Brian Micklethwait's Blog
In which I continue to seek part time employment as the ruler of the world.Home
MarkR on Goodbye PhotoCat – hello PhotoPad
Brian Micklethwait on Deirdre McCloskey - The Great Enrichment – Using a smartphone as a mirror
Rob Fisher on Deirdre McCloskey - The Great Enrichment – Using a smartphone as a mirror
Rob Fisher on A bridge in Narbonne
Rocco on Benevolent Laissez-Faire photos
Friday Night Smoke on Safe cracks in an airplane window
6000 on The view from the roof
Darren on Second childhood
Tom on LON DON
Kim Bergstrom on Looking in at the Zaha Hadid Design Gallery in Goswell Road
Most recent entries
- Face recognition – face disguise – the age of pseudo-omniscience
- More South of France bridges
- Played 6 – Won 0 – Drawn 3 – Lost 3
- I want to write more here about music
- South of France signs
- Keeping up appearances at One Palace Street
- Goodbye PhotoCat – hello PhotoPad
- Incoming imagery from Antoine
- A bridge in Narbonne
- South of France electronic clutter
- Deirdre McCloskey - The Great Enrichment – Using a smartphone as a mirror
- Bird takes off from a TV aerial
- Benevolent Laissez-Faire photos
- Horizontal French signs
Other Blogs I write for
6000 Miles from Civilisation
A Decent Muesli
Adventures in Capitalism
Alex Ross: The Rest Is Noise
Another Food Blog
Antoine Clarke's Election Watch
Armed and Dangerous
Art Of The State Blog
Boatang & Demetriou
Burning Our Money
Chase me ladies, I'm in the cavalry
China Law Blog
Civilian Gun Self-Defense Blog
Coffee & Complexity
Communities Dominate Brands
Confused of Calcutta
Conservative Party Reptile
Counting Cats in Zanzibar
Deleted by tomorrow
Don't Hold Your Breath
Douglas Carswell Blog
Dr Robert Lefever
Englands Freedome, Souldiers Rights
Everything I Say is Right
Fat Man on a Keyboard
Ferraris for all
Freedom and Whisky
From The Barrel of a Gun
Gates of Vienna
Global Warming Politics
Greg Mankiw's Blog
Guido Fawkes' blog
Here Comes Everybody
Hit & Run
House of Dumb
Iain Dale's Diary
Jeffrey Archer's Official Blog
Jessica Duchen's classical music blog
Laissez Faire Books
Last of the Few
Libertarian Alliance: Blog
Liberty Dad - a World Without Dictators
Lib on the United Kingdom
Little Man, What Now?
Loic Le Meur Blog
L'Ombre de l'Olivier
London Daily Photo
Metamagician and the Hellfire Club
Michael J. Totten's Middle East Journal
More Than Mind Games
Mutualist Blog: Free Market Anti-Capitalism
My Boyfriend Is A Twat
My Other Stuff
Nation of Shopkeepers
Never Trust a Hippy
Non Diet Weight Loss
Nurses for Reform blog
Obnoxio The Clown
On an Overgrown Path
One Man & His Blog
Owlthoughts of a peripatetic pedant
Oxford Libertarian Society /blog
Patri's Peripatetic Peregrinations
Police Inspector Blog
Private Sector Development blog
Remember I'm the Bloody Architect
Setting The World To Rights
SimonHewittJones.com The Violin Blog
Sky Watching My World
Social Affairs Unit
Squander Two Blog
Stuff White People Like
Stumbling and Mumbling
Technology Liberation Front
The Adam Smith Institute Blog
The Becker-Posner Blog
The Belgravia Dispatch
The Belmont Club
The Big Blog Company
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the blog of dave cole
The Corridor of Uncertainty (a Cricket blog)
The Daily Ablution
The Devil's Advocate
The Devil's Kitchen
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The Early Days of a Better Nation
The Examined Life
The Fly Bottle
The Freeway to Serfdom
The Future of Music
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The London Fog
The Long Tail
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The Online Photographer
The Only Winning Move
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The Road to Surfdom
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The Welfare State We're In
UK Commentators - Laban Tall's Blog
UK Libertarian Party
Violins and Starships
we make money not art
What Do I Know?
What's Up With That?
Where the grass is greener
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Why Evolution Is True
Your Freedom and Ours
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Dark Roasted Blend
Digital Photography Review
Ghana Centre for Democratic Reform
Global Warming and the Climate
History According to Bob
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Institute of Economic Affairs
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The Christopher Hitchens Web
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This and that
Category archive: Social Media
Incoming from Darren (to whom thanks also for various recent comments):
Saw this White Van story and thought of you.
The artist, known only as Mr Konjusha is 22 and from east London.
His work has been spotted at various locations since he started drawing on the vehicles about three weeks ago. He said he had worked on 10 vans so far.
I think the whiteness of White Vans is all part of their appeal. If they are white and clean, they look really clean. If they are white a dirty, they look really dirty.
But if they are white and dirty, but if the dirt has been turned into art, what are they then?
Once again we have here an art form which is greatly encouraged by cheap digital photography. Would Mr Konjusha be so inclined to exert himself thus, were it not possible for his efforts to be quickly and easily recorded and equally easily shared with an admiring public?
Judging by what he says about how he was trying to put a smile on delivery drivers’ faces, he started doing this just for a bit of fun. But if he likes the fame and the attention he is now getting, he’ll perhaps continue for a while, more than he would have done in the previous century. Maybe, thanks to all the attention, his next job will be in advertising.
What’s the betting someone turns this dirty art into something that will actually get printed, nice and cleanly, onto a nice clean van?
I’ve included “cats and kittens” in the category list because the guy says that some of the faces he does look like hybrid human/lion faces.
Kudos to the Real Photographer who contrived to photo an airship in a way that has surely gone viral already:
The applications for the plane are broad, such as transporting cargo, performing surveillance operations, or simply to carrying super-rich tourists through the skies over London. The Guardian reports that two potential uses are monitoring refugees crossing the Mediterranean and acting as a mobile communications network at large sporting events.
A blimp. Can someone tell me how it differs from the blimps that we see already?
First customers, according to the Guardian, will be people like oil sheikhs. I suppose the dream is that the a sector of the more-money-than-sense super-rich will each want one, the way they now want a yacht.
The following picture explains (a) why all my cameras must have a zoom lens permanently available, as powerful as is within the bounds of sanity, and (b) why this zoom lens must be instantly usable. In other words why I will not tolerate faffing about with hand-attached lenses. Which means that all my cameras have had to be “bridge” cameras rather than DSLRs. I need wide-angle one moment, and then the next moment, by which I often mean the next second, I may need zoom and tons of it.
Here is the picture, which Antoine Clarke took, Twittered, and then phoned me about because he reckoned I would like it:
And I do like it. A lot. A lorry, with a panoramic photo-view of London on the side? What, as people now like to say, ‘s not to like?
But Antoine’s attached Twitter verbiage reads as follows:
What’s a Japanese torpedo bomber doing there?!?
What Japanese torpedo bomber? The world wants Antoine to zoom in on the Japanese torpedo bomber, to prove that there is indeed a Japanese torpedo bomber present.
I hoped that the photo above would download itself from Twitter, and it did. Good. But, it was only 640 pixels wide. (This Blog is 500 pixels wide.) Not so good.
When I expanded what I took to be the Japanese torpedo bomber, I got this:
If you already know that you are looking for a Japanese torpedo bomber, then you will, just about, maybe, see a Japanese torpedo bomber. But a zoomed in close-up would really have helped.
I know how hard it can be photoing vehicles that are, as it were, zooming past. Often one shot is the best you can hope for, and equally often not even that. Yesterday a Wicked Campervan zoomed, as it were, past me, with “DRINK TILL SHE’S PRETTY” written on its arse, and I completely missed photing it. (But no worries. I think it was the van in a photo you can find by scrolling down in this grumpy article.)
But something about the exact composition of Antoine’s shot tells me that Antoine’s lorry was stationary, or nearly so. So, Antoine, is there a bigger version of this shot available, more like 4000x3000 than 640x480? (4000x3000 being what my Panasonic Lumix FZ200 cranks out.) That would supply some Japanese torpedo bomber detail. Or is there even a close-up of the Japanese torpedo bomber?
Failing that, does Antoine know what enterprise this lorry was working for? Maybe they have a website, with photos?
Okay, now I’m being grumpy. It took me a long time to get into the habit of photoing all the incidental detail around a good photo, for future internetting purposes. But, with apologies for immediately demanding more when given something nice, … Antoine?
Here is what the vans of Wicked Campers (which presumably started up in Australia) look like, photoed by me over the last few months, in Lower Marsh, where they often congregate.
I claim no artistic expression points for these pictures. They merely show what these entertaining vehicles look like. All the artistic expression points go to whoever decorated the vans:
So far so excellent. More Wicked Campers van décor to be found here, many of them equally excellent if not more excellent, and equally tasteless and un-PC if not more tasteless and more un-PC.
The Guardian is not amused
So then, I decided to search out the British HQ of Wicked Campers, which wasn’t hard because it is not far from Lower Marsh at all, in very nearby Carlisle Street.
And it looks as if the Guardian’s complaints, and the complaints the Guardian reports and seeks to amplify, may be having an effect. Wicked Campers HQ was a severe disappointment, at any rate the day I visited, last week. I found only two more vans, and both were appallingly tasteful, compared to the Wicked Campers norm. The big clutch of vans above look like there were decorated by expat Aussies who don’t give a shit. These two vans look like they were done by a British art student who probably reads the damn Guardian, every day.
Picture one here is just a pattern, with no in-your-face verbiage at all. Pictures two and three are of the same van, opposite sides:
I really hope I’m wrong, and that Wicked Campers continue to prosper in their classic, tasteless, un-PC form.
Many more here, as Hartley adds, at Calvin Seibert’s My “Sand Castles” Flickr site.
Here, I think we can say with confidence, is another impact of digital photography. Seibert doesn’t say in his short introductory spiel (click on “show more") how important digital photography is in preserving something of these castles before the incoming tide or human destructiveness or accident claims them. But it obviously is. Would he have developed this way of sculpting, if he had had no convenient way of recording it?
And my other thought is that the website where Hartley learned about these castles, which is called Amusing Planet and which I had not previously heard of, will be well worth making regular visits to. It says in this post that Amusing Planet has now been in action for nearly eight years. I must have been there before. But, I didn’t pay any attention to the surroundings of whatever posting I was looking at. I should have.
At that excellent party last night, the one that gave rise to last night’s spectacular non sequitur of a posting, Rob Fisher mentioned that he had thoughts from time to time which are too inconsequential and un-thought-through for Samizdata, but which are still definitely thoughts that he wants to put out there, but for which he has no outlet. He used to have a personal blog, but not since he started writing for Samizdata.
My response was this: Write these thoughts down. Send them to BrianMicklethwaitDotCom, explicitly identifying them as submissions to BrianMicklethwaitDotCom. And the chances, overwhelmingly, are that I will post them here as guest postings. After all, as last night’s spectacular non sequitur of a posting illustrates, the quality control here is very, very relaxed. Sometimes stuff here is good, but it absolutely doesn’t have to be. It just has to be stuff.
I just wanted to make that clear, in case Rob has forgotten, or has remembered but thought that I was just rambling drunkenly and didn’t mean it.
This is not a general invitation to all of my acquaintances to bombard me with drunken would-be bloggage. And it is certainly not an invitation to wanker social media PR slaves to “submit” boring pieces about things I don’t care about by people I don’t care about, sometimes hinting at money that I will never get, and causing my email address to get onto yet more lists, wielded by yet more wanker social media PR slaves. Not that me saying that will put these wanker social media PR slaves off. But I just wanted to get it out there.
Incoming from 6k ...:
This was a 1960s scheme to sell glass, dreamt up by minions of glass superbusiness Pilkington’s. It was never going to get built, but had it been, it would have been a walk away from where I live, and would have been my route to Vauxhall railway station.
6K is right that this kind of thing, and in particular this kind of bridge, interests me. See the first picture and the commentary on it in this posting here, July 2015.
Quote (if I don’t regularly quote me, who will?):
… this shows old London Bridge, with all its buildings. What fun it would be for London to build itself another such bridge. One of the reasons I so welcome the new Blackfriars Station, on its bridge, is that it sets a precedent for just such a bridge with buildings some time in the future. This new Ponte Vecchio on Thames probably shouldn’t be in the middle of London, though, because that would spoil a lot of views. Why not a big bridge of this sort further downstream? Any decade now …
LATER: Meanwhile, a very different bridge ...:
... is to be built across the river, just upstream from the actually existing Vauxhall Bridge. That is the picture the winner of the competition produced. On the basis of that, among other things, this winner will “design” the new bridge. Looks to me like he already has designed it.
Also, yet another bridge has been proposed to join Docklands to the other side of the river.
So there I was, in the bath I think it was, listening to the cricket in Dubai, and Agnew mentioned what sounded like a rather interesting photo, of a very tall cricketer called Mohammad Irfan, being interviewed. The particular fun being that Irfan is very tall, and both the interviewer and the cameraman are standing on boxes:
Agnew mentioned that he had seen this photo on Twitter, and that was enough of a clue for me to find it (scroll down to Nov 15 until you get to the bit where it says: “Love this pic of Irfan being interviewed") very quickly:
Bonus: another photographer in the shot.
More and more, the world is following me, in no longer wanted to exclude other photographers from its photos, but instead to include other photographers.
Alcoholic Architecture sign
Photoing and communicating the devastation of Tianjin
Heaven aka the Barley Mow
Reading Anton Howes again
Miniature photographic fakery
My digital photos on his TV
How the internet is cheering up Art
The death of email?
ASI Boat Trip 7: Other photographers
Big Things in the sunset
You need to have abseiled …
Tower Bridge before it got covered in stone
“In order to comply with Google’s regulations …”
Temporary art made of brightly dressed people
The text of my talk for Christian Michel last night on the impact of digital photography
Nowadays a picture is no longer worth a thousand words
Antoine Clarke on life and libertarianism in Britain in 1913
You can achieve everything you want if you’re unambitious enough
The Alex Singleton blog
On the pleasure of assuming the worst
A scaffolder likes Jeremy Clarkson
Quotes of the day
“No one has to know!”
WWWhat a great afternoon!!!
A photo taken of a taken photo of the photo being taken
The politics of humour in the USA and in Britain
Out to lunch with Alex Singleton
BrianMicklethwaitDotCom twitter of the day before the day before yesterday
Everyone who shows this picture needs to add that it is not Photoshopped
One man’s intellectual theft is another man’s marketing
The US Navy photos itself
Why David Hepworth is wrong about podcasting
Does Google now rule the world of computing?
Antoine Clarke on the Massachusetts election and the online effect
Graeme Swann - twitterer but no twit
Antoine Clarke talks about Facebook and Twitter – Guido and … Ian Geldard?
Tienanmen + Twitter = Teheran
Daniel Hannan and the shape of the media to come
It all depends on whether there is anything worth Twittering
Google and dongle
Floppy road bridge where the cars nearly get wet
PID strikes Guido
Flickring and Googling for the AMGEN bridge
Billion Monkey lady ticks four (make that five) boxes!
The moving bridges of Chicago
Flat viaduct and spiral bridge
Blogging – the end of the beginning
Democracy for sale – starting with football and beer
Facebook – not so social
Billion Monkey lady does … “Heinrich Photography”?
Socialising with the Social Media
Breaking the Left’s stranglehold on the moving image
Che Guevara was a murderer and your T-Shirt is not cool
New Moscow road bridge
The future of music
Other people’s photos (4): Kitten on man’s head
Blogging has arrived
Other people’s photos (3): Ice storm
What next for the virtuoso violinists? - Simon Hewitt Jones has some answers
London photos by Fabio
Perry de Havilland on the thinking behind Samizdata
Adriana Media Influencer: What do you do? (the mp3s of the book)