Brian Micklethwait's Blog
In which I continue to seek part time employment as the ruler of the world.Home
Inclick Media on Second childhood
Brian Micklethwait on New York construction cranes in action
Andrew Duffin on New York construction cranes in action
Friday Night SMoke on English is weird
Scott Morter on 55 Broadway
Ben on Incoming imagery from Antoine
Brian Micklethwait on Face recognition – face disguise – the age of pseudo-omniscience
Brian Micklethwait on The new US Embassy – from my roof
Brian Micklethwait on New Thin Things in New York (but not in Lower Manhattan)
Michael Jennings on The new US Embassy – from my roof
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- Brilliant Brian’s Last Friday talk
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- Why I like Cricinfo
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- The Union Jack’s near death experience(s?)
- New York construction cranes in action
- Some thoughts on the Izzard effect
- Lioness eats camera
- An MP murdered
- A great new bridge in Iran
- Lions - Bears - Blackhawks
- An electric car recharging itself in The Cut
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Category archive: Travel
Here is a photo taken by a friend with her mobile, of a construction site in New York, complete with cranes:
I love it when friends send me snaps of things they know I will like.
I am particularly glad to see New York construction cranes in action. After doing that posting about how there has been no construction in the southern end of Manhattan, mentioning absence of cranes as evidence of no construction, I started to wonder if, in New York, they do things differently. I wondered if they built skyscrapers without using cranes, but just lifting all the stuff up the building, as they built it. Or something. But of course they use cranes in New York, same as everywhere else.
Just to be quite sure about that, I googled “construction cranes new york”. And I was greeted with scenes of crane carnage like you would not believe.
Apparently cranes in New York occasionally fall over, and this is the one time when the average person is interested in them. As a result, the average person has a totally distorted idea of the positive contribution made by construction cranes to modern society.
I already showed you some Narbonne bridges, snapped during my France expedition. Here are more bridges.
Are these first lot of bridges really bridges, or are they just buildings with holes in the bottom of them to let people through? I reckon these make the cut, but once the buildings start really piling up on top of the holes …?:
I’m doing these bridge photos in sets of three, and next is a clutch of photos of a set of three bridges that connect the town of Ceret to the other side of the local river. Picasso spent time in Ceret, because of the light. (I also photoed Renault Picassos.)
The regular shot of these bridges is from below, as you can see if you click on the second of these photos. But I was with people who were in a hurry, so I only got to photo the bridges from the other bridges, or in one case, the shadow of a bridge, from the bridge. And oh look, photographers!:
In the first of these next three bridge photos, there are three more bridges, by my count. They’re in the seaside town of Collioure. The other two are in Perpignan, where, just like in Quimper (where I have also visited these same friends (G(od)D(aughter)2’s family) – they have houses all over the place), there is a river flowing through the middle of the town with multiple bridges over it.
Finally, here are some rather more modern bridges. First there is one of the main motorway from France to Spain, which carries a lot of lorries.
The motorways of Europe may, I surmise, be the place on earth where robot drivers have their first seriously big impact. Robot cars are too complicated, and to start with, what will be the point of them? But robot lorries will be able to travel a lot faster than regular lorries, for a lot longer than regular lorries, on roads that are the most controlled and predictable roads in existence. European motorways carry colossal amounts of freight, unlike in the USA, where a lot freight goes by train, Europe’s railways being full of passenger trains. And there’s nothing like a sight of this particular motorway, handily shown off by being placed on the side of a mountain in full view of the local and non-charged version of the same road, to see all this.
In the middle below is a hastily snapped shot from a bridge as we drove over it, over a newly constructed high speed passenger railway, again connecting France to Spain. Brand new railways lines have a certain pristine charm, I think, with the gravel under the tracks yet to be blackened by constant use.
Finally, we have what may well be my favourite South of France bridge photo of them all, on the right there. This is one of those unselfconsciously functional footbridges, which more and more abound in towns and cities (London has many such bridges), and which join work spaces off the ground to other work spaces off the ground. This particular footbridge is in Perpignan.
Quite why such bridges, which have long been around, are now proliferating is an interesting question. Maybe it is just that organisations are getting bigger, and demand bigger buildings, and connecting two buildings by a footbridge of this sort turns two buildings into one building, at any rate for certain purposes. If two bureaucracies that live across the road from each other merge, then a bridge joining the top floors together is the logical first managerial step. This allows the new bosses to commune with one another, without having to trundle up and down and across the road all day long, rubbing their shoulders with the unclean shoulders of their underlings. Lower footbridges bridges enable functional specialisation to proliferate among lesser personages.
But, what do I know? My point is, I like such footbridges. And whereas most of the other bridges in this posting are the sort that feature in lots of other people’s photos and in picture postcards, these Brand-X urban footbridges are only a Thing because I say they are. Which is a major purpose of truly good photography. Truly good photography doesn’t just celebrate the already much celebrated; truly good photography offers new objects of potential celebration.
So now I will celebrate this Perpignan footbridge some more:
For years I have struggled, with the graphics programme I have been using, to crop, not square (an option this programme does offer), and not to a size I specify (ditto), but to a ratio that I specify. For years, I could not do that. I repeatedly searched for such a thing, in other programmes, but evidently didn’t pick the right words.
Then, in France, I couldn’t remember the mere name (on such things do decisions hinge) of my regular photo-editing package, so I loaded PhotoCat, basically because it had “cat” in its name and I reckoned I could have Friday feline fun with it (ditto), to see if I could photo-edit with that, and I could, and I could do constant ratio rectangular cropping which was a most welcome surprise.
Thus are decisions made, by computer operatives. There are two rules for getting things done in the modern world. (1) Do not unleash solutions upon circumstances which are not a problem. If it doesn’t help you to do something that you need to do, don’t bother with it no matter how cool everyone else says it is. Cool is not a good enough reason to be faffing about with something. (Faffing about to no purpose cannot be cool, because it isn’t, and because another rule is: worrying about being cool guarantees that you won’t be.)
And (2): if it does help you to do just one thing that you do want to do, then, if you can afford the money, the space, the bother, whatever, use it. Then, when you are using that thing for that one essential thing, then, you can move onwards to finding out if it will do any other merely desirable things. But, lots of merely desirable things and nothing essential is not good enough.
Using anything is difficult, if you only use it occasionally, to do something merely occasionally desirable. This rule applies at all times, in all places, and no matter how “user friendly” the gizmo or programme claims itself or is claimed by other users of it to be. Occasional is bother. Always. Don’t do occasional if you can avoid it.
Using anything is easy, on the other hand, if you do it regularly. This rule applies at all times, in all places, to all things, and no matter how “user hostile” enemies of the gizmo or process claim it to be. If a convoluted dance around the houses by a complicated route gets you an essential result, then dance. Convoluted will quickly become imprinted on your brain, and easy, and reinforced each time you (frequently) use it. This is how rats and ants do things. (Hurrah: other creatures!) They’ll probably outlast us. Ants definitely.
The above explains why the division of labour was so epoch-making. When you concentrate entirely on a small but rather tricky part of a big process, you will do it massively better than others attempting this tricky operation only sometimes, in among all the other things they are attempting. The damn near impossible becomes routine and easy.
So, I prepared for a life of frequently PhotoCatting fixed-ratio rectangles out of my photos. Using PhotoCat for that one thing.
But then, earlier this week I was cranking up PhotoCat, prior to some fixed-ratio cropping, and it refused to load. It got to 80%, and then stuck there. Who knows why? Was this PhotoCat’s fault? Was it something I was doing? Probably the latter, but that isn’t the point. It didn’t load. So, I went looking for alternatives, and I found one, called: PhotoPad.
And the bad news for PhotoCat is that PhotoPad also does proportional ratio cropping, and does it rather more conveniently, because PhotoPad operates on my hard disc and doesn’t have to be uploaded from the www each time. Unlike PhotoCat, PhotoPad is not www based, or whatever you call it, which I prefer because you can still use it if the www is out of action. It’s now all mine:
That being a snap of a rather unusual form of transport that I snapped, in France. I like how you can see what’s happening there, like when they zoom in on a detail in a computer picture in NCIS or a movie or something similar. (Question. Does art lead life in computing? Does stuff like the above start out in the movies, just so absolutely everyone can get what’s going on, and then migrate to real life?)
PhotoPad does something else which PhotoCat didn’t do, or not for me, which is rotate much more exactly. Most photo software seems to want to offer only rotation in 1 degree increments. If they can do better, they don’t volunteer the fact. But, PhotoPad does volunteer this. With PhotoPad, instead of rotating something 1 degree or 2 degrees (or 359 degrees), you can do 1.38 degrees or 1.77 degrees or 358.61 degrees. You’d be surprised, perhaps, how often that is a desirable refinement. You can do it by eye, and let the numbers take care of themselves. Terrific. Cool, even.
So. PhotoCat now offers me … nothing. So, … see above.
Just now, while checking out the PhotoCat link for this posting, I successfully cranked up PhotoCat. Whatever went wrong before has now gone away.
Another French picture, but this time taken in Paris, by my friend Antoine Clarke (to whom thanks):
That would be La Defense, unless I am much mistaken, that being Paris’s new Big Thing district.
I cropped that photo slightly, to moderate that leaning-inwards effect you get when you point a camera upwards at tall buildings.
The email that brought the above snap to my desk, earlier this month, was entitled “warmer than when you were here last”. When I last visited Paris, it was indeed very, very cold, so cold that water features became ice features (see the first picture there).
Today, Antoine sent me another photo, also suffering somewhat from leaning-inwards syndrome, and also cropped by me, more than somewhat. See right.
Mostly what I think about Antoine’s most recent picture is: What an amazing crane! So very tall, and so very thin. It’s amazing it even stays up, let alone manages to accomplish anything. I don’t remember cranes like that existing a generation ago, but maybe that’s merely because no towers that high were being built in London. Not that Antoine’s crane is in London. It is somewhere in America, but where, I do not know.
I just did a bit of googling for books about cranes, and if my googling is anything to go by, books about construction cranes and their history are a lot thinner on the ground than are construction cranes. When you consider how many tons of books have been written about the buildings that construction cranes construct, it is surprising that so little is written about the mighty machines without which such construction would be impossible.
It reminds me of the analogous profusion of books on the history of science, and the comparative neglect of the history of scientific instruments.
As I think I have written before, one major defect of my blog-posting software is that I do not get an accurate picture of how the final blog posting will look, and in this case, whether there is enough verbiage on the left hand side of this tall thin picture of a tall thin crane, to prevent the picture of the tall thin crane impinging upon the posting below. Hence this somewhat verbose and superfluous paragraph, which may not even have been necessary, but I can’t now tell.
I am a very infrequent flyer, and the thrill of flying that I felt as a child has never really left me. As Louis CK has it, I’m in a chair in the sky, travelling at an unimaginable speed. And the magic of flight is, for me, even more magical if you can see out of the window, so I like to pay extra for a window seat, and ever since digital cameras, take digital photos. I’ll never forget photoing the mighty Millau Viaduct, back when I did that.
So, today, on the way back from Perpignan to Stansted, I took photos through the window. But the clouds today were very cloudy and the only photo I took today that I consider worth a second look was this one, not of what I saw through the window, but of the window itself:
Those little things that look at bit like flying birds or insects are actually cracks in (on?) the glass, right? So, how is that safe? How is that allowed? I did a bit of exhausted googling just now, and got nothing, but I did try. (Maybe there is an answer in this, but I couldn’t quickly find it.) I’m not saying it’s unsafe, and that it shouldn’t be allowed, because obviously it is allowed, and it’s obviously safe. Flying is safer than crossing a road, and if those cracks were going to split the airplane open, they’d not be allowed. But to me, that’s what’s interesting. These little cracks are obviously not going to get bigger, any time soon. Assuming cracks is what they are.
LATER: Thanks, as always, to Friday Night Smoke, for one of his always informative comments, on the above. He tells us that these are not cracks, but little bits of ice. Further inspection of my photo archive confirms this.
Obviously, being ice, these “cracks” are on the outside of the plane, on the outermost of the three layers of airplane window. Soon after the photo above was taken, the Ryanairplane descended into the clouds over Stansted Airport, at which point I took the photo below. At the time, what interested me was that the water was moving upwards across the window, on account of the airplane descending. But now what it proves is that those “cracks” have now melted:
I don’t know what that road is. Presumably something near Stansted Airport. Google maps google maps: M11.
Today, I will be journeying from Thuir to Narbonne, to hear a performance of Mozart’s Requiem in Narbonne Cathedral. I will share the car journey with G(od)D(aughter) 2’s parents, the soprano soloist, the mezzo-soprano soloist (GD2), and the baritone soloist (I wrote about his performance as Sir Despard Murgatroyd in Ruddigore in June of last year). I heard a tiny snatch of these three singers rehearsing this afternoon. Despite an unforgiving acoustic (quite unlike the cathedral), and the then very incomplete orchestra, it sounded to me like it will be excellent, particularly the three soloists I will be rooting for. I heard nothing of the chorus, but conductor François Ragot is much loved by all and I’m sure they’ll do well.
Later, I also got hear a distant snatch of the piece that will proceed the Requiem, Mozart’s similarly beloved Clarinet Concerto. That too sounded very promising.
I mention all this now (now being the very small hours of the night before) because today (i.e. tomorrow) looks like being a complicated day, and the option of not doing anything more here today (i.e. tomorrow) is one that it will be very convenient to have.
Postcards like this one, which I photoed this morning, in ... well, you can see where:
Why not just take my own photos?
Well, I do take my own photos, a ton of them, and many of them look extremely like the ones in this photo of a clutch of photos. But what I learn from these picture postcard pictures is what in, in this case, the small historic town of Castelnou is considered by all the others who visit Castelnou to be most worthy of photographic attention. I may agree. I may disagree. Either way, I consider this to be interesting information.
I went Ryanair to Perpignan to get here. I made a point of booking a window seat, but tragically, the wing was centre stage, thus:
I choose that photo to show you what sort of window my window seat was next to. There are nice, clean, easy-to-see-through windows, and there are Ryanairplane windows. So, I didn’t attempt many photos on my journey.
But as we approached Perpignan airport, from the sea, which involved the Ryanairplane obligingly taking a sharp right turn and lowering its wing out of the way, with the snowcapped Pyrenees way out in the distance, I had to at least try:
That being what I finally saw, after I managed to persuade the Thuirian computer that I am now laboriously using, to show it.
The view from the roof
Benjamin Franklin maps the Gulf Stream
Memo to self: photo-destination required for tomorrow
When is a creature suitcase idea a creature suitcase design?
Recent taxis with adverts photos
More drone trouble
Feeling the need to meet
A bus ride and tea versus one of the best concert halls in the world
Michael Jennings on Uber (and the Uber logo ruckus)
A busy day and a collection of Big Things
A Big Thing and a Much Bigger Thing – on a not-black cab
With GD2 in Richmond Park (2): Deer
ShiRtstream drycleaners and a party recollection
Metros of the world
Old photos of Enceladus
A viadukt and a tunnel
Richmond boat cat - giant video kitten - East End cat graffiti
Painting the bridges of Richmond
Here begins the Essex Way
London Biggin Hill “Jet Centre”?
With GD2 in Richmond Park (1): Views of London
A very distant and yet very good view of the Big Things of London
Snohetta does zig zag roofs for competitive cities
The Leaning Stonehenge Tour Bus of Salisbury
Cheap long-haul flights coming soon
Miniature photographic fakery
It feels like Sunday already
Proof that there are a lot of French people in Britain just now
Golden Gate being built – Severn Road Bridge ditto – C20 photography – Hitler’s paintings
French roof clutter
Touch typing or no typing at all
A French film poster advertising a British film
Tired in France
Marginal Eurostar economics
Fuck the duck until exploded
My week in Brittany 2: A crane holding a bridge at Canning Town!
Back from France (plus cat photos)
GARBAGE SHED AND JUMP INTO THE SEA IS PROHIBITED
Will England get lucky?
The Not-V2 at London Bridge Station
I need a new passport but just now passports are a problem
Pylons behind fence
The joyful excitement of the Festival lyrique international de Belle-Île-en-Mer
Michael Jennings talking about Russia this Friday
A quota post (with a quota link to a post about a post about a quota photo) and another quota photo
Three more Paris pictures
Eiffel Tower with chimney pots – La Défense ditto
The text of my talk for Christian Michel last night on the impact of digital photography
Digital photography as telepathy
Tough going in Australia
Big Things and small things
Michael Jennings photoes Cape Bojador
Confirmation that map use has seriously declined
Digital photographers holding maps
Sidwell (and me) on selfies
Michael Jennings photos the bridges of Porto
Two favourite photos from September 5th
London Gateway from above
Wedding photography (7): Evening
Pictures from Georgia and Warsaw
Alastair James on Blythe Hill Fields and smartphones
Michael Jennings - pictures of globalisation
What Michael Jennings has been learning about and will be saying about globalisation
Multilingual botanical gardens in Cyprus
An afternoon in Croydon
Michael Jennings on why iPad photoing is not ridiculous
Little Lady Liberty - still in France
Dream and reality in Mumbai
What’s up with that?
Space launch monster
James Tooley discovers private schools for the poor in the slums of Hyderabad
Possible light blogging for the next week
Choosing a Clean Food Outlet in Lawas is as easy as ABC
Health and safety on a mountain in Borneo
The Armstrong Gun
A Spanish geography lesson
Delayed action Dubrovnik cat
Alex Ross on Hollywood film scores
Another ephemeron for David Thompson?
Abandoned Bangkok tower
Rockets are a great improvement on balloons
Another link enema
Yesterday and today
Peaceful time in war zone
Shard sitings and and an agreeably honest rabies prevention sign
A busy blogging day?
Voice and exit
Two bridges in Portugal
Chained cat in Vietnam
Two red cats
My sleep and luggage and bus and fluid travel hell
Possible holiday interruption
Cricket talk tonight
Towers under the weather - and a steam engine steams to the rescue
Short posting (with short photo) about SpaceShipTwo
David Farrer photos
Shadows on rings
Green eyed monster devouring cat food
Back lit by the sun
Signs of the times in Belfast
Long platform ticket
Ancient Sheffield dwarfed by modernity
By bus to Sheffield
TARP stuff - and a trip to Sheffield
Second Class power
Happy New year (if possible)
A view from Vauxhall Station
Snapped in Egham
My Oxford talk on Google video – or summarised by a friendly blogger
Resized picture done with Jesus but quickly
Preparing for Oxford
Blogging elsewhere and talks elsewhere
First picture posted to this blog from the wild
Now I’m going to try to stick up a picture with Jesus
Brisbane church dwarfed by modernity and this posting behaving very strangely
A thin bridge in Wales
Resizing Slim with Expression Engine
Twenty20 cricket on Sky TV
Two adverts in the tube
A new British citizen
What I have seen so far while abroad
Nanpu Bridge in Quimper
Posting here may be sporadic for the next few days
Ducks - frogs - turtles – beavers – Galaxy Quest
Self-guided photo-tour of the streets of San Francisco
Paying a visit to Mum
Billion Monkey Alan Little?
Twickenham shop attacked by the Dark Side of The Force
Posting with Jesus at the far end of the Kings Road
Moore versus Stossel on Cuban medical care
Eee PC not eeesy to get in Asia either
More St Pancras snaps
The A380 bulge
Comment is free and WiFi should be too
Adriana and Ivan in Addis
The (very) slow fade of Bolshevik Cuba
Toy train to Darjeeling
Taipei with skyscraper
Very very low cost kitten in space