Brian Micklethwait's Blog
In which I continue to seek part time employment as the ruler of the world.Home
Michael Jennings on Large number of jobs
Natalie Solent on Large number of jobs
Mike on On the connection between drinking lots of coffee and living a long and healthy life
Rob Fisher on Comparing London then with London now (and the Oval then with the Oval now)
Rob Fisher on On the connection between drinking lots of coffee and living a long and healthy life
6000 on Gherkin in splendid isolation
Brian Micklethwait on Bird – and bird close up
AndrewZ on Bird – and bird close up
Sarina on English is weird
Michael Jennings on A Docklands footbridge about to be put in its place
Most recent entries
- Shard and Walkie-Talkie from the top of the Cheesegrater
- The hottest day of the year (5): Old Citroens in Roupell Street
- The hottest day of the year (4): An antique view from Waterloo
- Large number of jobs
- The draw that turned out not to be
- Ghostbusters sculpture advert at Waterloo Station
- On the connection between drinking lots of coffee and living a long and healthy life
- Spraycan with moon
- Gherkin in splendid isolation
- Bird – and bird close up
- LIFE at the Park Theatre
- London looking like Dubai
- Illness and coolness
- Photoers photoing the views from the Tate Modern Extension
- Nelson statue in Greenwich
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6000 Miles from Civilisation
A Decent Muesli
Adventures in Capitalism
Alex Ross: The Rest Is Noise
Another Food Blog
Antoine Clarke's Election Watch
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Burning Our Money
Chase me ladies, I'm in the cavalry
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we make money not art
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This and that
Category archive: Computer graphics
Most emails that arrive here at BMdotcom don’t grab me by the throat, but I liked this one, with its attached graphic as above.
I’ve often wondered how they do Chinese (?) writing with computers. Now I am wondering some more.
My computer didn’t allow me to save this graphic in a different size, but my blogging software did. Odd.
I am an occasional visitor to Londonist, and I rather think that they’ve made it easier than it used to find be to your way to Oldie But Goldie type postings, of the sort that are not going to lose their appeal merely because they were posted six months or a year ago.
Postings like this one, which steers Londonist readers towards an amazing website, where you can compare old Ordnance Survey maps of London and surrounding areas with how things are now. As you move around in one of the maps, the other map automatically follows you. Brilliant.
The National Library of Scotland has just made freely available online 16,865 historic Ordnance Survey maps covering Greater London and the south east of England, dating between the 1840s and the 1950s.
Me being me, I compared the Oval cricket ground of old with how it is now:
Click on that graphic to get a bigger version of it.
Look how the playing area has shrunk, to make way for more places for people to watch play from. X in each map marks the same spot. On the left X is way out in the playing area. On the right, it is on the boundary edge. No wonder they hit lots more sixes these days. It’s not just bigger bats. It’s smaller grounds.
6k writes about the long journey from journeyman amateur snapper to Artist:
I don’t pretend to be a photo ninja. I can point, and I can shoot, and sometimes the results can be pretty good. Very occasionally, they can be startlingly good, but only very occasionally. I need to work more at not just pointing and shooting to increase the percentage of those startlingly good shots. We’ll get there.
There follows a picture of a bird spreading its wings. In other words, the capture of a fleeting moment.
6k photos his family quite a bit, as they do things like explore the spectacularly beautiful coastline near where he lives, in South Africa. Photoing your loved ones is also a matter of capturing the exact right moment.
With me, I think I get nearest to Art when I’m lining things up with each other. I have a mental list of things I like, and a picture counts double in my head, if I can line a couple, or maybe even more, of these things. The most characteristic of such alignments over the years have typically involved a digital photographer, with a London Big Thing in the background.
Here are a couple of efforts I might pick out to enter a competition, if someone told me I had to do that:
In these two cases, there is also an element of me waiting for the right moment, or more accurately me snapping lots of promising looking moments and picking out the best one.
Those two are from this huge collection of unrecognisable photographers, which I doubt many of you scrutinised in its entirety. So there are two of them again. I particularly like the one with the blue balloon.
And here is another exercise in lining things up, captured just a few days ago. This time, the object at the front is a plastic water bottle, resting on the anti-pigeon netting in the courtyard outside and above my kitchen window. Behind the bottle is a thing that regulars here will know that I like a lot, namely: scaffolding! This being the scaffolding at the top of the big conversion job that’s being done across the courtyard from me:
That picture involves something I don’t usually like to do, which is cropping. The original snap was rather bigger.
I don’t know what exactly I’ve got against cropping, but it feels to me like only one or two notches up from cheating. Maybe I take rather excessive pride in (the Art of) getting the snap I want to emerge straight from the camera, no muss, no fuss, no photoshop. The truth, of course, is that cropping is itself very much an Art. But because I don’t do cropping that much, I probably could have cropped this photo a whole lot better than I actually did.
I’m a big fan of the Samizdata Commentariat. It’s one of the best things about Samizdata. Part of the reason for its excellence is that when things get heated, a comment like this appears:
I’m not a huge fan, on the other hand, of the Guido Commentariat. Too big, too abusive, too given to tangenting off on only very marginally relevant subjects, just like most other big Commentariats, in other words. Still other Commentariats, like mine, are too small to be worth reading regularly. My commenters are very good, but there just aren’t enough of them (it being absolutely not the fault of those who do comment here (it’s the fault of all those who might comment but don’t (and is it really even reasonable to call that a “fault”?))). Samizdata manages to strike a happy balance. At Samizdata, you don’t get Comments (0), posting after posting, like you (I) do here, but nor do you get Comments (1538), or some such ridiculous number of mostly unreadable twaddle-comments. That, for me, is the Guido Commentariat.
But I keep going to the Guido commenters from time to time, because they do have their moments:
That was this morning.
I don’t know if I would call the immediate economic outlook for Britain “absolutely fine”, but compared to continental Europe, and especially continental EUrope, it remains quite good, both immediate outlooks having got rather worse because of Brexit.
The British policy for the last few years seems to have been: be the least worst governed country, but only by a bit. That way, capital and people flow in but don’t absolutely torrent in, even though our bosses are making most of the same mistakes as are being made everywhere else. Just not quite so much as rivals of comparable stature, like France.
If Brexit had only destabilised Britain, then British markets really would have crashed. As it is, it’s a toss up whether Brexit has destabilised Britain more than it has destabilised EUrope. (That guy means the EUrope won’t survive. Europe obviously will.) My belief is that money is both running away from Britain, and coming into Britain. (But what do I know?)
Now that it’s been decided that we shall Brexit, Dezeen reports on what creatives have been creating to mark the event. Here are the two images they reproduce which I think are the most striking:
Both of these images are intended as expressions of regret that Britain has voted for Brexit, but neither quite say that, or not to me. What, after all, is so great for a balloon about being stuck in a whole bunch of other balloons? It’s creator says: “sad day”, but it doesn’t look that sad to me. It just looks like a change. If he was merely describing, relatively objectively, what had happened, then I guess: fair enough.
As for the disintegrating, weeping Union Jack, that would work far better as an expression of regret, in the event that Britain had voted Remain rather than Leave. It is national flags like this one one that the EU has been working tirelessly to replace with its own flag. Very odd. But, a striking image nevertheless.
First, this, which was the graphic on the front page of today’s pro-Remain Daily Mirror, and reproduced at Samizdata, which Natalie Solent reckons sends a somewhat ambiguous message. I agree. Because REMAIN is in the biggest letters, it looks like it could be saying that if you vote REMAIN, you’ll be sucked into a black hole. As you will, by the way, if enough people do this. This is indeed the fate that awaits us all, in the event of a REMAIN victory. One of the reasons why this graphic only works when misunderstood, is that when misunderstood, it becomes true!
The thing is, the EU is a lot nearer to being like a black hole than us leaving the EU is. For that message, they needed something more like an endless desert, or a huge tundra, or maybe some grim maritime scene, doom-laden as far as they eye can see.
The enormity of this decision is, I feel, appropriately reflected in the deranged graphics which occurred when this picture got loaded up. Samizdata usually centres pictures automatically, and also makes them smaller automatically, if they need to be smaller. That doesn’t seem to be happening at the moment.
In the comment thread on that posting, I mentioned that it was raining. Which it was, torrentially. But alas, it soon cleared up, thereby not dampening down the London (= Remain) vote as much it might have if it had rained with less violence but greater steadiness. I mean, they even managed to have a shortened game of cricket at Lord’s, after the rain had stopped.
And on the right there, Elizabeth Hurley, who will have voted Leave by now, that being the picture she Twittered yesterday along with her support for Leave. There she stands, wearing only high-healed sandals and a Union Jack cushion, or that’s how it looks. Thankyou Guido. She was probably right that this would get noticed, and would aid the cause she favours. But I bet the Leavers have been circulating their own interpretations of this rather odd picture. Is the picture recent, I wonder, or does it date from way back?
At least it is upbeat and optimistic in atmosphere, unlike that black hole.
I found a handy little graphic – of Big Things built and Big Things soon to be built in the “Square Mile Cluster” of the City of London – in this piece:
Click to get a bigger and easier-to-read version.
As you can see, the names are all very dull and stupid. The Gherkin is called “30 St Mary Axe”, the Cheesegrater is called “122 Leadenhall Street”. The “Aviva Tower”, which will (if built) be the biggest of the lot (until a bigger one gets built), is far too big and obtrusive to go on being called the “Aviva Tower” indefinitely, by anyone except dull construction magazines terrified of their advertisers. There is also no way that the angular pointy thing (5: “52-54 Lime Street") will remain “52-54 Lime Street”. And I see that they even still calling Heron Tower the “Salesforce Tower”, which got squashed by public opinion ages ago.
Have these people learned nothing from the example of The Shard? The Shard’s owners heard people calling The Shard “The Shard” as soon as they announced it, and said, okay, that’s a name we can happily live with, we’ll call it that too. That way, there is no confusion. Everyone, even its owners, now calls The Shard The Shard. But refuse to bend with the linguistic breeze, and you end up with a building that you persist in pretending is called “34 Boring Street”, but which is really called The Dildo, or some such thing.
But the particular new tower which this article is about, now called “1 Leadenhall”, could quite well remain that, because it looks pretty unremarkable. Not that there’s anything wrong with that. The fundamental purpose of the City – London, actually – is to get things done, not to look pretty.
But although unremarkable to look at, “1 Leadenhall” may prove very remarkable to look from. For here is yet another City of London Big Thing which will, assuming they mean it, have a viewing gallery at the top. The views of nearby and bigger Big Things will, I surmise, be pretty spectacular.
I actually think that they do mean it, just as they meant it with the Walkie Talkie. The City’s rulers seem to be making viewing galleries – free and public viewing galleries – at the top of new City Big Things a condition of planning permission. This is, I surmise, because they want to liven up the City at the weekend, by attracting out-of-City-ers there.
The City at the weekend is now about as exciting as the inside of a coffin. When I visited that model of the City (which at the moment is open only on Fridays and Saturdays), I stayed nearly an hour and saw only two other people there. They want to change that.
Trouble is, one of the things that gives the City at the weekend its coffinian atmosphere is its semi-darkness, on all but the brightest days. This is because of the Big Things of the City are not built with daylight in mind. They are built to create as much office space as possible, and maybe look cool from a distance, and they are now starting to cluster in a solid lump. I recently wrote about the difference between London and New York in this respect. In New York, daylight is a very big deal, and the Big Things of New York have always had to be rather further apart than these new London Big Things.
Photoed by me yesterday, in Lower Marsh:
How soon before you will be able to take a smartphone photo of such a vehicle, and then, on your screen, press on the Twitter or Facebook squares, or on the website, and get there. Presumably, with that squiggly square, you can already do something like this.
That would certainly be an “intelligent advertising” improvement on what I have heard threats of, which is that adverts will change when they see you coming, to something they believe you are interested in. But I don’t believe that will happen any time soon, because how would you stop other people seeing what the advert thinks you are interested in? Leaving it up to you to investigate further, if you want to, will be much more civilised.
New Thin Things in New York (but not in Lower Manhattan)
Incoming horizontality from Simon Gibbs
Goodbye PhotoCat – hello PhotoPad
Benevolent Laissez-Faire photos
Weather and weather
With PhotoCat I can do cropping while keeping it the same shape
A souvenir screen capture
Looking in at the Zaha Hadid Design Gallery in Goswell Road
John Cage does Sudoku
South Bank views
What I hope will be a better way to post clutches of photos here
Checked out: The Big Olympic Thing
Memo to self: photo-destination required for tomorrow
Recent taxis with adverts photos
Feeling the need to meet
Blue Big Things by Shard Baby
Photoers on Westminster Bridge
A rejected Grand Chose that shouldn’t have been
Footbridges in the sky
A Big Thing and a Much Bigger Thing – on a not-black cab
Enjoy it when you can
A really good piece about London and its Big Things by Oliver Wainwright
Skyscraper covered in Gothic sculpture proposed for Manhattan
Out and about with GD1 (6): The journey gets properly started
The next but one London Big Thing
Metros of the world
Four towers joined together by two bridges
Antony Flew on the Terrors of Islam
Going to Kings Cross to see gas holders
Jim Glymph gets Frank Gehry past the limits of what is buildable
A new Big Thing for Paddington?
Painting the bridges of Richmond
A day in BMdotcom heaven (4): A tale of two penultimate overs
A day in BMdotcom heaven (3): Adverts
A couple of old squares
Designing and building with glass
Palestra House – then and now
The next London Big Thing
The Shard was looking very special today
Windsor Castle from the top of the RAF Memorial
Tourists and locals in London
All this stuff
Snohetta does zig zag roofs for competitive cities
London is getting more colourful
From a cat cushion to Bill Murray and a nude to a demon horse sculpture that killed its creator
BT Tower behind trees
Feline Friday – an apology for yesterday’s premature posting about cat recognition
Peter Thiel on how humans and computers complement each other
Drunkblogging a new London Big Thing
The Bayeux Tapestry small enough to fit in this blog
The Bayeux Tapestry – the ultimate horizontalised graphic
Smartphones and tablets at the Charlie Hebdo demo
Hand done photos
Sixty Charlie Hebdo demo signs that say something other than “Je Suis Charlie”
Some photographers last November
Posting difficulties so see you tomorrow
Touch typing or no typing at all
Christmas Day photos
Christmas tree with scaffolding
Cameras photoing the Wheel (in 2007)
Cats – and technology
A small photo posting
In which I quotulate from a photo of a Canadian train
Driverless open-plan tube trains for London
An old story about colour perception
Helter Skelter scrapped
Another facade being carefully preserved
The ballerina and her support act
On not letting either God or (the other) God do everything
PID at the Times
Back from France (plus cat photos)
The River Thames carpet
New London bridge competition
OpenOffice Writer default resetting nightmares
More Big Things from the Oval
Big Things in the sunset
Cashing a cheque by photoing it
Robyn Vinter is wrong about Google Glass
Photographer photoing photographer photoing Big Ben
The London Look
Pictures of soon-to-be-built London Big Things
Spot the owl
Battersea park in the sky
Another strange artificial landscape
Sam Bowman on Bleeding Heart Libertarianism
Me trying to tell Norman Foster and Richard Rogers apart
When Open Symbol attacks!
Big Things happening in the City
One new thing (an IPS screen) makes me want another new thing (also an IPS screen)
My 110 percent problem
Eiffel Tower with chimney pots – La Défense ditto
I now have a new computer screen
Big Thing news from New York and London - and a picture of climate alarmism losing
Please help me buy a new computer screen
The text of my talk for Christian Michel last night on the impact of digital photography
3D printer sighted!
Nowadays a picture is no longer worth a thousand words
I’m not the only one who suffers from rightward lean
Taking photos with Big Flat Things
Confirmation that map use has seriously declined
Digital photographers holding maps
How big should these squares be?
Rob Fisher on old things not looking old
Smaller is more legible – big is more fun
Twisted picture from Burgess Park (untwisted with Photoshop Elements)
A fake feline photo and a faltering feline enumerator
Women of Japan – better luck next time
The Johnathan Pearce Samizdata gap
the Norlonto Review is back!
Reflections on a strange coincidence involving an Android app and a malfunctioning bus stop sign
Wembley Arch with balloons and with umbrellas
Typing on the new smartphone
More March 5th photographers (and more spaces between pictures)
A mannequin in Tachbrook Street sheds light on the nature of perception
Panoramic view of London from the top of the BT Tower
Alastair James on Blythe Hill Fields and smartphones
Looking along Victoria Street to The Wheel (and on how to be liked (or disliked) by Google)
Is Samizdata in danger of becoming a photo-blog?
“No one has to know!”
Some more presidential debate prophecy
PID at Samizdata
How gun control works and how it will defend Libertaria
Does anyone know how I can straighten these gasometers?
What’s up with that?
Hockey Stick art
The Jobs difference
One World Trade Center
Empty tables and empty chairs
A photo taken of a taken photo of the photo being taken
Gormley’s South Bank Men
Jobs departs from Apple (again)
On pictures that don’t get any bigger when clicked and on the power of the tangential
OpenOffice.org 3.2.1 Writer font default setting help wanted
Richard Dawkins on university debating games
I can do squares!!!
The new mainframe
First blood to Australia
Shard in rain
Cricket technology and its imperfections
Cricinfo gets its clock in a tangle and Pyrah bowls an unforgivable no ball
Everyone who shows this picture needs to add that it is not Photoshopped
Cats and bridges on Pixdaus
Alex Singleton on Photoshop CS5
Everybody draw Mohammed every day!
Darling and Darling cat
Incoming from Molly Norris!
Molly Norris was just kidding!
Everybody draw Mohammed on May 20th!
Beyond iPad (and a picture that goes beyond this posting)
What’s up with this?
Forget the fifth of November - and the Brown curse strikes (again)
Green cats - feral cats - cats murdered in Wales - more than 113 cats in Livingston NJ
A little archaeology
Model T parts flatvert
Back lit by the sun
Laptop for emails
Register for your free pack and five £1-off-coupons
A question about double inverted commas in OpenOffice.org Writer
Jesus above the keyboard instead of beyond it
Jesus gets a big new keyboard
Another resizing test
JD gets PTD
First picture posted to this blog from the wild
Now I’m going to try to stick up a picture with Jesus
They aren’t complete idiots all the time
Wonderwoman picked by Unsuperman
Africa is big
Cats are (as of) now being counted in permanent italics
What’s this for?
Cisco – fuck off and die
Permanent Bold Disease strikes Brassneck
PID strikes Guido
An impulse posting about procrastination
PID hits DK
Self-guided photo-tour of the streets of San Francisco
Flat pictures for flat screens
Beetham Tower – and a couple of other towers
Dot matrix printing in the sky
Typed man walking
Aid rewards low growth
Dave Gorman sees faces!
Short picture of a long distance
Photo-ing the weather
Pictures with words
Not actually a photo of Saturn’s rings
Smallest mobile keyboard yet?
Amazing map of amazing new Moscow bridge
Evite makes sure I remember it
New Moscow road bridge
“I already knew most of what they were to try and teach me …”
One Man and His Very Thin Blog
Printer in your pocket
Very very low cost kitten in space
Other people’s photos (2): New architecture in Hamburg
But what is so evil about Powerpoint?
Other people’s photos (1): Soul transference
History of the Middle East as a moving map
Spreading the word for free