Brian Micklethwait's Blog
In which I continue to seek part time employment as the ruler of the world.Home
6000 on UPS drones and drone vans
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- Two sunsets and two London towers
- Photoing last Friday’s Last Friday meeting
- My comment on the Six Nations so far
- UPS drones and drone vans
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- The outdoor map next to the Twelvetrees Crescent Bridge over the River Lea
- Marc Sidwell on experts
- Guess what this is
- Robots build a bridge
- The Robert Stephenson statue at Euston
- Cruelty to a fake animal – kindness to a fake animal
- Shopping Trolley Spiral beside the River Lea
- An Underground sermon
- Rubbish blogging
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Category archive: Comments
Classical music making is mostly museum curation. Nothing wrong with that, because it is the best museum ever. But that is what it mostly is. Perhaps for this reason, it has long been speculated that classical music would soon stop being re-performed or re-recorded. But there seems to be little sign of this happening.
Here, to illustrate the non-demise of classical music making, is a list of currently performing pianists. It was rather hastily compiled. Perhaps some of those listed have retired. Some may even have died. And there are surely many omissions, including, quite possibly, some major omissions, including, for instance people who I am assuming to be retired or dead who are nothing of the kind.
Also, there must be a huge number of Asian pianists who are very, very good, but who I have simply not noticed the existence of. I live in London, and this list surely reflects that, both with its inclusions and its exclusions.
The number at the end of each clutch is simply me counting how many there are starting with each letter, thereby making it easier for me to count the total. It came to: 175.
Depending on how you determine inclusion or exclusion, the list could be far longer. I went for things like: Have I personally heard of them? Have they done recent recording? Are they hailed as good by classical music critics? Do I personally like their playing?
I seriously doubt whether there have ever before been as many pianists roaming the earth, performing this amazing music, mostly by dead people.
So, here we go:
Pierre-Laurent Aimard - Dimitri Alexeev - Piotr Anderszewski - Leif Ove Andsnes - Nicholas Angelich - Martha Argerich - Vladimir Ashkenazy - Yulianna Avdeeva - (8)
Sergei Babayan - Andrea Bacchetti - Daniel Barenboim - Martin James Bartlett – Jean-Efflam-Bavouzet - Alessio Bax - Mark Bebbington - Markus Becker - Boris Berezovsky - Boris Berman - Michel Beroff - Kristian Bezuidenhout - Jonathan Biss - Christian Blackshaw - Rafal Blechacz - Frank Braley - Ronald Brautigam - Yefim Bronfman - Rudolf Buchbinder - Khatia Buniatishvili - (20)
Bertrand Chamayou - Frederic Chiu - Seong-Jin Cho - Arnaldo Cohen - Imogen Cooper - (5)
Alexandra Dariescu - Lise de la Salle - Jorg Demus - Jeremy Denk - Peter Donohoe - Barry Douglas - Danny Driver - Francois-Rene Duchable (8)
Severin von Eckardstein - Michael Endres - Karl Engel - (3)
Til Fellner - Vladimir Feltsman - Janina Fialkowska - Ingrid Fliter - David Fray - Nelson Freire - Benjamin Frith - (7)
Ivana Gavric - Alexander Gavrylyuk - Boris Giltberg - Havard Gimse - Bernd Glemser - Nelson Goerner - Anna Gourari - David Greilsammer - Helene Grimaud - Benjamin Grosvenor - Horacio Guitierrez - Francois-Frederic Guy - (12)
Marc-Andre Hamelin - Wolf Harden - Rustem Hayrouodinoff - Martin Helmchen - Angela Hewitt - Peter Hill - Ian Hobson - Stephen Hough - Leslie Howard - Ching-Yun Hu - Bruce Hungerford - (11)
Valentina Igoshina - Ivan Ilic - (2)
Peter Jablonski - Paul Jacobs - Ingrid Jakoby - Martin Jones - (3)
Cyprien Katsaris - Freddy Kempf - Kevin Kenner - Olga Kern - Evgeny Kissin - Mari Kodama - Pavel Kolesnikov - (7)
Piers Lane - Lang Lang - Dejan Lazic - Eric Le Sage - John Lenehan - Elizabeth Leonskaja - Igor Levit - Daniel Levy - Paul Lewis - Yundi Li - Jenny Lin - Jan Lisiecki - Valentina Lisitsa - Louis Lortie = Alexei Lubimov - Nikolai Lugansky - (16)
Joanna MacGregor - Alexander Madzar - Oleg Marshev - Denis Matsuev - Leon McCawley - Alexander Melnikov - Gabriela Montero - Joseph Moog - Vanessa Benelli Mosell - Olli Mustonen - (10)
Jon Nakamatsu - Eldar Nebolsin - Francesco Nikolosi - David Owen Norris - (4)
Noriko Ogawa - Garrick Ohlsson - Gerhard Oppitz - Christina Ortiz - Steven Osborne - Alice Sara Ott - (6)
Enrico Pace - Murray Perahia - Javier Perianes - Alfredo Perl - Maria Perrotta - Daniel-Ben Pienaar - Maria Joao Pires - Artur Pizarro - Jonathan Plowright - Awadagin Pratt - Menahem Pressler - Vassily Primakov - (12)
Beatrice Rana - James Rhodes - Pascal Roge - Alexander Romanovsky - Martin Roscoe - Michael Rudy - (6)
Fazil Say - Konstantin Scherbakov - Andras Schiff - Dimitris Sgouros - Howard Shelley - Grigory Sokolov - Andreas Staier - Kathryn Stott - Martin Stadtfeld - Yevgeny Sudbin - (10)
Alexandre Tharaud - Jean-Yves Thibaudet - Cedric Tiberghien - Sergio Tiempo - Geoffrey Tozer - Daniil Trifonov - Simon Trpceski - Noboyuki Tsujii - (9)
Mitsuko Uchida - Florian Uhlig - (2)
Nick Van Bloss - Denes Varjon - Stephan Vladar - Lars Vogt - Arcadi Volodos - (6)
Wiayin Wang - Yuja Wang - Ashley Wass - Llyr Williams - Ingolf Wunder - Klara Wurtz - (6)
Christian Zacharias - Krystian Zimmerman – (2)
That’s a lot of pianists. All the major items of the piano repertoire have each received numerous recordings, and they each get performed somewhere on earth about every other day, and in the case of the popular piano concertos, several times a day. It just refuses to stop. The classical audience keeps aging, and then dying, only to be replaced by more aging people, who also then die, and so it goes on.
Real comments here are very rare, so all real comments on this would be very welcome. But especially welcome would be comments informing me of major omissions to that list.
I’m half way through another photo-posting but it’s taking too long, so here in the meantime is a link to a Trump victory piece I did this morning, at stupid o’clock, a time of day I rather like the sound of.
I like a Rob Fisher comment at Samizdata, attached to this posting, about the anti-Trump Twitter-rage that is now in full broil:
It’s certainly hilarious on Twitter already. They’ve created a caricature monster in their heads and they believe it and they’re wetting the bed over it 140 characters at a time.
Next step for these bed wetters, scour America for hate criminals, who think that they’re entitled now that Trump has won. And they’ll find a few.
What the bed-wetting scourers won’t understand is that they will have helped to cause such hate crimes. If you say that a Trump victory is a victory for racism, and then Trump wins, you are telling the racists that they have won, and can now ramp up their racism, without any longer being punished. I’m not just saying this for the sake of an amusing blog posting, This will actually happen. It probably already is happening.
See also: Brexit.
LATER: A collector’s item.
I’m a big fan of the Samizdata Commentariat. It’s one of the best things about Samizdata. Part of the reason for its excellence is that when things get heated, a comment like this appears:
I’m not a huge fan, on the other hand, of the Guido Commentariat. Too big, too abusive, too given to tangenting off on only very marginally relevant subjects, just like most other big Commentariats, in other words. Still other Commentariats, like mine, are too small to be worth reading regularly. My commenters are very good, but there just aren’t enough of them (it being absolutely not the fault of those who do comment here (it’s the fault of all those who might comment but don’t (and is it really even reasonable to call that a “fault”?))). Samizdata manages to strike a happy balance. At Samizdata, you don’t get Comments (0), posting after posting, like you (I) do here, but nor do you get Comments (1538), or some such ridiculous number of mostly unreadable twaddle-comments. That, for me, is the Guido Commentariat.
But I keep going to the Guido commenters from time to time, because they do have their moments:
That was this morning.
I don’t know if I would call the immediate economic outlook for Britain “absolutely fine”, but compared to continental Europe, and especially continental EUrope, it remains quite good, both immediate outlooks having got rather worse because of Brexit.
The British policy for the last few years seems to have been: be the least worst governed country, but only by a bit. That way, capital and people flow in but don’t absolutely torrent in, even though our bosses are making most of the same mistakes as are being made everywhere else. Just not quite so much as rivals of comparable stature, like France.
If Brexit had only destabilised Britain, then British markets really would have crashed. As it is, it’s a toss up whether Brexit has destabilised Britain more than it has destabilised EUrope. (That guy means the EUrope won’t survive. Europe obviously will.) My belief is that money is both running away from Britain, and coming into Britain. (But what do I know?)
I love to write about digital photography, and have been tracking the selfie phenomenon since long before the mere word was invented, way back in the days when I referred to digital photographers as Billion Monkeys (which I don’t anymore (because some people thought I meant Muslims)). (But also way back in the days when I didn’t worry about showing the faces of strangers, the way I worry now.) And I also enjoy often public sculpture, especially of the more recent and less abstract sort.
So, I love this:
There have been complaints, of course, such as from all the commenters there at the Daily Mail. God forbid that vulgar people should find this vulgar statue so much fun. Sculpture is Art, and Art isn’t supposed to be amusing.
One of the Daily Mail’s other photos is of bloke photoing himself with his own mobile, in front of the selfie statue. But I prefer the more subtle response that consists of simply being photoed joining in, thus:
For once, the statueness, so to speak, of the statue, the fact that it is made of monochrome metal rather than realistically painted to look like real people, works really well, because it contrasts so nicely with the real people. It helps that it seems to be exactly life size.
One of the idiot grumpy commenters at the Daily Mail said that Sugar Land is a stupid name and they were obviously desperate for some attention, which they have never had until now. But wasn’t there a Goldie Hawn movie called The Sugarland Express, or some such thing? Yes there was. Early Spielberg. But, is Sugar Land the same as Sugarland?
According to a later Daily Mail report, it isn’t only their grumpy commentariat that objects to this statue. Could this be because a lot of people heard about this story partly through the Daily Mail, and those people being the sort that hears about things via the Daily Mail, immediately started objecting, because they object to everything. Whereas, the ones who liked it hadn’t heard about it so much.
I first found about the statue via Amusing Planet, so of course I was already self-identified as the sort who would be amused. It was just that the Daily Mail had better pictures.
So, daily-blog-read-for-me David Thompson linked to a posting at ArtBlog, about the rights and wrongs of arts subsidies. I read that posting, and read through the comments too, just as David Thompson did. I find myself wanting to comment. But, can I be bothered?
And then, in comment number 16, courtesy of the Maitre D of ArtBlog, Franklin Einspruch, I discover that I have commented, thus:
The greatest art seems to happen when high art and low art combine, in the form of something that is superficially entertaining and stirring and popular, and also as profound as profundity seekers might want it to be. Arts subsidies harm art by dividing it into less good entertainment art, paid for by punters, and less good high art, paid for with subsidies. Arts subsidies in Britain are now being cut somewhat. The result will be somewhat better art.
Which Franklin found in this Samizdata posting and copied into his comment thread. How about that?!
The two arts that best illustrate this opinion of mine are probably Elizabethan and post-Elizabethan theatre (i.e. Shakespeare and all that), and classical music in the days of its glory, from about the late 1700s until around 1900 (i.e. Mozart, Beethoven and all that).
Shakespeare’s plays are now considered just about as profound as Art with a capital A can ever get, but at the time, his stuff was considered rather middle-brow. Too commercial, too appealing to the rabble. About half of Shakespeare’s mere plays - the very word suggests something not to be taken truly seriously, doesn’t it? - were nearly lost to us:
Of the 36 plays in the First Folio, 17 were printed in Shakespeare’s lifetime in various good and bad quarto editions, one was printed after his death and 18 had not yet been printed at all. It is this fact that makes the First Folio so important; without it, 18 of Shakespeare’s plays, including Twelfth Night, Measure for Measure, Macbeth, Julius Caesar and The Tempest, might never have survived.
What will posterity, in its various and many successive iterations, consider to be the Great Art of our time? And how much of it will be lost, on account of it not now being considered artistic enough?
I’ve already done one posting about the walk that GodDaughter One and I did along the New River (further reaches of) last Saturday, and as I result I learned (thank you Natalie) about Pollarding. Here is another posting, about a duck which GD1 and I observed that day on the New River, and this time what I hope to learn is what make of duck this is.
Here is the duck:
Here are a couple of shots of the duck with his Mrs.
Here’s one of those shots where the principle of a good photo photoed badly is taken to its outer limits. You can see what I was going for and how great it might have been, but you can also see that it didn’t work:
Don’t bother clicking on that one. No point in that being any bigger, is there?
To compensate for the above failure, here is a final head shot of Mr Duck:
I don’t usually post pictures of wildlife on this blog, basically because I feel that I don’t have anything to contribute. Other people – a lot of other people – do this several dozen times better than I ever will. But this duck genuinely interested me. Until I saw it, I had no idea that such a bird was to be seen in the vicinity of London, looking like it had just flown in from Africa or Brazil or some such luridly colourful place.
And whereas, when you have a question about the modern world, you can usually now just type that question into a computer and up comes the answer in just a few seconds, that doesn’t work when you have photoed a fancy-looking bird. I’m sure that this will come, but unless I entirely missed it, the time when this works is not with us quite yet. I cannot now just stuff this photo into my computer and say: What brand of bird is this?
Perhaps this can already be done. In which case a commenter can tell me this, and tell me the result that he or she got when he or she carried out this procedure. He or she can tell me both about photo-searching, and about the duck. Win win.
Blog and learn. That’s the plan, anyway.
After writing the above, I tried typing “fancy duck london” into the www and asked for pictures, and a picture appeared in among all the irrelevant nonsense that looked like what I saw. So now, I know the answer:
Specimens frequently escape from collections, and in the 20th century a large feral population was established in Great Britain; ...
Mandarin duck. Blog and learn.
Indeed. The old Eurostar Terminal at Waterloo is finally coming back to life again, for boring rush hour services, but life.
Until late in 2007, Eurostar trains used to come and go from the new station they built at Waterloo for that exact purpose. But then they shut the place, and the Eurostars operated from St Pancras instead. Since 2007, the Waterloo Eurostar terminal has been a corpse.
After much searching, I managed to dig up a photo I took in 2007 of some Eurostar snouts poking out of the Waterloo terminal, just before it died:
Once again, we see Century House in the background of a photo here that is basically of something else. The previous posting in which this happened is here, at which there is a brief explanatory comment about Century House’s history. Spooks, basically. Now just flats.
Even older Waterloo Eurostar photos can be viewed here, posted here in 2013, but taken in 2003. I also just re-listened to a conversation involving Patrick Crozier, Michael Jennings, Rob Fisher and me, about the new St Pancras, which we all liked a lot, and presumably still like a lot.
I did an earlier posting about some birds I had spied on a walk with GD1, and 6k identified them:
I can help with bird identification!
Your ducks are red-crested pochards (a female and a male), ...
Pochards? You made that up mate. Well, no. But, first I’d heard of it.
… while your ibises are African Sacred Ibis, which are regular visitors to our local dumps and beaches, scavenging what they can, where they can.
Sacred Ibis? More like profane.
I can confirm that these Ibis, Ibises, Ibes, Ibix, whatever, look good in the air, because on that same trip, moments after taking the shot I showed in that earlier posting, of two Ibi squatting on a horizontal tube, I got a shot of one of them flying. Inside their cage, yes, but still flying. And suddenly, a squat little pre-war propeller driven failure of an aircraft turned into a post-war jet bomber:
Let’s have a closer look at that:
Profane on the ground, but sacred in the air.
London Biggin Hill “Jet Centre”?
Pete Comley talking about inflation on Friday February 27th
BMdotcom comment of the day
The Not-V2 at London Bridge Station
How much does it cost to power up a mobile phone?
Guardian online is a group blog that trolls its own readers
Anton Howes – James Lawson – Will Hamilton
Mysteriously losing my internet connection and then mysteriously getting it back
Sam Bowman on Bleeding Heart Libertarianism
On the insecurity of ObamaCare - and on the unwisdom of only punishing big and later
Rob Fisher on the 3D printing future
Perry Metzger on taking seriously the declared objectives of opponents
Spot the Samsung connection
Talking architecture at the Libertarian Home social
Are Christian social conservatives using the Tea Party to impose social conservatism?
Patrick Crozier has just arranged for accessing ancient comments here to be much easier
How llamas told us so – in November 2008
Turning back the spam comment tide and allowing proper comments from way back still to be read
David Friedman on the similarity between fractional reserve banking and insurance
Science can relax about the harm done to it by Climategate
BrianMicklethwaitDotCom spam comment spelling mistake of the day
James Waterton on a very smart very dumb Russian
BrianMicklethwaitDotCom least obnoxious spam comment so far
Is Timberland guilty of spam commenting me?
Molly Norris was just kidding!
Everybody draw Mohammed on May 20th!
“Is this a case of us operant-conditioning them or them operant-conditioning us?”
Voice and exit
Reds against Blues in Munich
ClimateGate roars on and Man(n)-made warming is taking on a whole new meaning
God is killing cinemas!
Old Holborn lets rip at Labour in a Guido comment
The curse of Gordon Brown is now ruining the England cricket team
Two Samizdata comments on the sinking of Brown and on the sinking of the Daily Telegraph
A photo of the Samsung NC10 and the original Asus Eee-PC next to each other
There’s no need to comment on this posting because it’s already perfect
Paul Marks on the financial crisis
On hating and not hating commenters
Lib Dems edge towards school choice
Comment is free and WiFi should be too