Brian Micklethwait's Blog
In which I continue to seek part time employment as the ruler of the world.Home
Michael Jennings on Christmas tree with scaffolding
michael fallon on Russia unleashes tiger on China
Alastair on Santa's tired helpers
dodgy geezer on Matt Ridley on how technology leads science and how that means that the state need not fund science
michael fallon on Halloween buckets
Michael Hiteshew on Sign blocked by surveillance camera
Michael on Matt Ridley on how technology leads science and how that means that the state need not fund science
Simon Gibbs on My digital photos on his TV
Simon Gibbs on On the rights and wrongs of me posting bits from books (plus a bit about Rule Utilarianism)
Mark Rousell on Hot dog shadow selfie
Most recent entries
- Hirst’s Hymn outside the Tate Gallery
- To Covent Garden (3): Cat that looks a bit like a dog
- To Covent Garden (2): Rough roofs – smooth roof
- Christmas tree with scaffolding
- Santa’s tired helpers
- To Covent Garden (1): The twisty footbridge
- Trousers keyboard
- Cameras photoing the Wheel (in 2007)
- Was Guy’s Tower a key building in the architectural history of London?
- Photo-drone wars to come
- A link and a photo of a photographer
- Matt Ridley on how technology leads science and how that means that the state need not fund science
- Sign blocked by surveillance camera
- My digital photos on his TV
- ASI Christmas Party photos
Other Blogs I write for
6000 Miles from Civilisation
A Decent Muesli
Adventures in Capitalism
Alex Ross: The Rest Is Noise
Another Food Blog
Antoine Clarke's Election Watch
Armed and Dangerous
Art Of The State Blog
Boatang & Demetriou
Burning Our Money
Chase me ladies, I'm in the cavalry
China Law Blog
Civilian Gun Self-Defense Blog
Coffee & Complexity
Communities Dominate Brands
Confused of Calcutta
Conservative Party Reptile
Counting Cats in Zanzibar
Deleted by tomorrow
Don't Hold Your Breath
Douglas Carswell Blog
Dr Robert Lefever
Englands Freedome, Souldiers Rights
Everything I Say is Right
Fat Man on a Keyboard
Ferraris for all
Freedom and Whisky
From The Barrel of a Gun
Gates of Vienna
Global Warming Politics
Greg Mankiw's Blog
Guido Fawkes' blog
Here Comes Everybody
Hit & Run
House of Dumb
Iain Dale's Diary
Jeffrey Archer's Official Blog
Jessica Duchen's classical music blog
Laissez Faire Books
Last of the Few
Libertarian Alliance: Blog
Liberty Dad - a World Without Dictators
Lib on the United Kingdom
Little Man, What Now?
Loic Le Meur Blog
L'Ombre de l'Olivier
London Daily Photo
Metamagician and the Hellfire Club
Michael J. Totten's Middle East Journal
More Than Mind Games
Mutualist Blog: Free Market Anti-Capitalism
My Boyfriend Is A Twat
My Other Stuff
Nation of Shopkeepers
Never Trust a Hippy
Non Diet Weight Loss
Nurses for Reform blog
Obnoxio The Clown
On an Overgrown Path
One Man & His Blog
Owlthoughts of a peripatetic pedant
Oxford Libertarian Society /blog
Patri's Peripatetic Peregrinations
Police Inspector Blog
Private Sector Development blog
Remember I'm the Bloody Architect
Setting The World To Rights
SimonHewittJones.com The Violin Blog
Sky Watching My World
Social Affairs Unit
Squander Two Blog
Stuff White People Like
Stumbling and Mumbling
Technology Liberation Front
The Adam Smith Institute Blog
The Becker-Posner Blog
The Belgravia Dispatch
The Belmont Club
The Big Blog Company
The Big Picture
the blog of dave cole
The Corridor of Uncertainty (a Cricket blog)
The Daily Ablution
The Devil's Advocate
The Devil's Kitchen
The Dissident Frogman
The Distributed Republic
The Early Days of a Better Nation
The Examined Life
The Fly Bottle
The Freeway to Serfdom
The Future of Music
The Happiness Project
The Jarndyce Blog
The London Fog
The Long Tail
The Lumber Room
The Online Photographer
The Only Winning Move
The Policeman's Blog
The Road to Surfdom
The Wedding Photography Blog
The Welfare State We're In
UK Commentators - Laban Tall's Blog
UK Libertarian Party
Violins and Starships
we make money not art
What Do I Know?
What's Up With That?
Where the grass is greener
White Sun of the Desert
Why Evolution Is True
Your Freedom and Ours
Arts & Letters Daily
Bjørn Stærk's homepage
Butterflies and Wheels
Dark Roasted Blend
Digital Photography Review
Ghana Centre for Democratic Reform
Global Warming and the Climate
History According to Bob
Institut économique Molinari
Institute of Economic Affairs
Ludwig von Mises Institute
Oxford Libertarian Society
The Christopher Hitchens Web
The Space Review
The TaxPayers' Alliance
This is Local London
UK Libertarian Party
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WSJ.com Opinion Journal
Bits from books
Bloggers and blogging
Brian Micklethwait podcasts
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My blog ruins
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The Micklethwait Clock
This and that
Category archive: Social Media
Like half of London, it would seem, I’ve been suffering with a cough and a cold and a headache, finding it hard to sleep. For some reason it all gets worse at night, especially the headache. Why?
So a couple of incoming emails from Simon Gibbs, concerning some of the pictures I took at that Cost of Living Debate which he organised last October, really cheered me up.
The first email said that one of the pictures I had taken, of one of the speakers, had enabled Simon to flag up, on YouTube, that speaker’s videoed performance, more attractively than might otherwise have been possible. A photo was attached…:
... which Simon described thus:
One of your digital photos on my TV, via the Virgin Media YouTube app.
Then, very soon after that email, another one, longer:
I managed to make some more appear.
The video quality is okay, but the camera was pointing statically at the whole panel. You zoomed in on individual speakers while in action (or at rest), then I was able to crop and add titles and the resulting thumbnail is better than any individual frame of the video.
Here “better” means “better able to encourage someone to click from a list of videos through to the video itself”, meaning they will stand out from the crowd.
And another picture was attached:
I am delighted that my photoing obsession has assisted Simon in his much more strenuous activities. And I got in for free.
Which reminds me that I should long ago have done my own selection of snaps from that evening, and stuck them up here. I may yet do this, and maybe quite soon.
This morning I did a rather negative would-be posting about some Art, Art which had at first rather appealed to me but which, upon further consideration, I decided I did not much like or admire.
But then I realised that my rule for stuff that other people are doing with their own time and money and others are buying and enjoying with their own money and time is for me just to walk away. Why moan? The world is full of stuff I don’t much care for. So long as I don’t get taxed to pay for it, or made to pay attention to it against my will, what on earth is the point of me seeking it out and bitching about it?
For me, this is one of the great benefits that has been brought about by the internet. In the age of the mass media, you had this whole tribe of professional hacks who, day after day, week after week, were made to pay attention to things which quite often they would rather not have been paying attention to. Inevitably, an air of irritation, even hatred, entered the souls and writings of these people. The subtext, and often the text, was: I wouldn’t have picked this in the first place. Only the Culture vultures who really were allowed to pick whatever cultural prey they were inclined to descend upon were able to communicate genuine pleasure, because they were the only Culture vultures who truly felt pleasure. The rest of Culture writing was a mixture of grudging reportage and grumbling, with the occasional cheer when some hack found himself not clock watching, not trying to think of what the hell nice things he could say about something he considered nasty, or worse, just … shrug.
But now a tidal wave of amateurs has crashed into the culture-writing game and it has become, well, a game. It has become fun. We bloggers and twitterers pick on stuff we like, and say: hey, this is cool, this is fun, this is good, this is something I really enjoyed immersing myself in. Maybe you’ll like it too. Commenters and other twitterers then say things like: well, I prefer this, or this, or that or that. If, on the other hand, you said you didn’t like something or other, the response from other www-chatterers is, not unnaturally, just to say: well then why the rude word do you waste your time moaning about it? Walk away. If what you are moaning about is some Big Thing, heavily promoted, made much of, that everyone else seems to be paying attention to, fair enough, you are warning the rest of us off it. But if it is just some little thing you found on the internet and you don’t like it, so rude-word-ing what?
For as long as there was just the one big Culture, that the media people agreed or had to agree was It, then all who wanted to be Cultural had to pay attention to that Culture, whether they liked It or not. It was their duty, just as it was the duty of professional Culture-writers to write about It, to pay attention to It. There was an air of joylessness and obligation about It all, like a queue in a passport office.
Favourite-blogger-of-mine Mick Hartley has written from time to time about the way that Art is now turning into fairground entertainment, often implying that this is a bad thing. I also notice this when I visit London’s South Bank Arts enclave, which now has a much more “visitor attraction” feel to it than it used to have. Hartley does do quite a lot of moaning, but mostly the Cultural stuff he does now is drawing attention to something he likes, thinks deserves to be more noticed, more enjoyed, more celebrated. His posting today is a perfect example of this. It’s not Art, it’s street art. Street art is fun, it appeals to people, and it is also where a lot of the official Art action is now, because the Artists know that these street people are upstaging them.
Political money is now tighter than it was a decade and more ago, and if the Arts fraternity want yet more money, they must try appealing to their audiences rather than baffling them or insulting them. They must now try to give pleasure, the way they tended not to in the twentieth century.
But there is more than economics going on here. After all, there is still a hell of a lot of Official Money being competed for. There is still a great big Culture out there, still being paid for, if not enjoyed. No, the other difference is that there is also that damned internet out there, where regular punters get to say what they really think about it all. If they are being got at by Culture, they can now get back at it, by saying: bollocks, and: I prefer this, or this, or that or that. It’s a different world.
And you’ll never know what it was I just moaning about. I will instead look for other things, that I actually like.
The sort of place I will be looking will be at places like Colossal, which, by the way, is where I found the thing that I liked at first but then didn’t like, that got me started on all this. I don’t like everything at Colossal by any means. But I like a lot of it.
Or, maybe this is really a posting that is not really about Art as such, more about getting old, as so many postings here are. As you get old, you stop worrying about what Art is, if you are one of those people who ever did worry. You just stop paying attention to Art, as in: Where Art Is Going. It will go where it goes, and you go where you want to go. It’s not the world getting happier. It’s not Art getting more fun. It’s just you. It’s just me.
Ah blogging. You can change your mind in mid posting, or even right at the end if you feel inclined. What’s that you say? You disapprove. I must make up my mind. Must I? I tell you what, you go away and read something else, something you’d prefer. This was just a bit of fun, and for you it wasn’t. Forget about it.
Did the junk mail phenomenon always exist? Or is it relatively new? What I have in mind is the way that an entire category of communication becomes broken because it is overused by semi or total crooks shouting rubbish at you, thus overwhelming the actual human persons sending you individually useful messages. Even real messages just sound like arseholes yelling at you. The signal-to-noise ratio becomes so stupid that eventually, no genuine signals get through.
A few days ago, I received an email from something called Macmillan Distribution (MDL). A package was due. There were various buttons for me to press so that I could track the package, or tell them where else to deliver it, or some such thing. I immediately assumed that this was an industrialised garbage message, the purpose of which was for me to tell crooks about myself by pressing one of the buttons. Having received many junk messages just like this in the recent past, I assumed that this one was similarly fraudulent.
I noted that they had my name and address, and this might have supplied me with the clue that this was actually a genuine message about a genuine delivery, from a genuine enterprise, with buttons for me to press which actually did what they said they would do. But instead, I merely thought: oh dear, now the international conglomeration of bastard junk emailer fraudsters knows my name and address. Oh well, more crap to delete.
But this morning, the package actually arrived, at a time that the emails had been referring to. The emails from Macmillan Distribution (MDL) (there were three emails in total) had all been genuine. It was a book that I had already paid for and wanted to read. So, good.
The actual delivery was a mess. Some arsehole just smacked the door of my flat (sounding like when the cleaners vacuum the landings and bang their machines into our doors), and then just stuffed the package through my mail flap (which very luckily was big enough). No electronic buzzing from outside and downstairs, to get my attention while I slumbered, like a proper delivery. And how the hell did this arsehole contrive to get through the downstairs front door in the first place? (We’ve had robberies from people claiming to be delivering things, but actually hoovering up the deliveries of others from our (unlocked and wide open) cubby holes.) So, very unsatisfactory, as home deliveries so often are. But, the thing itself did arrive, which means the delivery scored one out of one on the one measure that really counts.
And, as I say, those emails were all for real.
No doubt there are various twenty first century, social media like methods that I could have used to track this parcel and its delivery, methods which screen out junk and preserve a benign signal-to-noise ratio. Maybe, any decade now, I will have to get with the twenty first century and dump email completely.
I vividly recall when having email first became a necessity, when you suddenly started getting dirty looks at parties if you didn’t have it. And when fax numbers ceased mattering. (Remember those?)
As of now, regular twenty first century people half my age still seem to do email, or so it says on those little cards they give me. But how long will this last?
More about package delivering from 6k, here. “Wumdrop” sounds sort of like Uber, only for things.
What is it with vegetarians and their veggie sausages and burgers? I’m a meat eater, but I don’t go around making carrots and sprouts out of beef.
This is also a good one:
I work in a call centre in Norwich and we’ve just been told our jobs are moving to India. I’m so excited! I’ve always wanted to visit India and with the salary they pay me I’ll be able to live like a Maharaja over there. Well done Aviva, keep up the good work.
Interesting piece about the rise and fall and rise of Viz, here.
I haven’t yet finished showing you photos from that Adam Smith Institute Boat Trip, that I got in on and took lots of photos of, at the beginning of this month, and which I have been showing here, now and again, ever since then. I’m hardly even close.
For instance, it’s taken me three quarters of a month to get around to it, but, of course, there were other photographers present besides me:
I chose these pictures simply because they fitted the bill subject matter wise, and because they look nice. I did not choose them to illustrate any particular point about digital photography.
The result being that they do illustrate a particular point about digital photography. Consider the stats.
There are two regular old school digital cameras to be seen snapping (1.1 and 1.3), three if you count mine. There is also just the one big tablet being used (3.3).
All the other photographers are using mobile phones.
Usually, when I photograph photographers, there are more regular old school dedicated digital cameras to be seen. But this is because I am photographing lots of “photographers”, i.e. people like me, who see themselves as more photography-minded than regular people.
What this boat trip illustrates is how much regular people now use their mobiles to take photos, in among all that networking and connecting and chatting and socialising. It isn’t so much that mobiles have replaced those tiny, cheap digital cameras, although yes it is that, a bit. But it is more that mobiles can now take photos, so now they do. A lot of photos are now being taken that would not have been taken at all, before mobile phones learned how to take photos, by people for whom mobile phones are essential, and photography with mobile phones began only as an extra.
And you can bet that many of the photos that the above people were taking were already flying off into the big www beyond, to work their propaganda magic, promoting the ASI, its Boat Trip, and the people who went on it, before the trip was even over.
Young people these days are quicker off the mark than I am. That’s their job. And being slower off the mark is mine.
Incoming from 6k, about a dramatic Big Things photo that he came across, via a Facebook friend. There is also a blog posting at his place about it, and about how I might like it, which indeed I do.
I’ve done what he suggested and have thinned it for here:
He has the whole thing, and here it is even bigger. Very dramatic, I think you will agree.
6k entitles his posting “Waterloo sunset”. This is a fine Kinks song, but sunsets are defined by where you are when you see them, and this photo was taken from the other side from Waterloo of the Big Things of the City of London, which is what these Big Things are. He has most of them identified, but his big omission (no criticism intended - he is, after all, now 6k miles away) is the tallest one, in the middle. This is the Cheesegrater.
My first thought was that this view might have been taken from the spot I visited last January, when I took these Big Thing photos.
But that isn’t right. However, some other photos I took that day that do point at the approximate spot where the above sunset photo was, I think, taken from.
Photos like this one, also thinned:
6k’s sunset photo was taken from somewhere in among those houses on the other side of the river, with the Shard sticking up behind, on the left of my photo.
Here is a slice of Google Map which shows were everyone is:
I was where it says “ME”. The Big Things of the City are where it says “BIG THINGS”, and 6k’s anonymous photographer was standing somewhere very approximately where I have put “?”. The spot I chose for “?” is something called Stave Hill Ecological Park, which sounds very promising, what with it maybe being a hill. I have never been there and I must check it out. But, that’s only my guess. The photographer could have been quite a bit further south and/or west. Don’t know.
But there is more. While going through the photos I took last January, comparing them with 6k’s sunset photo, I came across this one, which I have again thinned:
Again, click to get the bigger version.
Now, in the middle there, unmistakably (with three unmistakable holes in its top), is the Strata.
But, and I only spotted this today, almost directly behind it is the equally unmistakable Spraycan, unmistakable because in the dark, that is how the Spraycan is always lit up.
Here is a close up of the two of them:
The Strata is at the Elephant and Castle, and the Spraycan is way over in Vauxhall. Beyond Waterloo, in other words. Once again, I hit google maps, to check on the alignment of these two favourite Big Things, and it all fits. By and by, I shall return to that same spot, to take more and better versions of this photo.
Like I always say, my camera has better eyesight than I have. On days like that one, it almost invariably sees far more than I see.
I am fond of saying that a consequence of how Big Thing architecture tends to be done these is that there is now a big call for highly specialised window cleaners. (See, for instance, this piece, about One New Change.) Just hanging a shelf down from the top no longer does it, because now the walls are liable to slope every which way.
Now, you need mountaineers:
A social enterprise is looking for people with a head for heights who want to be The Shard’s window cleaners.
The unique opportunity was posted on jobs site Good People Connect, and pays up to £20,000 a year, depending on experience.
You need to have abseiled before for the role, working 6am to 2pm six days a week, and need to be unemployed and living in Southwark.
That’s from a short report by Robyn Vinter, of whom I was critical the other day. Good to be able to be nicer this time around.
If you’ve not been there before, I recommend visiting Handpicked London. I’ve just been browsing through it, and found my way from it to Photographs of Tower Bridge being constructed are found in a skip, from December 2011, which I do not remember noticing at the time. (The first two of those are Facebook links, and maybe they don’t last. You have to register, is what the second one just said.)
These photographs of Tower Bridge being constructed have been unveiled after a stash of hundred-year-old photos were found in a skip. The 50 sepia pictures, the most recent of which date back to 1892, reveal in incredible detail the ingenuity behind one of the capital’s most popular tourist destinations.
Hybrid modernism. Modern in its manner of creation. Ancient in appearance. An architectural style with a lot of mileage in it.
LATER: More stuff from me about towers here.
“In order to comply with Google’s regulations …”
Temporary art made of brightly dressed people
The text of my talk for Christian Michel last night
Nowadays a picture is no longer worth a thousand words
Antoine Clarke on life and libertarianism in Britain in 1913
You can achieve everything you want if you’re unambitious enough
The Alex Singleton blog
On the pleasure of assuming the worst
A scaffolder likes Jeremy Clarkson
Quotes of the day
“No one has to know!”
WWWhat a great afternoon!!!
A photo taken of a taken photo of the photo being taken
The politics of humour in the USA and in Britain
Out to lunch with Alex Singleton
BrianMicklethwaitDotCom twitter of the day before the day before yesterday
Everyone who shows this picture needs to add that it is not Photoshopped
One man’s intellectual theft is another man’s marketing
The US Navy photos itself
Why David Hepworth is wrong about podcasting
Does Google now rule the world of computing?
Antoine Clarke on the Massachusetts election and the online effect
Graeme Swann - twitterer but no twit
Antoine Clarke talks about Facebook and Twitter – Guido and … Ian Geldard?
Tienanmen + Twitter = Teheran
Daniel Hannan and the shape of the media to come
It all depends on whether there is anything worth Twittering
Google and dongle
Floppy road bridge where the cars nearly get wet
PID strikes Guido
Flickring and Googling for the AMGEN bridge
Billion Monkey lady ticks four (make that five) boxes!
The moving bridges of Chicago
Flat viaduct and spiral bridge
Blogging – the end of the beginning
Democracy for sale – starting with football and beer
Facebook – not so social
Billion Monkey lady does … “Heinrich Photography”?
Socialising with the Social Media
Breaking the Left’s stranglehold on the moving image
Che Guevara was a murderer and your T-Shirt is not cool
New Moscow road bridge
The future of music
Other people’s photos (4): Kitten on man’s head
Blogging has arrived
Other people’s photos (3): Ice storm
What next for the virtuoso violinists? - Simon Hewitt Jones has some answers
London photos by Fabio
Perry de Havilland on the thinking behind Samizdata
Adriana Media Influencer: What do you do? (the mp3s of the book)