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Michael Jennings on Confirmation that map use has seriously declined
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itrat batool on Ashes to ashes
itrat batool on Ashes black out
Michael Jennings on Ashes to ashes
Natalie Solent on Victor!
Natalie Solent on Victor!
Peter Briffa on Ashes black out
Michael Jennings on Happiness is Gold Blend at only £3 instead of £4.50
Michael Jennings on Happiness is Gold Blend at only £3 instead of £4.50
Most recent entries
- Taking photos with Big Flat Things
- Long Title (with italics)
- Confirmation that map use has seriously declined
- Comrade Blimp
- Ashes to ashes
- La Porte des Indes
- Friend on telly
- Sculpture at St James’s Tube
- Digital photographers holding maps
- More photos of things past
- Father Christmas Aerodrome
- How big should these squares be?
- Daniel Hannan’s latest book(s?)
- The Kelpies of Falkirk
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Category archive: Computer graphics
I am rather ill and I am very tired, and I am in no mood to be writing prose of the sort anyone else - or for that matter even I – would want to read.
And here we come to one of the great advantages of these big photo collections that I like to do here from time to time. I don’t have to be a hundred percent to do it. I can do it, and do it entirely right, even if in no mood to write proper prose.
So here is the latest clutch of photos, this time of people using Big Flat Things, rather than anything resembling regular cameras, to take photos:
The first of these was taken in December of 2012, and the rest this year.
I have already written about Big Flat Things photography, so if you insist on verbiage, go here.
Here is recent confirmation of the map app effect, i.e. the replacement of paper maps by electric maps.
The pictures below were all taken on June 4th of this year. Soon after that date I picked out these nine snaps of digital photographers doing their things, with a view to showing them here, but I never got around to doing that. I made my selections without any particular thought of maps. So far as I can tell, I picked my winners on a variety of grounds, three of them, it would appear, because of interesting backgrounds, in particular the one (2.1) with the word VISIONS to be seen in the background, on the side of what looks like a TV van. My selection is also biased towards facial non-recognisability.
Here are eight of the nine I picked.
And here is the ninth.
Was that ratio a fair reflection of the ratio for the entire lot of photos I took that day? No. It was not. I took about 350 snaps, of which about third to a half were of digital photographers. That’s a lot. Number of maps being flaunted by photographers: one. That one. Otherwise, no maps to be seen. This does not of course mean that no other maps were being carried. But it is telling, I think.
Four of these snaps, by my calculation, feature pictures being taken with smartphones. I think I was a bit biased towards that also, but the fact that I had so many examples of that to pick out is likewise telling.
Goddaughter Two is in town. She was already spontaneously talking about this map thing, before she knew I had any interest in it. She and a friend are now being London tourists. They are seeing a few maps, but only a few.
Change is not just the new stuff. It’s the old stuff that you don’t see any more.
JUST BEFORE POSTING THIS: Goddaughter One’s dad dropped by. He was recently wondering about maps, his question being: How do I best tell fellow engineers, visiting London for a footbridge conference, where London’s best footbridges are to be found? Give them a paper map and mark the bridges on that map? No. Paper maps don’t sell any more. At all. Ergo, they are rapidly ceasing to make them. Answer: Given them electric map references. They get you to within ten yards of each bridge, no worries.
I’ve recently been doing a lot of trawling through old picture archives, and in the course of this I found a directory devoted to Digital Photographers Holding On To Their Maps.
So here is an enormous clutch of such photos, with the little squares below all homing in on the maps. Click to see the photographers in action, if you wish.
The photos you get by clicking are exactly as taken, but the little squares involved quite a lot of enhancement - brightening, contrasting, sharpening, etc. - the better to reveal their mapitude.
If you don’t wish to click on any of these map squares, fine, but at least reflect with me on how the age of maps, on paper, like this, is now drawing to a close. The above snaps were snapped between 2005 and 2007. I wonder how many such photographs I’d be able to take now. Next time I go out snapping snappers, I’ll make a point of trying to see if paper maps are still being carried by photographers.
My guess would be, yes, just a few. This would be because the keener you are on photography, the more likely you were to have had a nice camera before the smartphone thing kicked in, and the less likely you might be to get a brand new smartphone, to replace your regular, mapless old phone. So maps being held by people with regular cameras are still, I am guessing, around.
But, nobody taking photos with a smartphone will now be simultaneously waving a paper map. Such a person already has a map.
It’s surely worth me adding that I got my smartphone entirely for its map app. It’s lighter than an A-Z and much lighter than all the A-Zs you’d need if you travelled much, and also much nicer than google maps printouts from my computer, because my smartphone, crucially, tells me where I am. For me, a smartphone is a book of magic maps which also does occasional phone calls and textings, not the other way around.
Going back to the pictures above, it’s not just the map-flaunting that is now looking quaint. So do a lot of the cameras. I’ve said it before, and I’ll say it again. A picture collection is like a well stocked wine cellar. It gets better with age.
This posting is a test, which will involve great confusion to anyone trying to read this blog now, as I do this. And actually, quite a lot of confusion in perpetuity.
I am trying to work out whether these four squares will fit in the allotted sideways space (500 pixels). Once I’ve got them fitting properly, I’ll tell you what they are, and what that picture at the bottom is.
And right away, we have a problem. The square on the right has shoved itself under the first one, rather than where I was hoping it would be. This requires all the squares to stop being 123x123 (pixels), and must instead be resized to become 122x122. This could take a while.
Okay, all done now. And it didn’t take long at all:
Let me explain. I am planning one of my big photo collections with lots of squares, and before doing that I needed to know how big the little squares needed to be, to fit properly into 500 pixels. Just as well I did this test.
As to what the four squares above are, well, there’s a clue below. They were taken on December 16th 2006, the same day as I took all these photos.
The one on the left, as it turns out, is also in the original mega collection linked to above. I guess there’s just something about a canoe man falling over forewards.
The second … well, how could I have missed this first time around? Two geese eating what is clearly a whole pizza!
Number three is a particularly vivid example of the Things Reflected genre, and I like it a lot.
And I picked out the one on the right, because it is the exact same bridge, and the exact same view of it, as is featured in this posting, except that in 2006 there was no graffiti. So right there, the decline of Western Civilisation, happening in front of our eyes.
And this final picture is what happened on my screen when I was processing that last picture.
Moiré patterns. Because these patterns were the result of the photo and my screen colliding, I don’t know what you will see on all your screens. Maybe nothing, and you don’t have the faintest idea what I am talking about.
Anyway, job done. 122x122 it is.
In that 2006 postings, as with many of my large photo-collections here, there is a horizontal gap between horizontal lines of photos, but no vertical gaps between each photo. I prefer the latter arrangement. If there are gaps, they should be everywhere. Hence this test, beause I have never done a collection which is four little photos wide. Three wide, yes, but not four.
I knew you’d be excited.
This week, I have been in a particularly egotistical and silly mood here. (Which is allowed, because I say what is allowed.) This is because I worked extremely hard (by my pathetic standards of what hard work is) on this posting at Samizdata, and am now relaxing.
Yes, incoming from Rob Fisher:
I am fascinated about why old things look old. Certainly print quality is part of it. Change, too: the Heinz beans logo (which has never changed as far as I can tell) does not look old in the way that some of these logos do.
I’m guessing this is follow-up to what I said here about how photography used to make people from the past look overly solemn, and what Rob said there, in jest, about the past being all in black and white.
Mark Twain must surely have been a bit more merry, in general, than he looks in the photo of him there, now colorised but still very grim looking.
What a lot of the colorised photos look like is stills from “historical” Hollywood movies. You expect Brad Pitt, dressed in olden times clothes, to step forward at any moment.
As for the logos, it is noticeable (although this doesn’t apply to all of them) that in quite a few of them, there was a flurry of (often quite radical) changes in and/or up until the 1950s and 1960s, but somewhat less in the way of change since. Often the later changes (see for instance: VW) are mere polishing. It’s like they were trying to get it right, and then they do get it right and stuck with it. At first they didn’t know quite what a logo was for and what logos are. They they did know. That is reinforced by the Firefox logo, which started in 2002 and then did the one early change in 2003, and that’s it.
How has the internet affected logo design?
Sometimes mistakes caused by not holding the camera still can be interesting.
Today I took several photos (at Victoria Station, like the previous photo featured here) of the station electronic notice board saying where my train was about to go. Basically, I was taking notes to remind myself later of where I had been. But one of these photos went wrong. On the twiddly little screen on my camera it looked, on account of me having moved my camera vertically at the critical moment, approximately like as you see it, top right.
That one won’t last a second when I go through all these at home, I thought. If I was in the habit of deleting snaps on the fly, which I am not, I would have deleted that one straight away.
But now look at how it looked on my big screen, back home on my desk, this evening:
That’s the middle of the picture, to get how big it is when spread out sideways all over my big screen. Click on that bigger picture to get an even bigger version of the original.
I don’t think it’s just me. The smaller picture is much more legible. But the bigger picture is a lot more fun, on account of being less legible. It stops being annoyingly blurry writing, and instead becomes Art.
In May of this year, I visited something called Burgess Park, which is in South London. It’s a terrific place and it was a terrific day. I was on my way to Michael Jennings’s home, to watch a cricket match on his big telly, if I remember it right.
And while in Burgess Park, I of course took photos. It is a fine place from which to observe the Big Things of the City.
Trouble is, on that day, I suffered from a regular photographic disease of mine, which is a tendency for all my pictures to be twisted at bit, clockwise. Whenever I photo a Big Thing, I try to make it entirely vertical, using the grid on the picture feature for instance. But when I get home and see the pictures on my big screen, the Big Things, as likely as not, will be leaning over to the right. Alex Singleton pointed out that my photos, as chosen and shown here, also have a tendency to do this.
This is caused by some combination of my eyesight, the glasses I wear to correct my eyesight, and the little twiddly screen on my camera, which I think causes me to miscalculate such things as verticals and horizontals.
Answer: Photoshop, or whatever I use instead of Photoshop. Rotate. Crop. Easy.
Well, yes, when only one photo is involved. The rotate thing is easy, and cropping is not a problem either, because it doesn’t matter what the ratio is of width to height for the resulting picture. But, if I am doing a whole clutch of photos, the only way I can make all the small photos I show here, using my Photoshop clone, is to make square exerpts from the big pictures. Which is fine. But I would also like to be able to make small versions of the originals. And if the originals are no long exactly 4x3 in proportion, that means the small version won’t be either, and hence won’t be the exact same size as the other small photos.
What I needed was not just the ability to crop exact squares of whatever size makes sense, but also to crop with a rectangle that retains its exact proportions. This, my Photoshop clone does not have, or if it does, I have not been able to find it.
I wanted, some time in late May or early June, to put up a clutch of those Burgess Park photos, but since so many of the otherwise most suitable snaps were suffering from clockwise twist, I gave up and then forgot about it.
However, recently, in order to do video (I hope to tell you about this later but promise nothing) but also in order to be using the programme that the rest of the world also uses for photo-manipulation, I purchased Adobe-Premier-and-Adobe-Elements, Adobe Elements being the down-market (plenty good enough for me) version of Adobe Photoshop of the sort now used by pro designers and photographers. And my version of Photoshop Elements does have a proportional cropping (if you get my drift) facility.
Which means that I can now rescue pictures like this, good, but twisted, ...:
… buy doing this to them with Photoshop Elements ...:
… resulting in this picture looking like this, good, and not twisted, or at least not nearly as twisted as it was:
Hurrah. I can now show you a great clutch of pictures of and from Burgess Park. Which I will not do now as this posting is already a posting and postings should, as a general rule, say just the one thing.
The Big Thing on the left that looks like a kitchen refuse tub is the notorious Walkie Talkie, notorious because it recently got itself into all the papers by frying nearby shops.
I am now making use of three distinct photo-manipulation programmes, which is ridiculous but there it is. That’s what is happening. I use my Photoshop clone because I do, and it works. I use Paint.NET because I can’t make my Photoshop clone do screen captures, like for the middle picture above. So I use Paint.NET only for that, and save the captured mega-image as a .jpg and then sort it out with my Photoshop clone, because I am used to that. And now I use Photoshop itself, for the reasons explained above.
The twenty-first century is complicated.
Now that I look again at the photo above, having done everything above this paragraph several hours ago, I suspect this picture needs to get ever more untwisted before it’s exactly right. I now suspect another cause of me getting this kind of thing wrong, which is my tendency, due to the local vicissitudes of my desk, to not look at my big computer screen from exactly in front of it, but instead a bit from the side.
The twenty-first century just got even more complicated.
LATER: The above rotation was just the one degree.
Here is the result of rotating two degrees:
Better, I think. Though this time, I just used The Clone, because I know my way around it, so the proportions got shot to hell. But at least I think The Big Things may finally be pointing exactly upwards.
Is that a picture of the world’s smallest cat? Apparently a lot of people on the wwwaffler think that it is. But sadly, not.
On a more serious feline matter, I note that the blog Counting Cats in Zanzibar seems to be suffering very badly just now, although I would love to be corrected with the news that it is merely me that doesn’t know how to get to it and all is well. As I recall, they lost all the comments - as in: their software refused any longer to display them. Presumably some kind of rebuilding process is now under way. Hope so. I wish them a speedy recovery.
LATER: Sorted - I think. Again: hope so.
Women of Japan – better luck next time
The Johnathan Pearce Samizdata gap
the Norlonto Review is back!
Reflections on a strange coincidence involving an Android app and a malfunctioning bus stop sign
Wembley Arch with balloons and with umbrellas
Typing on the new smartphone
More March 5th photographers (and more spaces between pictures)
A mannequin in Tachbrook Street sheds light on the nature of perception
Panoramic view of London from the top of the BT Tower
Alastair James on Blythe Hill Fields and smartphones
Looking along Victoria Street to The Wheel (and on how to be liked (or disliked) by Google)
Is Samizdata in danger of becoming a photo-blog?
“No one has to know!”
Some more presidential debate prophecy
PID at Samizdata
How gun control works and how it will defend Libertaria
Does anyone know how I can straighten these gasometers?
What’s up with that?
Hockey Stick art
The Jobs difference
One World Trade Center
Empty tables and empty chairs
A photo taken of a taken photo of the photo being taken
Gormley’s South Bank Men
Jobs departs from Apple (again)
On pictures that don’t get any bigger when clicked and on the power of the tangential
OpenOffice.org 3.2.1 Writer font default setting help wanted
Richard Dawkins on university debating games
I can do squares!!!
The new mainframe
First blood to Australia
Shard in rain
Cricket technology and its imperfections
Cricinfo gets its clock in a tangle and Pyrah bowls an unforgivable no ball
Everyone who shows this picture needs to add that it is not Photoshopped
Cats and bridges on Pixdaus
Alex Singleton on Photoshop CS5
Everybody draw Mohammed every day!
Darling and Darling cat
Incoming from Molly Norris!
Molly Norris was just kidding!
Everybody draw Mohammed on May 20th!
Beyond iPad (and a picture that goes beyond this posting)
What’s up with this?
Forget the fifth of November - and the Brown curse strikes (again)
Green cats - feral cats - cats murdered in Wales - more than 113 cats in Livingston NJ
A little archaeology
Model T parts flatvert
Back lit by the sun
Laptop for emails
Register for your free pack and five £1-off-coupons
A question about double inverted commas in OpenOffice.org Writer
Jesus above the keyboard instead of beyond it
Jesus gets a big new keyboard
Another resizing test
JD gets PTD
First picture posted to this blog from the wild
Now I’m going to try to stick up a picture with Jesus
They aren’t complete idiots all the time
Wonderwoman picked by Unsuperman
Africa is big
Cats are (as of) now being counted in permanent italics
What’s this for?
Cisco – fuck off and die
Permanent Bold Disease strikes Brassneck
PID strikes Guido
An impulse posting about procrastination
PID hits DK
Self-guided photo-tour of the streets of San Francisco
Flat pictures for flat screens
Beetham Tower – and a couple of other towers
Dot matrix printing in the sky
Typed man walking
Aid rewards low growth
Dave Gorman sees faces!
Short picture of a long distance
Photo-ing the weather
Pictures with words
Not actually a photo of Saturn’s rings
Smallest mobile keyboard yet?
Amazing map of amazing new Moscow bridge
Evite makes sure I remember it
New Moscow road bridge
“I already knew most of what they were to try and teach me …”
One Man and His Very Thin Blog
Printer in your pocket
Very very low cost kitten in space
Other people’s photos (2): New architecture in Hamburg
But what is so evil about Powerpoint?
Other people’s photos (1): Soul transference
History of the Middle East as a moving map
Spreading the word for free