Brian Micklethwait's Blog
In which I continue to seek part time employment as the ruler of the world.Home
Simon Gibbs on Incoming horizontality from Simon Gibbs
Rocco on Incoming horizontality from Simon Gibbs
Brian Micklethwait on Incoming horizontality from Simon Gibbs
Rocco on Incoming horizontality from Simon Gibbs
Nikki on I want to write more here about music
MarkR on Goodbye PhotoCat – hello PhotoPad
Brian Micklethwait on Deirdre McCloskey - The Great Enrichment – Using a smartphone as a mirror
Rob Fisher on Deirdre McCloskey - The Great Enrichment – Using a smartphone as a mirror
Rob Fisher on A bridge in Narbonne
Rocco on Benevolent Laissez-Faire photos
Most recent entries
- Brexit Kenny photos
- Incoming horizontality from Simon Gibbs
- Seven London bridges (again)
- Feline Friday at Samizdata
- Face recognition – face disguise – the age of pseudo-omniscience
- More South of France bridges
- Played 6 – Won 0 – Drawn 3 – Lost 3
- I want to write more here about music
- South of France signs
- Keeping up appearances at One Palace Street
- Goodbye PhotoCat – hello PhotoPad
- Incoming imagery from Antoine
- A bridge in Narbonne
- South of France electronic clutter
- Deirdre McCloskey - The Great Enrichment – Using a smartphone as a mirror
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6000 Miles from Civilisation
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we make money not art
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Category archive: Software
One of my regular automatic google-searches is “face recognition”, and just now this has been alerting me to all the various tricks that are coming on stream for making face recognition not work, by putting on make-up, or spectacles, and such like.
Here is my contribution to this discussion:
I know what you’re thinking. Who might that be?
Exactly. Although, if you’re are supercomputer, you have probably worked it out. You have a special programme which tells you to take particular interest in any faces that are trying to not be recognised.
Most of my libertarian friends think that such tech solutions are the front line of this battle. I have long assumed that the world is moving rapidly towards a state where the question of what is X doing at the moment is technologically answerable, and impossible to prevent being answered. For me, among other desirable things, libertarianism is the claim that although we can see X saying or doing something we don’t approve of, we shouldn’t legally prevent him or her from doing that, unless it is really, really bad.
In a world of Total Surveillance by the Big Machine, the proliferation of stupid rules and regulations with no huge moral content becomes a problem like it never used to be. I means rules about things like what you should eat or smoke or, now, say in conversation. Rules like that mean that we can all now be seen and heard breaking such rules. (Okay, maybe not now, maybe not yet, but that’s where things are headed.) And that means that anyone who wants to fuck up your life or my life (for an actual real reason that has bugger all to do with the stupid rule actually being broken) can then do it. Worse, some legislative maniac might demand that anyone that the Big Machine sees breaking this or that rule that he personally is obsessed about, should be automatically fucked over, by the Big Machine, with no human intervention involved. With a big long list of exceptions, like legislators. The Big Machine can’t touch them. Libertarianism has arisen, partly, because it has become ever more necessary to insist on certain principles, principles which were imposed upon the world in former times by sheer ignorance of what other people were getting up to.
The other thing people have to do is develop thicker skins, psychologically speaking I mean, because although legislative pressure is not now a problem for most people, social pressure can become a big problem, for example if you find yourself being mobbed on the internet for some innocuous thing you said or ate. Just because a million idiots on the internet are screeching that you are an idiot, that doesn’t mean you are, or that if you are, it matters. When it does matter, bosses should chill, and not fire people just because the mob is screeching. I applaud, tentatively, the recent tendency to give social media mobsters a going-over, using the same methods on them that they have been using. Who is this mad bitch? What has she (it does often seem to be she) been up to lately? What is her job? Who is her boss? Etc. (In the age of cyber-bullying, I feel that I now understand witchcraft crazes better.)
Another problem is that as something easily mistaken for a state of everyone knowing everything increasingly pertains, that old illusion that everything will accordingly be centrally plannable is likely to keep rearing its very ugly head, and keep on having to be experienced as a disastrous illusion. (More libertarianism.) The point is, everyone doesn’t know everything. Nothing like. We can’t. Our heads aren’t big enough, and even if they were, knowledge is not like that. Everyone can known anything in particular that is easy to know (like where X is just now) that they want to know and ask the Big Machine about. That’s entirely different from actual omniscience.
For years I have struggled, with the graphics programme I have been using, to crop, not square (an option this programme does offer), and not to a size I specify (ditto), but to a ratio that I specify. For years, I could not do that. I repeatedly searched for such a thing, in other programmes, but evidently didn’t pick the right words.
Then, in France, I couldn’t remember the mere name (on such things do decisions hinge) of my regular photo-editing package, so I loaded PhotoCat, basically because it had “cat” in its name and I reckoned I could have Friday feline fun with it (ditto), to see if I could photo-edit with that, and I could, and I could do constant ratio rectangular cropping which was a most welcome surprise.
Thus are decisions made, by computer operatives. There are two rules for getting things done in the modern world. (1) Do not unleash solutions upon circumstances which are not a problem. If it doesn’t help you to do something that you need to do, don’t bother with it no matter how cool everyone else says it is. Cool is not a good enough reason to be faffing about with something. (Faffing about to no purpose cannot be cool, because it isn’t, and because another rule is: worrying about being cool guarantees that you won’t be.)
And (2): if it does help you to do just one thing that you do want to do, then, if you can afford the money, the space, the bother, whatever, use it. Then, when you are using that thing for that one essential thing, then, you can move onwards to finding out if it will do any other merely desirable things. But, lots of merely desirable things and nothing essential is not good enough.
Using anything is difficult, if you only use it occasionally, to do something merely occasionally desirable. This rule applies at all times, in all places, and no matter how “user friendly” the gizmo or programme claims itself or is claimed by other users of it to be. Occasional is bother. Always. Don’t do occasional if you can avoid it.
Using anything is easy, on the other hand, if you do it regularly. This rule applies at all times, in all places, to all things, and no matter how “user hostile” enemies of the gizmo or process claim it to be. If a convoluted dance around the houses by a complicated route gets you an essential result, then dance. Convoluted will quickly become imprinted on your brain, and easy, and reinforced each time you (frequently) use it. This is how rats and ants do things. (Hurrah: other creatures!) They’ll probably outlast us. Ants definitely.
The above explains why the division of labour was so epoch-making. When you concentrate entirely on a small but rather tricky part of a big process, you will do it massively better than others attempting this tricky operation only sometimes, in among all the other things they are attempting. The damn near impossible becomes routine and easy.
So, I prepared for a life of frequently PhotoCatting fixed-ratio rectangles out of my photos. Using PhotoCat for that one thing.
But then, earlier this week I was cranking up PhotoCat, prior to some fixed-ratio cropping, and it refused to load. It got to 80%, and then stuck there. Who knows why? Was this PhotoCat’s fault? Was it something I was doing? Probably the latter, but that isn’t the point. It didn’t load. So, I went looking for alternatives, and I found one, called: PhotoPad.
And the bad news for PhotoCat is that PhotoPad also does proportional ratio cropping, and does it rather more conveniently, because PhotoPad operates on my hard disc and doesn’t have to be uploaded from the www each time. Unlike PhotoCat, PhotoPad is not www based, or whatever you call it, which I prefer because you can still use it if the www is out of action. It’s now all mine:
That being a snap of a rather unusual form of transport that I snapped, in France. I like how you can see what’s happening there, like when they zoom in on a detail in a computer picture in NCIS or a movie or something similar. (Question. Does art lead life in computing? Does stuff like the above start out in the movies, just so absolutely everyone can get what’s going on, and then migrate to real life?)
PhotoPad does something else which PhotoCat didn’t do, or not for me, which is rotate much more exactly. Most photo software seems to want to offer only rotation in 1 degree increments. If they can do better, they don’t volunteer the fact. But, PhotoPad does volunteer this. With PhotoPad, instead of rotating something 1 degree or 2 degrees (or 359 degrees), you can do 1.38 degrees or 1.77 degrees or 358.61 degrees. You’d be surprised, perhaps, how often that is a desirable refinement. You can do it by eye, and let the numbers take care of themselves. Terrific. Cool, even.
So. PhotoCat now offers me … nothing. So, … see above.
Just now, while checking out the PhotoCat link for this posting, I successfully cranked up PhotoCat. Whatever went wrong before has now gone away.
Another French picture, but this time taken in Paris, by my friend Antoine Clarke (to whom thanks):
That would be La Defense, unless I am much mistaken, that being Paris’s new Big Thing district.
I cropped that photo slightly, to moderate that leaning-inwards effect you get when you point a camera upwards at tall buildings.
The email that brought the above snap to my desk, earlier this month, was entitled “warmer than when you were here last”. When I last visited Paris, it was indeed very, very cold, so cold that water features became ice features (see the first picture there).
Today, Antoine sent me another photo, also suffering somewhat from leaning-inwards syndrome, and also cropped by me, more than somewhat. See right.
Mostly what I think about Antoine’s most recent picture is: What an amazing crane! So very tall, and so very thin. It’s amazing it even stays up, let alone manages to accomplish anything. I don’t remember cranes like that existing a generation ago, but maybe that’s merely because no towers that high were being built in London. Not that Antoine’s crane is in London. It is somewhere in America, but where, I do not know.
I just did a bit of googling for books about cranes, and if my googling is anything to go by, books about construction cranes and their history are a lot thinner on the ground than are construction cranes. When you consider how many tons of books have been written about the buildings that construction cranes construct, it is surprising that so little is written about the mighty machines without which such construction would be impossible.
It reminds me of the analogous profusion of books on the history of science, and the comparative neglect of the history of scientific instruments.
As I think I have written before, one major defect of my blog-posting software is that I do not get an accurate picture of how the final blog posting will look, and in this case, whether there is enough verbiage on the left hand side of this tall thin picture of a tall thin crane, to prevent the picture of the tall thin crane impinging upon the posting below. Hence this somewhat verbose and superfluous paragraph, which may not even have been necessary, but I can’t now tell.
Today I attended the Libertarian Home Benevolent Laissez-Faire Conference. Here is the text of the opening speech by conference organiser Simon Gibbs. And here is a selection of the photos I took, of the event and of the speakers:
Conference programme here.
1.1: An attender. 1.2: The venue, very good, with a big side window looking out to a small basement level garden. 1.3: Syed Kamall. 1.4 and 2.1: Janina Lowisz and one of her slides. 2.2, 2.3 and 2.4: Julio Alejandro. 3.1: Simon Gibbs and Yaron Brook. 3.2: Brook. 3.3: Kyril and Rob helping with the books. 3.4: LH info, lit up by the afternoon sun through the window. 4.1: Anton Howes. 4.2: Howes and Brook. 4.3 and 4.4: Gibbs, Alejandro, Howes, Brook.
Travel and learn.
I mentioned in a recent posting that picture editing here in Thuir is different. This is because I can’t remember the name of the photo-editing programme that I usually use, and am having to use a different one. And the one I am using is called PhotoCat. Irritating. But one very good thing has emerged from all the irritation, which is that PhotoCat can do cropping which follows the original shape of the picture,which with me is always 4x3. This means that I can now crop a picture and still have the final result the exact same 1000x750 pixels that all my other pictures are, and that means that I can easily do a much smaller version and make. I could do that with my regular programme, but only with a lot of fiddling about.
PhotoCat also does rotating in a way that takes you straight to the biggest version you can then have, also while preserving the same proportions.
Here, for instance, appropriately enough, is picture of a cat which I took in Castelnou yesterday. On the left is the original snap. On the right is the cropped version.
Whether the picture above actually needed cropping is not the point. The point is that cropping, while keeping the shape the same, was painless.
As is rotating. This same cat later did a bit of rotating of its own, so here is the original of it doing that, with my left foot intruding. And on the right is my rotation of its rotating, also cropped:
PhotoCat is a web based application, or I think it is. It works pretty much like you own it, except that if your internet is down, it presumably doesn’t work.
This posting has been done to ensure that I do not forget the name of this programme. PhotoCat. By which I mean PhotoCat.
I’ve already done one posting about the walk that GodDaughter One and I did along the New River (further reaches of) last Saturday, and as I result I learned (thank you Natalie) about Pollarding. Here is another posting, about a duck which GD1 and I observed that day on the New River, and this time what I hope to learn is what make of duck this is.
Here is the duck:
Here are a couple of shots of the duck with his Mrs.
Here’s one of those shots where the principle of a good photo photoed badly is taken to its outer limits. You can see what I was going for and how great it might have been, but you can also see that it didn’t work:
Don’t bother clicking on that one. No point in that being any bigger, is there?
To compensate for the above failure, here is a final head shot of Mr Duck:
I don’t usually post pictures of wildlife on this blog, basically because I feel that I don’t have anything to contribute. Other people – a lot of other people – do this several dozen times better than I ever will. But this duck genuinely interested me. Until I saw it, I had no idea that such a bird was to be seen in the vicinity of London, looking like it had just flown in from Africa or Brazil or some such luridly colourful place.
And whereas, when you have a question about the modern world, you can usually now just type that question into a computer and up comes the answer in just a few seconds, that doesn’t work when you have photoed a fancy-looking bird. I’m sure that this will come, but unless I entirely missed it, the time when this works is not with us quite yet. I cannot now just stuff this photo into my computer and say: What brand of bird is this?
Perhaps this can already be done. In which case a commenter can tell me this, and tell me the result that he or she got when he or she carried out this procedure. He or she can tell me both about photo-searching, and about the duck. Win win.
Blog and learn. That’s the plan, anyway.
After writing the above, I tried typing “fancy duck london” into the www and asked for pictures, and a picture appeared in among all the irrelevant nonsense that looked like what I saw. So now, I know the answer:
Specimens frequently escape from collections, and in the 20th century a large feral population was established in Great Britain; ...
Mandarin duck. Blog and learn.
Last night I dined at the new and rather temporary home of Samizdata, where I took this photo:
Click on this to get it larger.
These really are very tasty crisps, and I strongly recommend them. I immediately decided that I would try to serve some of these at future iterations of my last-Friday-of-the-month meetings. So, I took a note of these chips, with my camera.
When I pondered the impact of digital photography, way back when that was, this ability to photo not only mere prettiness, but also information, loomed large.
I mentioned how my friend Simon Gibbs and his workmates all use their smartphones to photo the mass scribblings on a whiteboard after a brainstorming session. The man making the thumbs-up sign in the above photo told me about a new app that he now uses at work which takes a picture like the ones Simon and his pals take, and smartens it up, so to speak. It translates handwriting, that is to say, into proper computer text (presumably computer text you can scan), and arranges everything more neatly and more readably. Impressive. And I’m guessing that the existence both of smartphones taking photos, and of apps like this that can make even more sense of such photos, changes what gets written on the whiteboard, now that more coherent text will be better recorded and processed. I’m guessing that handwriting improves somewhat. But does this app, I wonder, subtract somewhat from the informality of the process? And might that undermine creativity?
I wonder what this app would have done with my Tyrrell’s veg crisps photo.
I photoed Mr Thumbs-Up’s smartphone, where the logo for this app was to be seen, but alas, the smart-focussing in my camera was not smart enough to focus on this image. It was all a blur:
There’s no point in me showing you a larger version of that, is there? How sad that my photo-note of an app for processing photo-notes should be so useless.
I should have included more stuff off screen for my camera to focus on. As I later discovered when I took some other photos off of his smarphone, of how my blog looked on his smartphone. Those photos came out better. But that’s for another posting.
My photos of London contain may oddities, which I sometimes only notice later, and often only much later.
Take this photo, for instance, which was one of the first I took from the top of One New Change, on the second of two visits I made in the early summer of 2012, on May 22nd:
I like it. Big Ben, seen through the Wheel, the Wheel presumably being what I thought I was photoing at the time. Outstanding roof clutter, right next to the Wheel. The pleasingly eccentric Oxo House, slightly nearer to us. Good stuff, albeit rather dimly lit.
But what about that big photo-within-the-photo, of what looks like the late Lord Mountbatten, standing next to a young man who looks vaguely like a young Prince Andrew, underneath where it says “Sea Containers House”? What on earth is that about?
Image google “Mountbatten Sea Containters House”, and all quickly becomes clear.
The largest ever photograph of the Royal Family has been unveiled on a prominent South Bank building in the heart of the capital to celebrate the Queen’s upcoming Diamond Jubilee.
When finished, a day or two afte4r I took my photo, the complete photo on Sea Containers House looked like this:
I caught the process of this photo being contrived at its very earliest stage. And yes, that is a young Prince Andrew.
The only thing I remember about all that Jubilee fuss in 2012 is that, for some reason or other, I pretty much ignored it. I think I may have watch the boats on the telly. Had I paid more attention, it would have been obvious to me soon after I took my photo of that photo what had been going on.
Google is wonderful. Also very sinister. Very sinister because so wonderful.
How cranes might not keep falling
Michael Jennings on Uber (and the Uber logo ruckus)
Screens at dusk
Simon Gibbs on computer programming - me on how Alex Singleton has not written himself out of a job
Jim Glymph gets Frank Gehry past the limits of what is buildable
How to Weaponize your Cat to Hack Neighbours Wi-Fi Passwords
It begins (badly)
Out and about with GD1 (3): Baritone borrows my charger
Adverts for small and cheap drones
Peter Thiel on how humans and computers complement each other
A drone weaving a structure in space
Touch typing or no typing at all
Christmas Day photos
Matt Ridley on how technology leads science and how that means that the state need not fund science
Dominic Frisby on the Hype Cycle
It turns out that lightning speed is immensely useful
God was overheating and now needs radical transplant surgery (and Dawkins now has to do my email)
PID at the Times
OpenOffice Writer default resetting nightmares
Cashing a cheque by photoing it
Robyn Vinter is wrong about Google Glass
TfL electronic signs (etc.)
The joyful excitement of the Festival lyrique international de Belle-Île-en-Mer
My blogging software is behaving badly
Green screen blue screen
Art has its uses – but where did it have its uses this time – and what is it?
Another photographer photo from the archives
Confirmation that map use has seriously declined
Digital photographers holding maps
Mark Steyn on Obama’s Hoover Dam and me on paywalls
On the insecurity of ObamaCare - and on the unwisdom of only punishing big and later
Simon Gibbs last night at the Rose and Crown
Alex on Quentin
Twisted picture from Burgess Park (untwisted with Photoshop Elements)
Finding Rover app tracks lost dogs using facial recognition
Richard Stallman on software patents
Interesting software NewZ
Rob Fisher on the 3D printing future
The Johnathan Pearce Samizdata gap
Reflections on a strange coincidence involving an Android app and a malfunctioning bus stop sign
Panoramic view of London from the top of the BT Tower
Alastair James on Blythe Hill Fields and smartphones
Doing libertarian business at the Libertarian Home social
Looking along Victoria Street to The Wheel (and on how to be liked (or disliked) by Google)
Close-up of the ruined Vauxhall crane
Is Samizdata in danger of becoming a photo-blog?
Nice blog you have here … shame if something happens to it
All change at Samizdata and another outage here
Michael Jennings on why iPad photoing is not ridiculous
More photographers photographed
Outage here last night - and the possible Wordpress future of this blog
PID at Samizdata
Turning back the spam comment tide and allowing proper comments from way back still to be read
Untrue colours from Windows Photo Viewer
Google Earth and Mr and Mrs Goose
The Jobs difference
Notes to self but not to you
How can I change the double inverted commas in openoffice.org writer from curved to straight-up?
Empty tables and empty chairs
Someone doesn’t understand what I mean by roof clutter
Out to lunch with Alex Singleton
Jobs departs from Apple (again)
OpenOffice.org 3.2.1 Writer font default setting help wanted
Problems here (now sorted)
I can do squares!!!
Is this blog somewhat broken?
Help with Audacity please
Brianmicklethwait Dot Com headline of the day
Google rolls out computer controlled cars
Links to this and that
Bay Bridge plus a new bridge next to it
Big box computers versus laptops
Alex Singleton on Photoshop CS5
How my camera and the internet explained an old bus
Apple keyboard remains excellent – iPhone software not so excellent
Green cat email mystery solved
Does Google now rule the world of computing?
What’s up with this?
Antoine Clarke talks about Facebook and Twitter – Guido and … Ian Geldard?
Me and Michael Jennings talk tech trends
Chrome now seems better than IE or Firefox
MP3 Haydn symphonies
Is the original version of this with all the spelling mistaks what goes on all teh uther blogs?
A photo of the Samsung NC10 and the original Asus Eee-PC next to each other
Daniel Hannan and the shape of the media to come
A question about double inverted commas in OpenOffice.org Writer
Milk containers ancient and modern
Has the Linux moment passed?
Billion Monkey with red mittens on
Jesus gets a big new keyboard
Another resizing test
Resized picture done with Jesus but quickly
JD gets PTD
Pink bunny successfully resized and posted only with Jesus!
Now I’m going to try to stick up a picture with Jesus
Cats are (as of) now being counted in permanent italics
Permanent Bold Disease strikes Brassneck
PID hits DK
Coffee House struggles with Permanent Italics Disease
Instapundit succumbs to PID
Permanent italics disease at the Coffee House
A cheaper competitor for the Eee PC
The Eee PC just got better
Eee PC and Brahms CDs
Typed man walking
The petty cash effect cuts in for Linux
Linux versus Windows - the bigger tiny laptop breakout
Vista won’t work on the new small and cheap computers
Blu-Ray - HD DVD – IBM – Microsoft - Google
I love competition
A job well done
Eee PC not eeesy to get in Asia either
Facebook – not so social
Engadget suffers from intermittent giant text disease
I listened to both of them at the same time!
Smelling the smoke in the Microsoft machine
YouTube - Internet Explorer - Firefox
The permanent italics disease