Brian Micklethwait's Blog

In which I continue to seek part time employment as the ruler of the world.

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Category archive: Computer graphics

Saturday January 20 2018

By which I mean that the content is what it is, but that the loading up is either very slow or, from time to time, non-existent.

If you had been trying to view this blog today, this is what you would have seen:

image

I cranked up BMdotcom on my mobile, just to make sure it wasn’t my computer that was in some mysterious way causing this.  It wasn’t.

And yes, I cheated with the timing of this posting.  I actually stuck this up in the small hours of Monday morning, and backdated the date.  If this bothers you, have your lawyers call my lawyers.

Conversations are now ongoing about not only how to get fewer such collapses, but also about how to speed up the loading, to the point where a decent number of people might consider reading it, again, or even for the first time.  What I am thinking I will do is set up a new Wordpress blog, and leave this as Classic Brian, or some such thing.

Tuesday January 09 2018

Yes, panic over.  The situation seemed very bad, but instead is as described above.

Consider this photo, of the roof of the long snakey shed that looks like it’s for growing tomatoes, where the Euro-trains used to arrive and depart from:

image

I was viewing that in Windows Photo Viewer, but then I found myself simultaneously viewing that same photo in in my photo-editing software, thus:

image

Do you see?  Of course you do.  Windows Photo Viewer, on the left, has introduced, from nowhere, a cream background, and shoved it behind and into the photo.  On the right, Photoshop(clone) has ignored this cream under(over)lay, and has restored the pure blue of that Waterloo Station roof and has taken the ominous yellow tinge out of the dark grey sky.  The white bits of the roof are back to being white.  Put the photo in some different software for viewing my archives, and it is similarly cleansed of yellowness.  All was well with the original photo, as it emerged from my camera.  Windows Photo Viewer is the problem and the only problem.

So, no panic about my camera.  Just a question about Windows Photo Viewer.  How do I get that to behave itself?  I have worked out how to change the brown at the top and bottom of the photo to any other colour you or I would like.  But can I get it to stop with the cream?  Can I random-punctuation-marks-in-an-angry-little-line.  Suggestions anyone?

Wednesday December 06 2017

I am trying once again to clear open windows from my computer.  Two days ago I referred to something very interesting that had been hanging around for some time on my computer screen.  I am now doing this again.

This photo explains it pretty well:

image

This appeared at Dezeen early in October, and I’ve been meaning to mention it hear ever since.

You want more?  Here you go:

An app has launched that allows users to instantly identify artworks and access information about them, by simply scanning them with a smartphone.

Smartify launched at the Royal Academy of Arts in London last week. It has been described by its creators as “a Shazam for the art world”, because - like the app that can identify any music track - it can reveal the title and artist of thousands of artworks.

It does so by cross-referencing them with a vast database that the company is constantly updating.

There was a time when art galleries and museums would try to stop you taking photos, but those days are pretty much gone.  It was the smartphoners what done this, because there are just too many of them to stop with their photoing, and anyway this can’t be done because you can never really tell whether they are taking photos or whether they are just doing social media with their mates or catching up on their emails.  This app will end this argument for ever.  People are just not going to tolerate being told that they mustn’t use this in an art gallery, and if they do use it, its use will look exactly like they are photoing.  The key to stopping photoing is that you have to know when it is happening.

Monday November 27 2017

imageWhen I was a teenager, I went on a bike to trip to Iceland (with boated interludes from Newcastle to Reykjavik and back).  The most spectacular thing I saw on the entire trip was on day one: the towers of Croydon.  I will never forgot the amazement of seeing this mini-Manhattan suddenly come into view, over the brow of whatever dreary south London road I was toiling along.  Sadly, digital photography did not then exist. (Although, the fights there would have been in youth hostels over the replenishing of camera batteries would surely have got very ugly.) A big clutch of Croydon’s local politicians were sent to jail soon after then, presumably for auctioning off planning permission for these then highly unusual Big Things.

So anyway, it’s good to see that Croydon is still building Big Things.  Read the comments on this report (complete with fake photos such as the one to the right of this) and you will clearly see that we have here the makings of a future front-runner for the Carbuncle Cup circa 2020.  Some commenters assert this explicitly.  Go Croydon!

Monday November 20 2017

Ten years ago today, in a posting entitled Chanelle and Ziggy - romance in the age of total surveillance, I showed a photo, of some magazines on display:

image

But all I showed of that photo was the magazines bit, because, as the above title makes clear, that was the bit I was interested in:

image

Funny.  Still.

But now, the bit at the bottom, where the maps are, seems just as interesting, because, now, so very dated.

image

Celebrity romance has, with arrival of social media, just got that bit more public, having been very public even in 2007.  But those maps!  Where have all the maps gone?  Gone to smartphones every one.

Which just goes to show: If in doubt, take the photo! The more trivial and ephemeral it may seem at the time, the more likely it is to be of interest in a decade’s time.

Wednesday November 15 2017

On Thursday November 23rd, the latest manifestation of The Ashes kicks off:

image

I took the above photo in the pedestrian tunnel that goes north from South Kensington tube towards the Royal Albert Hall, or in my case towards the Royal College of Music (where GodDaughter 2 was singing in a concert).

But look more closely.  This is not an advert for The Ashes themselves, an advert, that is to say, for the chance to watch or otherwise witness some actual cricket games.  No.  This is an advert for the means to play in a computerised cricket game.

The last licensed Ashes game was Ashes Cricket 2013. It was developed by Trickstar Games (also based in Melbourne, Australia) but was so irredeemably terrible it was comically cancelled after it had been released (it was quietly released on Steam in November 2013 but yanked down just four days later).

I knew nothing of this until now, even though I follow actual cricket very keenly.  The only computer game I ever play is Solitaire.  Blog and learn.

I wonder how the income earned from the sale of this computer game will compare with the income earned by the actual Ashes cricket games.  I’m guessing that, assuming they’ve now done a better job of it than was done in 2013, the comparison will be quite favourable. Although: Bairstow, Root, Ballance, Broad, Anderson and Cook will presumably be getting their slices of the computer game action.

Sunday November 12 2017

A few weeks ago, I watched and recorded a Shakespeare documentary series, in one episode of which Jeremy Irons talked about, and talked with others about, the two Henry IV plays.  And that got me watching two recorded DVDs that I had already made of these plays, the BBC “Hollow Crown” versions, with Irons as King Henry and Tom Hiddleston as the King’s son, Prince Hal.  While watching these, I realised how little I really knew these wonderful plays, and how much I was enjoying correcting that a little.

More recently, partly spurred on by what Trevor Nunn in that same documentary series had to say about it, I have been doing the same with The Tempest, this time making use of a DVD that I long ago purchased for next to nothing in a charity shop but had failed ever to watch.

By accident, when this DVD of The Tempest began, there were subtitles to be seen, and I realised that these written lines, far from getting in the way, only added to my enjoyment, so I left them on.  And, if subtitles were helping, why not the entire text?  Maybe I possess a copy of The Tempest, but if so I could not find it, so instead, I tried the internet, which quickly obliged.  My eyesight not being the best, I beefed up the magnification of the text until it was nearly as big as those subtitles.  So, I watched, I read subtitles, and I was able to see who was saying what, and what they were about to say.  And very gratifying it all was:

image

On the telly, on the left, David Dixon as Ariel and, on the right, Michael Hordern as Prospero, both very impressive.

And here, should you be curious, is the text they were enacting at that particular moment, as shown on the right of the above photo, but now blown up and photoshop-cloned into greater legibility:

image

I think the reason I found this redundancy-packed way of watching The Tempest so very satisfying is that with Shakespeare, the mere matter of what is going on is secondary to the far more significant matter of exactly what is being said, this latter often consisting of phrases and sentences which have bounced about in our culture for several centuries.  As ever more people have felt the need to recycle these snatches or chunks of verbiage, for their own sake, and because they illuminate so much else that has happened and is happening in the world, so these words have gathered ever more force and charismatic power.  As the apocryphal old lady said when leaving a performance of Hamlet: “Lovely.  So full of quotations.”

The thing is, Shakespeare’s characters don’t just do the things that they do, and say only what needs to be said to keep the plot rolling along.  They seek to find the universal meaning of their experiences, and being theatrical characters, they are able, having found the right words to describe these experiences, to pass on this knowledge to their audiences.  This is especially true of Hamlet, because central to Hamlet’s character is that he is constantly trying to pin down the meaning of life, in a series of what we would now call tweets, and consequently to be remembered after his death.

Prospero in The Tempest is not quite so desperate to be remembered, any more, we are told, than Shakespeare himself was.  In Prospero, as Trevor Nunn explained in his documentary about The Tempest, many hear Shakespeare saying goodbye to his career as a theatrical magician and returning to his provincial life of Middle English normality. But Shakespeare was Shakespeare.  He couldn’t help creating these supremely eloquent central characters.  Even when all they are doing is ordering room service, or in the case of Prospero doing something like passing on his latest instructions to Ariel, they all end up speaking Shakespeare, with words and phrases that beg to be remembered for ever.  These famous Shakespeare bits are rather like those favourite bits that we classical music fans all hear in the great works of the Western musical cannon.

So, a way of watching these plays that enables these great word-clusters to hang around for a while is just what you want.  (Especially if, like Prospero, you are getting old, and your short-term memory is not what it was.) It also helps being able to press the pause button from time to time, to enable you to savour these moments, to absorb their context, better than you could if just watching the one unpausable performance in front of you.  Although I agree, having a pause symbol on the furrowed brow of Prospero, as in my telly-photo above, is not ideal.

I am now browsing through my Shakespeare DVD collection, wondering which one to wallow in next.

Tuesday November 07 2017

The usually ignorable but occasionally very interesting Dezeen has one of its very interesting posting up now, about a driverless bus/train, in China, which looks like this:

image

That reminds me a bit of those road-trains that they have in Australia.

The system works by scanning the painted road markings, using sensors on the underside of the vehicle. These sensors are able to detect pavement and road dimensions by the millimetre, and send travel information to the train whilst in transit.

Clever.  And a lot simpler than a lot of stuff involving seeing and avoiding people, and seeing and avoiding other vehicles, with multiple sensors and artificial intelligence and whatnot.  The people have to avoid this bus, just like they have to avoid trams now.  This is not a self-driving vehicle.  It is merely a development of the driverless train, like the DLR, but with computers and road markings to keep the thing on the straight and narrow rather than rails.

Driverless cars on regular roads, roads with no special markings, are still a few years off, I believe.  Too complicated.  Too many unknown unknowns.  But driverless buses like these, driving along predictable routes, will be no harder to manage than trams or trolley buses are now.

Nobody knows what the long-term impact of driverless vehicles is going to be, other than that it will be very big.  But one possible future is that lots of railways might soon be flattened into virtual railways not unlike this one, which will be a whole lot easier to travel along than a regular road.

Meanwhile, I love how, in the picture above, in the bottom right corner, there’s a guy who looks like he’s taking a picture of the cab of this bus, a can with nobody in it.

A railway without rails in China
Twentytwo
Pont-Aven et ses environs
Photos from friends
David Hockney likes having servants!
Repairig the etters o y eyboard
XYZprinting’s full-colour 3D printer ‘paints’ your builds as it makes them
New London Bridge station roofs – and photos of them from the top of the Shard
Aug ‘17 OSB6: Camden Highline
August 2017 Old School Blogging (3): Birth of the Camera Phone
Rugby v Marlborough at Lord’s today
I don’t know whether it’s the weather or my camera
A gadget that worked really well
When advertising doesn’t quite work
Google now realises that I was spot on about Google Glass
Me elsewhere
Wimbledon screen captures
Why computers are so dumb and so insolent
Three dead screens
Dots and photoers at the top of the Tate Extension
Two selfies
What a difference a screen makes
Accidental movie
Food photoing
Animated tube maps
New Zealand at the ASI
When what I think it is determines how ugly or beautiful I feel it to be
Playing golf versus following cricket
Battersea Power Station then and now and soon
Lea River footbridge
The Limehouse Cut is boring to walk along …
Anti-BREXIT demo signs
Longer life would make most of us (certainly me) more energetic and ambitious
New River Walk
Today’s plan
Objectivity is indistinguishable from hate
My comment on the Six Nations so far
Opera North’s Ring
Calatrava coming to London
Signs
A snip at £7,499.99
A new stadium for Chelsea
Plan as energy
Somebody needs to invent electronically changeable paint
Scum?
Sunlight on sea
A dogs and cats building
The Spraycan bounced off the new US Embassy
Strand Palace Hotel footbridge
Another fine day at the Oval (4): Scoreboards old and new
Another fine day at the Oval (2): Jason Roy – and an extreme contrast
The hottest day of the year (5): Old Citroens in Roupell Street
Large number of jobs
Comparing London then with London now (and the Oval then with the Oval now)
The right moment and the right alignment
On comments – and some commentary on some Brexit comments
Brexit graphics
Referendum day graphics
Big Things and viewing galleries in the Square Mile
WWWhite Van
New Thin Things in New York (but not in Lower Manhattan)
Incoming horizontality from Simon Gibbs
Goodbye PhotoCat – hello PhotoPad
Benevolent Laissez-Faire photos
Weather and weather
With PhotoCat I can do cropping while keeping it the same shape
A souvenir screen capture
Looking in at the Zaha Hadid Design Gallery in Goswell Road
John Cage does Sudoku
South Bank views
Context
What I hope will be a better way to post clutches of photos here
Sports thorts
Checked out: The Big Olympic Thing
Memo to self: photo-destination required for tomorrow
Recent taxis with adverts photos
Feeling the need to meet
Toegangsbeveiligingsproducten
Blue Big Things by Shard Baby
Photoers on Westminster Bridge
A rejected Grand Chose that shouldn’t have been
Footbridges in the sky
A Big Thing and a Much Bigger Thing – on a not-black cab
Enjoy it when you can
Wrap artistry
A really good piece about London and its Big Things by Oliver Wainwright
Skyscraper covered in Gothic sculpture proposed for Manhattan
Out and about with GD1 (6): The journey gets properly started
The next but one London Big Thing
Metros of the world
Four towers joined together by two bridges
Antony Flew on the Terrors of Islam
Going to Kings Cross to see gas holders
Jim Glymph gets Frank Gehry past the limits of what is buildable
A new Big Thing for Paddington?
Painting the bridges of Richmond
What’s this?
A day in BMdotcom heaven (4): A tale of two penultimate overs
A day in BMdotcom heaven (3): Adverts
A couple of old squares
Designing and building with glass
Palestra House – then and now
The next London Big Thing
The Shard was looking very special today
Windsor Castle from the top of the RAF Memorial
Tourists and locals in London
All this stuff
Snohetta does zig zag roofs for competitive cities
London is getting more colourful
From a cat cushion to Bill Murray and a nude to a demon horse sculpture that killed its creator
BT Tower behind trees
Feline Friday – an apology for yesterday’s premature posting about cat recognition
Peter Thiel on how humans and computers complement each other
Drunkblogging a new London Big Thing
The Bayeux Tapestry small enough to fit in this blog
The Bayeux Tapestry – the ultimate horizontalised graphic
Smartphones and tablets at the Charlie Hebdo demo
Hand done photos
Sixty Charlie Hebdo demo signs that say something other than “Je Suis Charlie”
Some photographers last November
Posting difficulties so see you tomorrow
Touch typing or no typing at all
Christmas Day photos
Christmas tree with scaffolding
Trousers keyboard
Cameras photoing the Wheel (in 2007)
Cats – and technology
A small photo posting
Friday photo-puzzles
In which I quotulate from a photo of a Canadian train
Driverless open-plan tube trains for London
An old story about colour perception
Helter Skelter scrapped
Another facade being carefully preserved
The ballerina and her support act
On not letting either God or (the other) God do everything
PID at the Times
Back from France (plus cat photos)
The River Thames carpet
New London bridge competition
OpenOffice Writer default resetting nightmares
More Big Things from the Oval
Big Things in the sunset
Cashing a cheque by photoing it
Robyn Vinter is wrong about Google Glass
Capturing moments
Photographer photoing photographer photoing Big Ben
The London Look
Moving picture
Pictures of soon-to-be-built London Big Things
Spot the owl
Battersea park in the sky
Another strange artificial landscape
Sam Bowman on Bleeding Heart Libertarianism
Blue wind
Me trying to tell Norman Foster and Richard Rogers apart
When Open Symbol attacks!
Big Things happening in the City
One new thing (an IPS screen) makes me want another new thing (also an IPS screen)
My 110 percent problem
Eiffel Tower with chimney pots – La Défense ditto
I now have a new computer screen
Big Thing news from New York and London - and a picture of climate alarmism losing
Please help me buy a new computer screen
The text of my talk for Christian Michel last night on the impact of digital photography
3D printer sighted!
Nowadays a picture is no longer worth a thousand words
I’m not the only one who suffers from rightward lean
Taking photos with Big Flat Things
Confirmation that map use has seriously declined
Digital photographers holding maps
How big should these squares be?
Rob Fisher on old things not looking old
Smaller is more legible – big is more fun
Twisted picture from Burgess Park (untwisted with Photoshop Elements)
A fake feline photo and a faltering feline enumerator
Women of Japan – better luck next time
The Johnathan Pearce Samizdata gap
the Norlonto Review is back!
Reflections on a strange coincidence involving an Android app and a malfunctioning bus stop sign
Wembley Arch with balloons and with umbrellas
Typing on the new smartphone
More March 5th photographers (and more spaces between pictures)
A mannequin in Tachbrook Street sheds light on the nature of perception
Crossrail grubbings
Panoramic view of London from the top of the BT Tower
Alastair James on Blythe Hill Fields and smartphones
Looking along Victoria Street to The Wheel (and on how to be liked (or disliked) by Google)
Is Samizdata in danger of becoming a photo-blog?
“No one has to know!”
Some more presidential debate prophecy
PID at Samizdata
How gun control works and how it will defend Libertaria
Does anyone know how I can straighten these gasometers?
What’s up with that?
Hockey Stick art
The Jobs difference
One World Trade Center
Empty tables and empty chairs
A photo taken of a taken photo of the photo being taken
Gormley’s South Bank Men
Wot inflationz?
Jobs departs from Apple (again)
On pictures that don’t get any bigger when clicked and on the power of the tangential
OpenOffice.org 3.2.1 Writer font default setting help wanted
Richard Dawkins on university debating games
I can do squares!!!
The new mainframe
First blood to Australia
Shard in rain
Cricket technology and its imperfections
Taranis
Cricinfo gets its clock in a tangle and Pyrah bowls an unforgivable no ball
Everyone who shows this picture needs to add that it is not Photoshopped
Cats and bridges on Pixdaus
Alex Singleton on Photoshop CS5
Everybody draw Mohammed every day!
Darling and Darling cat
Incoming from Molly Norris!
Molly Norris was just kidding!
Everybody draw Mohammed on May 20th!
Beyond iPad (and a picture that goes beyond this posting)
What’s up with this?
Forget the fifth of November - and the Brown curse strikes (again)
Green cats - feral cats - cats murdered in Wales - more than 113 cats in Livingston NJ
A little archaeology
Model T parts flatvert
Back lit by the sun
Laptop for emails
Register for your free pack and five £1-off-coupons
PurseBook
A question about double inverted commas in OpenOffice.org Writer
Cricinfo
Jesus above the keyboard instead of beyond it
Jesus gets a big new keyboard
Another resizing test
JD gets PTD
First picture posted to this blog from the wild
Now I’m going to try to stick up a picture with Jesus
Inamo
They aren’t complete idiots all the time
Wonderwoman picked by Unsuperman
Africa is big
Cats are (as of) now being counted in permanent italics
What’s this for?
Cisco – fuck off and die
Permanent Bold Disease strikes Brassneck
Keyboard blues
PID strikes Guido
An impulse posting about procrastination
PID hits DK
Self-guided photo-tour of the streets of San Francisco
Flat pictures for flat screens
Screen problems
Beetham Tower – and a couple of other towers
Otherwise engaged
Dot matrix printing in the sky
Typed man walking
LAHTML
Aid rewards low growth
Dave Gorman sees faces!
Short picture of a long distance
Photo-ing the weather
Pictures with words
Not actually a photo of Saturn’s rings
Smallest mobile keyboard yet?
Amazing map of amazing new Moscow bridge
Evite makes sure I remember it
New Moscow road bridge
“I already knew most of what they were to try and teach me …”
One Man and His Very Thin Blog
Printer in your pocket
Flashdrawing
Very very low cost kitten in space
Other people’s photos (2): New architecture in Hamburg
But what is so evil about Powerpoint?
Other people’s photos (1): Soul transference
History of the Middle East as a moving map
Screen back
Spreading the word for free
Admiral Coward
Venus undistorted