Brian Micklethwait's Blog
In which I continue to seek part time employment as the ruler of the world.Home
6000 on ASI Boat Trip 9: The man driving the boat
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Alan Little on PID at the Times
Wedding Cufflinks on God was overheating and now needs radical transplant surgery (and Dawkins now has to do my email)
Michael jennings on ASI Boat Trip 9: The man driving the boat
Brian Micklethwait on ASI Boat Trip 9: The man driving the boat
Brian Micklethwait on ASI Boat Trip 9: The man driving the boat
Michael Jennings on ASI Boat Trip 9: The man driving the boat
6000 on God was overheating and now needs radical transplant surgery (and Dawkins now has to do my email)
Michael Jennings on My week in Brittany 2: A crane holding a bridge at Canning Town!
Most recent entries
- It turns out that lightning speed is immensely useful
- Out and about in the sunshine
- Brutalism with shirts
- Happy Friday (eventually)
- On not letting either God or (the other) God do everything
- A tumult of cranes (and the Spraycan)
- Postrel goes for Gray
- Xxxx-ie outside Xxxx-ridges
- Bond car
- BrianMicklethwaitDotCom musical quote of the day
- Parisian roof clutter gets the Real Photographer treatment
- God was overheating and now needs radical transplant surgery (and Dawkins now has to do my email)
- A swimming pool in a skyscraper
- God is dead
- PID at the Times
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Category archive: Intellectual property
I like to browse through Jonathan Gewirtz’s photos from time to time, and on my latest browse I came across this photo, of a brightly lit building in Urban Florida. Miami? Don’t know, and it doesn’t matter.
What particularly got my attention was the fact that Gewirtz included in the picture: his own shadow.
I have taken the liberty of reproducing this detail here. “Copyright ©2011 Jonathan Gewirtz” is what it says just before saying “jonathangewirtz.com”, but I trust my little except does not break any rules. (Rules often being the point of copyright violations, I’m guessing. Maybe this particular copyright violation, on its own, would not be a problem, but once the line is crossed, by anyone ...) If Gewirtz wants this little piece of his work removed, he has only to say and it will be removed forthwith.
Okay, with that out of the way, the point that I want to make here is that I suspect that this thing of including your own shadow in pictures is a practice that has filtered upwards to the Real Photographers like Jonathan Gewirtz, from us digital amateurs.
Your own shadow in the picture often starts as a mistake, but then you think: well, okay, that’s my shadow, but what’s so wrong with that? I was standing there, with the sun behind me. I mean, did you think this wasn’t a photograph, and that someone standing there throwing a shadow into the picture wasn’t even there? Did you think that God took the picture? Cameras gobble up whatever they see in that moment, and in this moment, for instance, my shadow was part of what it saw. Often, the shadow is all there is, and very amusing it is too.
The crux of the matter is, I think, who the picture is for and what the point of it is. Is it for someone else, someone paying? Is perhaps a happy couple being photographed on their wedding day? In which case, they are the point, not the photographer. Likewise if the point is to photo this dish of salad, or that house interior, or this beloved pet or that sports team, well, the Real Photographer is not being paid to insert himself into the scene, and he will be careful not to.
But if, on the other hand, you are a snapper who is just having a bit of fun, then why shouldn’t you, the snapper, also become your own snappee?
But the thing is, when Real Photographers are out having fun, the way Jonathan Gewirtz presumably is when taking photos in Miami or wherever, just because he likes to, they are liable to take their ingrained Real Photographer habits of self-effacement with them. So, interesting that Gewirtz did not do this, at any rate not this time.
I’ll end with a slice out of one of these photos:
The crooked forefinger being mine.
This is one of my favourite Big Thing Alignment shots, to be observed by emerging from Oval tube and walking north east along the A3. Do that, and you soon see Strata in the distance, and directly behind it, the Shard, thus:
These shots are two of many such that I took on June 25th 2012.
On the left: the heart of the matter. On the right: the context. Often, when you have a zoom lens, you show the zoomed shot, and neglect how it actually looked, along with all the other stuff you could see. When I say “you” I of course mean “I”.
I worked out that this shot might be there for the taking by looking at the map. Strata is at the Elephant and Castle, which is the big yellow roundabout in the middle of this map:
And the Shard is at London Bridge railway station, top right.
What this shows, I think, is another contribution made by technically rather poor photographers like me. We may not take our pictures that well, from the point of view of using the right cameras, lenses, f numbers, and general technical jiggery pokery. But we often take great shots, as in, we often take great shots rather badly. A technically better photographer might see this posting, and say to him or herself: Hey I like that shot. I’m going to go out there and do it again, properly, while crediting the person who first did the shot and thus showed me that the shot was gettable.
(Are Real Photographers reluctant to do this kind of copying-stroke-improving of amateur shots, for intellectual property (and hence money) reasons? Is there a sense in which, photogaphically speaking, I now “own” this view?)
A similar point could have been made in the course of this posting, which also included a map showing how that shot happened, and where to go to get it. That too was a great shot, done just about well enough to show what a great shot it might have been, but only just.
From Tim Berners-Lee, no less, on the occasion of the twenty fifth anniversary of his glorious invention, the www:
Berners-Lee also mentioned something about a Magna Carta for the web, but I am afraid the cat remark has overwhelmed all that stuff.
Or, maybe the cat angle has drawn attention to the Magna Carta stuff, which would otherwise have been ignored even more. (I am starting to notice many rather irrelevant cats in adverts nowadays.)
Yes, I’m afraid I’ve been doing rather a lot of quota posting of late.
So anyway, here’s the link.
And here is the quota photo:
That’s actually one of my more favourite recent photos. It was taken just before Christmas, in Twickenham, where Patrick Crozier lives, through the window of a shop where they sell … things like that.
I like the water on the window.
Increasingly, I am coming to think of the summer as the photographing season, and the winter as the time when I look back through what I’ve got and tell you good people about some of it, and generally try to catch up with myself.
So, this summer, obviously, there was The Wedding. But there were also other weddings. Weddings serendipitously encountered, at places like Westminster Abbey (Aug 19) …:
… or in the Kings Road (Aug 31):
Am I entitled to steel the souls of other people’s weddings like this, by not only photoing them but also by sticking up some of the photos on my blog? I say yes, and I am the one who decides because if I decide yes, nobody stops me. Probably someone could stop me, but nobody does. And how can you stop photoing outside Westminster Abbey? Can’t be done.
The way I see it, if you make a big public show of yourself like this, in a public place, you are fair photographic game. The guests are all snapping away, so why shouldn’t a stranger join in? And more to the point, how would anyone Official be able to decide, right then and there, who is a digitalised guest and who is merely a digitalised wedding crasher? Can’t be done.
So, there the photos are, of the brides, the grooms, and of course of the photographers, Real and digital.
These two sets actually make a nice contrast. In the first, we see the Real Photographer in action, waving his arms around to telling the bride and groom where to stand and how to stand and what to look like they are feeling, like the whole show is for his benefit, which this bit of the event sort of is. And the bride and groom pose anxiously, communicating love as best they can, but actually looking more like dutiful than adoring.
And in the second, we see the wedding party emerging from Chelsea Town Hall, to confront a digital scrimmage, with all concerned looking thoroughly relaxed and happy and celebratory.
I recently read a piece, somewhere (sorry about no link – commenters?), about how in the Old Days, i.e. the days when there was Extremely Real Photography (tripod – stand very still) or no photography at all, people made a point of looking severe and grim in front of the camera, on those rare occasions when they encountered one, because if they relaxed they risked looking like a total prat, in what might well be the only photograph that anyone ever took of them or ever remembered them by. As a result we now get a relentlessly false picture, literally, of what life was like for these people in times gone by. We, on the other hand, treat any particular snap that someone snaps of us as no big deal, and we grin away to our heart’s content, and trust our mates mostly to pick the picture that makes us look okay. The whole idea of the Uptight Victorian, said this piece I read, compared to relaxed and happy us, is a consequence of the changing nature not of life itself, but of photography. Interesting idea, I think.
And I further think that these two sets of photos illustrate this contrast rather well.
Incoming from Rob Fisher:
This is long, but Stallman is a very clear and precise speaker, so there is much understanding to be had here.
This being a YouTube performance from 2005, lasting 1 hour and 44 minutes.
By which I mean interesting software news from New Zealand.
A computer programme is not an invention:
A major new patent bill, passed in a 117-4 vote by New Zealand’s Parliament after five years of debate, has banned software patents.
Quotulatiousness (to whom thanks for the NewZ) says hurrah.
LATER: I emailed Rob Fisher about this, and he replied thus:
That is interesting, thanks.
At his talk chez moi on Friday Feb 22nd (see below) on How globalisation has made the world less rather than more homogenised, Michael Jennings intends to show us some photos. Indeed, he will be dropping by earlier in the week to make sure that the relevant technology can be guaranteed to work properly on the night. This may also require some creativity with the seating.
Here, in the meantime, are a few photos that he has emailed to me, together with commentary. Enjoy.
This is in Sukhomi, Abkhazia, a breakaway non-recognised state that is de jure part of Georgia (and is supported by Russia). Mango is a fashion label that grew out of a stall in the Ramblas market in Barcelona, and is now to globalised retail what the sub-prime market is to home ownership.
An interesting phenomenon occurs when there is a market for a particular international business, and that international business does not operate in that particular market for whatever reason: because the market is too small, too distant, too poor, too corrupt, or there are political problems. Clones of the business will often spring up. These can be particularly entertaining in places where there is no trademark law, trademark law is weak, or where it can be legally difficult to pursue claims from the owner of the trademark. This burger place in northern Cyprus in no way resembles Burger King. Obviously.
One of the most extreme cases in which this phenomenon occurred was in South Africa under apartheid. Many international companies boycotted the country, which in some ways was a modern country with a sizeable middle class, economy and legal system. (In various other ways, it wasn’t and isn’t.) South Africa in 1990 was therefore full of quite good clones of international businesses, that until then were constrained as to where they could operate, but faces competition only from one another at home. Post 1990, the international businesses that they were clones of entered South Africa in a big way, and the South Africans themselves were subsequently able to compete in the wider world. The South African clones weren’t good enough or rich enough to compete in the home markets of the major internationals, and have subsequently expanded into countries that are poorly served by the internationals for a variety of reason - this means Africa, parts of Eastern Europe, parts of Asia, parts of the Middle East. Politically dubious markets of questionable legitimacy a lot the time. One often finds South Africans and Russians side by side.
One could write an entire book about fake Apple Stores. The ones in China (this one is in Tianjin) are the most awesome. The entire story of international brands in China is itself fascinating. Everyone is there, because of the perceived size and importance of the market. Yet the country is far more chaotic, far more unstable, far more corrupt, for more authoritarian, has weaker copyright and patent laws and a weaker rule of law in general than many of the markets these companies would generally consider operating in.
India is more problematic in some ways: bureaucratic beyond words, and culturally difficult in ways that make foreign business models work less well, or at least require a lot more adaptation. (Imagine you are McDonald’s, and you are told that you are not permitted to use either beef nor pork in the food you sell). There have historically been limits on foreign investment. Supermarkets are only now in the process of being legalised. Very large companies can find entry to the Indian market - car makers or mobile phone companies. Medium sized companies - which is where most of the interesting stuff happens - find it much harder.
It’s going to be an interesting evening.
Steven Pinker’s description of The Enlightenment
Pictures of the Libertarian Home meeting in Southwark last night
Rally Against Debt signs
Another Assembly of Men
A Spanish high speed train bridge and a Spanish aqueduct
And then give up and stay fat
Yet more redirection
The Humpty Dumpty Learning Channel
Questions concerning the death of copyright protection on downloaded MP3s
I don’t usually approve of swear blogging but …
Big box computers versus laptops
One man’s intellectual theft is another man’s marketing
Unusual leg extension
Green cat copyrighted picture email vanishes
Sounds like a brothel with film star lookalikes
A horizon(tal) sunset slice
An after-echo of the creation of the world - Burgon recycles Milhaud
What’s up with this?
More recorded cricket chat and some further Oval hindsights
MP3 Haydn symphonies
Photo by me in a newspaper!
Picture charging advice please
How patent lawyers destroyed a mathematician
Gramophone are putting their back catalogue of articles online for free
Portable copiers and copying jokes
Terence Kealey on the Wright brothers and their patent battles
Freedom of information
Kings Cross gasometer sunset travels 6000 miles
Billion Monkey lady ticks four (make that five) boxes!
News Media Coalition versus Indian Premier League
Twickenham shop attacked by the Dark Side of The Force
Billion Monkey scrunched up in a ball!
Bookcase staircase many books electric book manybooks.net
The great DVD packaging clearout
The qualitative difference made by quantity
Thames Barrier photo first shown here - then used by UNESCO
Manhole cover cats and Angel of the North shelves?
“That’s not Minnie Mouse - that’s a cat with large ears”
Two items of Billion Monkey behaviour
Thomas Edison - from cheat to creator
The Joyce Hatto affair - no big deal
Not what it looks like
“It’s a shame that copyright was infringed in a thesis about copyright itself”
The Nanpu bridge approaches
The future of music
Michael Jennings on intellectual property
New York Times links - owned genes
Me and Alex talking Gilbert and Sullivan
The Pirates opens in New York
Man may not sit on Art bed and be photoed by Billion Monkey lady friend!
When everything is copyable
The Wealth of Networks
Skill and Post-Skill
On China Law Blog and on the reinforcing of prejudices
More IP violating: Barry Beelzebub on Freepost bricks and a still-legal wild boar hunt
The Billion Monkeys of Australia will continue to photograph oil refineries
Help the struggle against DRM!
Read-Write versus Read-Only