbed the shot before moving on at once.  But I reckon it came out really well.

Wikipedia tells us of Mickey Mouse’s compiucated origin.  He was a replacement for a rabbit, and before a mouse was arrived at, it seems that many other animals were considered:

Mickey Mouse was created as a replacement for Oswald the Lucky Rabbit, an earlier cartoon character created by the Disney studio for Charles Mintz, a film producer who distributed product through Universal Studios. In the spring of 1928, with the series going strong, Disney asked Mintz for an increase in the budget. But Mintz instead demanded that Walt take a 20 percent budget cut, and as leverage, he reminded Disney that Universal owned the character, and revealed that he had already signed most of Disney’s current employees to his new contract. Angrily, Disney refused the deal and returned to produce the final Oswald cartoons he contractually owed Mintz. Disney was dismayed at the betrayal by his staff but determined to restart from scratch. The new Disney Studio initially consisted of animator Ub Iwerks and a loyal apprentice artist, Les Clark, who together with Wilfred Jackson were among the few who remained loyal to Walt. One lesson Disney learned from the experience was to thereafter always make sure that he owned all rights to the characters produced by his company.

In the spring of 1928, Disney asked Ub Iwerks to start drawing up new character ideas. Iwerks tried sketches of various animals, such as dogs and cats, but none of these appealed to Disney. A female cow and male horse were also rejected. They would later turn up as Clarabelle Cow and Horace Horsecollar. A male frog was also rejected. It would later show up in Iwerks’ own Flip the Frog series. Walt Disney got the inspiration for Mickey Mouse from a tame mouse at his desk at Laugh-O-Gram Studio in Kansas City, Missouri. In 1925, Hugh Harman drew some sketches of mice around a photograph of Walt Disney. These inspired Ub Iwerks to create a new mouse character for Disney. “Mortimer Mouse” had been Disney’s original name for the character before his wife, Lillian, convinced him to change it, and ultimately Mickey Mouse came to be.

Those two paragraphs are, at Wikipedia, crammed with links.  Follow the link above and scroll down to where it says “Origin”, if you want to follow any of these links.

I will, however, honour the amazingly named Ub Iwerks with a link from here.  I wonder how he was pronounced.  His dad was from Germany, and I think I know how they’d have said the name there.  But, Ub (!?!) was born in Kansas.  When it came to Amercans pronouncing foreign names, all bets were off.  My guess is there were lots of Germans where the Iwerks family grew up, and thus it was not felt necessary to do any name changing.

Blog and learn.

Tuesday November 14 2017

A lot of the stuff at Digital Photography Review these days is about money-no-object high-end DSLR cameras, and about the many different money-no-object lenses you can shove on the front of DSLRs.  When DPRev descends from this Olympus (or this Canon or this Nikon) they usually then prattle on about the cameras on smartphones.

But this report, even though it says it’s about DSLRs, I did find interesting.  Canon have filed a patent for a new sort of bigger flip out screen, in other words a bigger version of the sort of screen that I for one could not now do without:

While a hinged DSLR rear display is nothing new, Canon’s patent shows a design that would allow for a large and reversible display unlike anything we’ve seen before. In fact, the LCD shown in the patent’s illustrations covers the entire back of the camera, making it necessary to tuck the rear dial and several buttons behind it, though several others are exposed on either side of the viewfinder.

I can remember when flip out screens were held in contempt by the DSLR fraternity.  But many of us digital snappers took to them with eagerness, having worked out that there are many photos that are pretty much unphotoable without such screens.  The one where you hold your camera as high as you can above your head, for instance, yet still manage to compose your photo accurately as you point your camera slightly downwards to capture a scene that you can’t yourself see directly because you are stuck in a crowd, but which you can see on your twiddly screen.

To be fair to Canon, after an initial period of head-in-the-sand stupidity, they have for quite a while now lead the way with adding flip out screens to DSLRs, and all the other big manufacturers have followed along.  There are still plenty of cameras available without flip out screens, for idiot Not-As-Real-As-They-Thing Photographers who take positive pride in not liking these screens, and maybe for some truly Real Photographers who truly do not need them.

As the report goes on to acknowledge, filing a patent and actually making and selling the thing patented are two different things.  But Canon’s new and much bigger variation on the flip out screen theme suggests that the huge added value of these screens is now widely understood by camera makers.

Friday October 06 2017

A couple of days ago, I photoed words, and I photoed the top of the Boomerang (although I would recommend scrolling down rather than following these links (a lot quicker (alas))).  But in among photoing all that, I also I photoed this ambiguous beast.  Ambiguous because originally, the beast looked a lot like this:

image

But then someone else, by adding some alternative eyes, turned the beast into this:

image

The original photo I took, from which both the above versions were cropped, looked like this:

image

You see, that’s the trouble with the Leake Street Tunnel.  Nobody owns it, other than a sort of conglomerate of politicians, and what that conglomerate has decided is that whereas all artists may paint in the Leake Street Tunnel, none of them can prevent further painting by further artists.  The only immortality achieved is virtual and digital.

Or, maybe it’s a bit more complicated.  And if you aren’t part of the club, and you just turn up and paint, you get your knees broken, or something.

Whatever.  The thing I really admire about the beast, as originally painted by Artist One, is the state of its teeth.  Check them out.  Thought has gone into them.  No wonder Artist Two was envious, and decided to appropriate them for his alternative beast.

Sunday March 12 2017

I’m still photoing photoers, basically because the photos of photoers I took about a decade ago get more interesting by the year, and so, I’m betting, will photos like these, which I took in Trafalgar Square, last October:

imageimageimageimageimageimageimageimageimageimage
imageimageimageimageimage

The difference from ten years ago is that I avoid photoing faces far more than I tried to then.  That means, as explained in this earlier posting, that I find myself photoing a lot of hair, as above.  Although, 3.3 is the hair on a lady’s sleeve, and the guy in 2.3 has no hair.  But, he has a hair style.

But I’m not a hair fetishist.  I’m just a not-face photoer, when I’m photoing strangers who are themselves photoing.

There was a posting at Mick Hartley’s yesterday which showed that concern about photoing the faces of strangers and thereby in some way stealing from them is not new.  Hartley reproduces a great pile of photos, photos like this:

image

Scroll down to the bottom of Hartley’s posting, and you will encounter quotes from the man, Richard Sandler, who took all these ancient black-and-white photos, of strangers.  Go to where Hartley got these pictures and the quote, and you’ll get one of the questions, as well as the answer.

Have you had anyone ever question your motives in the street? Did you ever piss off anybody?

Occasionally people get angry and they have a right to, I am stealing a little something from them. Also for many years I used the strobe on the street and so there was no hiding what I was doing ... it can be startling. I have been kicked, spit on, and chased, but not very often. Once a woman with a rabbit pursued me for 30 minutes because I had flashed her and her pet.

Hartley also quotes Sandler saying this:

I think those were more interesting times because the warts of corporate/capitalist society were more visible then they are today, and those contradictions could be photographed more directly than now ... also every third person was not virtual, being on the fucking phone and not really on the street ....

Two things about that.  One, there is something rather exploitative about these photos, as he goes on to admit, sort of like an old school colonist photoing the natives.  Second, why the hell are “fucking” phones not themselves fit objects for his photoing?  Not really on the street? Come on.

They are certainly fit objects for my photoing.

Could it be that Sandler is suffering from a dose of professional jealousy?  Suddenly, the damn natives can photo the warts of corporate/capitalist society for themselves.  And nowadays, they don’t even have to use a dedicated camera.

And as for flash, well, the latest cameras hardly need them.  They can pretty much see in the dark.

Friday October 28 2016

Indeed:

image

Leake Street, October 19th.  Probably still there, as of right now, but quite possibly already painted over.

I do not know why the cat is saying: “4”.  Some sort of golfing reference?

Monday October 10 2016

I’ve spent all my blogging time today trying to write a couple of things for Samizdata, so once again it’s quota photo time, this time in the form of a photo of Tom Cruise that I photoed recently, just a few minutes before I took this footbridge photo.  To be more exact, it is a photo of a photo, of Tom Cruise:

image

That photo that you see in my photo is to be seen outside the Duchess Theatre in the West End, where the play being shown Goes Wrong, every night, without, although this may not be quite the way to describe things, fail.

I assume that you can only exhibit a picture of Tom Cruise like that if Tom Cruise gives his permission.  If that’s right, Tom Cruise proves himself to be a good sport.  Or, perhaps, a greedy bastard.  But for now, I’m going with good sport, if only because if he got greedy, they couldn’t afford it.

Friday March 11 2016

Well, the New Year (even though the New Year is actually getting quite old now) Resolution here, to blog early, and sometimes even to blog often, is working well.  I haven’t delayed going to bed because of this blog for about a week, and I sense that this may even continue.

Friday is my day for cats, and now also for other creatures, and already this Friday, even though it not yet even the middle of the day, there has already been a posting here about dogs.  Republican dogs.  That posting is right below this one, but there’s the link anyway.

And here now is another creature posting, about a truly unique other creature - half cat, yes, but also half dog, half bee, half zebra, and wholly suitcase - of the sort that kids can ride, at airports, to stop them getting bored:

image

Apparently Trunki made the first of these, and then some Hong Kong guys did a cheaper knock-off, and Trunki complained.  Trunki lost.

These cases - the physical (suit)case and the legal case - illustrate the fine line that divides a design from an idea:

But five Supreme Court justices unanimously disagreed, and ruled in favour of PMS on Wednesday – stating that while it had “sympathy for Magmatic”, the “Design Right is intended to protect designs not ideas”.

It looks a lot like a design being copied to me.  Not that I mind.  And actually, I think the Hong Kong version is better, because the original can’t make up its mind whether its eyes are eyes or horns.  HK case resolves this by having eyes and horns.

PMS website: here.

Monday February 29 2016

Indeed:

Anyone trying to fly a UAV over the outdoor sets where the next installment of the Star Wars saga is being filmed in Croatia might be met by drones owned by the production company.

I knew there were such things, but it’s good to actually read about them.

The fun really starts when drones on spy missions like this are also armed, so they can fight off the drones that attack them.

Drone v drone fighting is going to be a spectacular sport, just as soon as it starts getting organised.

When me and the Transport Blog gang visited the Farnborough Air Show, way back when we did, it was good, but it felt rather antiquated.  Drone v drone contests – real contests – would liven that up no end.

Anti-drone drones
William Hague on the collapse of the centre left
Two strangers photoed by Mick Hartley and shown there (and here) without their permission
Is 2007 old enough?
Christmas tree with scaffolding
ASI Christmas Party photos
Dominic Frisby on the Hype Cycle
On the rights and wrongs of me posting bits from books (plus a bit about Rule Utilarianism)
In which I quotulate from a photo of a Canadian train
Two guys on Westminster Bridge photoing ice creams in front of the Houses of Parliament
Tate cat
A Real Photographer does a shadow selfie
Lining up the Strata with the Shard
Classic Feline Friday quote from Tim Berners-Lee
A quota post (with a quota link to a post about a post about a quota photo) and another quota photo
Wedding photography - old and new
Richard Stallman on software patents
Interesting software NewZ
Michael Jennings - pictures of globalisation
Steven Pinker’s description of The Enlightenment
Celebrity photoshoot?
Pictures of the Libertarian Home meeting in Southwark last night
Rally Against Debt signs
Another Assembly of Men
A Spanish high speed train bridge and a Spanish aqueduct
And then give up and stay fat
Yet more redirection
The Humpty Dumpty Learning Channel
Questions concerning the death of copyright protection on downloaded MP3s
Guerrilla webfare
I don’t usually approve of swear blogging but …
Sneezing chat
Big box computers versus laptops
One man’s intellectual theft is another man’s marketing
Unusual leg extension
Green cat copyrighted picture email vanishes
Sounds like a brothel with film star lookalikes
A horizon(tal) sunset slice
An after-echo of the creation of the world - Burgon recycles Milhaud
What’s up with this?
More recorded cricket chat and some further Oval hindsights
MP3 Haydn symphonies
Photo by me in a newspaper!
Picture charging advice please
How patent lawyers destroyed a mathematician
Gramophone are putting their back catalogue of articles online for free
Portable copiers and copying jokes
Terence Kealey on the Wright brothers and their patent battles
Freedom of information
Kings Cross gasometer sunset travels 6000 miles
Billion Monkey lady ticks four (make that five) boxes!
News Media Coalition versus Indian Premier League
Twickenham shop attacked by the Dark Side of The Force
Billion Monkey scrunched up in a ball!
Bookcase staircase many books electric book manybooks.net
The great DVD packaging clearout
The qualitative difference made by quantity
Thames Barrier photo first shown here - then used by UNESCO
Manhole cover cats and Angel of the North shelves?
“That’s not Minnie Mouse - that’s a cat with large ears”
Two items of Billion Monkey behaviour
Thomas Edison - from cheat to creator
The Joyce Hatto affair - no big deal
Not what it looks like
Incognito
“It’s a shame that copyright was infringed in a thesis about copyright itself”
The Nanpu bridge approaches
The future of music
Michael Jennings on intellectual property
New York Times links - owned genes
Me and Alex talking Gilbert and Sullivan
The Pirates opens in New York
Man may not sit on Art bed and be photoed by Billion Monkey lady friend!
When everything is copyable
One click
The Wealth of Networks
Skill and Post-Skill
On China Law Blog and on the reinforcing of prejudices
More IP violating: Barry Beelzebub on Freepost bricks and a still-legal wild boar hunt
The Billion Monkeys of Australia will continue to photograph oil refineries
Help the struggle against DRM!
Read-Write versus Read-Only