Brian Micklethwait's Blog

In which I continue to seek part time employment as the ruler of the world.

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Category archive: Intellectual property

Sunday August 12 2018

I took this somewhat over a week ago,at a friend’s, of another friend:

image

I took several versions of this shot.  The above was the first and best version, once I had realised that I could crop it to include everything about the shot that mattered and remove everything that didn’t, basically by losing a chunk at the bottom of my original.  I tend to resist cropping.  There is something (to me) pure, even perfect, about the image exactly as it comes out of the camera, no cropping, no enhancing, no nothing.  But this time it made for a definite improvement, I think.

The subject of the photo (perhaps mutual friends of her and me will recognise who it is (and also where it was taken)) put it on her Facebook page, which is very flattering.

She being an Instagrammer used only square version, which may or may not have been an aesthetic preference.  Personally, I find the patterns made on the wall by that strange planetary light fitting very intriguing, especially in a photo, which, by eliminating all context and knowledge of what is going on makes it seem all the more strange.  That’s the thing about photos.  All you see is the photo.

And talking of how others may recognise her, I find it intriguing how very recognisable she is, to me anyway.

In her version, she added some blue to the wall. To make it more weird and outdoorsy, and less specific?  In general, I like it when people take my photos and play around with them.  Again: very flattering.

She also said something about how her scrunched up shoulders revealed how stressed she had been lately.  I never noticed that, neither when I photoed the photo, nor since.  But one thing I do know, from speaking to my friend Bruce the Real Photographer, and being photoed by Bruce the Real Photographer, and from speaking to others who have been photoed by Bruce the Real Photographer, is that Real Photographers know all about things like that.  Real Photographers, of the sort who photo people, are experts on human physiology.  The know, for instance, how to make your face look different by making you move your body around.  Had he been photoing this lady, he would have made her relax.

But I wasn’t doing a portrait; I was just snatching a fun shot, uninvited.  Then once I had worked out how to crop it, I sent it to her, and asked could I put it here?  She said yes, and also could she use it too.  So all the niceties were observed, as is proper in this age of face recognition software and easily violated intellectual property rights.  Whatever they are, exactly.  In plainer English, both of us like this photo, and are happy for it to get around.

Tuesday August 07 2018

I follow Real Photographer Charlie Waite, and recently, this photo appeared at his Twitter feed:

image

And then it disappeared.

What gives, I wonder?  I found it fascinating, but is it an act of social media aggression to have immediately copied it, and now to be displaying it here?  I don’t yet know the rules for such things.

The first fascinating thing, to me, about the above photo is how impossible to get to and from those houses look.

But the second fascinating thing about this photo is how it contrasts with this next photo, of the same houses, which I found here:

image

This second photo shows that these houses are actually not at all impossible to get to or from.  By showing the bigger picture of the landscape, the landscape is, so to speak cut down to size.  (Also, the mountains are not actually blue.)

Did Charlie Waite take the first photo down because he does not want his camera to be telling lies?  However beautiful and awe-inspiring?  Perhaps.

Friday July 13 2018

Today is Friday, which used to be my day for cat stories but is now also the day here for creatures of other sorts.  But for old times sake, I just got google to tell me some cat news, having had a busy day and not having any recently encountered creature stories of my own to muse upon.

And without doubt, the most intriguing yarns google told me about were these ones, published by cryptoslate.com:

How Two Guys Made $100k Trading Digital Cats on Ethereum, Merit of Digital Collectibles

CryptoKitties Keeps With Ethereum and Goes Open-Source

Millions of Dollars Worth of Cats are Still Infesting the Ethereum Network

The last paragraph of the last of these three stories goes thus:

While CryptoKitties may sound laughable to some, the exuberant on-boarding of Ethereum is sending positive signals around the network.  And in fact, CryptoKitties now accounts for around 4% of all Ethereum transactions; it’s the second most used application on the network. CryptoKitties definitely proves there is definitely market for rare, fungible, digital assets that are traded and exchanged on the blockchain.

Definitely.

Monday April 16 2018

Twitter is causing ever more interesting things to pile up on my computer screen, and slow everything down.  (I know, “bookmarks”.  Hate them.) So, here is a blog posting consisting of such links.  Which I can come back to and follow through on but probably never will, but possibly just might.

Eyebrows - we all have them, but what are they actually for?

The Kremlin has a Reckless Self-Image Problem.

Via 6k, how to take bizarre photos by stuffing wire wool into a egg whisk, setting the wire wool on fire, and swinging all that around on a rope.  Do not try this at home, unless you want to burn down your home.

Next, a Twitter posting about cactus patterns:

So frustrating! My cactus patterns are going viral on FB, but the person who posted the photo of them a) didn’t credit me and b) deletes any comments I write responding to people asking for the patterns.

But what if she made that up? As a ruse to get the world to pay attention to her cactus patterns?  Or, what if she hired, in good faith, some sleazy “internet marketer” who deliberately posted her photos on some faked-up Facebook site, minus any credit, told her about it, and then blocked her complaints?  The sleazy internet marketer then advised her to complain about this to all and sundry, knowing that all and sundry would sympathise.  She seems like an honest person, doing honest business, which is why I pass this on.  But a decade of internetting has made me cynical.

Next, a Spectator piece about someone called Scaramucci, who is writing a book about Trump.  The piece says more about Scaramucci than it does about Trump, but his book sounds like it will be quite good.  Scaramucci sounds like he has his head screwed on right, unlike a lot of the people who write Trump books.

Also in the Spectator, Toby Young realises that his wife is smarter than he is.  And she chose to stay at home and raise their kids because that’s what she wanted to do.  You can feel the tectonic plates of Western Civilisation shifting back towards stay-at-home mumhood, even as mere policy continues to discourage it.  Jordan Peterson, take a bow.  That man is already raising the birth rate in rich countries, by encouraging both fatherhood and motherhood.  The only question is: By how much?  Trivially, or significantly?  My bet, with the passing of a bit of time: significantly.

George Bernard Shaw tells it like it was and is about Islam.  I lost track of how I chanced upon that, but there it is.  These days, GBS would probably get a talking-to from the Thought Police, a talking-to which might well include the words: “We’re not the Thought Police”.  If the Thought Police were to have a go at her, they just might get an earful themselves.

Mike Fagan liked this photo of Mont Saint Michel with sheep in the foreground.  I can’t any longer find when he liked it, but he did.  Reminds me of this Millau Viaduct photo, also with sheep in the foreground.

Boaty McBoatface got turned into David bloody Attenborough, but Trainy McTrainface proudly rides the railway lines of Sweden.  As usual, You Had One Job supplied no link (so no link to them), but here’s the story.

Thank you Paul Marks for telling me about someone telling me about Napoleon’s greatest foe.  His name?  Smith.

The sun is now spotless, or it was on April 11th.

David Baddiel has doubts about the bloke who said “gas the Jews” rather a lot, to a dog.  As do I.  It should be legal, but don’t expect me to laugh.

Tim Worstall:

All of which leads to the correct Brexit stance to be taking. No deal. We’ll go to unilateral free trade and the rest of you can go boil your heads. We’ll give it a couple of decades and we’ll see who is richer, OK?

Quillette: The China Model Is Failing

The three temporarily separate Elizabeth lines.

Wisdom.

Anton Howes on Sustained Economic Growth.

John Arnold made a fortune at Enron.  He is now spending some of it on criticising bad science.

Human genes reveal history.  This book is number (about) twenty on my to-read list.

Philip Vander Elst on How Communism Survived Thanks to Capitalist Technology.

And finally, Bryan Caplan still thinks this is pretty good.

I now feel much better.  And more to the point, my computer seems a lot sprightlier than it was.  This has been the computerised equivalent of cleaning my room.  The job is not done, but I have taken a chunk bite out of it.

Friday January 19 2018

Indeed:

image

At the time I took that photo, in Lower Marsh, I was with someone else, and just grabbed the shot before moving on at once.  But I reckon it came out really well.

Wikipedia tells us of Mickey Mouse’s compiucated origin.  He was a replacement for a rabbit, and before a mouse was arrived at, it seems that many other animals were considered:

Mickey Mouse was created as a replacement for Oswald the Lucky Rabbit, an earlier cartoon character created by the Disney studio for Charles Mintz, a film producer who distributed product through Universal Studios. In the spring of 1928, with the series going strong, Disney asked Mintz for an increase in the budget. But Mintz instead demanded that Walt take a 20 percent budget cut, and as leverage, he reminded Disney that Universal owned the character, and revealed that he had already signed most of Disney’s current employees to his new contract. Angrily, Disney refused the deal and returned to produce the final Oswald cartoons he contractually owed Mintz. Disney was dismayed at the betrayal by his staff but determined to restart from scratch. The new Disney Studio initially consisted of animator Ub Iwerks and a loyal apprentice artist, Les Clark, who together with Wilfred Jackson were among the few who remained loyal to Walt. One lesson Disney learned from the experience was to thereafter always make sure that he owned all rights to the characters produced by his company.

In the spring of 1928, Disney asked Ub Iwerks to start drawing up new character ideas. Iwerks tried sketches of various animals, such as dogs and cats, but none of these appealed to Disney. A female cow and male horse were also rejected. They would later turn up as Clarabelle Cow and Horace Horsecollar. A male frog was also rejected. It would later show up in Iwerks’ own Flip the Frog series. Walt Disney got the inspiration for Mickey Mouse from a tame mouse at his desk at Laugh-O-Gram Studio in Kansas City, Missouri. In 1925, Hugh Harman drew some sketches of mice around a photograph of Walt Disney. These inspired Ub Iwerks to create a new mouse character for Disney. “Mortimer Mouse” had been Disney’s original name for the character before his wife, Lillian, convinced him to change it, and ultimately Mickey Mouse came to be.

Those two paragraphs are, at Wikipedia, crammed with links.  Follow the link above and scroll down to where it says “Origin”, if you want to follow any of these links.

I will, however, honour the amazingly named Ub Iwerks with a link from here.  I wonder how he was pronounced.  His dad was from Germany, and I think I know how they’d have said the name there.  But, Ub (!?!) was born in Kansas.  When it came to Amercans pronouncing foreign names, all bets were off.  My guess is there were lots of Germans where the Iwerks family grew up, and thus it was not felt necessary to do any name changing.

Blog and learn.

Tuesday November 14 2017

A lot of the stuff at Digital Photography Review these days is about money-no-object high-end DSLR cameras, and about the many different money-no-object lenses you can shove on the front of DSLRs.  When DPRev descends from this Olympus (or this Canon or this Nikon) they usually then prattle on about the cameras on smartphones.

But this report, even though it says it’s about DSLRs, I did find interesting.  Canon have filed a patent for a new sort of bigger flip out screen, in other words a bigger version of the sort of screen that I for one could not now do without:

While a hinged DSLR rear display is nothing new, Canon’s patent shows a design that would allow for a large and reversible display unlike anything we’ve seen before. In fact, the LCD shown in the patent’s illustrations covers the entire back of the camera, making it necessary to tuck the rear dial and several buttons behind it, though several others are exposed on either side of the viewfinder.

I can remember when flip out screens were held in contempt by the DSLR fraternity.  But many of us digital snappers took to them with eagerness, having worked out that there are many photos that are pretty much unphotoable without such screens.  The one where you hold your camera as high as you can above your head, for instance, yet still manage to compose your photo accurately as you point your camera slightly downwards to capture a scene that you can’t yourself see directly because you are stuck in a crowd, but which you can see on your twiddly screen.

To be fair to Canon, after an initial period of head-in-the-sand stupidity, they have for quite a while now lead the way with adding flip out screens to DSLRs, and all the other big manufacturers have followed along.  There are still plenty of cameras available without flip out screens, for idiot Not-As-Real-As-They-Thing Photographers who take positive pride in not liking these screens, and maybe for some truly Real Photographers who truly do not need them.

As the report goes on to acknowledge, filing a patent and actually making and selling the thing patented are two different things.  But Canon’s new and much bigger variation on the flip out screen theme suggests that the huge added value of these screens is now widely understood by camera makers.

Friday October 06 2017

A couple of days ago, I photoed words, and I photoed the top of the Boomerang (although I would recommend scrolling down rather than following these links (a lot quicker (alas))).  But in among photoing all that, I also I photoed this ambiguous beast.  Ambiguous because originally, the beast looked a lot like this:

image

But then someone else, by adding some alternative eyes, turned the beast into this:

image

The original photo I took, from which both the above versions were cropped, looked like this:

image

You see, that’s the trouble with the Leake Street Tunnel.  Nobody owns it, other than a sort of conglomerate of politicians, and what that conglomerate has decided is that whereas all artists may paint in the Leake Street Tunnel, none of them can prevent further painting by further artists.  The only immortality achieved is virtual and digital.

Or, maybe it’s a bit more complicated.  And if you aren’t part of the club, and you just turn up and paint, you get your knees broken, or something.

Whatever.  The thing I really admire about the beast, as originally painted by Artist One, is the state of its teeth.  Check them out.  Thought has gone into them.  No wonder Artist Two was envious, and decided to appropriate them for his alternative beast.

Sunday March 12 2017

I’m still photoing photoers, basically because the photos of photoers I took about a decade ago get more interesting by the year, and so, I’m betting, will photos like these, which I took in Trafalgar Square, last October:

imageimageimageimageimageimageimageimageimageimage
imageimageimageimageimage

The difference from ten years ago is that I avoid photoing faces far more than I tried to then.  That means, as explained in this earlier posting, that I find myself photoing a lot of hair, as above.  Although, 3.3 is the hair on a lady’s sleeve, and the guy in 2.3 has no hair.  But, he has a hair style.

But I’m not a hair fetishist.  I’m just a not-face photoer, when I’m photoing strangers who are themselves photoing.

There was a posting at Mick Hartley’s yesterday which showed that concern about photoing the faces of strangers and thereby in some way stealing from them is not new.  Hartley reproduces a great pile of photos, photos like this:

image

Scroll down to the bottom of Hartley’s posting, and you will encounter quotes from the man, Richard Sandler, who took all these ancient black-and-white photos, of strangers.  Go to where Hartley got these pictures and the quote, and you’ll get one of the questions, as well as the answer.

Have you had anyone ever question your motives in the street? Did you ever piss off anybody?

Occasionally people get angry and they have a right to, I am stealing a little something from them. Also for many years I used the strobe on the street and so there was no hiding what I was doing ... it can be startling. I have been kicked, spit on, and chased, but not very often. Once a woman with a rabbit pursued me for 30 minutes because I had flashed her and her pet.

Hartley also quotes Sandler saying this:

I think those were more interesting times because the warts of corporate/capitalist society were more visible then they are today, and those contradictions could be photographed more directly than now ... also every third person was not virtual, being on the fucking phone and not really on the street ....

Two things about that.  One, there is something rather exploitative about these photos, as he goes on to admit, sort of like an old school colonist photoing the natives.  Second, why the hell are “fucking” phones not themselves fit objects for his photoing?  Not really on the street? Come on.

They are certainly fit objects for my photoing.

Could it be that Sandler is suffering from a dose of professional jealousy?  Suddenly, the damn natives can photo the warts of corporate/capitalist society for themselves.  And nowadays, they don’t even have to use a dedicated camera.

And as for flash, well, the latest cameras hardly need them.  They can pretty much see in the dark.

Photoing the faces of strangers (or in my case: not)
Graffiti cat
Cruise plays along
When is a creature suitcase idea a creature suitcase design?
Anti-drone drones
William Hague on the collapse of the centre left
Two strangers photoed by Mick Hartley and shown there (and here) without their permission
Is 2007 old enough?
Christmas tree with scaffolding
ASI Christmas Party photos
Dominic Frisby on the Hype Cycle
On the rights and wrongs of me posting bits from books (plus a bit about Rule Utilarianism)
In which I quotulate from a photo of a Canadian train
Two guys on Westminster Bridge photoing ice creams in front of the Houses of Parliament
Tate cat
A Real Photographer does a shadow selfie
Lining up the Strata with the Shard
Classic Feline Friday quote from Tim Berners-Lee
A quota post (with a quota link to a post about a post about a quota photo) and another quota photo
Wedding photography - old and new
Richard Stallman on software patents
Interesting software NewZ
Michael Jennings - pictures of globalisation
Steven Pinker’s description of The Enlightenment
Celebrity photoshoot?
Pictures of the Libertarian Home meeting in Southwark last night
Rally Against Debt signs
Another Assembly of Men
A Spanish high speed train bridge and a Spanish aqueduct
And then give up and stay fat
Yet more redirection
The Humpty Dumpty Learning Channel
Questions concerning the death of copyright protection on downloaded MP3s
Guerrilla webfare
I don’t usually approve of swear blogging but …
Sneezing chat
Big box computers versus laptops
One man’s intellectual theft is another man’s marketing
Unusual leg extension
Green cat copyrighted picture email vanishes
Sounds like a brothel with film star lookalikes
A horizon(tal) sunset slice
An after-echo of the creation of the world - Burgon recycles Milhaud
What’s up with this?
More recorded cricket chat and some further Oval hindsights
MP3 Haydn symphonies
Photo by me in a newspaper!
Picture charging advice please
How patent lawyers destroyed a mathematician
Gramophone are putting their back catalogue of articles online for free
Portable copiers and copying jokes
Terence Kealey on the Wright brothers and their patent battles
Freedom of information
Kings Cross gasometer sunset travels 6000 miles
Billion Monkey lady ticks four (make that five) boxes!
News Media Coalition versus Indian Premier League
Twickenham shop attacked by the Dark Side of The Force
Billion Monkey scrunched up in a ball!
Bookcase staircase many books electric book manybooks.net
The great DVD packaging clearout
The qualitative difference made by quantity
Thames Barrier photo first shown here - then used by UNESCO
Manhole cover cats and Angel of the North shelves?
“That’s not Minnie Mouse - that’s a cat with large ears”
Two items of Billion Monkey behaviour
Thomas Edison - from cheat to creator
The Joyce Hatto affair - no big deal
Not what it looks like
Incognito
“It’s a shame that copyright was infringed in a thesis about copyright itself”
The Nanpu bridge approaches
The future of music
Michael Jennings on intellectual property
New York Times links - owned genes
Me and Alex talking Gilbert and Sullivan
The Pirates opens in New York
Man may not sit on Art bed and be photoed by Billion Monkey lady friend!
When everything is copyable
One click
The Wealth of Networks
Skill and Post-Skill
On China Law Blog and on the reinforcing of prejudices
More IP violating: Barry Beelzebub on Freepost bricks and a still-legal wild boar hunt
The Billion Monkeys of Australia will continue to photograph oil refineries
Help the struggle against DRM!
Read-Write versus Read-Only