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In which I continue to seek part time employment as the ruler of the world.

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Category archive: France

Monday August 17 2015

A lot of my postings just now involve me showing you photos I took quite a while back, and this one is also one of those.

What happens is, I rootle through all my past photos, and then sometimes get an idea for a posting about a certain category of thing or human conduct or mode of transport or some such thing, and I start gathering photos to illustrate this, in a separate directory.  I am careful to copy photos into the new directory, rather than just transfer them there.  One of my rules is, keep all the photos you took on a certain day on a certain expedition all in one place.  But, no harm in copying from those directories into other ones which are about particular things rather than particular trips or particular times.

However, what often then happens is that I forget about it all.  So, the directory sits there, sometimes for years, and then years later I come across it again.  This happened last night, when I encountered a collection of photographs, assembled in 2010, of photographers who were also holding guide books.  I could tell that I had never used them in a blog posting, because when I do that, I always give photos different names.

Here are four of those photographers-holding-guide-books photos, all of which involve guide books with the word “Londres” on them:

imageimageimageimage

Click to get the bigger pictures.

I’m guessing that both the French and the Hispanics spell London as Londres, with the French calling it Londr and the Hispanics calling it Lon Drez.  But that’s only a gez.

And, yes (google google), I gezzed right:

Londres, the French, Spanish, Portuguese, Catalan and Filipino language name for London, capital of the United Kingdom and England

The guide book while photoing thing always appealed to me, not least because even then I was looking for ways to not photo people’s faces, and guide books often achieved that outcome for me very nicely.  But the phenomenon is also interesting because, slowly, it is fading away.  You do still see photographers flaunting guide books, but it is rarer now.

Instead, the smartphone is the new guidebook.  And, of course, increasingly, the new camera, for people like those shown above.  Makes perfect sense.

As for the lady above (in the picture bottom right) whose face I do here display (if you click), well, she was wearing a T-shirt saying, in London’s own language and therefore to attract the attention of Londoners like me: “believe me… i’m incredible”.  Somehow I don’t think it was “incredulous”.  Ergo, she was attracting attention with her own attention-attracting behaviour, ergo she was and is fair game for her face to go up, totally recognisably, (but nearly a decade later) on my blog.

Nearly a decade later because these photos were taken by me in 2006 and 2007.

Saturday August 15 2015

Time today only for three rather antiquated Citroens.

First, a Citroen DS23, photoed by me in Lower Marsh this afternoon, 3.45 pm:

image

Second, a second Citroen DS23, photoed by me in the Kings Road this afternoon, 5.06 pm:

image

To see one of these beauties is a beautiful thing.  To see two, within the space of less than two hours, is to be doubly blessed.

I know they were both DS23s because I also photoed where they both said they were DS23s, at the back.

And then, before the two hours were up, I also snapped this:

image

It just turned off the Kings Road, right in front of me.

Magnifique.  J’aime Londres.

That last one reminds me that I also took this photo, earlier in the week, in Strutton Ground:

image

A form of transport that is even more antiquated than are the automobiles pictured above.  See also: this.

By the way, I rather enjoyed it when I just image-googled automobile.  All I was doing at first was checking the spelling.

Tuesday July 28 2015

Certainly in London and I presume everywhere else in Britain, when you see lots of verbiage attached to the outside of a building site, it tends to be health and safety stuff, of the sort shown in this posting, which I did here in February 2011.  (That was the very first posting I did with the category “Signs and notices” attached to it.)

In the summer of that same year, I was in France, where I took the picture that follows.  But I never got around to displaying it here.  Here it is now:

image

This is a sign that I saw adorning the outside of a French building site.

To me, it resembles nothing so much as the credits at the end of a movie.  Every imaginable contributor to the building process is painstakingly listed.  Click if you want to be able to read everything more clearly.

Although I am sure I might be persuaded otherwise (for instance by people with knowledge of the relative merits of the actual work that tends to be done in each country), I think the contrast is rather in France’s favour.

In France, everything that has been done, and by whom, is listed.  Presumably it has been done in a manner to make the people who did it glad to have their names in, as it were, lights.  In Britain, every imaginable thing that might go wrong is listed, in the form of an imprecation that people not do this.  It’s the difference between being proud of what is being done, and being nothing but apologetic about it.

Right at the end, though, it does say: “chantier interdet au public, port du casque obligatoire”.  This means (unless the internet has gravely deceived me): “access forbidden to the public, helmet obligatory”.  So, a bit of health and safety nagging there.  But that’s all there is.

In Britain, you also sometimes get a rather shorter list of the grander and more professional of the enterprises and people who are doing the job, but not nearly so much is made of this, compared to all the stuff about being ever so, ever so careful.

Monday July 13 2015

imageMore Dezeen catching up.  And this time the news is that Paris is about to get its first truly Grand Chose since the Montparnasse Tower.

Paris is, in certain Parisian minds anyway, suffering from London Big Thing Envy, and they want to change the place.

“The change in regulations is a historic moment,” the architects told Dezeen. “Paris is cautiously allowing tall buildings back into the city.”

Like Ken Livingstone, who did so much to make London’s recent Big Things happen, some of the Parisians angling most powerfully for Grand Choses are socialists.

But Big Things fit right in in London.  In London the antiquarian tendency is weak when confronted by the We Want More Office Space tendency.  But in Paris, it is the other way around.  Paris already has a look that lots of people like, and scattering Grand Choses all over it will radically change that look.  London has always grown in big ugly bursts of money-making, which everyone then gets used to and decides they like, so Big Things are just the latest version of a regular London process.  Paris was kind of perfect in the late nineteenth century, and since then it has been half city, half museum.  It was then neither bombed nor redeveloped by socialist maniacs, as London was.  It will be interesting to see if this transformation of Paris can be made to stick or whether it will be stopped in its tracks once again.

The opposition is gathering.  This particular Grand Chose has already been dubbed a poor man’s Shard, and in truth it really does look like a cross between the Shard and this infamous North Korean structure.

See also this earlier posting about Paris here, here

Tuesday July 07 2015

Indeed:

image

I had this complicated posting in the works, but, as often happens, it got too complicated.  Usually, in these circumstances, I fob you off with a quota photo of that Pavlova statue.  This time I thought I’d fob you off a quota White Van instead.

Learn more about the enterprise in question here.

Saturday May 09 2015

Spent day doing other things, so quota photo time, but from the archives:

image

Taken in June 2005.  I don’t understand mobile phones, but presumably things have changed since the above arrangements were advertised.

But how about that war that either Britain, or Europe, had with France?  I don’t remember that.  Seriously, I wonder what on earth that was about.

Thursday May 07 2015

Following on from yesterday’s ruminations, in among lots of stuff that doesn’t fascinate me, including one posting about shit, is a report about Paris’ tallest building in over 40 years.

Presumably “Paris” doesn’t include La Défense, which is out on the edge of Paris.  Those Big Things are very big indeed.  What they’re talking about here is building Big Things in the centre of Paris. 

And the thing is, this Thing not very tall at all:

image

In London, this sort of thing would hardly be noticed.

But the fact that this new Thing is not that big is deliberate.

“This project is not a high-rise, but embodies a shift in attitude, and this gradual increase marks a willingness to reconsider the potential of height and will change the city landscape little by little,” said the architects.

They know that if they are to get any new truly Big Things anywhere near the centre of Paris, the first step is to make some things that are not Big, but just a tiny bit bigger.  First you get the opposition to concede the principle, with something that doesn’t arouse huge opposition.  Then you gradually increase the heights, until finally you get your Big Things, and the opposition unites too late.  And by then it’s too small, because lots of people actually like the new Big Things.  This is how politics is done.  And this is politics.

The last, and so far only new and truly Big Thing anywhere near the middle of Paris (other than the Eiffel Tower) is the Montparnasse Tower, which was completed in 1973.  Compared to almost everything else in central Paris, before or since, the Montparnasse Tower is very tall indeed.  It aroused a lot of opposition by embodying such an abrupt, even contemptuous, change of Paris skyscraper policy, and judging by what happened for the next forty years, that opposition was very successful.  This time around, those who want Big Parisian Things are going about it more carefully, as the above quote shows.

Speaking of politics, who is that geezer in the picture, in the picture?  A politician, I’ll bet.

Wednesday April 15 2015

In an earlier posting I mentioned that I had ordered Marc Morris’s book about The Norman Conquest, and I have now started reading this.  (Although for some reason the version of it that I have seems to be the American one.)

Morris takes the Bayeux Tapestry as his starting point (as already discussed here in this and (because of its elongated shape) in this).

The events depicted in the Tapestry are of course highly dramatic, but as Morris relates, so too was the subsequent history of the Tapestry:

By any law of averages, the Tapestry ought not to exist.  We know that such elaborate wall-hangings, while hardly commonplace in the eleventh century, were popular enough with the elite that could afford them, because we have descriptions in contemporary documents.  What we don’t have are other surviving examples: all that comes down to us in other cases are a few sorry-looking scraps.  That the Tapestry is still with us almost I ,000 years after it was sewn is astonishing, especially when one considers its later history. It first appears in the written record four centuries after its creation, in 1476, when it is described in an inventory of the treasury at Bayeux Cathedral, from which we learn that the clergy were in the habit of hanging it around the nave every year during the first week of July (an annual airing that would have aided its conservation).  Its survival through those four medieval centuries, escaping the major hazards of war, fire and flood, as well as the more mundane menaces of rodents, insects and damp, is wondrous enough; that it successfully avoided destruction during the modern era is nothing short of miraculous.  When the cathedral’s treasury was looted during the French Revolution, the Tapestry came within a hair’s breadth of being cut up and used to cover military wagons.  Carted to Paris for exhibition by Napoleon, it was eventually returned to Bayeux, where for several years during the early nineteenth century it was indifferently stored in the town hall on a giant spindle, so that curious visitors could unroll it (and occasionally cut bits off). During the Second World War it had yet more adventures: taken again to Paris by the Nazis, it narrowly escaped being sent to Berlin, and somehow managed to emerge unscathed from the flames and the bombs.  The Tapestry’s post-medieval history is a book in itself - one which, happily, has already been written.

What next for it, I wonder?

Marc Morris on how the Bayeux Tapestry ought not to exist
Not squash
The Bayeux Tapestry small enough to fit in this blog
Exit Caesar
Triple Chess and a Four Wheeled Pedal Board
Proof that there are a lot of French people in Britain just now
Smartphones and tablets at the Charlie Hebdo demo
Sixty Charlie Hebdo demo signs that say something other than “Je Suis Charlie”
Charlie Hebdo demo in Trafalgar Square
Old Quimper Cathedral
Posting difficulties so see you tomorrow
Cats in Quimper shops
Quimper and its Cathedral
French roof clutter
Touch typing or no typing at all
A French film poster advertising a British film
Tired in France
Quota photo from Paris (also a selfie)
Marginal Eurostar economics
MicheldeMontaigne.fr
Recently on dezeen
Parisian roof clutter gets the Real Photographer treatment
Back from France (plus cat photos)
Cat photo and cat news
I need a new passport but just now passports are a problem
Emmanuel Todd talking in English (about how the Euro is doomed)
The joyful excitement of the Festival lyrique international de Belle-Île-en-Mer
Bennett and Lotus on how Emmanuel Todd’s family provoked his Grand Theory of Everything
Omaha dead
Selfies of me – 2001, 2007 and yesterday
Three more Paris pictures
Eiffel Tower with chimney pots – La Défense ditto
Fat bastard!
Eurostar before St Pancras
Craig Willy on Emmanuel Todd
A Fleet Street lunch
Little Lady Liberty - still in France
Mon chat se tient debout tout seul
I’m Charia Hebdo!
Les Rillettes Henaff
Summer blogging break
Empty tables and empty chairs
Quimper cat on Harley-Davidson
Quota frogs
Infrequent flyer
Signs from the Frenchosphere
Paris signage
Rugby shirts on drugs
Pronouncing on the Six Nations
Another link enema
Great speech by Kevin Dowd in Paris which should be available to listen to soon
France falls in love with Hugh Laurie
Sailing photos – and another bridge for the collection
Happy New year (if possible)
The Fat Man is not alone
French cats
Flat viaduct and spiral bridge
Talking about St Pancras at St Pancras
Millau Viaduct with goats
Australia out! – New Zealand out! – pass forward!
Wildlife news
Antoine Clarke on the French National Assembly elections
Lots of links
Antoine Clarke on Sarkozy
Somebody else photos Billion Monkey photo-ing Notre Dame!
Volte-face
Antoine on Sarko’s win
Serious tax cutting
If they don’t get who they would have preferred then silly them
“What do YOU think?” - “More -isationisation!”
“It’s a shame that copyright was infringed in a thesis about copyright itself”
Other people’s photos (6): More bridges
Other people’s photos (5): Red balloons on a monochrome bridge in Paris
Deceiving the eyes of Paris
Singing Frenchmen in stripey T-shirts
A dangerous development